1
00:00:01,267 --> 00:00:02,602
(male announcer)
PREVIOUSLY ON <i>FRINGE...</i>

2
00:00:02,635 --> 00:00:03,970
THEY WEREN'T ALL BAD.

3
00:00:04,004 --> 00:00:05,238
<i>ONE OF THEM TRIED</i>
<i>TO HELP US.</i>

4
00:00:05,271 --> 00:00:06,906
<i>HE WAS CALLED SEPTEMBER.</i>

5
00:00:06,940 --> 00:00:08,341
<i>FIVE WEEKS</i>
<i>AFTER THE INVASION,</i>

6
00:00:08,375 --> 00:00:09,476
<i>A MAN CAME HERE.</i>

7
00:00:09,509 --> 00:00:10,477
HIS NAME WAS DONALD.

8
00:00:10,510 --> 00:00:11,878
<i>HE WAS TAKEN AWAY</i>
<i>AGAINST HIS WILL</i>

9
00:00:11,911 --> 00:00:13,079
<i>BY TWO INVADERS.</i>

10
00:00:13,113 --> 00:00:14,314
(Peter)
<i>WE HAVE TO FIND THEM.</i>

11
00:00:14,347 --> 00:00:16,299
DONALD SHOWED UP
AT OUR DOORSTEP.

12
00:00:16,349 --> 00:00:18,351
<i>HE SAID THE INVADERS</i>
<i>WERE LOOKING FOR HIM.</i>

13
00:00:18,385 --> 00:00:19,519
BUT HE NEEDED US
TO WATCH OVER THE BOY.

14
00:00:19,552 --> 00:00:22,722
<i>HE SAID HE WAS PART OF</i>
<i>AN IMPORTANT PLAN</i>

15
00:00:22,756 --> 00:00:24,224
<i>TO DEFEAT THE INVADERS.</i>

16
00:00:24,257 --> 00:00:28,461
DO YOU REMEMBER MEETING ME
WITH A MAN NAMED DONALD?

17
00:00:30,530 --> 00:00:31,831
THE BOY IS IMPORTANT.

18
00:00:31,865 --> 00:00:34,067
<i>HE H TLIVE.</i>

19
00:00:34,100 --> 00:00:37,103
I KNOW WHO DONALD IS.

20
00:00:38,538 --> 00:00:41,341
DONALD IS SEPTEMBER.

21
00:01:09,069 --> 00:01:13,073
[footsteps falling]

22
00:01:13,106 --> 00:01:14,841
WALTER?

23
00:01:14,874 --> 00:01:19,512
SORRY, I DIDN'T MEAN
TO STARTLE YOU.

24
00:01:21,081 --> 00:01:22,649
WHAT ARE YOU DOING UP?

25
00:01:22,682 --> 00:01:26,486
I COULD ASK YOU
THE SAME THING.

26
00:01:26,519 --> 00:01:28,421
YOU NEED
YOUR REST, SON.

27
00:01:28,455 --> 00:01:32,725
THERE'S WORK TO BE DONE.
I'M FREEING OUR NEXT TAPE.

28
00:01:32,759 --> 00:01:34,461
WHAT'S YOUR EXCUSE?

29
00:01:34,494 --> 00:01:38,298
I BELIEVE
I HAVE AN IDEA

30
00:01:38,348 --> 00:01:41,301
ABOUT HOW WE CAN FIND
OUR FRIEND, SEPTEMBER.

31
00:01:41,334 --> 00:01:44,437
THE MEMORY THE BOY SHOWED ME
IS IN MY SUBCONSCIOUS,

32
00:01:44,471 --> 00:01:48,641
SO IT INVOLVES
THE TANK.

33
00:02:01,554 --> 00:02:04,724
OKAY, WALTER,
HOW ARE--?

34
00:02:06,526 --> 00:02:09,262
WALTER, WHY DID
YOU REMOVE YOUR TRUNKS?

35
00:02:09,295 --> 00:02:12,031
THEY WERE
TOO RESTRICTIVE.

36
00:02:12,065 --> 00:02:16,102
MY BODY NEEDS TO BE
AS FREE AND OPEN AS MY MIND,

37
00:02:16,136 --> 00:02:18,605
<i>SO I CAN FIND</i>
<i>SEPTEMBER.</i>

38
00:02:18,638 --> 00:02:21,608
ARE YOU FEELING SUFFICIENTLY
FREE AND OPEN NOW?

39
00:02:21,641 --> 00:02:24,310
I AM.
[sighs]

40
00:02:24,344 --> 00:02:27,480
LET'S GET STARTED.

41
00:02:34,137 --> 00:02:37,724
OKAY, HIS VITALS ARE STEADY.
HIS HEART RATE'S A LITTLE LOW.

42
00:02:37,757 --> 00:02:39,993
I THINK THAT'S JUST
THE SEDATIVE KICKING IN.

43
00:02:40,026 --> 00:02:41,761
OSCILLATION'S
COMING THROUGH CLEAR.

44
00:02:41,794 --> 00:02:43,530
EVERYTHING SEEMS TO BE
FUNCTIONING.

45
00:02:43,563 --> 00:02:45,798
<i>(Peter)</i>
<i>WALTER, YOU'RE GOOD TO GO.</i>

46
00:02:45,832 --> 00:02:49,702
<i>YOU SHOULD BE FEELING</i>
<i>PRETTY RELAXED BY NOW.</i>

47
00:02:53,072 --> 00:02:57,343
[gasps, coughs]

48
00:02:57,377 --> 00:02:58,978
HIS BLOOD PRESSURE'S
RISING.

49
00:02:59,012 --> 00:03:00,180
HOW MUCH?

50
00:03:00,213 --> 00:03:01,514
IT'S 140 OVER 90.

51
00:03:01,548 --> 00:03:04,551
NO, 152 OVER 100.

52
00:03:04,584 --> 00:03:06,753
<i>IT'S STILL RISING.</i>

53
00:03:06,786 --> 00:03:08,621
HIS BRAIN WAVES
ARE FLUCTUATING.

54
00:03:08,655 --> 00:03:09,923
<i>(Peter)</i>
<i>WALTER, YOUR VITALS</i>

55
00:03:09,956 --> 00:03:11,491
<i>ARE SPIKING.</i>
<i>ARE YOU OKAY?</i>

56
00:03:11,524 --> 00:03:14,794
[breathing rapidly]

57
00:03:26,773 --> 00:03:29,642
INCREDIBLE.

58
00:03:29,676 --> 00:03:32,011
(Walter)
<i>I'M HERE.</i>

59
00:03:32,045 --> 00:03:34,714
WALTER,
WHERE ARE YOU?

60
00:03:34,747 --> 00:03:36,749
AN APARTMENT...

61
00:03:36,783 --> 00:03:40,353
<i>THE SAME ONE FROM THE FLASHES</i>
<i>THE BOY SHOWED ME.</i>

62
00:03:40,386 --> 00:03:42,055
<i>(Peter)</i>
<i>TAKE A LOOK AROUND.</i>

63
00:03:42,088 --> 00:03:43,823
YOU RECOGNIZE ANYTHING
ABOUT THE SPACE?

64
00:03:43,856 --> 00:03:47,060
ANYTHING THAT COULD HELP US
TELL WHERE IT IS?

65
00:03:55,401 --> 00:03:58,605
I'M WITH SEPTEMBER,

66
00:03:58,638 --> 00:04:02,308
AND HE DOESN'T LOOK
AT ALL LIKE HIMSELF.

67
00:04:02,342 --> 00:04:05,612
<i>(Walter)</i>
<i>HE HAS HAIR.</i>

68
00:04:07,447 --> 00:04:09,816
ARE THERE
ANY WINDOWS?

69
00:04:09,849 --> 00:04:11,751
YES.

70
00:04:11,784 --> 00:04:15,021
<i>(Peter)</i>
<i>WELL, GO TAKE A LOOK OUTSIDE.</i>

71
00:04:17,357 --> 00:04:23,029
I SEE WATER...
BUILDINGS IN THE DISTANCE...

72
00:04:23,062 --> 00:04:26,499
SKYSCRAPERS.

73
00:04:29,535 --> 00:04:31,437
UH, NEW YORK?

74
00:04:31,471 --> 00:04:34,474
COULD BE.

75
00:04:34,507 --> 00:04:36,776
YES.

76
00:04:36,809 --> 00:04:42,415
I SEE THE TOP OF
THE EMPIRE STATE BUILDING.

77
00:04:42,448 --> 00:04:44,751
THE EMPIRE STATE BUILDING'S
THE EAST SIDE OF MANHATTAN.

78
00:04:44,784 --> 00:04:47,587
TO MY RIGHT...

79
00:04:47,620 --> 00:04:50,723
I CAN'T QUITE MAKE--

80
00:04:53,059 --> 00:04:55,795
A BRIDGE.

81
00:04:55,828 --> 00:04:59,499
I'M UNDER A BRIDGE.

82
00:04:59,532 --> 00:05:03,236
I THINK IT'S
THE WILLIAMSBURG BRIDGE.

83
00:05:03,269 --> 00:05:05,571
BASED ON THE ANGLE OF THE VIEW
THAT WALTER DESCRIBED,

84
00:05:05,605 --> 00:05:08,241
<i>I WOULD SAY THAT THE BUILDING</i>
<i>IS IN BROOKLYN,</i>

85
00:05:08,274 --> 00:05:09,509
SOMEWHERE NEAR
THE SOUTHEAST BASE

86
00:05:09,542 --> 00:05:10,643
OF WHERE THE BRIDGE
USED TO BE.

87
00:05:10,677 --> 00:05:11,944
SO IF SEPTEMBER'S
STILL ALIVE,

88
00:05:11,978 --> 00:05:13,513
AND HE'S STILL LIVING
IN THE SAME PLACE,

89
00:05:13,546 --> 00:05:14,881
<i>THAT'S WHERE</i>
<i>WE FIND HIM.</i>

90
00:05:14,914 --> 00:05:16,382
HE'S STILL ALIVE.

91
00:05:16,416 --> 00:05:17,950
HOW DO YOU KNOW?

92
00:05:17,984 --> 00:05:20,019
I'M OPTIMISTIC.

93
00:05:20,053 --> 00:05:21,454
YOU ARE?

94
00:05:21,487 --> 00:05:23,089
<i>(Walter)</i>
<i>WHY NOT? AS TO WHETHER</i>

95
00:05:23,122 --> 00:05:24,957
SEPTEMBER IS STILL
LIVING IN THE SAME PLACE,

96
00:05:24,991 --> 00:05:26,459
WE SHALL SEE.

97
00:05:26,492 --> 00:05:28,861
WE MUST HURRY.

98
00:05:28,895 --> 00:05:32,632
[whistles]

99
00:05:32,665 --> 00:05:34,834
(Nina's voice)
IS EVERYTHING ALL RIGHT?

100
00:05:34,867 --> 00:05:37,970
WH? CHILD OBSERVER?
WE'VE NEVER SE ONE BEFORE.

101
00:05:38,004 --> 00:05:39,439
[beeping]

102
00:05:39,472 --> 00:05:41,407
<i>(Nina's voice)</i>
<i>WHAT? A CHILD OBSERVER?</i>

103
00:05:41,441 --> 00:05:44,377
<i>WE'VE NEVER</i>
<i>SEEN ONE BEFORE.</i>

104
00:05:44,410 --> 00:05:46,279
WE HAVE RECEIVED WORD.

105
00:05:46,312 --> 00:05:50,216
<i>HE IS READY</i>
<i>TO SEE YOU NOW.</i>

106
00:05:54,887 --> 00:05:58,091
<i>CONTINUE SEARCHING</i>
<i>FOR THE FUGITIVES.</i>

107
00:06:03,062 --> 00:06:06,199
ALERT ME
TO ANY DEVELOPMENTS.

108
00:06:33,726 --> 00:06:36,596
[theme music]

109
00:06:36,629 --> 00:06:44,871
♪ ♪

110
00:07:10,046 --> 00:07:11,914
THERE.

111
00:07:11,948 --> 00:07:15,051
IT WAS FROM OVER THERE.

112
00:07:17,220 --> 00:07:19,155
WH--HEY.

113
00:07:19,255 --> 00:07:21,491
HEY, HEY, WHAT'S GOING ON
WITH YOU?

114
00:07:21,524 --> 00:07:23,159
WHAT DO YOU MEAN?
I FEEL GOOD.

115
00:07:23,192 --> 00:07:25,194
FROM WHERE I'M STANDING,
YOU DON'T SEEM GOOD,

116
00:07:25,228 --> 00:07:27,196
YOU SEEM AMAZING,
WHICH IS A LITTLE SCARY.

117
00:07:27,230 --> 00:07:29,365
I WOULDN'T WORRY
ABOUT ME.

118
00:07:29,398 --> 00:07:30,967
HOW CAN I NOT?

119
00:07:31,000 --> 00:07:33,035
YOU ASKED ME TO HELP YOU
STAY GROUNDED.

120
00:07:33,069 --> 00:07:35,671
YOU WERE SO AFRAID OF BECOMING
THE MAN THAT YOU USED TO BE,

121
00:07:35,705 --> 00:07:37,707
YOU ASKED NINA TO REMOVE
PIECES OF YOUR BRAIN. AGAIN.

122
00:07:37,740 --> 00:07:38,941
IT'S ALL RIGHT, SON.
THE PROCEDURE

123
00:07:38,975 --> 00:07:40,243
IS NO LONGER
NECESSARY.

124
00:07:40,276 --> 00:07:45,214
BUT WH--WALTER, WHY?
WHAT'S CHANGED?

125
00:07:45,248 --> 00:07:48,718
I CAN'T EXPLAIN IT,
BUT...

126
00:07:48,751 --> 00:07:52,121
WHEN THE BOY
TOUCHED ME,

127
00:07:52,155 --> 00:07:54,123
HE SHOWED ME
MORE THAN JUST IMAGES.

128
00:07:54,157 --> 00:07:56,592
IT WAS FREEING,
PETER.

129
00:07:56,626 --> 00:08:00,930
ALL AT ONCE, I UNDERSTOOD THAT
EVERYTHING I'VE EVER KNOWN--

130
00:08:00,963 --> 00:08:04,634
OR THOUGHT I KNEW,
AS A GREAT MAN--

131
00:08:04,667 --> 00:08:06,536
COULD FIT
INTO A THIMBLE.

132
00:08:06,569 --> 00:08:08,971
THAT'S NOT ALL
HE GAVE ME.

133
00:08:09,005 --> 00:08:13,943
I REMEMBER THINGS,
THINGS I HAVEN'T EXPERIENCED.

134
00:08:13,976 --> 00:08:15,912
I THINK,
FROM THE OTHER TIMELINE,

135
00:08:15,945 --> 00:08:19,182
BEFORE YOU WERE ERASED,
BEFORE THE TIMELINE WAS RESET.

136
00:08:21,350 --> 00:08:24,754
I REMEMBER WHEN YOU CAME TO ME
AT ST. CLAIRE'S.

137
00:08:24,787 --> 00:08:28,391
MY FIRST WORDS:
"I THOUGHT YOU'D BE FATTER."

138
00:08:28,424 --> 00:08:30,993
AND I REMEMBER THE NIGHT
I WAS UP LATE,

139
00:08:31,027 --> 00:08:33,095
MAKING
A PEANUT BUTTER SANDWICH,

140
00:08:33,129 --> 00:08:36,265
AND YOU SLIPPED
AND CALLED ME, "DAD."

141
00:08:38,267 --> 00:08:42,004
THE FEELING OF JOY
THAT GAVE ME...

142
00:08:42,038 --> 00:08:46,108
AND THE TERROR, BEFORE
YOU STEPPED INTO THE MACHINE.

143
00:08:46,142 --> 00:08:48,844
I TOLD YOU I'VE NEVER
BEEN GOOD AT LETTING YOU GO,

144
00:08:48,878 --> 00:08:50,246
AND YOU SAID--
"THIS TIME,

145
00:08:50,279 --> 00:08:53,416
YOU'RE GONNA HAVE TO."

146
00:08:55,985 --> 00:08:59,021
HMM.

147
00:08:59,055 --> 00:09:03,926
WHAT IS THIS BOY?

148
00:09:03,960 --> 00:09:06,529
HOW COULD HE
DO THIS FOR YOU--

149
00:09:06,562 --> 00:09:08,965
ENABLE YOU TO SEE A LIFE
YOU DIDN'T LIVE?

150
00:09:08,998 --> 00:09:12,335
I'M NOT SURE,
BUT I FEEL IT.

151
00:09:12,368 --> 00:09:14,470
DO YOU REMEMBER
THE PLAN?

152
00:09:14,503 --> 00:09:17,807
NO. NO IDEA.

153
00:09:17,807 --> 00:09:19,375
BUT THAT DOESN'T
MAKE ANY SENSE.

154
00:09:19,408 --> 00:09:20,643
WHY WOULD HE GIVE YOU BACK
ALL OF THOSE MEMORIES,

155
00:09:20,676 --> 00:09:22,011
BUT NOT GIVE YOU
THE PLAN?

156
00:09:22,044 --> 00:09:25,448
I DON'T KNOW.

157
00:09:25,481 --> 00:09:27,516
PETER,
BEFORE I MET HIM,

158
00:09:27,550 --> 00:09:31,621
I DIDN'T THINK IT WAS POSSIBLE
TO LOVE YOU MORE,

159
00:09:31,621 --> 00:09:35,891
BUT NOW, KNOWING
WHAT WE'VE BEEN THROUGH,

160
00:09:35,925 --> 00:09:39,328
AND EVERYTHING
WE'VE HAD...

161
00:09:39,362 --> 00:09:42,898
I DO.

162
00:09:42,932 --> 00:09:48,104
[both chuckle]

163
00:09:55,478 --> 00:09:58,147
[sighs]

164
00:09:58,180 --> 00:10:02,184
[chuckles] YOU NEVER LIKED
PUBLIC DISPLAYS OF AFFECTION.

165
00:10:03,352 --> 00:10:05,521
OR GOING NUMBER TWO
IN A PUBLIC RESTROOM.

166
00:10:05,554 --> 00:10:08,658
I REMEMBER THAT TOO.

167
00:10:11,427 --> 00:10:14,397
[chuckles]

168
00:10:20,269 --> 00:10:25,074
<i>(Officer)</i>
<i>THE COMMANDER AWAITS.</i>

169
00:10:25,107 --> 00:10:32,014
ANOMALY XB-6783746
HAS BEEN FOUND.

170
00:10:32,048 --> 00:10:36,619
IT IS BEING HIDDEN
IN 2036.

171
00:10:36,652 --> 00:10:38,321
FOR WHAT PURPOSE?

172
00:10:38,354 --> 00:10:40,523
THAT IS
NOT YET CLEAR,

173
00:10:40,556 --> 00:10:47,029
BUT WHOEVER HID THIS ANOMALY
DID SO FOR A REASON.

174
00:10:47,063 --> 00:10:49,365
IT SHOULD NOT EXIST,

175
00:10:49,398 --> 00:10:52,902
BUT SOMEONE WANTED IT
TO EXIST.

176
00:10:52,935 --> 00:10:56,372
SOMEONE ENSURED
ITS SURVIVAL,

177
00:10:56,405 --> 00:10:59,275
BECAUSE THEY THOUGHT
IT WAS IMPORTANT.

178
00:11:12,321 --> 00:11:13,622
THIS IS IT.

179
00:11:13,656 --> 00:11:15,324
<i>THIS IS THE WINDOW</i>
<i>I WAS LOOKING OUT</i>

180
00:11:15,358 --> 00:11:18,094
<i>IN MY VISION</i>
<i>FROM THE TANK.</i>

181
00:11:18,127 --> 00:11:21,097
HERE IT IS!

182
00:11:34,009 --> 00:11:36,979
[doorbell buzzing]

183
00:11:58,534 --> 00:12:02,538
[several locks unlatching]

184
00:12:06,075 --> 00:12:09,178
WALTER BISHOP.

185
00:12:13,249 --> 00:12:15,751
YOU'RE ALIVE.

186
00:12:15,785 --> 00:12:18,320
WE WERE TRAPPED
IN AMBER

187
00:12:18,354 --> 00:12:22,525
FOR 21 YEARS,
WE WERE FROZEN IN TIME.

188
00:12:22,558 --> 00:12:26,662
I NEVER THOUGHT
I'D SEE YOU AGAIN.

189
00:13:22,234 --> 00:13:23,702
WE'VE BEEN
RELYING ON THE TAPES

190
00:13:23,736 --> 00:13:26,238
THAT WALTER MADE
IN 2015,

191
00:13:26,272 --> 00:13:28,107
TRYING TO PIECES THINGS
TOGETHER.

192
00:13:28,140 --> 00:13:31,343
WE FOUND THE RADIO THAT
YOU LEFT IN THE POCKET UNIVERSE,

193
00:13:31,377 --> 00:13:33,779
AND THAT LED US
TO THE BOY,

194
00:13:33,813 --> 00:13:37,216
<i>AND HE SHOWED ME</i>
<i>WHERE TO FIND YOU.</i>

195
00:13:37,249 --> 00:13:41,720
THE COUPLE THAT YOU LEFT HIM
WITH CALLED HIM "MICHAEL."

196
00:13:43,455 --> 00:13:46,492
<i>(Walter)</i>
<i>'S BEEN QUITE A JOURNEY.</i>

197
00:13:46,525 --> 00:13:50,129
WE'VE LOST A LOT.

198
00:13:50,162 --> 00:13:52,698
A LOT OF GOOD PEOPLE
SACRIFICED THEMSELVES

199
00:13:52,731 --> 00:13:57,236
TO GET US TO YOU.

200
00:13:57,269 --> 00:14:03,309
SO YOUR TURN.
WHAT HAPPENED TO YOU?

201
00:14:03,342 --> 00:14:07,513
BEFORE THE INVASION,
I WAS APPREHENDED

202
00:14:07,546 --> 00:14:11,483
FOR MY CONTINUED INTERFERENCE
IN THE TIMELINE,

203
00:14:11,517 --> 00:14:16,655
<i>AND MY INTERACTION</i>
<i>WITH ALL OF YOU.</i>

204
00:14:16,689 --> 00:14:20,459
AS PUNISHMENT,
THEY REMOVED MY DEVICE.

205
00:14:23,062 --> 00:14:26,148
NOW, I'M NO LONGER ABLE
TO MOVE THROUGH TIME

206
00:14:26,198 --> 00:14:30,736
OR DO THE THINGS
THAT I WAS ABLE TO DO.

207
00:14:30,769 --> 00:14:33,339
THEY EXPERIMENTED ON ME.

208
00:14:33,372 --> 00:14:37,860
THEY CALLED IT
"BIOLOGICAL REVERSION."

209
00:14:37,910 --> 00:14:42,047
NOW, I AM
NO DIFFERENT FROM YOU.

210
00:14:43,966 --> 00:14:47,620
TRUTHFULLY, IT WASN'T
MUCH OF A PUNISHMENT.

211
00:14:47,653 --> 00:14:51,023
I'VE ALWAYS HELDHIS ERA
IN THE HIGHEST REGARD.

212
00:14:51,023 --> 00:14:54,526
AND WHY
THE NAME "DONALD"?

213
00:14:54,560 --> 00:15:00,099
YOU REALLY DON'T REMEMBER,
DO YOU?

214
00:15:00,132 --> 00:15:02,701
THE FIRST MOVIE
WE WATCHED TOGETHER

215
00:15:02,735 --> 00:15:05,070
WAS <i>SINGIN' IN THE RAI</i>

216
00:15:05,104 --> 00:15:09,241
AND I CHOSE THE NAME
"DONALD O'CONNOR."

217
00:15:09,275 --> 00:15:12,278
[laughing] YES!
IT WAS AN EXCELLENT MOVIE.

218
00:15:12,311 --> 00:15:14,813
I USED TO SING
<i>MAKE 'EM LAUGH--</i>

219
00:15:14,847 --> 00:15:17,750
WONDERFULLY--
IN THE KEY OF "A" MINOR.

220
00:15:17,783 --> 00:15:19,885
I REMEMBER.

221
00:15:50,582 --> 00:15:53,485
[music box plays <i>Greensleeves]</i>

222
00:15:53,519 --> 00:16:01,760
♪ ♪

223
00:16:14,840 --> 00:16:17,710
[music box plays <i>Greensleeves]</i>

224
00:16:17,743 --> 00:16:25,985
♪ ♪

225
00:16:34,093 --> 00:16:37,196
WHAT IS HE?

226
00:16:40,065 --> 00:16:43,235
HE WAS BORN
HUNDREDS OF YEARS FROM NOW.

227
00:16:43,268 --> 00:16:47,139
<i>LIKE ALL OF OUR KIND,</i>
<i>HE WAS CREATED IN A LAB,</i>

228
00:16:47,172 --> 00:16:51,210
<i>USING THE GENETIC MATERIAL</i>
<i>OF A DESIGNATED DONOR.</i>

229
00:16:51,243 --> 00:16:54,346
<i>IT WAS A PROCESS THAT BEGAN</i>
<i>GENERATIONS EARLIER,</i>

230
00:16:54,380 --> 00:16:57,950
WITH A DISCOVERY
ON FEBRUARY 20th, 2167

231
00:16:57,983 --> 00:16:59,685
BY A SCIENTIST
IN OSLO, NORWAY,

232
00:16:59,718 --> 00:17:03,389
WHO WAS TRYING TO FIND WAYS
TO INCREASE HUMAN INTELLIGENCE.

233
00:17:03,422 --> 00:17:04,757
♪ ♪

234
00:17:04,790 --> 00:17:07,893
<i>HE REALIZED</i>
<i>THAT IF HE COULD REWIRE</i>

235
00:17:07,926 --> 00:17:12,431
THE PORTION OF THE HUMAN BRAIN
THAT INDUCES JEALOUSY,

236
00:17:12,464 --> 00:17:14,666
HE COULD INCREASE
COGNITIVE FUNCTION,

237
00:17:14,700 --> 00:17:20,472
SACRIFICING EMION
FOR INTELLIGENCE.

238
00:17:20,506 --> 00:17:24,510
THIS DISCOVERY
WAS THE CATALYST

239
00:17:24,543 --> 00:17:29,581
OF THE CREATION OF THE BEINGS
THAT YOU CALLED "OBSERVERS,"

240
00:17:29,615 --> 00:17:34,386
<i>AND HIS WORK CARRIED ON,</i>
<i>AND MORE AND MORE EMOTIONS</i>

241
00:17:34,420 --> 00:17:36,889
<i>WERE SEEN AS ROADBLOCKS</i>
<i>TO HIGHER INTELLIGENCE.</i>

242
00:17:36,922 --> 00:17:40,793
THINGS LIKE ANGER,
GREED, AGGRESSION,

243
00:17:40,826 --> 00:17:45,164
<i>THEY WERE ABANDONED</i>
<i>IN THE PURSUIT OF INTELLECT.</i>

244
00:17:45,197 --> 00:17:49,268
EVENTUALLY, HUMANITY BECAME
SO INTELLIGENT AND EFFICIENT,

245
00:17:49,268 --> 00:17:52,905
THEY LOST PERSPECTIVE
OF THE VALUE OF THESE EMOTIO--

246
00:17:52,938 --> 00:17:55,874
NOT ONLY THE NEGATIVE ONES,
BUT THE POSITIVE AS WELL,IENT,

247
00:17:55,908 --> 00:18:01,346
AND SOON EMPATHY,
COMPASSION, AND LOVE

248
00:18:01,363 --> 00:18:04,083
BECAME
MESSY DISTRACTNS,

249
00:18:04,116 --> 00:18:07,086
<i>AND THEY TOO</i>
<i>WERE MACHINED OUT,</i>

250
00:18:07,119 --> 00:18:10,489
<i>AND WITHOUT ROMANTIC LOVE,</i>

251
00:18:10,522 --> 00:18:14,059
<i>THEY DEVELOPED</i>
<i>NEW REPRODUCTIVE TECHNOLOGIES.</i>

252
00:18:14,093 --> 00:18:17,362
I REQUIRE DATA
ON AN ANOMALY.

253
00:18:17,396 --> 00:18:19,932
WHICH PROGENY
IS IT?

254
00:18:19,965 --> 00:18:23,802
ANOMALY XB-6783746.

255
00:18:27,005 --> 00:18:30,442
<i>(September)</i>
<i>EARLY IN THE BOY'S MATURATION,</i>

256
00:18:30,476 --> 00:18:32,377
THE SCIENTISTS
IN CHARGE OF REPRODUCTION,

257
00:18:32,411 --> 00:18:34,580
REALIZED THAT HIS BRAIN
HAD DEVELOPED

258
00:18:34,613 --> 00:18:37,783
<i>DIFFERENTLY</i>
<i>FROM OTHER OFFSPRING.</i>

259
00:18:37,816 --> 00:18:41,286
ITS MATURATION
WAS HALTED.

260
00:18:41,320 --> 00:18:44,990
<i>(September)</i>
<i>TO THEM, HE WAS AN ANOMALY,</i>

261
00:18:45,023 --> 00:18:47,392
<i>A DEFECT.</i>

262
00:18:47,426 --> 00:18:54,600
WHOSE GENETIC MATERIAL
WAS USED TO CREATE THIS PROGENY?

263
00:18:54,633 --> 00:18:57,536
I HAD OBSERVED,
IN YOUR TIME,

264
00:18:57,569 --> 00:19:00,339
HOFATHERS CARED
FOR THEIR SONS

265
00:19:00,372 --> 00:19:04,309
AND PROTECTED THEM.

266
00:19:04,343 --> 00:19:10,482
IT STIRRED SOMETHING IN ME
THAT I COULD NOT IGNORE.

267
00:19:15,187 --> 00:19:18,724
I TOOK THE BOY AWAY,
AND HID HIM IN THE PAST,

268
00:19:18,757 --> 00:19:22,694
WHERE HE WOULD BE SAFE.

269
00:19:24,530 --> 00:19:27,666
HE'S YOUR SON?

270
00:19:39,444 --> 00:19:41,013
HIS NAME WAS
SEPTEMBER.

271
00:19:41,046 --> 00:19:44,249
HE WAS PART OF
THE ORIGINAL 12 SCIENCE TEAM

272
00:19:44,283 --> 00:19:47,619
THAT TRAVELED BACK IN TIME
TO OBSERVE PRIMITIVE HUMANITY.

273
00:19:47,653 --> 00:19:50,422
HE WAS BANISHED
FOR SYMPATHIZING

274
00:19:50,455 --> 00:19:53,325
WITH THE FUGITIVES
I AM TRACKING...

275
00:19:53,358 --> 00:19:59,131
THE SAME FUGITIVES WHO ARE
IN POSSESSION OF THE ANOMALY.

276
00:19:59,164 --> 00:20:04,336
WHY WOULD HE GO TO SUCH LENGTHS
TO PROTECT A GENETIC DEFECT?

277
00:20:05,437 --> 00:20:09,841
<i>(Windmark)</i>
<i>I DO NOT KNOW.</i>

278
00:20:09,875 --> 00:20:12,878
I WOULD LIKE
A PROTOC SPENSION

279
00:20:12,911 --> 00:20:17,282
TO TRAVEL BACK TO A MOMENT WHEN
I CAN ERADICATE THESE RESISTORS.

280
00:20:17,316 --> 00:20:20,719
NO.

281
00:20:20,752 --> 00:20:22,721
WE ARE NOT PREPARED
TO DEAL

282
00:20:22,754 --> 00:20:27,125
WITH A READJUSTMENT
OF PROBABILITIES.

283
00:20:27,159 --> 00:20:30,062
THEY DISQUIET YOU.

284
00:20:30,095 --> 00:20:33,332
THE FUGITIVES
ARE INCONSEQUENTIAL.

285
00:20:33,365 --> 00:20:36,435
HE POSES MINIMAL RISK.

286
00:20:36,468 --> 00:20:41,740
WE CHOSE THIS TIME IN HISTORY
FOR A REASON.

287
00:20:41,773 --> 00:20:48,747
A 99.9999% PROBABILITY
THAT WE WILL SUCCEED.

288
00:20:48,780 --> 00:20:54,386
THE BOY HAD A 0.0001%
CHANCE OF SURVIVING,

289
00:20:54,419 --> 00:20:58,890
YET HE DID.

290
00:20:58,924 --> 00:21:02,561
IS THERE
SOMETHING WRONG WITH YOU?

291
00:21:08,267 --> 00:21:14,006
I AM EXPERIENCING SOMETHING
THAT I DO NOT UNDERSTAND.

292
00:21:14,039 --> 00:21:19,645
THE IDEA OF ENDING
THEIR EXISTENCE...

293
00:21:19,678 --> 00:21:22,414
CONSUMES ME.

294
00:21:22,447 --> 00:21:26,318
<i>THEY ARE INSIGNIFICANT.</i>

295
00:21:27,219 --> 00:21:30,455
SO NO.

296
00:21:36,545 --> 00:21:38,013
<i>(Peter)</i>
<i>HOW DOES HE FIT INTO THE PLAN?</i>

297
00:21:38,046 --> 00:21:39,748
<i>(September)</i>
<i>EYERE RIGHT ABOUT HIM.</i>

298
00:21:39,781 --> 00:21:45,487
HE IS AN ANOMALY,
BUT HE'S NOT LESS THAN THEM.

299
00:21:45,520 --> 00:21:47,389
<i>HE'S MORE.</i>

300
00:21:47,422 --> 00:21:48,924
<i>AT FIRST,</i>

301
00:21:48,957 --> 00:21:52,794
I THOUGHT HIS ABILITIES
WERE JUST EMPATHIC,

302
00:21:52,828 --> 00:21:55,063
T THEY DEVELOPED
INTO SOMETHING GREATER.

303
00:21:55,097 --> 00:21:58,467
I NOW KNOW THAT HIS INTELLECT
FUNCTIONS ON A LEVEL

304
00:21:58,500 --> 00:22:02,004
THAT NEITHER YOU NOR WE
ARE CAPABLE OF UNDERSTANDING,

305
00:22:02,037 --> 00:22:03,438
BUT WHAT'S
MORE IMPORTANT,

306
00:22:03,472 --> 00:22:07,909
HE HAS THE EMOTIONS,
THE COMPASSION, THE EMPATHY.

307
00:22:07,943 --> 00:22:10,712
A HYBRID.
<i>YES.</i>

308
00:22:10,746 --> 00:22:13,415
<i>THAT MOMENT</i>
<i>THAT I TOLD YOU ABOUT,</i>

309
00:22:13,448 --> 00:22:16,618
WHEN SCIENTISTS FIRST DECIDED
TO SACRIFICE HUMAN EMOTION

310
00:22:16,652 --> 00:22:18,720
TO INCREASE
INTELLIGENCE,

311
00:22:18,754 --> 00:22:21,356
<i>THAT WAS THE TURNING POINT</i>
<i>IN HUMAN EVOLUTION.</i>

312
00:22:21,390 --> 00:22:24,826
20th OF FEBRUARY, 2167.

313
00:22:24,860 --> 00:22:28,130
IF WE CAN SEND THE BOY
INTO THE FUTURE TO THAT MOMENT,

314
00:22:28,180 --> 00:22:30,165
HE CAN DEMONSTRATE
TO THOSECITISTS

315
00:22:30,198 --> 00:22:32,167
<i>A DIFFERENT KIND</i>
<i>OF INTELLIGENCE,</i>

316
00:22:32,200 --> 00:22:37,139
AN ENLIGHTENMENT THAT GOES
BEYOND KNOWLEDGE OR COGNITION

317
00:22:37,172 --> 00:22:38,807
TO SOMETHING GREATER,

318
00:22:38,840 --> 00:22:43,445
AND WHEN THEY SEE
WHAT HE IS,

319
00:22:43,478 --> 00:22:48,817
<i>WHEN THEY STUDY HIM, THEY WILL</i>
<i>REALIZE ALL THAT HE IS:</i>

320
00:22:48,850 --> 00:22:51,987
LIVING POF THAT
THEY DON'T HAVE TO SACRIFICE

321
00:22:52,020 --> 00:22:55,323
EMOTION
FOR INTELLIGENCE,

322
00:22:55,357 --> 00:23:00,729
AND THEY WILL NEVER
GO DOWN THAT PATH.

323
00:23:02,964 --> 00:23:05,467
AND THE OBSERVERS
WILL NEVER EXIST.

324
00:23:05,500 --> 00:23:08,904
<i>THEY WOULD NEVER</i>
<i>INVADE.</i>

325
00:23:19,314 --> 00:23:24,219
THAT WAS THE PLAN THAT WE WERE
WORKING ON BEFORE I AMBERED US.

326
00:23:24,252 --> 00:23:26,755
I ALWAYS KNEW
THE BOY WAS IMPORTANT,

327
00:23:26,788 --> 00:23:31,827
<i>BUT WHEN I REALIZED WHY--</i>
<i>WHAT HE WAS SUPPOSED TO DO,</i>

328
00:23:31,860 --> 00:23:34,229
MY DEVICE
HABEEN REMOVED.

329
00:23:34,262 --> 00:23:38,533
I'D LOST THE ABILITY
TO MOVE THROUGH TIME,

330
00:23:38,567 --> 00:23:40,535
SO I CAME TO YOU.

331
00:23:40,569 --> 00:23:42,304
THAT WAS THE PLAN.

332
00:23:42,337 --> 00:23:47,909
WE WERE GOING TO SEND THE BOY
FORWARD INTO TIME.

333
00:23:54,483 --> 00:23:57,719
HOW FAR HAVE YOU COME
WITH THE TAPES?

334
00:23:57,753 --> 00:24:00,756
WE HAVE THE ROCKS
FROM THE MINE IN PENNSYLVANIA,

335
00:24:00,756 --> 00:24:03,325
THE MAGNET,
THE OBSERVER BEACONS,

336
00:24:03,358 --> 00:24:06,027
<i>D SOME SCROLLS OF PHYSICS</i>
<i>THAT NONE OF US CAN DECIPHER.</i>

337
00:24:06,061 --> 00:24:08,663
DON'T WORRY.
I CAN HELP YOU WITH THAT.

338
00:24:08,697 --> 00:24:12,801
THESE THINGS
WE'VE COLLECTED,

339
00:24:12,834 --> 00:24:17,405
HOW THEY CAN POSSIBLY BE USED
TO TRAVEL THROUGH TIME?

340
00:24:17,439 --> 00:24:20,208
THEY ARE PART OF A DEVICE
THAT WE MUST BUILD.

341
00:24:20,225 --> 00:24:22,878
<i>(Walter)</i>
<i>I HAVE THE HOLOGRAM BLUEPRINTS.</i>

342
00:24:22,911 --> 00:24:24,713
IT ALSO REQUIRES
TECHNOLOGY

343
00:24:24,746 --> 00:24:27,682
THAT HASN'T BEEN INVENTED,
FROM MY TIME.

344
00:24:27,716 --> 00:24:29,050
HOW  WE GET IT?

345
00:24:29,084 --> 00:24:30,819
I TOOK THEM FROM THE FUTURE
LONG AGO,

346
00:24:30,852 --> 00:24:35,690
THE TECH IS HIDDEN.
IT'S NOT FAR FROM HERE.

347
00:24:45,000 --> 00:24:48,103
YOU OKAY?

348
00:24:51,706 --> 00:24:54,509
PETER, I THINK WE'RE GONNA
GET OUR DAUGHTER BAC

349
00:24:54,543 --> 00:24:55,744
LIV--

350
00:24:55,777 --> 00:25:01,016
YOU HEARD SEPTEMBER.
THE PLAN IS GONNA RESET TIME.

351
00:25:03,318 --> 00:25:04,753
PETER,
THAT BOY IN THERE,

352
00:25:04,786 --> 00:25:08,323
HE'S HOW WE'RE GOING
TO SEETTA AGAIN.

353
00:25:09,691 --> 00:25:12,844
YOU DON'T BELIEVE ME?

354
00:25:18,099 --> 00:25:22,437
I WANT TO BELIEVE THAT
MORE THAN ANYTHING,

355
00:25:22,470 --> 00:25:26,808
BUT WE'VE STILL GOT
A LONG WAY TO GO.

356
00:25:35,650 --> 00:25:36,985
AFTER THE INVASION,

357
00:25:37,018 --> 00:25:39,855
SEPTEMBER WAS DETAINED
AT A MINE IN PENNSYLVANIA.

358
00:25:39,888 --> 00:25:41,590
HE WAS
EXTRACTING ROCKS.

359
00:25:41,623 --> 00:25:45,160
THE PURPOSE OF THE ROCKS
WAS NOT ASCERTAINED.

360
00:25:45,193 --> 00:25:46,461
WHAT WAS THE OUTCOME?

361
00:25:46,494 --> 00:25:49,798
HE WAS QUESTIONED
AND RELEASED.

362
00:25:49,831 --> 00:25:51,633
HE WAS LABELED
"A KNOWN OFFENDER."

363
00:25:51,666 --> 00:25:54,703
<i>THEN HE HAS</i>
<i>BEEN TAGGED.</i>

364
00:25:54,736 --> 00:26:00,475
INITIATE
LOCATION PROTOCOL.

365
00:26:00,508 --> 00:26:04,279
FIND HIS ADDRESS.

366
00:26:06,715 --> 00:26:11,486
CHIP NUMBER 784651.

367
00:26:15,190 --> 00:26:16,358
[transporter blip]

368
00:26:16,391 --> 00:26:19,461
[two transporter blips]

369
00:26:22,964 --> 00:26:26,301
SEARCH THE APARTMENT.

370
00:26:46,187 --> 00:26:50,325
[two piano notes]

371
00:26:54,396 --> 00:26:57,032
<i>HE HAS MOSTLY LIKELY REMOVED</i>
<i>HIS CHIP AND DESTROYED IT.</i>

372
00:26:57,065 --> 00:27:01,069
<i>THAT IS WHY</i>
<i>WE COULD NOT TRACK IT.</i>

373
00:27:01,102 --> 00:27:04,806
IT IS STILL WARM.

374
00:27:04,839 --> 00:27:07,375
HE WAS JUST HERE.

375
00:27:07,409 --> 00:27:09,945
HAVE THE LOYALISTS
REVIEW THE FOOTAGE

376
00:27:09,978 --> 00:27:13,448
FROM THE SURVEILLANCE CAMERAS
IN THE AREA.

377
00:27:13,481 --> 00:27:16,751
I WANT TO KNOW
WHERE HE WENT.

378
00:28:19,948 --> 00:28:28,189
♪ ♪

379
00:28:46,741 --> 00:28:47,742
(Peter)
WHICH ONE IS IT?

380
00:28:47,776 --> 00:28:50,045
YOU AND OLIVIA STAY HERE
WITH MICHAEL.

381
00:28:50,078 --> 00:28:51,613
<i>DONALD AND I</i>
<i>WILL GET THE TECH.</i>

382
00:28:51,646 --> 00:28:56,084
[beeping]

383
00:29:00,355 --> 00:29:03,458
THEY'RE IN MY HOME.

384
00:29:06,361 --> 00:29:09,531
YOU CAN'T GO
BACK THERE.

385
00:29:15,370 --> 00:29:18,339
THERE IS NO "BACK THERE."

386
00:29:18,373 --> 00:29:24,612
♪ ♪

387
00:29:28,550 --> 00:29:33,955
[tapping]

388
00:30:20,368 --> 00:30:21,736
CAPTAIN WINDMARK.

389
00:30:21,769 --> 00:30:23,872
A TRAFFIC CAMERA ON FRONT STREET
RECORDED THIS.

390
00:30:23,905 --> 00:30:27,609
WE'RE PUTTING THE DESCRIPTION
OF THE VEHLE OUT TO ALL UNITS.

391
00:30:29,144 --> 00:30:32,313
<i>(Windmark)</i>
<i>THE CHILD IS WITH THEM.</i>

392
00:30:32,347 --> 00:30:34,749
<i>THAT WAS 14 MINUTES AGO.</i>

393
00:30:34,782 --> 00:30:37,252
THEY CANNOT
HAVE GONE FAR.

394
00:30:37,285 --> 00:30:40,388
SET UP A PERIMETER.

395
00:31:07,515 --> 00:31:13,221
HERE THEY ARE,
JUST AS I LEFT THEM.

396
00:31:15,557 --> 00:31:17,559
WHAT?

397
00:31:17,575 --> 00:31:22,197
THE BOY, HE COMMUNICATED TO ME
WHEN HE TOUCHED ME.

398
00:31:22,230 --> 00:31:25,266
WHAT DID HE SHOW YOU?

399
00:31:25,300 --> 00:31:30,004
HE GAVE ME AN AWARENESS
OF ANOTHER TIMELINE

400
00:31:30,038 --> 00:31:34,509
WHEN YOU SAVED PETER AND I
FROM REIDEN LAKE.

401
00:31:34,542 --> 00:31:36,911
WHEN YOU PULLED US
FROM THE LAKE,

402
00:31:36,945 --> 00:31:40,982
YOU SAID,
"THE BOY IS IMPORTANT.

403
00:31:41,015 --> 00:31:43,718
HE MUST LIVE."

404
00:31:43,751 --> 00:31:48,122
YOU WEREN'T REFERRING TO MY SON.
YOU WERE RERNG TO YOURS.

405
00:31:48,223 --> 00:31:52,594
YES.

406
00:31:52,627 --> 00:31:55,730
DID HE SHOW YOU
ANYTHING ELSE?

407
00:31:55,763 --> 00:32:00,368
YES. THERE IS ONE THING
I HAVEN'T TOLD THE OTHERS.

408
00:32:00,401 --> 00:32:05,173
HE SHOWED ME THAT,
FOR THE PLAN TO WORK,

409
00:32:05,206 --> 00:32:10,278
I WOULD HAVE TO
SACRIFICE MYSELF.

410
00:32:14,816 --> 00:32:17,952
IS THAT RIGHT?

411
00:32:19,454 --> 00:32:23,124
YES.

412
00:32:25,126 --> 00:32:28,763
ARE YOU FRIGHTENED?

413
00:32:28,796 --> 00:32:33,368
I WOULD BE LYING
IF I SAID I WASN'T FRIGHTENED.

414
00:32:35,270 --> 00:32:38,640
DO YOU THINK
THAT THE BOY SHOWED ME

415
00:32:38,673 --> 00:32:41,843
ALL THESE OTHER EXPERIENCES,

416
00:32:41,876 --> 00:32:47,081
BECAUSE HE WANTED ME
TO KNOW THAT I HAVE LOVED,

417
00:32:49,083 --> 00:32:54,055
THAT I HAVE HAD INCREDIBLE
MOMENTS AND CONNECTIONS?

418
00:32:54,088 --> 00:32:59,460
BECAUSE--

419
00:32:59,494 --> 00:33:01,462
BECAUSE IT WILL
MAKE IT EASIER FOR ME

420
00:33:01,496 --> 00:33:04,632
TO COME TO TERMS
WITH WHAT I HAVE TO DO?

421
00:33:04,666 --> 00:33:06,034
[sighs]

422
00:33:06,067 --> 00:33:09,904
YOU THINK
THAT'S WHY HE DID IT?

423
00:33:15,076 --> 00:33:18,179
I DON'T KNOW.

424
00:33:24,452 --> 00:33:26,854
IT WAS YOUR DECISION

425
00:33:26,888 --> 00:33:29,590
TO SACRIFICE YOURSELF
FOR THE PLAN.

426
00:33:29,607 --> 00:33:31,659
DO Y REMEMBER THAT?

427
00:33:31,693 --> 00:33:35,563
NO.

428
00:33:35,596 --> 00:33:39,233
YOU SAID YOU HAD CAUSED
SO MUCH UNINTENDED DAMAGE,

429
00:33:39,267 --> 00:33:41,936
YOU FELT THIS WAS YOUR CHANCE
TO MAKE AMENDS.

430
00:33:41,969 --> 00:33:46,040
YOU WOULD NOT HAVE IT
ANY OTHER WAY.

431
00:33:53,081 --> 00:33:57,218
DO YOU REMEMBER
GETTING A WHITE TULIP?

432
00:34:02,290 --> 00:34:05,059
YES, I DO.

433
00:34:07,128 --> 00:34:10,465
IT WAS A SIGN FROM GOD.

434
00:34:25,146 --> 00:34:29,517
THE TULIP WAS IMPORTANT.

435
00:34:29,550 --> 00:34:33,988
I TOOK IT FROM THE OTHER
TIMELINE, AND KEPT IT.

436
00:34:36,991 --> 00:34:41,679
WHEN WE DEVISED THE PLAN
TO STOP THE INVASION,

437
00:34:41,729 --> 00:34:43,531
YOU DIDN'T THINK
WE COULD SUCCEED.

438
00:34:43,564 --> 00:34:46,134
YOU DOUBTED YOURSELF.

439
00:34:46,167 --> 00:34:49,337
I KNEW THE TULIP
WOULD GIVE YOU STRENGTH,

440
00:34:49,337 --> 00:34:51,506
AS IT HAD BEFORE.

441
00:34:51,539 --> 00:34:57,478
IT WAS YOUR SYMBOL OF HOPE
AND ABSOLUTION.

442
00:34:57,512 --> 00:35:01,082
IT GAVE YOU
THE COURAGE...

443
00:35:04,185 --> 00:35:08,656
TO PUSH ON.

444
00:35:08,689 --> 00:35:11,192
AT THAT TIME,
I NEED TGIVE YOU BACK

445
00:35:11,225 --> 00:35:14,996
THE HOPE
THAT WE COULD WIN.

446
00:35:25,006 --> 00:35:27,308
I COULD USE THAT TULIP
RIGHT NOW.

447
00:35:27,341 --> 00:35:28,576
WHERE IS IT?

448
00:35:28,609 --> 00:35:31,512
I DON'T KNOW
WHAT YOU DID WITH IT.

449
00:35:31,546 --> 00:35:34,682
ONLY YOU
WOULD KNOW THAT.

450
00:35:39,954 --> 00:35:41,823
IS THAT IT?

451
00:35:41,856 --> 00:35:43,925
YOU SAY THAT AS THOUGH
WE'RE NOT CARRYING TECHNOLOGY

452
00:35:43,958 --> 00:35:47,161
THAT CAN BEND SPACE AND TIME
INTO A MOBIUS STRIP.

453
00:35:49,797 --> 00:35:52,266
I'M NOT COMING
WITH YOU.

454
00:35:52,300 --> 00:35:54,669
I HAVE A FEW MORE THINGS
WE'LL NEED

455
00:35:54,702 --> 00:35:58,406
BEFORE WE GET STARTED
ON THE PLAN.

456
00:35:58,439 --> 00:36:00,675
BE CAREFUL.

457
00:36:00,708 --> 00:36:03,845
YOU TOO.

458
00:36:21,662 --> 00:36:24,799
I WILL SEE YOU AGAIN.

459
00:36:27,935 --> 00:36:31,706
I PROMISE.

460
00:36:52,627 --> 00:36:55,963
<i>(Olivia)</i>
<i>I USED TO LOVE BROOKLYN.</i>

461
00:37:04,138 --> 00:37:05,940
WE NEED ANOTHER ROUTE.

462
00:37:05,973 --> 00:37:07,275
<i>(Olivia)</i>
<i>WE CAME THIS WAY LESS THAN</i>

463
00:37:07,308 --> 00:37:08,576
<i>30 MINUTES AGO.</i>

464
00:37:08,609 --> 00:37:11,746
THE CHECKPOINT
WASN'T THERE.

465
00:37:14,882 --> 00:37:17,985
TRY THE ALLEY.

466
00:37:25,159 --> 00:37:26,761
<i>(Olivia)</i>
<i>ASTRID, IT'S ME.</i>

467
00:37:26,794 --> 00:37:28,796
HEY.
DID YOU FIND DONALD?

468
00:37:28,829 --> 00:37:31,532
YEAH, BUT SOMEBODY ELSE
FOUND US.

469
00:37:31,566 --> 00:37:33,534
<i>THEY'RE SETTING UP ROADBLOCKS,</i>
<i>AND WE NEED TO FIND A WAY OUT.</i>

470
00:37:33,568 --> 00:37:35,002
WHERE ARE YOU?

471
00:37:35,036 --> 00:37:37,805
WE'RE PARKED IN AN ALLEY
AT ADAMS AND TILLARY.

472
00:37:37,838 --> 00:37:39,440
CAN YOU USE
THE RESISTANCE NETWORK?

473
00:37:39,473 --> 00:37:41,609
SEE IF YOU CAN HACK INTO ANY
LIVE CAMERA FEEDS IN THE AREA?

474
00:37:41,642 --> 00:37:43,344
YEAH,
I'M ACCESSING IT NOW.

475
00:37:45,146 --> 00:37:48,516
OKAY, I GOT IT.
JUST PULLING UP THE FEEDS.

476
00:37:48,549 --> 00:37:50,885
YOU'RE RIGHT, THEY'RE SETTING UP
A PERIMETER ALL AROUND YOU.

477
00:37:50,918 --> 00:37:53,187
THERE'S NO WAY OUT.

478
00:37:53,220 --> 00:37:56,324
WE'RE SURROUNDED.

479
00:38:05,249 --> 00:38:08,419
DO YOU THINK
THEY FOUND DONALD?

480
00:38:08,452 --> 00:38:10,087
DO YOU THINK
HE MADE IT OUT?

481
00:38:10,121 --> 00:38:12,256
I DON'T KNOW, WALTER.
WELL, WE CAN'T LEAVE HIM.

482
00:38:12,290 --> 00:38:16,227
WE DON'T HAVE A CHOICE.
HE SAID HE'D CONTACT US.

483
00:38:16,260 --> 00:38:18,195
<i>(Olivia)</i>
<i>HEY, ASTRID,</i>

484
00:38:18,229 --> 00:38:19,964
<i>HAS ANYTHING CHANGED? ARE THEY</i>
<i>STILL HOLDING THE PERIMETER?</i>

485
00:38:19,997 --> 00:38:21,565
<i>(Astrid)</i>
<i>HEY, LISTEN, I THINK</i>

486
00:38:21,599 --> 00:38:23,067
<i>I FOUND A HOLE,</i>
<i>BUT YOU HAVE TO MOVE QUICK.</i>

487
00:38:23,100 --> 00:38:25,069
THE MONORAIL'S
YOUR BEST BET.

488
00:38:25,102 --> 00:38:27,338
WHEN YOU CROSS YORK,
HEAD SOUTH.

489
00:38:27,371 --> 00:38:30,107
<i>THERE'S A STOP FOUR BLOCKS</i>
<i>DOWN, NEAR JAY STREET.</i>

490
00:38:30,141 --> 00:38:31,375
OKAY, ANY ACTIVITY THERE?

491
00:38:31,409 --> 00:38:32,777
NOPE,
NOT THAT I CAN SEE.

492
00:38:32,810 --> 00:38:34,478
<i>(Olivia)</i>
<i>THANKS.</i>

493
00:38:34,512 --> 00:38:36,881
ASTRID SAID THAT WE SHOULD
HEAD TOWARD JAY STREET.

494
00:38:36,914 --> 00:38:39,116
THERE'S A MONORAIL STATION.
SHE SAID IT'S CLEAR.

495
00:38:39,150 --> 00:38:43,120
IT WON'T STAY THAT WAY FOR LONG.
HANG HERE FOR A SEC.

496
00:38:54,632 --> 00:38:56,033
THEY SET UP ANOTHER CHECKPOINT,
FURTHER DOWN.

497
00:38:56,067 --> 00:38:58,002
WE'RE BLOCKED.
OKAY.

498
00:38:58,035 --> 00:38:59,270
I THINK WE SHOULD
SPLIT UP.

499
00:38:59,303 --> 00:39:00,938
I'M GONNA TAKE MICHAEL
WITH ME.

500
00:39:00,971 --> 00:39:05,009
A MOTHER AND CHILD SHOULDN'T
DRAW TOO MUCH SUSPICION.

501
00:39:05,042 --> 00:39:08,245
YOU'RE GONNA STAY
WITH ME, OKAY?

502
00:39:13,351 --> 00:39:15,252
[indistinct chatter]

503
00:39:15,286 --> 00:39:19,724
<i>(police officer)</i>
<i>YEAH, HE'S CLEAR. GO AHEAD.</i>

504
00:39:19,757 --> 00:39:22,526
<i>HOLD IT RIGHT THERE.</i>

505
00:39:22,560 --> 00:39:24,862
[continued chatter]

506
00:39:24,895 --> 00:39:26,197
<i>(Peter)</i>
<i>JUST KEEP GOING.</i>

507
00:39:26,230 --> 00:39:27,631
<i>YOU'RE DOING GREAT.</i>

508
00:39:27,665 --> 00:39:31,602
WE'RE RIGHT BEHIND YOU.

509
00:39:35,639 --> 00:39:39,510
PETER.

510
00:39:39,543 --> 00:39:41,412
YEAH, I SEE 'EM.
NO, I SEE 'EM.

511
00:39:41,445 --> 00:39:42,880
JUST KEEP MOVING.
GET TO THE MONORAIL.

512
00:39:42,913 --> 00:39:44,081
WE'LL BE RIGHT THERE.

513
00:39:44,115 --> 00:39:47,251
OKAY, BE CAREFUL.

514
00:39:52,623 --> 00:39:53,924
<i>(police officer)</i>
<i>KEEP MOVING, PLEASE.</i>

515
00:39:53,958 --> 00:39:58,996
<i>PEDESTRIANS, KEEP MOVING.</i>

516
00:39:59,029 --> 00:40:02,233
WE'RE GOOD.
LET'S GO.

517
00:40:17,948 --> 00:40:21,385
[beeping]

518
00:40:21,419 --> 00:40:22,720
HEY.

519
00:40:22,753 --> 00:40:25,122
THE TRAIN'S LEAVING
IN A FEW MINUTES. WHERE ARE YOU?

520
00:40:25,156 --> 00:40:26,357
NOT FAR.

521
00:40:26,390 --> 00:40:27,958
<i>(Olivia)</i>
<i>THEY'RE SEARCHING CARS.</i>

522
00:40:27,992 --> 00:40:31,128
DON'T WORRY.
WE'LL MEET YOU AT THE TRAIN.

523
00:40:47,244 --> 00:40:50,414
<i>[indistinct voice over P.A.]</i>

524
00:40:58,823 --> 00:41:00,191
I SEE YOU.

525
00:41:00,224 --> 00:41:03,494
<i>(Olivia)</i>
<i>WE'RE IN THE SECOND CAR.</i>

526
00:41:17,842 --> 00:41:20,978
THIS WAY, WALTER.

527
00:41:27,985 --> 00:41:30,287
GO INTO THE FIRST CAR.
ON YOUR RIGHT. NOW.

528
00:41:31,856 --> 00:41:34,191
WE'RE ON BOARD.
WEL KE OUR WAY TO YOU.

529
00:41:35,459 --> 00:41:37,027
<i>(Olivia)</i>
<i>THEY'RE COMING TO MY CAR.</i>

530
00:41:37,061 --> 00:41:38,462
<i>I THINK</i>
<i>THEY'RE GONNA SEARCH IT.</i>

531
00:41:38,496 --> 00:41:40,097
<i>(Officer)</i>
<i>LADIES AND GENTLEMEN,</i>

532
00:41:40,130 --> 00:41:43,367
<i>PLEASE HAVE YOUR PAPERS</i>
<i>READY FOR INSPECTION.</i>

533
00:41:45,169 --> 00:41:47,671
MICHAEL. MICHAEL?

534
00:41:47,705 --> 00:41:50,007
MICHAEL!

535
00:41:59,683 --> 00:42:00,885
WHERE'S MICHAEL?
HE'S GONE.

536
00:42:00,918 --> 00:42:02,553
HE JUST
WALKED OFF THE TRAIN.

537
00:42:02,586 --> 00:42:05,723
WHAT?

538
00:42:22,139 --> 00:42:25,209
CAPTAIN.

539
00:42:38,289 --> 00:42:25,209
HELLO.

