1
00:00:08,792 --> 00:00:11,528
THIS IS THE TRIGGER I NEED.

2
00:00:11,561 --> 00:00:13,997
IT'S AN INITIATING REACTOR.

3
00:00:14,030 --> 00:00:15,965
IT'S LOST ITS CHARGE.

4
00:00:15,999 --> 00:00:18,134
WITHOUT TH PCE,

5
00:00:18,168 --> 00:00:21,404
I CANNOT RESET TIME.

6
00:00:21,438 --> 00:00:27,043
IF YOUR PLAN IS SUCCESSFUL,
WE WILL CEASE TO EXIST.

7
00:00:27,043 --> 00:00:32,599
IF OUR PLAN DOESN'T SUCCEED,
THEY WILL CEASE TO EXIST.

8
00:00:36,086 --> 00:00:38,288
AFTER ALL THIS TIME

9
00:00:38,321 --> 00:00:41,091
THE FEELINGS YOU HAD
FOR THESE PEOPLE...

10
00:00:41,124 --> 00:00:44,494
THE FEELINGS WE ALL HAD,

11
00:00:44,527 --> 00:00:48,965
THEY HAVE NOT GROWN IN YOU?

12
00:00:48,998 --> 00:00:52,802
WHEN WE FIRST CAME,

13
00:00:52,836 --> 00:00:56,973
WHEN WE STARTED TO EXPERIENCE
EMOTIVE DEVELOPMENT

14
00:00:57,006 --> 00:00:59,976
BY BEING IN THIS ERA,

15
00:01:00,009 --> 00:01:04,848
WE AGREED, THE 12 OF US,
TO SPEAK NOTHING OF IT.

16
00:01:04,848 --> 00:01:09,018
<i>YOU LOST CONTROL,</i>
<i>AS DID AUGUST.</i>

17
00:01:14,023 --> 00:01:16,292
WE AGREED, THE 12 OF US,
TO SPEAKWHEN WE FIRST CAME HERE

18
00:01:16,326 --> 00:01:20,530
WE DID NOT KNOW THE TRUE NATURE
OF OUR EXPEDITION.

19
00:01:20,563 --> 00:01:24,934
WE WERE NOT TOLD.

20
00:01:24,968 --> 00:01:29,239
THE PEOPLE OF THIS ERA,

21
00:01:29,272 --> 00:01:32,876
THIS IS THEIR DESTINY.

22
00:01:45,088 --> 00:01:48,224
DESTINY CAN BE CHANGED.

23
00:01:48,258 --> 00:01:52,362
BUT YOU HAVE TO HAVE THE WILL
TO CHANGE IT...

24
00:01:52,395 --> 00:01:57,267
EVEN IF IT REQUIRES SACRIFICE.

25
00:01:57,300 --> 00:02:01,387
<i>I TOOK A RISK</i>
<i>EVEN COMING TO SEE YOU</i>

26
00:02:01,437 --> 00:02:03,106
<i>BECAUSE I BELIEVE</i>

27
00:02:03,139 --> 00:02:07,210
THAT THE PEOPLE OF THIS ERA
ARE WORTH SAVING.

28
00:02:10,280 --> 00:02:11,347
(Walter)
IT NEEDS TO BE

29
00:02:11,381 --> 00:02:13,249
AT A 22 DEGREE ANGLE.

30
00:02:13,283 --> 00:02:15,084
22 DEGREES.

31
00:02:15,118 --> 00:02:16,119
CAN YOU HEAR ME?

32
00:02:16,152 --> 00:02:17,587
BLASTED THING.

33
00:02:17,620 --> 00:02:19,322
WHAT I WOULDN'T GIVE
FOR A GOOD, OLD-FASHIONED

34
00:02:19,355 --> 00:02:20,990
TUMOR-INDUCING CELL PHONE.

35
00:02:21,024 --> 00:02:21,958
I CAN HEAR YOU.

36
00:02:21,991 --> 00:02:23,359
22 DEGREES.

37
00:02:23,393 --> 00:02:25,061
YEAH, COPY THAT.

38
00:02:25,094 --> 00:02:26,095
AND MAKE SURE
IT'S ON AN EVEN PLANE.

39
00:02:26,129 --> 00:02:29,132
ABSOLUTELY CRUCIAL.

40
00:02:29,165 --> 00:02:31,000
[device beeps]
OKAY. STOP.

41
00:02:31,034 --> 00:02:32,135
WE'RE THERE.

42
00:02:32,168 --> 00:02:33,469
WHAT'S THE ENERGY METER READING?

43
00:02:33,503 --> 00:02:34,771
[cell phone rings]

44
00:02:34,804 --> 00:02:36,739
<i>YOU WILL SEE A RED LIGHT ON.</i>
HELLO?

45
00:02:36,773 --> 00:02:38,341
IT'S ME. WHERE ARE YOU?

46
00:02:38,374 --> 00:02:39,442
<i>(Peter)</i>
<i>WE HAVE THE BOY.</i>

47
00:02:39,475 --> 00:02:40,543
<i>WE'RE ON OUR WAY.</i>

48
00:02:40,577 --> 00:02:41,911
ONCE THAT NEWS STARTS BREAKING

49
00:02:41,945 --> 00:02:42,946
I WANT TO BE OUT OF HERE.

50
00:02:42,979 --> 00:02:44,347
I'M GONNA GET A FEW THINGS

51
00:02:44,380 --> 00:02:45,615
WE'LL NEED
AND COME DIRECTLY TO YOU.

52
00:02:45,648 --> 00:02:49,919
<i>(Peter)</i>
<i>GOOD ENOUGH. SPEAK SOON.</i>

53
00:03:22,285 --> 00:03:24,420
[door closes]

54
00:03:44,941 --> 00:03:46,476
<i>[Broyles, distorted speech]</i>
<i>IT'S ME.</i>

55
00:03:46,509 --> 00:03:49,479
<i>WHERE ARE YOU AT NOW?</i>

56
00:03:51,014 --> 00:03:52,448
<i>[Peter, distorted]</i>
<i>WE HAVE THE BOY.</i>

57
00:03:52,482 --> 00:03:54,851
<i>WE'RE ON OUR WAY.</i>

58
00:03:56,219 --> 00:03:58,421
<i>WE HAVE THE BOY.</i>
<i>WE'RE ON OUR WAY.</i>

59
00:03:58,454 --> 00:04:01,357
<i>(Broyles)</i>
<i>ONCE THE NEWS STARTS BREAKING, I WANT TO BE OUT OF HERE.</i>

60
00:04:01,391 --> 00:04:03,293
<i>I'M GONNA GET</i>
<i>A FEW THINGS WE'LL NEED</i>

61
00:04:03,326 --> 00:04:05,061
<i>AND COME DIRECTLY TO YOU.</i>

62
00:04:09,299 --> 00:04:10,366
<i>(Carol)</i>
<i>HERE YOU ARE, SIR.</i>

63
00:04:10,400 --> 00:04:11,401
THE CHECKPOINTS.

64
00:04:11,434 --> 00:04:12,735
THANK YOU, CAROL.

65
00:04:12,769 --> 00:04:15,071
I, UH, I'LL BE GONE

66
00:04:15,104 --> 00:04:17,407
FOR THE REST
OF THE AFTERNOON.

67
00:04:22,211 --> 00:04:24,480
AGENT BROYLES.

68
00:04:24,514 --> 00:04:28,051
I WOULD LIKE A WORD WITH YOU.

69
00:04:30,336 --> 00:04:33,222
[mysterious music]

70
00:04:33,256 --> 00:04:41,497
♪

71
00:04:59,866 --> 00:05:04,237
YOU ARE AWARE WE HAD A LEVEL ONE
SECURITY BREACH TODAY,

72
00:05:04,270 --> 00:05:07,140
RESULTING IN THE ABDUCTION
OF A HIGH-VALUE DETAINEE

73
00:05:07,173 --> 00:05:09,375
FROM OUR FACILITY.

74
00:05:09,409 --> 00:05:12,812
NO. NO, I DIDN'T
KNOW THAT.

75
00:05:12,845 --> 00:05:16,449
THE FUGITIVES
KNEW PRECISELY WHERE

76
00:05:16,482 --> 00:05:18,384
WE WERE HOLDING
THE PRISONER.

77
00:05:18,418 --> 00:05:22,789
YOU THINK THAT INFORMATION CAME
FROM SOMEONE IN MY DIVISION?

78
00:05:22,822 --> 00:05:27,894
WE ARE EXPLORING
ALL POSSIBILITIES.

79
00:05:27,927 --> 00:05:31,597
I HAVE HEARD WHISPERS

80
00:05:31,631 --> 00:05:35,201
<i>THAT THE RESISTANCE OPERATIVE</i>
<i>KNOWN AS "THE DOVE"</i>

81
00:05:35,234 --> 00:05:39,405
<i>MAY BE AMONG US.</i>

82
00:05:44,077 --> 00:05:47,613
WELL, IF THAT WERE TRUE,
WHOEVER IT IS

83
00:05:47,647 --> 00:05:52,852
SHOULD HAVE BEEN
READ AND EXPOSED LONG AGO.

84
00:06:11,771 --> 00:06:16,709
I DO NOT WISH TO KEEP YOU ANY
LONGER FROM YOUR DUTIES.

85
00:06:16,743 --> 00:06:20,897
<i>REMAIN VIGILANT, PHILLIP.</i>

86
00:06:30,690 --> 00:06:32,825
[exhales]

87
00:06:34,327 --> 00:06:38,097
[door opens and closes]

88
00:06:39,399 --> 00:06:43,169
<i>(September)</i>
<i>WHERE HAVE YOU BEEN?</i>

89
00:06:46,205 --> 00:06:49,075
<i>(Olivia)</i>
<i>WHY WOULD HE STEP OFF THE MONORAIL?</i>

90
00:06:49,108 --> 00:06:52,111
<i>I MEAN, WHY WOULD HE DO THAT?</i>

91
00:06:52,145 --> 00:06:53,312
HE KNOWS TOO MUCH.

92
00:06:53,346 --> 00:06:54,947
HE MUSHAVE KNOWN

93
00:06:54,981 --> 00:06:57,350
THAT THEY WANTED TO HARM HIM.

94
00:06:57,383 --> 00:07:01,587
APPARENTLY...
THERE WAS A REASON.

95
00:07:03,623 --> 00:07:06,759
<i>THERE ALWAYS IS.</i>

96
00:07:09,095 --> 00:07:11,864
<i>(Walter)</i>
<i>I'VE SPOKEN TO ANIL AND HIS MEN.</i>

97
00:07:11,898 --> 00:07:14,667
THE MAGNET HAS BEEN POSITIONED
ON THE TRUCK AS YOU REQUESTED.

98
00:07:14,700 --> 00:07:17,437
WE'RE MISSING AN IMPORTANT PART.

99
00:07:17,470 --> 00:07:20,807
<i>THE INITIATING REACTOR'S CORE</i>

100
00:07:20,840 --> 00:07:22,508
<i>DECAYED SUBSTANTIALLY</i>
<i>OVER THE PAST 20 YEARS.</i>

101
00:07:22,542 --> 00:07:25,978
I ENLISTED HELP TO SURE
ANOTHER ONE FROM MY TIME.

102
00:07:26,012 --> 00:07:27,079
AN OBSERVER?

103
00:07:27,113 --> 00:07:29,348
ONE I TRUST.

104
00:07:29,382 --> 00:07:32,318
BUT ONE OF YOU
WILL NEED TO RETRIEVE IT.

105
00:07:32,351 --> 00:07:35,188
(Peter)
SO WHAT IS THE INITIATING REACTOR?

106
00:07:35,221 --> 00:07:37,457
<i>(Walter)</i>
<i>IT PROVIDES A SURGE OF ENERGY</i>

107
00:07:37,490 --> 00:07:39,091
<i>TO START UP THE DEVICE.</i>

108
00:07:39,125 --> 00:07:40,993
THE PURPOSE OF THIS MACHINE

109
00:07:41,027 --> 00:07:42,695
IS TO GENERATE A SINGULARITY.

110
00:07:42,728 --> 00:07:45,331
ESSENTIALLY, A SMALL WORMHOLE.

111
00:07:45,364 --> 00:07:46,966
<i>AND ONCE IT'S OPEN,</i>

112
00:07:46,999 --> 00:07:49,168
THEN WE'LL BE ABLE
TO DEPLOY THE CYLINDERS.

113
00:07:49,202 --> 00:07:51,704
THEY SERVE
TO STABILIZE EACH END.

114
00:07:51,737 --> 00:07:54,540
AND ONE WILL REMAIN HERE IN OUR
PRESENT AS AN ANCHOR.

115
00:07:54,574 --> 00:07:58,744
THE OTHER ONE WILL BE SENT TO
A SPECIFIC POINT IN THE FUTURE--

116
00:07:58,778 --> 00:07:59,912
2167.

117
00:07:59,946 --> 00:08:02,715
HOW DO WE GET THEM TO 2167?

118
00:08:02,748 --> 00:08:04,183
THAT'S WHAT THE MAGNET IS FOR.

119
00:08:04,217 --> 00:08:06,219
<i>IT'S USED</i>
<i>AS A LAUNCH PLATFORM.</i>

120
00:08:06,252 --> 00:08:09,355
IT WILL HOLD THE CYLINDER AT
THE PRECISE AXIS IT NEEDS TO BE

121
00:08:09,388 --> 00:08:10,556
TO ENTER THE WORMHOLE,

122
00:08:10,590 --> 00:08:12,024
<i>ENSURING TT THE CYLINDER</i>

123
00:08:12,058 --> 00:08:13,693
<i>REACHES ITS DESTINATION.</i>

124
00:08:13,726 --> 00:08:15,528
AND THE SCROLLS ARE TO HELP US

125
00:08:15,561 --> 00:08:17,864
SET THOSE CYLINDERS PRECISELY.

126
00:08:17,897 --> 00:08:19,932
WE'LL NEED TWO GENERATORS
TO POWER THE MAGNET.

127
00:08:19,966 --> 00:08:21,601
ALL READY WITH ANIL.

128
00:08:21,634 --> 00:08:23,236
IF YOU'RE GONNA RUN THE MAGNET
OFF OF TWO GENERATS,

129
00:08:23,286 --> 00:08:24,670
THEY'RE GONNA HAVE TO BE
IN PERFECT PHASE.

130
00:08:24,704 --> 00:08:25,938
WE'LL NEED A SYNCHROSCOPE
AS WELL.

131
00:08:25,972 --> 00:08:27,640
I KNOW THAT AND I WOULD HAVE
THOUGHT OF THAT.

132
00:08:27,673 --> 00:08:30,042
IT WOULD BE ONE OF THEM,
IN THERE,

133
00:08:30,076 --> 00:08:31,844
PROBABLY NEAR THE FISH TANK.

134
00:08:31,878 --> 00:08:34,547
AND MICHAEL?

135
00:08:34,580 --> 00:08:39,285
HE WILL TRAVERSE THE WORMHOLE
TO 2167.

136
00:08:39,318 --> 00:08:41,687
HE'LL MEET THE SCIENTIST
IN OSLO, NORWAY.

137
00:08:41,721 --> 00:08:46,058
AND THAT MEETING WILL CHANGE
THE COURSE OF HUMAN EVOLUTION.

138
00:08:46,092 --> 00:08:48,261
HOW WILL HE KNOW
WHO THE SCIENTIST IS?

139
00:08:54,433 --> 00:08:57,570
THERE WILL BE
SOMEONE THERE TO GUIDE HIM.

140
00:08:57,603 --> 00:09:00,640
[cell phone ringing]

141
00:09:00,673 --> 00:09:02,341
IT'S BROYLES.

142
00:09:02,375 --> 00:09:04,176
<i>YOU GOOD?</i>

143
00:09:04,210 --> 00:09:06,612
I'M LEAVING FOR BOSTON.
I'M COMING TO YOU.

144
00:09:06,646 --> 00:09:08,347
<i>(traffic control worker)</i>
<i>THIS IS AGENT PAT WILKINS.</i>

145
00:09:08,381 --> 00:09:10,082
<i>I HAVE HIM ON</i>
<i>THE SPRING STREET, NUMBER 49.</i>

146
00:09:10,116 --> 00:09:11,784
NORTHBOUND, LANE TWO.

147
00:09:11,817 --> 00:09:13,586
<i>(officer 1)</i>
<i>COPY THAT, TRAFFIC CONTROL.</i>

148
00:09:13,619 --> 00:09:15,521
<i>BRAVO UNIT IS ON STANDBY</i>
<i>TO CONTINUE SURVEILLANCE.</i>

149
00:09:15,555 --> 00:09:17,223
<i>(officer 2)</i>
<i>BRAVO UNIT HAS VISUAL.</i>

150
00:09:17,256 --> 00:09:18,991
<i>HE'S 200 METERS AHEAD</i>
<i>IN THE RIGHT LANE.</i>

151
00:09:19,025 --> 00:09:20,576
<i>(officer 1)</i>
<i>COPY THAT.</i>

152
00:09:20,626 --> 00:09:22,028
CALL US WHEN YOU'RE CLOSE.

153
00:09:22,061 --> 00:09:23,129
PETER'S GONNA MEET YOU
AT THE ENTRANCE

154
00:09:23,162 --> 00:09:25,064
<i>OF THE STEAM TUNNEL.</i>

155
00:09:26,766 --> 00:09:29,001
<i>BROYLES, ARE YOU THERE?</i>

156
00:09:29,035 --> 00:09:31,304
CAN YOU HEAR ME?

157
00:09:31,337 --> 00:09:33,105
<i>HELLO?</i>

158
00:09:33,139 --> 00:09:34,907
THEY'RE FOLLOWING ME.

159
00:09:34,941 --> 00:09:37,476
<i>WINDMARK IS LETTING ME</i>
<i>LEAD THEM TO YOU</i>

160
00:09:37,510 --> 00:09:40,713
<i>I'LL LEAD THEM AROUND</i>
<i>AS LONG AS I CAN.</i>

161
00:09:40,746 --> 00:09:43,416
BUT IT'S ONLY A MAERF TIME
BEFORE THEY REALIZE

162
00:09:43,449 --> 00:09:45,551
I'M NOT LEADING THEM TO YOU.

163
00:09:45,551 --> 00:09:48,988
IF I'M CAUGHT, THEY'LL READ ME.

164
00:09:49,021 --> 00:09:50,723
I'M<i>I CAN PROTECT MY THOUGHTS,</i>

165
00:09:50,756 --> 00:09:52,208
<i>BUT THERE'S ONLY SO LONG</i>
<i>THAT'LL LAST.</i>

166
00:09:52,258 --> 00:09:53,659
OKAY, WINDMARK IS NOT
GOING TO READ YOU

167
00:09:53,659 --> 00:09:55,294
BECAUSE WE'RE GOING
TO COME AND GET YOU.

168
00:09:55,328 --> 00:09:57,263
THE MOST IMPORTANT THING
IS THE PLAN.

169
00:09:57,296 --> 00:09:59,699
LISTEN TO ME, PHILLIP, YOU NEED
TO TELL ME WHERE YOU ARE.

170
00:09:59,732 --> 00:10:02,335
OLIVIA...

171
00:10:05,705 --> 00:10:07,273
JUST GET IT DONE.

172
00:10:07,273 --> 00:10:09,442
<i>JUST TELL ME WH--</i>
[cell phone beeps]

173
00:10:17,950 --> 00:10:20,086
YOU HEARD HIM.

174
00:10:20,119 --> 00:10:22,121
IF HE'S CAPTURED,
IT'S ONLY A MATTER OF TIME

175
00:10:22,154 --> 00:10:23,556
BEFORE THEY KNOW WE'RE HERE.

176
00:10:23,589 --> 00:10:26,892
<i>PETER, START EXCAVATING</i>
<i>THAT SYNCHROSCOPE.</i>

177
00:10:26,926 --> 00:10:28,694
WE NEED TO GO
GET THE NEW INITIATOR.

178
00:10:28,728 --> 00:10:31,897
AND WE NEED TO GATHER EVERYTHING
THAT IS REQUIRED AND LEAVE.

179
00:10:31,931 --> 00:10:34,800
IT'S OUR ONLY CHANCE.

180
00:10:41,540 --> 00:10:43,743
<i>(Walter)</i>
<i>PETER, HOW ARE YOU DOING WITH THEY SYNCHROSCOPE?</i>

181
00:10:43,776 --> 00:10:45,811
<i>(Peter)</i>
<i>NO SYNCHROSCOPE YET.</i>

182
00:10:45,845 --> 00:10:47,880
BUT I FOUND ME SORT O.

183
00:10:47,913 --> 00:10:51,417
<i>ANY IDEA WHAT THAT WAS FOR</i>
<i>OR WHY YOU HAD IT?</i>

184
00:10:51,450 --> 00:10:53,719
I HAVE NO IDEA.

185
00:10:58,457 --> 00:11:00,860
THIS TAPE IS ADDRESSED TO ME.

186
00:11:04,730 --> 00:11:08,100
IT'S YOUR HANDWRITING.

187
00:11:14,040 --> 00:11:17,777
PETER, I SENT YOU A LETTER.

188
00:11:17,810 --> 00:11:19,812
<i>IT CONTAINS SOMETHING OF MINE.</i>

189
00:11:19,845 --> 00:11:21,247
WHAT LETTER, WALTER?

190
00:11:21,280 --> 00:11:22,848
<i>I IMAGINE YOU CALLED ME TO ASK</i>

191
00:11:22,882 --> 00:11:25,451
<i>WHY WOULD YOU SEND</i>
<i>SUCH A STRANGE LETTER?</i>

192
00:11:25,484 --> 00:11:28,454
AND WHEN YOU TRIED TO CALL,
I DIDN'T ANSWER.

193
00:11:28,487 --> 00:11:30,790
<i>SO YOU CAME TO FIND ME</i>
<i>AT THE LAB.</i>

194
00:11:30,823 --> 00:11:34,060
BUT I WAS NOT TO BE FOUND.

195
00:11:34,093 --> 00:11:35,661
WAS HERE ONE MOMENT

196
00:11:35,695 --> 00:11:41,534
<i>AND VANISHED FROM THE FACE</i>
<i>OF THE EARTH THE NEXT.</i>

197
00:11:41,567 --> 00:11:45,971
I WANT YOU TO KNOW I'M FINE.

198
00:11:46,005 --> 00:11:50,409
<i>AND LIVING MANY,</i>
<i>MANYEARS FROM NOW.</i>

199
00:11:50,443 --> 00:11:52,445
WHAT IS THIS, WALTER?

200
00:11:52,478 --> 00:11:56,515
YOU WILL NEVER SEE ME AGAIN.

201
00:11:56,549 --> 00:12:00,486
<i>YOU WILL NEREE ME AGAIN</i>
<i>BECAUSE IT HAD TO BE THIS WAY</i>

202
00:12:00,519 --> 00:12:04,056
TO ENSURE THE FUTURE
OF OUR HUMANITY.

203
00:12:04,090 --> 00:12:07,827
<i>YOUR FUTURE.</i>

204
00:12:07,860 --> 00:12:10,362
THE FUTURE OF OLIVIA.

205
00:12:10,396 --> 00:12:15,201
AND THE FUTURE OF ETTA.

206
00:12:15,234 --> 00:12:17,603
<i>I DON'T WANT YOU TO BE SAD.</i>

207
00:12:17,636 --> 00:12:22,041
THE TIME WE HAD
TOGETHER WE STOLE.

208
00:12:22,074 --> 00:12:24,844
<i>I CHEATED FATE</i>
<i>TO BE WITH YOU.</i>

209
00:12:24,877 --> 00:12:29,115
<i>AND WE SHOULDN'T HAVE HAD THAT</i>
<i>TIME TOGETHER, BUT WE DID.</i>

210
00:12:30,966 --> 00:12:34,420
AND I WOULDN'T CHANGE IT
FOR THE WORLD.

211
00:12:39,892 --> 00:12:43,662
I DON'T WANT TO SAY GOOD-BYE.

212
00:12:46,866 --> 00:12:51,437
BUT I WILL SAY...

213
00:12:51,470 --> 00:12:56,308
I LOVE YOU, SON.

214
00:12:56,342 --> 00:12:59,378
<i>I WASN'T TRUTHFUL WITH YOU.</i>

215
00:12:59,411 --> 00:13:01,847
I DO KNOW WHAT THAT IS.

216
00:13:01,881 --> 00:13:06,919
<i>IT'S AN INOCULATION</i>
<i>FOR TIME TRAVEL.</i>

217
00:13:06,952 --> 00:13:11,390
I'M TAKING THE CHILD OBSERVER
INTO THE FUTURE, PETER.

218
00:13:11,423 --> 00:13:16,162
<i>I WAS ALREADY INOCULATED</i>
<i>IN 2015.</i>

219
00:13:16,195 --> 00:13:19,532
I LEFT THIS ONE IN CASE
SOMETHING HAPPENED TO ME

220
00:13:19,565 --> 00:13:21,901
AND SOMEONE ELSE
HAD TO BRING THE BOY ACROSS

221
00:13:21,934 --> 00:13:26,338
TO COMPLETE THE PLAN.

222
00:13:26,372 --> 00:13:27,907
DOES IT HAVE TO BE
THIS WAY?

223
00:13:27,940 --> 00:13:30,543
YES!

224
00:13:30,576 --> 00:13:33,712
WHY?

225
00:13:40,953 --> 00:13:42,822
BECAUSE, PETER,

226
00:13:42,855 --> 00:13:47,026
THE BOY AND I,
WE WILL BECOME A PARADOX.

227
00:13:47,059 --> 00:13:51,897
NATURE ABHORS A PARADOX.

228
00:13:51,931 --> 00:13:55,668
IT HAS TO HEAL ITSELF.

229
00:13:55,701 --> 00:13:59,672
IT DOES SO BY DELETING
ME AND THE BOY

230
00:13:59,705 --> 00:14:03,309
AT THE MOMENT OF THE INVASION.

231
00:14:03,342 --> 00:14:09,248
THE BOY AND I WILL DISAPPEAR
AFTER 2015.

232
00:14:09,281 --> 00:14:14,553
SO IN ORDER TO MAINTAIN A FUTURE
WITHOUT THE OBSERVERS...

233
00:14:14,587 --> 00:14:16,555
YOU AND MICHAEL HAVE TO LIVE OUT

234
00:14:16,589 --> 00:14:19,458
THE REST OF YOUR LIVES
IN THE FUTURE.

235
00:14:26,498 --> 00:14:29,668
I KNOW IN MY SOUL

236
00:14:29,702 --> 00:14:34,974
THIS IS WHAT
I AM SUPPOSED TO DO.

237
00:14:35,007 --> 00:14:37,776
I WANT YOU TO GIVE OLIVIA

238
00:14:37,810 --> 00:14:41,380
YOUR DAUGHTER BACK.

239
00:14:41,413 --> 00:14:46,719
I WANT TO GIVE YOU
YOUR LIFE BACK.

240
00:14:50,956 --> 00:14:57,496
AS A FATHER, HOW COULD I NOT
DO THAT FOR YOU?

241
00:14:57,529 --> 00:14:59,064
WHAT I SAID ON THE TAPE

242
00:14:59,098 --> 00:15:03,269
ABOUT STEALING TIME WITH YOU,
I MEANT IT.

243
00:15:03,302 --> 00:15:08,607
I WOULDN'T TRADE IT
FOR THE WORLD.

244
00:15:08,641 --> 00:15:11,777
[sobbing]

245
00:15:15,147 --> 00:15:19,818
YOU ARE
MY FAVORITE THING, PETER.

246
00:15:19,852 --> 00:15:23,956
MY VERY FAVORITE THING.

247
00:16:22,648 --> 00:16:24,350
<i>(Loyalist 1)</i>
<i>WHERE'S THE LOGBOOK?</i>

248
00:16:24,383 --> 00:16:25,651
<i>YOU LEFT IT IN THE CAR.</i>

249
00:16:25,684 --> 00:16:26,819
<i>(Loyalist 2)</i>
<i>NO, I DIDN'T.</i>

250
00:16:26,852 --> 00:16:28,287
<i>IT'S IN THE OM</i>

251
00:16:28,320 --> 00:16:31,490
<i>HANG ON A SECOND.</i>

252
00:16:41,100 --> 00:16:44,470
WHAT HAPPENED TO THE PART?

253
00:16:44,503 --> 00:16:47,106
THIS WAS TAKEN FROM
ONE OF THE ORIGINAL 12

254
00:16:47,139 --> 00:16:50,342
SCIENTIFIC EXPEDITION TEAM.

255
00:16:50,376 --> 00:16:53,445
YOUR ORDER TO MONITOR
THE REMAINING MEMBERS WAS WISE.

256
00:16:53,479 --> 00:16:57,883
<i>WHEN DECEMBER TRAVELED TO THE</i>
<i>FUTURE AND PROCURED THIS UNIT</i>

257
00:16:57,916 --> 00:16:59,918
I WAS NOTIFI.

258
00:16:59,952 --> 00:17:02,187
WHAT IS THIS?

259
00:17:02,221 --> 00:17:04,556
SEPTEMBER IS ASSEMBLING
A DEVICE

260
00:17:04,590 --> 00:17:06,025
WITH THE FUGITIVES.

261
00:17:06,058 --> 00:17:08,861
IT IS A TRIGGER CONTAINING
AN ATOMIC CHARGE

262
00:17:08,894 --> 00:17:11,930
THAT IS GOING TO ALLOW THEM
TO CREATE A WORMHOLE.

263
00:17:11,964 --> 00:17:16,101
THEY INTEND TO RESET TIME.

264
00:17:46,048 --> 00:17:48,050
HE'S IN THE NUMBER SIX
STAIRWELL.

265
00:17:48,083 --> 00:17:49,518
B-UNIT, COVER
THE 61ST STREET EXIT.

266
00:17:49,551 --> 00:17:51,153
SUBJECT IS MOVING ON FOOT.

267
00:17:51,186 --> 00:17:53,722
<i>REPEAT, HE'S IN</i>
<i>THE NUMBER SIX STAIRWELL.</i>

268
00:17:53,756 --> 00:17:57,860
HE KNOWS THAT WE KNOW.

269
00:18:01,280 --> 00:18:04,366
[grunts]

270
00:18:09,505 --> 00:18:11,140
YOU'RE SAYING
WE CAN'T COMPLETE THE PLAN

271
00:18:11,173 --> 00:18:13,275
BECAUSE WE'RE MISSING
ONE SINGLE PIECE?

272
00:18:13,308 --> 00:18:14,710
WITHOUT
THE INITIATING REACTOR

273
00:18:14,743 --> 00:18:16,078
<i>THERE'S NO WAY WE CAN</i>
<i>OPEN THE WORMHOLE.</i>

274
00:18:16,111 --> 00:18:17,813
THERE'S SIMPLY NOT
ENOUGH ENERGY.

275
00:18:17,846 --> 00:18:19,281
I THOUGHT THE ROCKS
PROVIDED THE ENERGY.

276
00:18:19,314 --> 00:18:21,283
TO SUSTAIN THE REACTION,
NOT TO TRIGGER IT.

277
00:18:21,316 --> 00:18:24,553
LIKE A CAR WITH A FULL TANK
AND NO SPARKPL.

278
00:18:24,586 --> 00:18:25,854
WE'RE STUCK.

279
00:18:25,888 --> 00:18:27,956
THERE MUST BE SOME PLACE

280
00:18:27,990 --> 00:18:29,892
<i>WE CAN FIND</i>
<i>ANOTHER IGNITION SOURCE.</i>

281
00:18:29,925 --> 00:18:31,026
OR MAYBE WE CAN MAKE ONE
OF OUR OWN.

282
00:18:31,059 --> 00:18:32,361
IT'S IMPOSSIBLE.

283
00:18:32,394 --> 00:18:33,862
<i>NOTHING STRONG ENOUGH</i>
<i>IS AVAILABLE</i>

284
00:18:33,896 --> 00:18:34,963
<i>IN THIS TIME PERIOD.</i>

285
00:18:34,997 --> 00:18:36,965
MICHAEL, I NEED YOUR HELP.

286
00:18:39,234 --> 00:18:42,004
WHEN I CROSSED OVER
TO RESCUE YOU,

287
00:18:42,037 --> 00:18:45,607
YOU LOOKED AT ME
LIKE YOU EXPECTED ME.

288
00:18:45,641 --> 00:18:47,009
YOU SMILED...

289
00:18:47,042 --> 00:18:50,112
LIKE YOU KNEW
I'D COME FOR YOU.

290
00:18:50,145 --> 00:18:55,384
CAN YOU TELL ME
WHAT I SHOULD DO NEXT?

291
00:19:21,410 --> 00:19:25,981
WHAT ABOUT A SHIPPING LANE?

292
00:19:26,014 --> 00:19:28,417
OF COURSE.

293
00:19:28,450 --> 00:19:31,820
IF WE COULD GAIN CONTROL
OF THE SHIPPING LANE,

294
00:19:31,854 --> 00:19:34,356
<i>WE CAN USE TT</i>
<i>AS OUR WORMHOLE</i>

295
00:19:34,389 --> 00:19:36,792
<i>AND EVERYTHING ELSE</i>
<i>WOULD WORK AS PLANNED.</i>

296
00:19:36,825 --> 00:19:39,661
YOU ARE A GENIUS!

297
00:19:42,397 --> 00:19:44,600
THIS IS THE SHIPPING
MANIFEST I DECODED.

298
00:19:45,968 --> 00:19:47,369
IT'LL GIVE US THE LOCATION
IT'S HIS SAND THE TIME

299
00:19:47,402 --> 00:19:48,570
OF THE NEXT SHIPMENT.

300
00:19:48,604 --> 00:19:50,038
SO WHEN IS IT OPENING?

301
00:19:50,072 --> 00:19:51,773
TOMORROW MORNING
AT 6:08 A.M.

302
00:19:51,807 --> 00:19:54,543
<i>40.7787 NORTH.</i>

303
00:19:54,576 --> 00:19:57,145
73.9776 WEST.

304
00:19:59,348 --> 00:20:01,016
IT'S NEW YORK.

305
00:20:01,049 --> 00:20:03,118
OKAY, ASTRID, SEE WHAT YOU CAN
FIND OUT ABOUT THE CHECKPOINTS.

306
00:20:03,151 --> 00:20:05,287
FIRST WE NEED
AN END DOCK STABILIZER.

307
00:20:05,320 --> 00:20:07,589
WHAT IS
AN END DOCK STABILIZER?

308
00:20:07,623 --> 00:20:08,957
IT LOOKS LIKE A CUBE.

309
00:20:08,957 --> 00:20:10,392
AND YOU ACTIVATE IT
<i>AT THE LOCATION</i>

310
00:20:11,760 --> 00:20:13,195
I<i>WI KNOW EXACTLY WHAT YOU MEAN.</i>

311
00:20:13,228 --> 00:20:15,631
IF WE RECALIBRATE IT,
WE CAN REVERSE THE POLARITY

312
00:20:15,664 --> 00:20:17,532
AND CHANGE THE DIRECTIONAL FLOW
OF THE SHIPPING LANE

313
00:20:17,566 --> 00:20:19,101
SO THAT IT WILL SEND
RATHER THAN RECEIVE.

314
00:20:19,134 --> 00:20:21,703
[cell phone rings]
ANIL?

315
00:20:21,737 --> 00:20:23,071
BROYLES.

316
00:20:23,155 --> 00:20:24,306
HE'S BEEN CAPTURED.

317
00:20:24,339 --> 00:20:25,841
<i>I PUT OUT FEELERS.</i>

318
00:20:25,874 --> 00:20:27,409
<i>I'LL KEEP YOU INFORMED.</i>

319
00:20:27,442 --> 00:20:31,546
WHAT DOES THIS MEAN
FOR THE PLAN?

320
00:20:31,580 --> 00:20:33,982
IT'S HAPPENING
TOMORROW MORNING.

321
00:20:34,016 --> 00:20:36,685
THERE'S ONE OTHER THING
WE NEED FIRST.

322
00:20:53,335 --> 00:20:54,870
<i>(Walter)</i>
<i>PETER.</i>

323
00:20:54,886 --> 00:20:57,205
HOLD ON  TSE TIGHT.

324
00:20:57,239 --> 00:20:59,841
ANTI-GRAVITY OSMIUM BULLETS.

325
00:20:59,875 --> 00:21:01,410
<i>SHOOT OBSERVERS WITH THESE</i>

326
00:21:01,443 --> 00:21:03,979
AND WATCH THEM
FLOAT AWAY LE BALLOONS.

327
00:21:04,012 --> 00:21:05,314
IF WE SHOOT 'EM,
THEY'RE DEAD.

328
00:21:05,347 --> 00:21:08,650
WHY DO WE WANT 'EM
TO FLOAT AWAY?

329
00:21:08,650 --> 00:21:10,385
BECAUSE IT'S COOL.

330
00:21:10,419 --> 00:21:13,522
THAT MAKES SEN, WALTER.

331
00:21:17,726 --> 00:21:19,728
OKAY.

332
00:21:19,761 --> 00:21:21,930
I'LL START
LOADING THE CAR.

333
00:21:28,937 --> 00:21:31,406
YOU GONNA BE OKAY?

334
00:21:34,476 --> 00:21:36,678
<i>(Astrid)</i>
<i>WALTER?</i>

335
00:21:36,712 --> 00:21:39,748
THERE'S SOMETHING
I WANNA SHOW YOU.

336
00:21:45,954 --> 00:21:49,858
PETER...

337
00:21:49,891 --> 00:21:52,094
I WANT TO TALK TO YOU.

338
00:22:04,106 --> 00:22:07,142
GENE.

339
00:22:07,175 --> 00:22:08,610
<i>I WAS GONNA LET HER OUT.</i>

340
00:22:08,643 --> 00:22:12,280
BUT I WAS AFRAID
THAT THEY WOULD HEAR HER MOO.

341
00:22:12,314 --> 00:22:13,849
YES.

342
00:22:13,882 --> 00:22:16,952
SHE DOES MOO QUITE LOUDLY.

343
00:22:16,985 --> 00:22:18,653
ESPECIALLY AFTER A MEAL.

344
00:22:23,792 --> 00:22:27,963
I AT LEAST WANTED YOU
TO SEE HER.

345
00:22:32,801 --> 00:22:36,738
YOU ALWAYS KNOW
HOW TO SOOTHE ME.

346
00:22:36,772 --> 00:22:40,876
YOU ALWAYS HAVE.

347
00:22:44,312 --> 00:22:48,383
WALTER, THIS IS
NOT THE END.

348
00:22:48,417 --> 00:22:51,386
WE'RE GONNA WIN THIS.

349
00:22:51,420 --> 00:22:54,322
AND WHEN WE DO,
WE'LL BE...

350
00:22:54,356 --> 00:22:56,892
DRINKING STRAWBERRY MILKSHAKES
IN THE LAB

351
00:22:56,925 --> 00:22:59,895
AND NOT EVEN GONNA REMEMBER
THAT THIS HAPPENED.

352
00:22:59,928 --> 00:23:01,630
THAT SOUNDS LOVELY.

353
00:23:01,663 --> 00:23:04,800
[laughter]

354
00:23:08,236 --> 00:23:10,539
IT'S A BEAUTIFUL NAME.

355
00:23:13,275 --> 00:23:15,877
WHAT IS?

356
00:23:15,911 --> 00:23:18,413
ASTRID.

357
00:23:45,607 --> 00:23:47,843
<i>BEFORE WE ARRIVED HERE</i>

358
00:23:47,876 --> 00:23:52,013
<i>WE SENT A TEAM OF 12.</i>

359
00:23:52,047 --> 00:23:56,118
THEIR MISSION
S  OBSERVE AND REPORT.

360
00:23:58,887 --> 00:24:03,558
HOWEVER, A STRANGE
PHENOMENON OCCURRED.

361
00:24:03,592 --> 00:24:05,460
TO SOME DEGREE
OR OTHER,

362
00:24:05,494 --> 00:24:09,898
THEY SUCCUMBED
TO IRRATIONAL EMOTIONS.

363
00:24:09,931 --> 00:24:14,736
YOUR KIND INFECTED THEM.

364
00:24:14,769 --> 00:24:17,906
BUT NOT YOU.

365
00:24:17,939 --> 00:24:21,643
YOU SEEM TO BE
IMPERVIOUS TO EVERYTHING.

366
00:24:23,979 --> 00:24:27,582
I WILL NEVER
SPEAK OF IT AGAIN.

367
00:24:27,616 --> 00:24:32,921
BUT I WILL ADMIT THIS
TO YOU, PHILLIP.

368
00:24:32,954 --> 00:24:37,792
I, TOO, FEEL SOMETHING.

369
00:24:37,826 --> 00:24:40,462
I BELIEVE
YOU CALL IT...

370
00:24:43,265 --> 00:24:48,003
HATE.

371
00:24:48,036 --> 00:24:52,174
THE FEELING IS MUTUAL.

372
00:24:57,345 --> 00:25:00,682
[distorted, overlapping
mental voices]

373
00:25:08,056 --> 00:25:09,958
WHAT?

374
00:25:11,726 --> 00:25:13,695
REMEMBER WHEN I TOLD YOU
THAT WE HAD A LONG WAY TO GO

375
00:25:13,728 --> 00:25:17,799
BEFORE SEEING HER AGAIN?

376
00:25:17,832 --> 00:25:21,102
IT'S NOT
THAT LONG ANYMORE.

377
00:25:29,144 --> 00:25:32,514
WE'RE GONNA SEE HER.

378
00:25:32,547 --> 00:25:34,716
WE'RE GONNA
HAVE HER BACK.

379
00:25:37,586 --> 00:25:40,822
THG ELSE MATTERS.

380
00:25:57,105 --> 00:26:00,475
HE'S HERE.

381
00:26:00,508 --> 00:26:02,811
HEY.
HI.

382
00:26:02,844 --> 00:26:05,513
THIS IS AN AIR INTAKE
SUPPLY LINE.

383
00:26:05,547 --> 00:26:07,849
IT LEADS TO HALF THE BUILDING.

384
00:26:07,882 --> 00:26:10,585
THAT'S ENOUGH,
BELIEVE ME. GOOD LUCK.

385
00:26:46,004 --> 00:26:47,272
WE NEED TO GET GOING.

386
00:26:47,305 --> 00:26:49,941
WE HAVE TO MEET THEM.

387
00:27:02,787 --> 00:27:06,291
I GAVE MYSELF
THE LAST INOCULATION.

388
00:27:08,193 --> 00:27:09,828
I'M GOING WITH HIM, WALTER.

389
00:27:09,861 --> 00:27:11,696
I'M TAKING HIM INTO THE FUTURE.

390
00:27:11,730 --> 00:27:16,635
I'VE ALREADY TOLD PETER
ABOUMYECISION.

391
00:27:16,668 --> 00:27:20,705
I KNOW YOU ONCE BELIEVED
THAT THIS WAS YOUR DESTINY,

392
00:27:20,739 --> 00:27:22,507
A PRICE YOU HAD TO PAY.

393
00:27:22,540 --> 00:27:24,976
I NEED THIS.

394
00:27:25,010 --> 00:27:27,512
I HAVE PREPARED SELF
FOR THIS.

395
00:27:27,545 --> 00:27:28,613
I'VE BEEN THINKING
ABOUT THIS

396
00:27:28,647 --> 00:27:31,182
SINCE I FIRST
SAW THE BOY AGAIN.

397
00:27:31,216 --> 00:27:33,952
WALTER, 20 YEARS AGO

398
00:27:33,985 --> 00:27:36,388
WHEN I AGREED TO LET YOU
BE THE ONE TO TAKE HIM,

399
00:27:36,421 --> 00:27:39,958
I DIDN'T HAVE
THE FEELINGS I HAVE NOW.

400
00:27:41,443 --> 00:27:45,880
LATER, WHEN I BEGAN TO REALIZE
THE HEIGHT OF HIS INTELLEC

401
00:27:45,930 --> 00:27:49,501
AND WHAT YOU CALL
THE DEPTHS OF HIS EMOTIO

402
00:27:49,534 --> 00:27:54,889
STILL, I COULDN'TUNRSTAND WHAT S

403
00:27:54,939 --> 00:27:57,242
THAT I MEANT TO HIM.

404
00:27:57,242 --> 00:28:01,479
AND I WAS UNABLE
TO RECIPROCATE.

405
00:28:03,715 --> 00:28:07,919
WHEN I SAW YOU...

406
00:28:07,952 --> 00:28:11,356
WHEN I SAW PETER

407
00:28:11,389 --> 00:28:14,325
AND SAW WHAT HE MEANT
TO YOU...

408
00:28:17,128 --> 00:28:20,932
THEN I UNDERSTOOD
WHAT MY FEELINGS WERE.

409
00:28:21,032 --> 00:28:24,836
AND WHYTH WERE IMPORTANT.

410
00:28:24,869 --> 00:28:30,642
I CAN'T COMMUNICATE WITH HIM
IN THE TRADITIONAL WAYS.

411
00:28:30,642 --> 00:28:34,946
WHEN I TAKE HIS ND

412
00:28:34,979 --> 00:28:39,551
AND I LEADIM...
I CAN'T COMMUNICATE WITH HIM IN THE TRADITIONAL WAYS.

413
00:28:39,651 --> 00:28:42,954
HE'LL KNOW
THAT I LOVE HIM.

414
00:28:51,629 --> 00:28:54,065
THAT'S BEING A FATHER.

415
00:29:04,642 --> 00:29:07,278
IT NOT
ABOUT FATE, WALTER.

416
00:29:07,312 --> 00:29:09,414
YOURS OR MINE.

417
00:29:12,784 --> 00:29:16,955
IT'S ABOUT
CHANGING FATE.

418
00:29:16,971 --> 00:29:19,758
IT'S ABOUT HOPE.

419
00:29:22,260 --> 00:29:25,130
AND PROTECTING
OUR CHILDREN.

420
00:29:42,881 --> 00:29:47,018
THINK ABOUT THEM, PHILLIP.

421
00:29:47,051 --> 00:29:49,821
THINK ABOUT
WHERE THEY ARE.

422
00:29:49,854 --> 00:29:55,293
THEY WILL UNDERSTAND
YOU HAD NO CHOICE.

423
00:29:55,326 --> 00:29:59,631
IT IS ACCEPTABLE.

424
00:29:59,664 --> 00:30:02,634
I AM YOUR ALLY.

425
00:30:02,667 --> 00:30:04,385
[mental voice echoing]
AT THE OLD HARVARD UNIVERSITY.

426
00:30:06,571 --> 00:30:10,308
THEY'RE IN THE LAB.
THEY'RE IN THE LAB.

427
00:30:10,341 --> 00:30:13,444
[distant alarm]

428
00:30:21,753 --> 00:30:24,422
[overlapping shouting]

429
00:30:24,455 --> 00:30:27,258
<i>(man)</i>
<i>EVACUATE! CLEAR THE BUILDING!</i>

430
00:30:27,292 --> 00:30:29,761
<i>THIS ROOM IS CLEAR.</i>
<i>NOTHING.</i>

431
00:30:29,794 --> 00:30:32,363
<i>KEEP MOVING DOWN THE HALL.</i>
<i>ALL CLEAR ON THIS END.</i>

432
00:30:32,397 --> 00:30:35,133
<i>GO DOWN TO THE LEFT!</i>
[moaning]

433
00:30:35,166 --> 00:30:37,969
[panting]
<i>EVACUATE THE BUILDING!</i>

434
00:30:38,002 --> 00:30:39,304
[grunts]

435
00:30:39,337 --> 00:30:41,840
<i>LET'S GO, LET'S GO!</i>

436
00:30:41,873 --> 00:30:45,677
<i>KEEP GOING!</i>
<i>[muffled shouting]</i>

437
00:30:45,710 --> 00:30:48,847
[distant alarm continues]

438
00:30:51,850 --> 00:30:54,519
<i>IT IS ENTERING</i>
<i>THIS WING.</i>

439
00:30:54,552 --> 00:30:56,554
EVACUATE.

440
00:30:59,724 --> 00:31:02,360
<i>(man)</i>
<i>IT JUST CAME AFTER US!</i>

441
00:31:02,393 --> 00:31:06,197
<i>JUST KEEP MOVING!</i>
<i>GO!</i>

442
00:31:17,709 --> 00:31:20,178
[grunting]

443
00:31:41,633 --> 00:31:45,737
[distant alarm
continues blaring]

444
00:32:29,847 --> 00:32:31,215
I FOUND ONE.

445
00:32:31,249 --> 00:32:32,750
GOOD. BECAUSE
I FOUND SOMETHING TOO.

446
00:32:32,784 --> 00:32:35,086
[gunshot]

447
00:32:37,622 --> 00:32:39,157
WE'RE GONNA GET YOU
OUT OF HERE.

448
00:32:39,173 --> 00:32:40,892
YOU DON'T KNOW
HOW LUCKY YOU ARE

449
00:32:40,892 --> 00:32:42,994
THIS ROOM HAS NO VENTILATI.

450
00:32:43,027 --> 00:32:44,929
YOU DON'T KNOW
TRUST ME. YOU ARE

451
00:32:53,204 --> 00:32:55,340
[indistinct chatter]

452
00:33:13,324 --> 00:33:16,361
[background chatter]

453
00:33:17,695 --> 00:33:19,530
THEY'LL BE SETTING UP
THE CORRIDOR SOON.

454
00:33:19,564 --> 00:33:20,765
WE DON'T HAVE MUCH TIME.

455
00:33:20,798 --> 00:33:22,133
<i>WHERE ARE PETER AND OLIVIA?</i>

456
00:33:22,166 --> 00:33:24,235
[cell phone chimes]

457
00:33:24,268 --> 00:33:27,672
OLIVIA, WHERE ARE YOU?

458
00:33:27,705 --> 00:33:30,141
THEY'VE GOT THCUBE.

459
00:33:30,174 --> 00:33:32,577
AND AGENT BROYLES.

460
00:34:15,286 --> 00:34:16,921
ANIL, WE'RE IN POSITION.

461
00:34:16,921 --> 00:34:18,389
WE HAVE TO HURRY!

462
00:34:19,557 --> 00:34:22,393
ANILTEAM TWO, ENGAGE.ON.

463
00:34:25,296 --> 00:34:28,733
<i>[indistinct chatter]</i>
<i>STAND BY.</i>

464
00:34:28,766 --> 00:34:30,701
<i>(man)</i>
<i>WE GOT A VEHICLE ON APPROACH!</i>

465
00:34:30,735 --> 00:34:33,104
[gunshots]

466
00:34:35,339 --> 00:34:38,209
<i>INCOMING!</i>
<i>COMING THROUGH!</i>

467
00:34:42,013 --> 00:34:43,681
<i>THAT'S AN UNAUTHORIZED</i>
<i>VEHICLE!</i>

468
00:34:43,714 --> 00:34:45,283
<i>TAKE IT OUT!</i>
<i>OPEN FIRE!</i>

469
00:34:45,316 --> 00:34:49,620
[shouting orders]
<i>WE GOT A BREACH!</i>

470
00:34:58,196 --> 00:35:00,231
[gunfire]

471
00:35:00,264 --> 00:35:03,267
<i>(man)</i>
<i>NEGATIVE, NEGATIVE!</i>

472
00:35:03,301 --> 00:35:04,702
<i>SUPPRESSIVE FIRE!</i>

473
00:35:04,735 --> 00:35:07,705
<i>ALL TEAMS CONVERGE</i>
<i>ON MAIN PLATFORM.</i>

474
00:35:07,738 --> 00:35:09,307
<i>MOVE, MOVE, MOVE!</i>

475
00:35:09,340 --> 00:35:12,243
<i>REGROUP, REGROUP!</i>

476
00:35:12,276 --> 00:35:16,414
[shouting orders]
<i>TIGHTEN YOUR LINES!</i>

477
00:35:16,447 --> 00:35:18,249
<i>WE GOT A MAN DOWN.</i>

478
00:35:18,282 --> 00:35:21,252
<i>STAY WITH THEM!</i>

479
00:35:23,554 --> 00:35:26,090
MICHAEL, STAY DOWN.

480
00:35:26,124 --> 00:35:32,096
[shouting in background]

481
00:35:32,130 --> 00:35:34,665
<i>TWO DOWN, AND PULL 'EM IN!</i>

482
00:35:34,699 --> 00:35:37,535
<i>RETURN FIRE!</i>

483
00:35:37,552 --> 00:35:40,304
<i>FLANK 'EM ON THE LEFT.</i>
<i>LET'S GO!</i>

484
00:35:40,338 --> 00:35:44,008
<i>COME ON, MOVE, MOVE!</i>

485
00:35:44,041 --> 00:35:45,576
PETER! PETER, LOOK!

486
00:35:45,610 --> 00:35:46,577
<i>WHAT DID I SAY?</i>

487
00:35:46,611 --> 00:35:49,780
THAT IS COOL.
[laughs]

488
00:35:57,622 --> 00:36:00,558
[men continue shouting]

489
00:36:00,591 --> 00:36:01,626
[thud]

490
00:36:01,659 --> 00:36:03,561
<i>(man)</i>
<i>HOLD YOUR FIRE.</i>

491
00:36:04,595 --> 00:36:07,298
<i>REGROUP, REGROUP!</i>

492
00:36:07,331 --> 00:36:09,767
[shouting]

493
00:36:09,800 --> 00:36:12,637
<i>2:00, 2:00!</i>
<i>TAKE 'EM OUT!</i>

494
00:36:17,575 --> 00:36:19,377
NOW, WALTER!

495
00:36:31,689 --> 00:36:33,724
GET THE BOY.

496
00:36:47,021 --> 00:36:49,790
[grunting]

497
00:36:52,460 --> 00:36:53,861
[grunts]

498
00:37:14,548 --> 00:37:16,050
[gasping]

499
00:37:43,177 --> 00:37:47,415
[distant alarms blaring]

500
00:38:03,698 --> 00:38:06,033
[glass shatters]

501
00:38:23,584 --> 00:38:24,652
[panting]

502
00:38:24,685 --> 00:38:27,688
LET'S GO.

503
00:38:27,722 --> 00:38:31,859
[gunfire]

504
00:38:36,297 --> 00:38:39,433
[gunshot]

505
00:38:56,117 --> 00:38:59,253
[gunfire]

506
00:39:02,390 --> 00:39:05,493
[music box playing
<i>Greensleeves]</i>

507
00:39:25,146 --> 00:39:27,114
[music stops]

508
00:39:56,510 --> 00:39:58,779
[mouthing]
I LOVE YOU, DAD.

509
00:40:36,584 --> 00:40:40,221
(Peter)
I THINK THAT I WOULD BE HAPPY TO STAY HERE

510
00:40:40,254 --> 00:40:41,388
FOR THE REST OF MY LIFE.

511
00:40:41,422 --> 00:40:43,557
[chuckles]

512
00:40:47,528 --> 00:40:50,364
WE SHOULD PROBABLY
GET HER HOME SOON.

513
00:40:50,397 --> 00:40:54,869
GET HER INTO A BATH,
WHICH IS NEVER EASY.

514
00:40:54,902 --> 00:40:56,637
I NOMINATE YOU
FOR THAT ONE.

515
00:40:56,670 --> 00:40:58,239
ETTA!

516
00:40:58,272 --> 00:41:01,509
<i>IT'S TIME TO GO.</i>

517
00:41:01,542 --> 00:41:06,847
COME ON, KIDDO.
IT'S TIME TO GO HOME.

518
00:41:06,881 --> 00:41:09,750
[suspenseful music]

519
00:41:09,783 --> 00:41:12,086
♪ ♪

520
00:41:12,119 --> 00:41:14,955
[gentle music]

521
00:41:14,989 --> 00:41:23,030
♪ ♪

522
00:41:28,402 --> 00:41:31,272
[triumphant music]

523
00:41:31,305 --> 00:41:39,813
♪ ♪

524
00:41:39,847 --> 00:41:42,283
[no sound under music]

525
00:41:42,316 --> 00:41:50,491
♪ ♪

526
00:41:58,465 --> 00:42:00,201
[laughter]

527
00:42:00,234 --> 00:42:02,069
<i>(Olivia)</i>
<i>YOU'RE BEING SILLY.</i>

528
00:42:02,102 --> 00:42:02,069
[laughter]

