1
00:00:02,035 --> 00:00:03,236
(male announcer)
PREVIOUSLY ON FRINGE...

2
00:00:03,269 --> 00:00:04,471
I NEVER THOUGHT
I WOULD SEE YOU AGAIN.

3
00:00:04,504 --> 00:00:05,805
I WANTED TO REACH OUT
TO YOU SO MUCH,

4
00:00:05,839 --> 00:00:08,074
BUT I WAS AFRAID THAI
WOUL.

5
00:00:08,108 --> 00:00:09,709
WE NEED YOUR HELP, NINA.

6
00:00:09,743 --> 00:00:12,278
HASTINGS, GIVE DR. BISHOP
ANYTHING HE WANTS.

7
00:00:12,312 --> 00:00:14,547
OH, IT WOULD BE AN HONOR.

8
00:00:14,581 --> 00:00:15,982
<i>(Walter)</i>
<i>WHO IS THAT?</i>

9
00:00:16,016 --> 00:00:17,350
IT WAS A CASE
THAT WE WORKED.

10
00:00:17,384 --> 00:00:20,420
HE STARTED TO EXHIBIT
EMPATHIC ALIES.

11
00:00:20,453 --> 00:00:21,855
WHY WOULD I NEED AN EMPATH?

12
00:00:21,888 --> 00:00:23,923
<i>WE USED THIS PLACE</i>
<i>TO HIDE HIM</i>

13
00:00:23,957 --> 00:00:25,458
<i>UNTIL SOMEONE</i>
<i>COULD RETURN FOR HIM.</i>

14
00:00:25,492 --> 00:00:27,360
THERE IT IS.

15
00:00:28,528 --> 00:00:30,063
<i>(Walter)</i>
<i>HE'S NOT HERE.</i>

16
00:00:30,096 --> 00:00:32,465
I THINK WHOEVER TOOK THE BOY
LEFT THIS BEHIND.

17
00:00:32,499 --> 00:00:33,967
<i>(Astrid)</i>
<i>IT'S PICKING UP A SIGNAL.</i>

18
00:00:34,000 --> 00:00:36,136
THIS IS WHERE
THE SIGNAL ORIGINATES.

19
00:00:36,169 --> 00:00:38,638
<i>(Richard)</i>
<i>WHAT DO YOU WANT?</i>

20
00:00:45,979 --> 00:00:47,947
HE DEFINITELY
DOESN'T HAVE THE TECH.

21
00:00:47,981 --> 00:00:49,649
<i>(Astrid)</i>
<i>MAYBE IT WAS REMOVED.</i>

22
00:00:49,682 --> 00:00:51,351
NO,
THERE'S NO SCAR TISSUE.

23
00:00:51,384 --> 00:00:54,220
[laughing]
HERE, TRY THIS.

24
00:00:54,254 --> 00:00:57,891
[laughing]
O IT'S GOOD.

25
00:01:05,465 --> 00:01:09,202
MICHAEL, YOU USED TO
WRITE THINGS DOWN FOR ME.

26
00:01:09,235 --> 00:01:12,806
<i>YOU HELPED US CATCH A BAD MAN.</i>
<i>DO YOU REMEMBER THAT?</i>

27
00:01:17,510 --> 00:01:19,512
MICHAEL,
YOU'RE VERY SPECIAL,

28
00:01:19,546 --> 00:01:23,550
AND THERE'S A LOT THAT WE WOULD
LIKE TO LEARN ABOUT YOU.

29
00:01:26,252 --> 00:01:29,556
MY FATHER WAS WORKING ON A PLAN
WITH A MAN NAMED DONALD.

30
00:01:29,589 --> 00:01:31,624
<i>YOU WERE A VERY IMPORTANT</i>
<i>PART OF THAT PLAN.</i>

31
00:01:31,658 --> 00:01:34,461
<i>DO YOU REMEMBER THAT?</i>

32
00:01:34,494 --> 00:01:36,696
YOU DO,
AND YOU KNOW ME.

33
00:01:39,532 --> 00:01:42,669
WE SHOULD JUST GO INTO HIS MIND,
LIKE WE DID WITH SEPTEMBER.

34
00:01:42,702 --> 00:01:44,370
SEPTEMBER
WAS IN A COMA.

35
00:01:44,404 --> 00:01:45,705
SO WE PUT HIM
IN ONE TOO.

36
00:01:45,738 --> 00:01:47,173
WE'RE NOT
PUTTING HIM IN A COMA.

37
00:01:47,207 --> 00:01:49,209
THEN, WE PUT
AN ELECTROMAGNETIC PROBE

38
00:01:49,242 --> 00:01:50,677
INTO THE BASE
OF HIS SKULL,

39
00:01:50,710 --> 00:01:52,979
AND PLY HIM FULL OF SEROTONIN,
NEURONTIN, AND LSD.

40
00:01:53,012 --> 00:01:54,814
<i>(Astrid)</i>
<i>WALTER, HE IS JUST A CHILD.</i>

41
00:01:54,848 --> 00:01:56,983
HE IS NOT JUST A CHILD!

42
00:01:57,016 --> 00:01:59,085
<i>HE'S MORE THAN A CHILD.</i>

43
00:01:59,119 --> 00:02:02,055
HE IS AN INTEGRAL PART
OF MY PLAN.

44
00:02:02,088 --> 00:02:04,290
<i>HE MUST KNOW THAT!</i>
<i>HE'S JUST NOT SAYING ANYTHING</i>

45
00:02:04,324 --> 00:02:06,092
<i>FOR SOME REASON OR OTHER.</i>
<i>YOU SAID YOURSELF,</i>

46
00:02:06,126 --> 00:02:07,327
HE WROTE THINGS
BEFORE.

47
00:02:07,360 --> 00:02:09,796
WHY IS HE
NOT DOING THAT NOW?

48
00:02:09,829 --> 00:02:12,999
WHO IS DONALD?
WHERE IS HE? IS HE ALIVE?

49
00:02:12,999 --> 00:02:14,300
<i>I MUST FIND HIM.</i>
<i>TELL ME.</i>

50
00:02:14,334 --> 00:02:16,035
WHO IS HEY!LD?
WHERE IWALTER, CALM DOWN.

51
00:02:16,069 --> 00:02:18,004
HOW CAN I CALM DOWN, PETER?
WE'RE RUNNING OUT OF TIME.

52
00:02:18,037 --> 00:02:21,374
<i>DON'T YOU UNDERSTAND?</i>
<i>WE GOT A WORLD TO SAVE!</i>

53
00:02:22,742 --> 00:02:25,044
<i>ACID, GET BACK</i>
<i>TO CUTTING OUT THOSE TAPES.</i>

54
00:02:25,078 --> 00:02:27,914
WE'RE NOT GONNA GET
ANY ANSWERS OUT OF HIM.

55
00:02:32,986 --> 00:02:35,572
PETER, IT DOESN'T
MAKE ANY SENSE.

56
00:02:37,257 --> 00:02:38,458
I MEWE USED TO HAVE
HE'S AN EMA CONNECTION.

57
00:02:38,491 --> 00:02:39,993
HE USED TO FEEL
WHAT I WANTED

58
00:02:40,026 --> 00:02:42,395
<i>AND THEN</i>
<i>HE'D COMMUNICATE IT TO ME.</i>

59
00:02:42,428 --> 00:02:47,167
NO IJUST
SEEMS LIKE HE CAN'T.

60
00:03:03,550 --> 00:03:07,253
[phone rings]

61
00:03:09,789 --> 00:03:12,425
NINA,
IT'S OLIVIA.

62
00:03:12,458 --> 00:03:15,094
IS EVERYTHING
ALL RIGHT?

63
00:03:15,128 --> 00:03:17,830
NINA, WE NEED
YOUR HELP WITH SOMETHING.

64
00:03:23,570 --> 00:03:24,771
WHAT?

65
00:03:24,804 --> 00:03:29,108
[no audio]

66
00:03:30,243 --> 00:03:32,011
IT'S NOT SAFE
FOR ME TO TALK HERE.

67
00:03:32,045 --> 00:03:33,479
LET ME CALL YOU
IN TEN MINUTES.

68
00:03:45,191 --> 00:03:47,160
CAN I HELP YOU?

69
00:04:00,440 --> 00:04:02,575
YOU ARE A LOYALIST.

70
00:04:02,609 --> 00:04:04,978
THEN YOU KNOW
HOW IMPORTANT IT IS

71
00:04:05,011 --> 00:04:06,946
THAT YOU ANSWER
MY QUESTIONS.

72
00:04:06,980 --> 00:04:09,482
WHERE IS YOUR SUPERIOR?

73
00:04:09,515 --> 00:04:11,851
I'M NOT SURE.

74
00:04:11,884 --> 00:04:14,120
SHE GOT A CALL
A LITTLE WHILE AGO

75
00:04:14,153 --> 00:04:16,556
AND THEN TOLD ME SHE
WAS TAKING AN EARLY LUNCH.

76
00:04:16,589 --> 00:04:17,924
WHO WAS THE CALL FROM?

77
00:04:17,957 --> 00:04:20,026
IT CAME IN
ON HER PRIVATE COMM.

78
00:04:20,059 --> 00:04:21,527
WHEN DID THIS OCCUR?

79
00:04:21,561 --> 00:04:23,863
ABOUT 20 MINUTES AGO.

80
00:04:23,896 --> 00:04:27,267
BRING AN LQ7 UNIT.
WE DON'T HAVE MUCH TIME.

81
00:04:29,636 --> 00:04:31,504
WHEN IS SHE EXPECTED
TO RETURN?

82
00:04:31,537 --> 00:04:34,874
SHE'S ALWAYS BACK
BY 1:00.

83
00:04:34,907 --> 00:04:37,677
FUGITIVES
WE ARE SEEKING

84
00:04:37,710 --> 00:04:40,113
RECENTLY USED
A SUBLATN DEVICE

85
00:04:40,129 --> 00:04:42,649
TO ACCESS AN ABANDONED
STORAGE FACILITY.

86
00:04:42,749 --> 00:04:46,686
WE HAVE TRACED THE DEVICE
TO THE MINISTRY OF SCIENCE.

87
00:04:46,719 --> 00:04:48,588
SOMEONE HERE
HAS SUPPLIED THEM WITH IT,

88
00:04:48,621 --> 00:04:51,557
I SUSPECT
FROM THIS OFFICE.

89
00:04:51,591 --> 00:04:54,627
[fearful breathing]

90
00:04:54,661 --> 00:04:56,696
IT IS NOT YOU
I AM CONCERNED WITH.

91
00:04:56,729 --> 00:04:58,131
[exhales]

92
00:05:02,935 --> 00:05:04,637
[machine beeps]

93
00:05:17,250 --> 00:05:18,651
[machine chirping]

94
00:05:31,698 --> 00:05:33,066
[garbled speech]

95
00:05:41,574 --> 00:05:44,677
[slow, distorted]
THIS IS NINA SHARP.

96
00:05:44,711 --> 00:05:47,714
IS EVERYTHING ALL RIGHT?

97
00:05:47,747 --> 00:05:52,185
<i>[distorted]</i>
<i>WE'VE NEVER SEEN ONE BEFORE.</i>

98
00:05:52,218 --> 00:05:55,321
[garbled speech]

99
00:05:55,355 --> 00:05:57,957
[heavily distorted]
WHAT? A CHILD?

100
00:05:59,692 --> 00:06:02,695
[machine beeps]
A CHILD OBSERVER?

101
00:06:02,729 --> 00:06:04,063
<i>[distorted]</i>
<i>WE'VE NEVER SEEN ONE BEFORE.</i>

102
00:06:04,097 --> 00:06:06,399
<i>IT'S NOT SAFE</i>
<i>FOR ME TO TALK HERE.</i>

103
00:06:06,432 --> 00:06:08,101
<i>LET ME CALL YOU</i>
<i>IN TEN MINUTES.</i>

104
00:06:08,134 --> 00:06:11,003
[mysterious music]

105
00:06:11,037 --> 00:06:18,778
♪ ♪

106
00:06:37,063 --> 00:06:38,898
NINA, THANK YOU SO MUCH
FOR DOING THIS.

107
00:06:38,931 --> 00:06:40,800
I KNOW THE RISK
YOU'RE TAKING.

108
00:06:40,833 --> 00:06:45,304
NONSENSE. I'M NOTHING IF
I CAN'T BE A RESOURCE FOR YOU.

109
00:06:47,673 --> 00:06:50,243
NOW, WHERE IS HE?

110
00:07:03,956 --> 00:07:06,492
HELLO.

111
00:07:07,927 --> 00:07:10,997
MY NAME IS NINA.

112
00:07:13,099 --> 00:07:16,102
WHAT ARE WE DOING HERE?

113
00:07:16,135 --> 00:07:18,171
I'M COLD.

114
00:07:18,204 --> 00:07:20,072
<i>I HAVE ACCESS TO TECH</i>

115
00:07:20,106 --> 00:07:22,375
THAT I THINK WILL BE HELPFUL
FOR YOU TO COMMUNICATE WITH HIM.

116
00:07:22,408 --> 00:07:24,110
IT'S IN A LAB
NOT FAR FROM HERE.

117
00:07:24,143 --> 00:07:25,378
A MINISTRY LAB?
YOU THINK THAT'S SAFE?

118
00:07:25,411 --> 00:07:28,147
NOT A MINISTRY LAB.
A BLACK LAB.

119
00:07:28,181 --> 00:07:32,685
I THOUGHT MASSIVE DYNAMIC
BLACK LABS DIDN'T EXIST.

120
00:07:32,718 --> 00:07:35,888
WELL, I'M GLAD
I CAN STILL SURPRISE YOU.

121
00:07:37,623 --> 00:07:39,392
SINCE THE INVASION,
I'VE ALLOWED IT

122
00:07:39,425 --> 00:07:40,593
TO BE USED
BY THE RESISTANCE.

123
00:07:40,626 --> 00:07:44,130
[siren wailing]

124
00:07:44,163 --> 00:07:45,798
WE SHOULD GET GOING.

125
00:07:51,704 --> 00:07:54,006
HOW'S WALTER DOING?

126
00:07:54,040 --> 00:07:56,342
WHICH ONE?
AH.

127
00:07:56,375 --> 00:07:59,212
HE'S VACILLATING
LATELY.

128
00:07:59,245 --> 00:08:01,147
AND HE DROPPED ACID YESTERDAY,
SO THAT DIDN'T EXACTLY HELP.

129
00:08:01,180 --> 00:08:04,951
[laughs] WELL,
HE HASN'T CHANGED THAT MUCH.

130
00:08:06,085 --> 00:08:07,887
HE CATCHES ME
OFF GUARD.

131
00:08:07,920 --> 00:08:10,256
<i>I LOOK HIM IN THE EYES</i>
<i>SOMETIMES,</i>

132
00:08:10,289 --> 00:08:13,926
<i>AND I SEE A STARE</i>
<i>THAT I DON'T RECOGNIZE.</i>

133
00:08:15,895 --> 00:08:18,331
HE TD ME THAT YOU AGREED TO
REMOVE THE PIECES OF HIS BRAIN

134
00:08:18,364 --> 00:08:21,067
ONCE HE COMPLETED THE PLAN
TO DEFEAT THE OBSERVERS.

135
00:08:21,100 --> 00:08:24,470
NEVER UNDERESTIMATE
THE POWER OF INCENTIVE.

136
00:08:24,504 --> 00:08:26,105
YOU DON'T APPROVE?

137
00:08:26,138 --> 00:08:28,908
WHAT HAPPENS TO HIM?

138
00:08:28,941 --> 00:08:30,810
AFTER THE TISSUE
HAS BEEN REMOVED,

139
00:08:30,843 --> 00:08:33,012
WHAT HAPPENS
TO WALTER?

140
00:08:33,045 --> 00:08:36,182
HOW MANY TIMES CAN A HUMAN BRAIN
ENDURE SOMETHING LIKE THAT?

141
00:08:36,182 --> 00:08:37,984
WALTER TOLME THAT
THAT W A RK

142
00:08:38,017 --> 00:08:40,653
THAT HE WAS WILLING
TO TAKE.

143
00:08:40,686 --> 00:08:42,955
I DON'T ACCEPT THAT.

144
00:08:42,989 --> 00:08:44,257
YOU MAY NOT HAVE TO.

145
00:08:44,290 --> 00:08:46,125
IF THE PLAN
ISN'T COMPLETED IN TIME,

146
00:08:46,158 --> 00:08:47,760
HE MAY REGRESS
COMPLETELY

147
00:08:47,793 --> 00:08:50,630
<i>AND NO LONGER WANT</i>
<i>TO GO THROUGH WITH IT.</i>

148
00:08:52,331 --> 00:08:54,567
SO WHAT YOU'RE SAYING
IS I LOSE HIM EITHER WAY?

149
00:08:54,600 --> 00:08:56,769
WHAT YOU'RE SAYING IS
THAT YOUR FATHER UNDERSTANDS

150
00:08:56,802 --> 00:08:58,337
THAT ANYTHING
WORTH FIGHTING FOR

151
00:08:58,371 --> 00:09:00,806
COMES WITH A COST.

152
00:09:41,414 --> 00:09:44,850
<i>PERHAPS SHE HAS BEEN ALERTED</i>
<i>TO OUR PRESENCE HERE.</i>

153
00:09:44,884 --> 00:09:46,852
IT WOULD NOT BE
THE FIRST TIME.

154
00:09:48,888 --> 00:09:52,658
EVERY CONSRACY
HAS A NETWK.

155
00:09:54,393 --> 00:09:56,162
I WANT TO SEE THFACILITY
FROM WHICH

156
00:09:56,195 --> 00:09:58,764
THE SUBLIMATION DEVICE
WAS TAKEN.

157
00:10:05,638 --> 00:10:07,406
[keypad beeping]

158
00:10:43,843 --> 00:10:45,378
IT'S OKAY.

159
00:10:47,513 --> 00:10:48,781
<i>(Nina)</i>
<i>IT'S BETTER IF HE STAYS</i>

160
00:10:48,814 --> 00:10:51,617
<i>BACK THERE</i>
<i>FOR A MOMENT.</i>

161
00:11:38,998 --> 00:11:41,967
THE RESISTANCE EXPERIMENTED
ON OBSERVERS HERE?

162
00:11:42,001 --> 00:11:44,937
YES. AMONG OTHER THINGS,
WE WANTED TO UNDERSTAND

163
00:11:44,970 --> 00:11:46,405
HOW THEY WERE
READING US.

164
00:11:46,439 --> 00:11:47,640
PERHAPS
CREATE TECHNOLOGY

165
00:11:47,673 --> 00:11:49,108
THAT WOULD GIVE US
THE SAME ADVANTAGE.

166
00:11:49,141 --> 00:11:50,342
DID IT WORK?

167
00:11:50,376 --> 00:11:52,078
NO.
WE WERE ONLY ABLE

168
00:11:52,111 --> 00:11:53,946
TO EXTRACT
BITS AND PIECES OF DATA.

169
00:11:53,979 --> 00:11:56,315
IMAGES, WORDS
IN THEIR CONSCIOUS MINDS,

170
00:11:56,348 --> 00:11:58,684
BUT NOT ENOUGH
TO BE USEFUL.

171
00:11:58,718 --> 00:12:02,621
HOWEVER, IF YOU
WERE ABLE TO COMMUNICATE

172
00:12:02,655 --> 00:12:03,923
<i>WITH THE OBSERVER CHILD</i>

173
00:12:03,956 --> 00:12:05,991
<i>USING NEURAL STIMULATION</i>
<i>ONCE BEFORE,</i>

174
00:12:06,025 --> 00:12:10,196
THIS TECHNOLOGY MIGHT BE ABLE
TO HELP YOU DO IT AGAIN.

175
00:12:13,866 --> 00:12:15,534
YOU ALL RIGHT?

176
00:12:19,605 --> 00:12:21,807
YOU'RE THINKING
ABOUT HER?

177
00:12:21,841 --> 00:12:24,810
YEAH, EVERY TIME I SEE
ONE OF THOSE POSTERS,

178
00:12:24,844 --> 00:12:27,113
MY HEART JUMPS.

179
00:12:28,247 --> 00:12:30,716
YEAH, MINE TOO.

180
00:12:30,750 --> 00:12:36,856
IT'S HARD TO SEE HER FACE,
BUT AT THE SAME TIME, I WANT TO.

181
00:12:43,562 --> 00:12:44,697
YOU READY IN THERE?

182
00:12:44,730 --> 00:12:47,566
YEAH, YEAH.
IT'S ALL GOOD.

183
00:12:49,969 --> 00:12:55,407
LIKE OURS, OBSERVER BRAINS
TRANSLATE EXTERNAL STIMULI--

184
00:12:55,441 --> 00:12:56,976
LANGUAGE, SIGHTS,
SOUNDS--

185
00:12:57,009 --> 00:12:58,711
<i>INTO PATTERNS</i>
<i>OF ELECTRICAL ACTIVITY,</i>

186
00:12:58,744 --> 00:13:01,380
<i>WHICH WE COMMONLY CALL</i>
<i>"THOUGHTS."</i>

187
00:13:04,416 --> 00:13:06,585
COME ON, MICHAEL.

188
00:13:06,619 --> 00:13:09,155
THIS IS AN ELECTRO-COGNITIVE
TRANSLATOR.

189
00:13:09,188 --> 00:13:11,423
<i>AN "ECOG" FOR SHORT.</i>

190
00:13:11,457 --> 00:13:12,992
HOW DOES IT WORK?

191
00:13:13,025 --> 00:13:14,827
BY INTERPRETING PATTERNS
OF ELECTRICAL ACTIVITY

192
00:13:14,860 --> 00:13:17,229
INTO WORDS AND IMAGES
THAT WE CAN UNDERSTAND.

193
00:13:17,263 --> 00:13:19,098
ALLOWING YOU
TO READ THEIR THOUGHTS.

194
00:13:19,131 --> 00:13:21,333
FOR ALL INTENTS
AND PURPOSES, YES.

195
00:13:21,367 --> 00:13:23,369
<i>(Walter)</i>
<i>THIS WILL SUFFICE.</i>

196
00:13:23,402 --> 00:13:25,471
PREP THE SUBJECT.

197
00:13:25,504 --> 00:13:28,407
HIS NAME'S MICHAEL.

198
00:13:39,018 --> 00:13:42,154
CAPTAIN WINDMARK,
WE'VE BEEN UNABLE TO LOCATE

199
00:13:42,188 --> 00:13:43,622
NINA SHARP'S
COMM DEVICE.

200
00:13:43,656 --> 00:13:45,958
CONTINUE LOOKING.

201
00:13:45,991 --> 00:13:51,430
[overlapping whispering]

202
00:14:10,616 --> 00:14:12,518
MR. RHODE,

203
00:14:12,551 --> 00:14:16,222
WE HAVE DETERMINED
THAT NINA SHARP IS A TRAITOR.

204
00:14:16,255 --> 00:14:19,458
SHE IS WORKING
FOR THE RESISTANCE.

205
00:14:19,491 --> 00:14:21,627
DO YOU HAVE
ANY KNOWLELEDGE OF THAT?

206
00:14:21,660 --> 00:14:24,864
NO.

207
00:14:24,897 --> 00:14:27,933
DO YOU KNOW
WHERE SHE IS?

208
00:14:27,967 --> 00:14:31,804
NO.

209
00:14:40,179 --> 00:14:43,082
I BELIEVE YOU.

210
00:14:48,754 --> 00:14:51,790
(Peter)
THIS IS GONNA BE A LITTLE COLD.

211
00:14:51,824 --> 00:14:54,026
[device strap clicking]

212
00:14:55,394 --> 00:14:57,329
WE'RE JUST
GONNA DO A TEST,

213
00:14:57,363 --> 00:14:59,865
BUT IT WON'T HURT.
I PROMISE.

214
00:15:01,600 --> 00:15:04,203
HIS CORTICAL ACTIVITY
IS OFF THE CHARTS.

215
00:15:04,236 --> 00:15:06,238
THE NEURAL LINK IS GOOD.
WE'RE READY.

216
00:15:06,272 --> 00:15:08,007
OKAY.

217
00:15:10,809 --> 00:15:13,946
MICHAEL, IF AT ANY POINT,
YOU WANT TO STOP,

218
00:15:13,979 --> 00:15:15,881
YOU JUST
SQUEEZE MY HAND.

219
00:15:15,915 --> 00:15:19,451
OKAY?

220
00:15:24,690 --> 00:15:26,325
MICHAEL,
DO YOU REMEMBER

221
00:15:26,358 --> 00:15:30,062
WHY YOU'RE SO IMPORTANT
TO WALTER'S PLAN?

222
00:15:31,363 --> 00:15:33,065
HIS MIND IS RESPONDING
TO THE QUESTION.

223
00:15:33,098 --> 00:15:34,733
HMM.

224
00:15:34,767 --> 00:15:38,137
THE ECOG IS ATTEMPTING TO
TRANSLATE HIS NEURAL ACTIVITY,

225
00:15:38,170 --> 00:15:40,306
BUT HE'S PROCESSING
INFORMATION

226
00:15:40,339 --> 00:15:42,207
IN A WAY I'VE
NEVER SEEN BEFORE.

227
00:15:42,241 --> 00:15:43,842
THIS IS NOT LIKE
ANY OF THE OTHER OBSERVERS

228
00:15:43,876 --> 00:15:46,345
FROM OUR TRIALS.

229
00:15:46,378 --> 00:15:48,914
THE SOFTWARE
CAN'T INTERPRET IT.

230
00:15:50,916 --> 00:15:54,320
SOMETHING HAS FUNDAMENTALLY
CHANGED WITH THE SUBJECT.

231
00:15:56,188 --> 00:15:58,624
MICHAEL.

232
00:15:58,657 --> 00:16:00,826
WHATEVER ALLOWED US
TO COMMUNICATE BEFORE

233
00:16:00,859 --> 00:16:02,828
IS NO LONGER VIABLE.

234
00:16:02,861 --> 00:16:05,698
YOU SAID THE BOY
FORMED A BOND WITH OLIVIA,

235
00:16:05,731 --> 00:16:07,082
HELPED HER
SOLVE A CASE ONCE.

236
00:16:07,132 --> 00:16:08,734
THAT'S RIGHT.

237
00:16:08,767 --> 00:16:10,002
SO HE DID SO,

238
00:16:10,035 --> 00:16:11,904
BECAUSE HE KNEW
WHAT YOU WANTED.

239
00:16:11,937 --> 00:16:13,105
HE COULD FEEL IT

240
00:16:13,138 --> 00:16:14,773
THROUGH THE EMPATHIC
CONNECTION WITH YOU.

241
00:16:14,807 --> 00:16:16,475
MAYBE
HE CAN'T HELP US NOW

242
00:16:16,508 --> 00:16:18,177
BECAUSE THAT CONNECTION
NO LONGER EXISTS.

243
00:16:18,210 --> 00:16:21,647
SO YOU'RE SAYING HE CAN'T
UNDERSTAND WHAT WE WANT?

244
00:16:21,680 --> 00:16:23,816
SO HOW CAN HE HELP US?

245
00:16:23,849 --> 00:16:26,018
<i>WE'VE BEEN TRYING</i>
<i>TO GET INTO HIS MIND.</i>

246
00:16:26,051 --> 00:16:28,887
MAYBE THE ANSWER
IS LETTING HIM GET INTO OURS.

247
00:16:28,921 --> 00:16:31,190
<i>(Walter)</i>
<i>YES.</i>

248
00:16:31,223 --> 00:16:33,926
THAT IS BRILLIANT, NINA.

249
00:16:33,959 --> 00:16:35,527
WE NEED TO CREATE A LINK

250
00:16:35,561 --> 00:16:38,063
BETWEEN ONE OF OUR
CONSCIOUS NDS AND THE BOY'S.

251
00:16:38,097 --> 00:16:39,732
WELL,
HOW DO WE DO THAT?

252
00:16:39,765 --> 00:16:41,133
WELL, IT'S GOING
TO TAKE SOME TIME,

253
00:16:41,166 --> 00:16:43,435
I HAVE TO RECONFIGURE
THE ECOG'S SOFTWARE,

254
00:16:43,469 --> 00:16:45,938
AND YOU'VE GOT TO RETURN
TO THE WAREHOUSE

255
00:16:45,971 --> 00:16:48,307
AT THE MINISTRY OF SCIENCE
TO GET ANOTHER ECOG HALO

256
00:16:48,340 --> 00:16:50,075
AND A NEURAL ADAPTOR
FOR THE SEND PERSON.

257
00:16:50,109 --> 00:16:51,944
IS THAT GOING TO BE
A PROBLEM?

258
00:16:51,977 --> 00:16:54,613
NO, I'VE GOT A MAN IN ARCHIVES.
HE'LL GIVE US WHAT WE WANT.

259
00:16:54,646 --> 00:16:56,882
HASTINGS?
YES.

260
00:17:01,453 --> 00:17:02,921
NEXT.

261
00:17:07,393 --> 00:17:09,128
NAME?

262
00:17:09,161 --> 00:17:12,097
HASTINGS, DARRYL R.

263
00:17:23,842 --> 00:17:29,948
[phone ringing]

264
00:17:33,919 --> 00:17:38,357
[phone ringing]

265
00:17:39,958 --> 00:17:42,394
[phone ringing]

266
00:17:50,302 --> 00:17:53,305
<i>(Nina)</i>
<i>I STILL CAN'T GET THROUGH TO HASTING.</i>

267
00:17:53,338 --> 00:17:55,040
<i>(Walter)</i>
<i>THIS IS INTOLERABLE.</i>

268
00:17:55,074 --> 00:17:57,876
WITHOUT THE NEURAL ADAPTOR
AND THE SECOND E.C.O.G. HALO,

269
00:17:57,910 --> 00:17:59,411
WE HAVE NO WAY
TO COMMUNICATE WITH THE BOY.

270
00:17:59,445 --> 00:18:01,713
DON'T WORRY, WALTER.
WE'LL GET 'EM.

271
00:18:01,747 --> 00:18:03,282
NINA WILL HAVE
THE PASS CODE.

272
00:18:03,315 --> 00:18:04,950
WELL, HER COMM
DOESN'T WORK UNDERGROUND,

273
00:18:04,983 --> 00:18:07,086
SO THERE'S NO WAY
TO CONTACT HER.

274
00:18:07,119 --> 00:18:09,655
DO YOU THINK
THAT WE CAN BYPASS THIS?

275
00:18:12,191 --> 00:18:15,828
[phone rings]

276
00:18:15,861 --> 00:18:17,062
HEY, GUYS.

277
00:18:17,096 --> 00:18:18,430
ASTRID,
I NEED YOUR HELP

278
00:18:18,464 --> 00:18:19,765
BREAKING THROUGH
A SECURITY LOCK.

279
00:18:19,798 --> 00:18:22,134
I'M ON IT.
GIVE ME THE MODEL NUMBER.

280
00:18:22,167 --> 00:18:23,502
[door opening]

281
00:18:27,206 --> 00:18:29,007
NEXT.

282
00:18:39,585 --> 00:18:42,454
<i>I'M A QUALITY ASSURANCE</i>
<i>ENGINEER.</i>

283
00:18:42,488 --> 00:18:44,456
I ASSESS AND MAINTAIN
THE TECHNOLOGY

284
00:18:44,490 --> 00:18:46,091
WAREHOUSED
IN THIS FACILITY.

285
00:18:46,125 --> 00:18:50,195
I DON'T REPORT
DIRECTLY TO NINA SHARP,

286
00:18:50,229 --> 00:18:54,399
BUT INDIRECTLY,
SOMETIMES I DO.

287
00:18:54,433 --> 00:18:56,802
MR. HASTINGS,
WE BELIEVE--

288
00:18:56,835 --> 00:18:59,037
DOCTOR.

289
00:19:00,973 --> 00:19:04,676
IT'S DR. HASTINGS.

290
00:19:11,083 --> 00:19:14,019
DR. HASTINGS.

291
00:19:16,855 --> 00:19:19,625
OKAY, YOU'RE GONNA WANT
TO TAKE THE BROWN WIRE

292
00:19:19,658 --> 00:19:24,363
FROM THE PAD AND ATTACH IT
TO THE COMM'S RECEIVING NODE.

293
00:19:26,798 --> 00:19:28,634
<i>ALL RIGHT,</i>
<i>THE COMM'S ATTACHED.</i>

294
00:19:28,667 --> 00:19:30,602
NOW, I'M GOING TO SEND
A CONTINUOUS STREAM OF DATA

295
00:19:30,636 --> 00:19:32,771
TO YOUR COMM DEVICE.
HOPEFULLY, ILLE ENOUGH

296
00:19:32,804 --> 00:19:34,673
TO SHORT OUT
THE LOCKING CIRCUITRY.

297
00:19:34,706 --> 00:19:36,542
HOPEFULLY? I THOUGHT
SHE KNEW WHAT SHE WAS DOING.

298
00:19:36,575 --> 00:19:38,510
<i>(Astrid)</i>
<i>OKAY, I'M SENDING IT NOW.</i>

299
00:19:38,544 --> 00:19:41,747
YOU MIGHT
WANT TO STEP BACK.

300
00:19:46,785 --> 00:19:48,887
OKAY, WE'RE IN.

301
00:19:50,355 --> 00:19:53,325
<i>WE BELIEVE A SUBLIMATION DEVICE</i>
<i>FROM THIS FACILITY</i>

302
00:19:53,358 --> 00:19:56,695
<i>WAS PROVIDED</i>
<i>TO KNOWN FUGITIVES.</i>

303
00:19:56,728 --> 00:19:58,897
ARE YOU AWARE OF THIS?

304
00:20:00,966 --> 00:20:03,502
NO.

305
00:20:05,137 --> 00:20:08,240
I DO NOT BELIEVE YOU.

306
00:20:08,273 --> 00:20:10,876
<i>RESTRAIN HIM.</i>

307
00:20:15,314 --> 00:20:18,250
<i>DISMISS THE REST.</i>

308
00:20:28,493 --> 00:20:29,761
(Walter)
WE MAY AS WELL BE LOOKING

309
00:20:29,795 --> 00:20:31,597
FOR A NEEDLE IN A HAYSTACK.

310
00:20:31,630 --> 00:20:33,865
NO, IT'S ALL ARRANGED ACCORDING
TO SERIAL NUMBER. LOOK.

311
00:20:37,803 --> 00:20:39,404
THERE'S A TERMINAL.

312
00:20:39,438 --> 00:20:42,641
MAYBE WE CAN ACCESS
THE DATABASE.

313
00:20:43,742 --> 00:20:45,010
<i>(Walter)</i>
<i>CAN YOU RUN A SEARCH?</i>

314
00:20:45,043 --> 00:20:46,728
<i>YEAH.</i>

315
00:20:46,778 --> 00:20:49,514
[typing]

316
00:20:49,548 --> 00:20:53,118
THERE. 18-C-6.

317
00:20:58,690 --> 00:21:01,126
UP THERE,
ON THE TOP SHELF.

318
00:21:26,285 --> 00:21:27,786
WINDMARK'S HERE.

319
00:21:27,819 --> 00:21:29,121
WHAT?

320
00:21:29,154 --> 00:21:30,422
HE'S WITH HASTINGS.

321
00:21:30,455 --> 00:21:34,559
[high-frequency drone]
[wincing]

322
00:21:34,593 --> 00:21:36,728
IT WAS
AN OUTDATED MODEL.

323
00:21:36,762 --> 00:21:38,797
I DIDN'T KNOW
WHAT THEY WERE USING IT FOR.

324
00:21:38,830 --> 00:21:40,799
YOU WANTED TO HELP THEM.

325
00:21:40,832 --> 00:21:43,669
YOU ADMIRE THEM.

326
00:21:43,702 --> 00:21:47,639
YOU ADMIRE DR. BISHOP.

327
00:21:47,673 --> 00:21:50,442
[whimpering]

328
00:21:50,475 --> 00:21:53,378
YES.

329
00:21:53,412 --> 00:21:57,049
I ADMIRE HIM.

330
00:21:57,082 --> 00:22:00,185
WHERE IS NINA SHARP NOW?

331
00:22:01,320 --> 00:22:03,822
I SWEAR,
I DON'T KNOW.

332
00:22:03,855 --> 00:22:06,325
WHERE ARE
THE FUGITIVES?

333
00:22:10,095 --> 00:22:13,265
YOUR LOYALTY
WILL BE REWARDED.

334
00:22:13,298 --> 00:22:16,635
I DON'T KNOW.
I DON'T KNOW.

335
00:22:21,039 --> 00:22:23,508
MICHAEL, I NEED YOU
TO STAY HERE.

336
00:22:23,542 --> 00:22:24,910
I'LL BE RIGHT BACK.

337
00:22:39,257 --> 00:22:41,193
THERE.

338
00:22:41,226 --> 00:22:43,395
THAT'S HER SIGNAL.

339
00:22:44,563 --> 00:22:46,331
THE COMPONENTS ARE INTACT.

340
00:22:48,333 --> 00:22:49,534
WE GOT TO GET OUT
[comm beeping]ERE, NOW.

341
00:22:49,568 --> 00:22:50,702
IT'S NINA.

342
00:22:50,736 --> 00:22:52,771
OLIA, IS EVETHING
ALL RIGHT?

343
00:22:52,804 --> 00:22:55,607
NINA, I NEED YOU
TO LISTEN TO ME.

344
00:22:55,640 --> 00:22:57,275
YOU'VE BEEN COMPROMISED.

345
00:22:57,309 --> 00:22:59,177
WHAT?
<i>E OBSERVERS AND WINDMARK</i>

346
00:22:59,211 --> 00:23:01,847
ARE HERE. THEY'RE
INTERROGATING HASTINGS NOW.

347
00:23:03,382 --> 00:23:05,083
YOU CAN'T COME BACK
TO THE MINISTRY,

348
00:23:05,117 --> 00:23:06,952
AND YOU CAN'T GO HOME.

349
00:23:09,888 --> 00:23:13,558
IT'S OKAY.

350
00:23:13,592 --> 00:23:16,261
I HAVE TO GO NOW.

351
00:23:16,294 --> 00:23:18,797
I'M SORRY.

352
00:23:28,106 --> 00:23:29,541
[smash]

353
00:23:29,574 --> 00:23:30,675
[clatter]

354
00:23:30,709 --> 00:23:33,044
[sighs]

355
00:23:41,920 --> 00:23:43,388
OKAY, WE'RE READY.
LET'S GO.

356
00:23:43,422 --> 00:23:45,290
WAIT.

357
00:23:50,595 --> 00:23:52,464
THEY'RE GONE.
A GUARD JUST CAME IN

358
00:23:52,497 --> 00:23:55,834
AND TOLD WINDMARK SOMEING,
AND THEN THEY LEFT.

359
00:23:57,419 --> 00:23:59,171
WE'RE GOING TO MAKE
AN EXAMPLE OUT OF YOU.

360
00:23:59,204 --> 00:24:01,072
<i>(Olivia)</i>
<i>MY THOUGHTS EXACTLY.</i>

361
00:24:05,410 --> 00:24:07,345
DR. HASTINGS,
CAN YOU HEAR ME?

362
00:24:07,379 --> 00:24:10,015
I TRIED. I TRIED.

363
00:24:10,048 --> 00:24:11,516
IT'S OKAY.

364
00:24:11,550 --> 00:24:14,619
HE KNOWS.

365
00:24:14,653 --> 00:24:17,956
WHAT?
WHAT DOES WINDMARK KNOW?

366
00:24:17,989 --> 00:24:20,625
NINA,
THEY TRACKED HER.

367
00:24:23,061 --> 00:24:25,430
THEY KNOW WHERE SHE IS.

368
00:24:44,449 --> 00:24:48,353
IT'S OKAY.
EVERYTHING'S GOING TO BE FINE.

369
00:24:48,386 --> 00:24:51,473
I'M JUST...

370
00:24:51,490 --> 00:24:53,658
[sighs]

371
00:24:57,429 --> 00:24:59,931
IT DOESN'T MATTER.

372
00:24:59,965 --> 00:25:03,502
THERE'S NOTHING
FOR YOU TO WORRY ABOUT.

373
00:25:23,221 --> 00:25:27,225
OH, MY GOD.

374
00:26:00,959 --> 00:26:03,562
[computer beeping]

375
00:26:04,563 --> 00:26:06,197
MICHAEL,

376
00:26:06,231 --> 00:26:08,333
COME WITH ME,
QUICKLY.

377
00:26:12,771 --> 00:26:14,606
WHAT'S WRONG?
WHY ARE WE STOPPING?

378
00:26:14,639 --> 00:26:16,608
<i>(Peter)</i>
<i>CHECKPOINT.</i>

379
00:26:16,641 --> 00:26:19,377
WE NEED
TO TURN AROUND.

380
00:26:19,411 --> 00:26:21,146
IF I BACK UP NOW, I TURN AROUND,
WE'RE GONNA DRAW

381
00:26:21,179 --> 00:26:23,181
TOO MUCH ATTENTION.
WE NEED TO DITCH THE CAR.

382
00:26:23,214 --> 00:26:25,784
ONE AT A TIME.
WALTER, YOU FIRST.

383
00:26:28,553 --> 00:26:30,822
GET OUT NOW.

384
00:26:30,855 --> 00:26:36,728
[overlapping chatter]

385
00:26:36,761 --> 00:26:38,163
<i>OKAY, GO.</i>

386
00:26:40,966 --> 00:26:47,105
[overlapping chatter]

387
00:27:00,819 --> 00:27:03,221
<i>(man)</i>
<i>IT'S CLEAR. THEY CAN GO.</i>

388
00:27:24,042 --> 00:27:26,011
[engine turns over]

389
00:27:28,279 --> 00:27:29,714
[tires screeching]

390
00:27:39,124 --> 00:27:41,159
[tires screeching]

391
00:28:03,448 --> 00:28:05,050
FIND THEM.

392
00:28:21,066 --> 00:28:23,902
CAPTAIN WINDMARK.

393
00:28:25,503 --> 00:28:29,074
THE FUGITIVES.
WHERE ARE THEY?

394
00:28:29,107 --> 00:28:33,712
YOU'RE TOO LATE.
THEY'RE LONG GONE.

395
00:28:33,745 --> 00:28:37,382
YOU ARE TRYING
TO PROTECT THEM.

396
00:28:37,415 --> 00:28:39,818
WHAT IS IT
ABOUT THE FUGITIVES,

397
00:28:39,851 --> 00:28:44,989
I WONDER, THAT INSTILLS
SUCH MISGUIDED LOYALTY?

398
00:28:48,359 --> 00:28:52,630
YOU ARE TRYING TO BLOCK
YOUR THOUGHTS FROM ME,

399
00:28:54,799 --> 00:28:58,002
BUT IT WILL NOT LAST.

400
00:29:31,035 --> 00:29:34,272
YOU...

401
00:29:34,305 --> 00:29:36,474
ANIMALS.

402
00:29:59,864 --> 00:30:03,535
<i>YOU ARE THINKING</i>
<i>OF HIM.</i>

403
00:30:03,568 --> 00:30:07,071
THE BOY.

404
00:30:07,105 --> 00:30:11,810
THIS MORNING, YOU
WERE CONTACTED IN YOUR OFFICE.

405
00:30:11,843 --> 00:30:16,080
YOU SAID SOMETHING
ABOUT A CHILD OBSERVER.

406
00:30:19,184 --> 00:30:22,821
HE IS IMPORTANT
TO THE FUGITIVES.

407
00:30:22,854 --> 00:30:25,523
WHY IS HE IMPORTANT
TO THEM?

408
00:30:25,557 --> 00:30:30,094
WHAT IS HIS PURPOSE?

409
00:30:30,128 --> 00:30:33,998
WHY DOES A CHILD
WORRY YOU SO MUCH?

410
00:30:34,032 --> 00:30:38,770
HE IS MERELY
A CURIOSITY,

411
00:30:38,803 --> 00:30:41,906
AND YOU ARE MISTAKEN
ABOUT HIM.

412
00:30:41,940 --> 00:30:44,042
HE IS NO CHILD.

413
00:30:46,611 --> 00:30:51,282
HE IS A CHROMOSOMAL MISTAKE.
A GENETIC ANOMALY.

414
00:30:51,316 --> 00:30:57,222
DESIGNATE:
PROGENY XB-6783746.

415
00:30:57,255 --> 00:31:01,726
LIKE ALL ANOMALIES, HE
WAS SCHEDULED TO BE DESTROYED.

416
00:31:05,430 --> 00:31:08,600
BUT HE WENT MISSING.

417
00:31:08,633 --> 00:31:13,104
IT WAS A GREAT MYSTERY
IN MY TIME.

418
00:31:13,137 --> 00:31:17,275
NO ONE KNEW
WHAT BECAME OF HIM...

419
00:31:18,943 --> 00:31:20,545
UNTIL NOW.

420
00:31:20,578 --> 00:31:23,248
[high-frequency drone]
[grimacing]

421
00:31:23,281 --> 00:31:26,251
I WOULD VERY MUCH
LIKE TO MEET HIM.

422
00:31:26,284 --> 00:31:29,754
[droning]
TELL ME WHERE HE IS.

423
00:31:29,787 --> 00:31:31,456
[droning]

424
00:31:31,489 --> 00:31:32,857
<i>(officer)</i>
<i>CAPTAIN WINDMARK?</i>

425
00:31:32,891 --> 00:31:34,192
[droning stops]

426
00:31:34,225 --> 00:31:36,261
<i>THERE'S NO SIGN</i>
<i>OF ANYONE ELSE HERE.</i>

427
00:31:41,900 --> 00:31:46,304
THEN I WILL HAVE TO RESORT
TO A DEEPER EXTRACTION.

428
00:31:50,675 --> 00:31:52,777
WHY?

429
00:31:52,810 --> 00:31:55,513
"WHY?"

430
00:31:55,546 --> 00:31:58,983
WHY ARE YOU
NOT FRIGHTENED?

431
00:31:59,017 --> 00:32:03,421
DO YOU KNOW WHY YOU
TILT YOUR HEAD IN THAT WAY?

432
00:32:03,454 --> 00:32:06,691
IT'S AN INVOLUNTARY REFLEX
IN YOUR PHYSIOLOGY.

433
00:32:06,724 --> 00:32:11,829
IT CHANGES THE ANGLE AT WHICH
SOUND WAVES HIT THE EARDRUM,

434
00:32:11,863 --> 00:32:15,533
ALLOWING IN MORE STIMULI.

435
00:32:15,566 --> 00:32:18,169
LIKE A LIZARD.

436
00:32:19,470 --> 00:32:21,773
I'VE STUDIED THEM TOO.

437
00:32:23,174 --> 00:32:25,276
INTRIGUING CHARACTERS.

438
00:32:25,310 --> 00:32:29,347
THEIR BRAINS HAVE EVOLVED
OVER 320 MILLION YEARS,

439
00:32:29,380 --> 00:32:35,353
YET FOR ALL THEIR EVOLUTION,
THEY FORM NO BONDS.

440
00:32:35,386 --> 00:32:38,489
LOVE DOES NOT EXIST
FOR THEM.

441
00:32:40,858 --> 00:32:43,995
THEY ARE INCAPABLE
OF DREAMING,

442
00:32:44,028 --> 00:32:46,931
OF CONTEMPLATING BEAUTY,

443
00:32:46,965 --> 00:32:51,469
OF KNOWING SOMETHING
GREATER THAN THEMSELVES,

444
00:32:51,502 --> 00:32:55,406
NOT UNLIKE YOUR KIND.

445
00:32:56,874 --> 00:33:00,511
THE EXPERIMENTS WE CONDUCTED
RIGHT HERE IN THIS LAB,

446
00:33:00,545 --> 00:33:03,948
YIELDED
A SURPRISING RESULT,

447
00:33:03,982 --> 00:33:08,920
BECAUSE FOR ALL YOUR YEARS
OF EVOLUTION,

448
00:33:08,953 --> 00:33:14,659
YOU INADVERTENTLY REDEVELOPED
AND HONED PRIMITIVE INSTINCTS

449
00:33:14,692 --> 00:33:20,631
THAT WE MOVED BEYOND
LONG AGO.

450
00:33:20,665 --> 00:33:26,904
SO IN REALITY,
<i>YOU'RE</i> THE ANIMAL.

451
00:33:40,718 --> 00:33:43,087
RESTRAIN HER.

452
00:34:04,275 --> 00:34:07,745
YOU CANNOT HURT ME
WITH THAT.

453
00:34:10,114 --> 00:34:12,817
I KNOW.

454
00:34:12,850 --> 00:34:14,419
[gunshot]

455
00:34:27,165 --> 00:34:30,034
WALTER, MAYBE YOU SHOULD
STAY IN THE VAN.

456
00:34:30,068 --> 00:34:32,236
I'M COMING WITH YOU.

457
00:35:34,398 --> 00:35:36,434
[gasps]

458
00:35:36,467 --> 00:35:39,904
[sobbing]
NINA?

459
00:36:27,351 --> 00:36:33,291
[sobs]

460
00:36:33,324 --> 00:36:35,193
THEY'VE GOT THE BOY.

461
00:36:38,563 --> 00:36:41,332
WHO KNOWS
WHAT THEY'LL DO TO HIM.

462
00:37:17,101 --> 00:37:21,105
WHAT DID HE DO TO HER?

463
00:37:25,943 --> 00:37:28,246
WHERE'S SHE GOING?

464
00:37:55,573 --> 00:37:58,309
SHE STOPPED WINDMARK
FROM READING HER.

465
00:37:59,644 --> 00:38:05,149
TO PROTECT US.
TO PROTECT THE PLAN.

466
00:38:12,323 --> 00:38:14,492
AND TO PROTECT THE BOY.

467
00:38:14,525 --> 00:38:17,595
THEY LEFT WITHOUT HIM.
HE'S STILL HERE.

468
00:38:17,628 --> 00:38:19,130
MICHAEL?

469
00:38:19,163 --> 00:38:21,832
<i>(Peter)</i>
<i>MICHAEL?</i>

470
00:38:24,101 --> 00:38:26,671
MICHAEL, YOU CAN COME OUT NOW!
IT'S SAFE!

471
00:38:28,372 --> 00:38:29,974
<i>(Olivia)</i>
<i>MICHAEL!</i>

472
00:38:32,310 --> 00:38:33,944
MICHAEL?

473
00:38:48,726 --> 00:38:50,661
MICHAEL.

474
00:38:50,695 --> 00:38:52,463
PETER!

475
00:39:00,671 --> 00:39:03,808
YOU ALL RIGHT?

476
00:39:03,841 --> 00:39:05,810
[grunts]

477
00:39:05,843 --> 00:39:08,012
IT'S OKAY.

478
00:39:08,045 --> 00:39:10,681
MICHAEL?

479
00:39:39,076 --> 00:39:42,380
HE'S CRYING.

480
00:40:07,171 --> 00:40:09,106
[device strap clicking]

481
00:40:12,009 --> 00:40:13,644
YOU READY?

482
00:40:13,677 --> 00:40:15,880
(Astrid)
YEAH.

483
00:40:19,583 --> 00:40:23,020
[machine humming]

484
00:40:28,392 --> 00:40:32,963
IF YOU UNDERSTAND ME,
TOUCH YOUR NOSE.

485
00:40:37,368 --> 00:40:38,836
<i>(Walter)</i>
<i>[chuckles]</i>

486
00:40:38,869 --> 00:40:40,471
<i>GOOD.</i>

487
00:40:40,504 --> 00:40:42,506
THAT'S VERY GOOD.

488
00:40:42,540 --> 00:40:46,911
DO YOU REMEMBER MEETING ME
A LONG TIME AGO,

489
00:40:46,944 --> 00:40:50,314
WITH A MAN NAMED DONALD?

490
00:40:55,719 --> 00:40:59,723
HE DOES.
HE REMEMBERS.

491
00:40:59,757 --> 00:41:04,328
DO YOU KNOW WHY
I NEEDED YOU FOR MY PLAN?

492
00:41:05,596 --> 00:41:09,250
CAN YOU TELL ME
WHY YOU ARE IMPORTANT?

493
00:41:56,280 --> 00:42:00,551
THE BOY IS IMPORTANT.
HE HAS TO LIVE.

494
00:42:47,965 --> 00:42:50,034
WHAT HAPPENED?

495
00:42:51,869 --> 00:42:54,538
I KNOW WHO DONALD IS.

496
00:42:58,375 --> 00:43:02,046
DONALD IS SEPTEMBER.

497
00:43:13,657 --> 00:43:02,046
BAD ROBOT.

