1 00:00:02,152 --> 00:00:03,153 SO I'M GOING TO SHOW YOU 2 00:00:03,186 --> 00:00:04,387 THE NEXT PIECE OF THE PLAN 3 00:00:04,421 --> 00:00:06,389 TO DEFEAT THE OBSERVERS. 4 00:00:06,423 --> 00:00:08,024 (male announcer) PREVIOUSLY ON FRINGE... 5 00:00:08,058 --> 00:00:10,260 DONALD... DONALD? 6 00:00:10,293 --> 00:00:12,429 THATASHE NAME OF THE MAN THAT WASAITING FOR WALTER 7 00:00:12,462 --> 00:00:13,563 21 YEARS AGO. 8 00:00:13,596 --> 00:00:14,864 (Walter) HE'S GONE. 9 00:00:14,898 --> 00:00:16,800 HE WAS A PART OF THE PLAN, 10 00:00:16,833 --> 00:00:20,403 AND WITHOUT ALL OF THE PARTS, THE PLAN IS USELESS! 11 00:00:20,437 --> 00:00:22,739 (Peter) AND YOU HAVE NO IDEA WHO DONALD IS. 12 00:00:22,772 --> 00:00:24,708 NO. WE HAVE TO FIND HIM. 13 00:00:28,378 --> 00:00:29,979 (Olivia) THIBUT THE TUNING DIAL'SUS IN THBEEN JAMMED.VERSE 14 00:00:30,013 --> 00:00:31,981 IT'S, LIKE, STUCK ON THE FREQUENCY. 15 00:00:32,015 --> 00:00:33,049 (Astrid) WHY? 16 00:00:33,083 --> 00:00:34,451 NOTHG'S BEING TRANSMITTED. 17 00:00:34,484 --> 00:00:36,186 THE MAN I WAS BEFORE-- 18 00:00:36,219 --> 00:00:38,788 HE WAS CONSUMED BY AMBITION, BY HUBRIS, 19 00:00:38,822 --> 00:00:41,157 AND ALL HE CARED ABOUT WAS WALKING WITH THE GODS. 20 00:00:41,191 --> 00:00:44,794 EVERYONE THAT I CARE ABOUT WILL BE DRIVEN AWAY. 21 00:00:44,828 --> 00:00:47,597 IT'S THE ONLY WAY TO HOLD ON TO THE MAN I'VE BECOME. 22 00:00:47,630 --> 00:00:50,800 YOU MUST REMOVE THESE PIECES OF MY BRAIN. 23 00:01:05,215 --> 00:01:10,820 [beeping] 24 00:01:20,497 --> 00:01:22,999 WALTER? 25 00:01:23,032 --> 00:01:28,204 [beeping continues] 26 00:02:21,758 --> 00:02:23,660 [floor creaks] 27 00:02:23,693 --> 00:02:26,162 WALTER. 28 00:02:26,196 --> 00:02:28,898 HELLO, ASTRID. 29 00:02:32,702 --> 00:02:34,771 WALTER, WHAT ARE YOU DOING OUT HERE? 30 00:02:34,804 --> 00:02:39,576 YOUR HAIR... 31 00:02:39,609 --> 00:02:41,578 IT'S BEAUTIFUL. 32 00:02:43,079 --> 00:02:45,081 THANKS. 33 00:02:45,114 --> 00:02:46,549 [beeping] 34 00:02:46,583 --> 00:02:48,618 DID YOU FIX THIS RADIO? 35 00:02:48,618 --> 00:02:52,088 BECAUSE IT'S PICKING UP A SIGNAL. 36 00:02:55,658 --> 00:02:57,794 DID YOU FIX IT'S BEAUTIFUL. 37 00:03:18,848 --> 00:03:20,283 YOU OKAY? 38 00:03:20,316 --> 00:03:22,552 YEAH. 39 00:03:22,585 --> 00:03:24,587 YEAH, I JUST CAN'T SLEEP. 40 00:03:29,492 --> 00:03:31,895 HOW ARE YOU FEELING? 41 00:03:31,895 --> 00:03:35,932 I HAD ANOTHER ONE OF THOSE HEADACHES. 42 00:03:39,535 --> 00:03:41,905 CAN I GET YOU SOMETHING? 43 00:03:46,409 --> 00:03:48,845 I GOT EVERYTHING I NEED RIGHT HERE. 44 00:03:48,878 --> 00:03:51,714 [knock on door] 45 00:03:51,748 --> 00:03:53,983 THERE'S SOMETHING YOU BOTH NEED TO SEE. 46 00:03:54,017 --> 00:03:57,453 THE RADIO'S WORKING. 47 00:03:57,487 --> 00:03:59,856 THE PATTERN'S REPEATING ON A LOOP. 48 00:03:59,889 --> 00:04:01,457 IT'S LIKE IT'S SOME KIND OF MORSE CODE, 49 00:04:01,491 --> 00:04:02,825 BUT IT'S NOT MORSE CODE, 50 00:04:02,859 --> 00:04:04,560 OR AT LEAST IT'S NOT ANY MORSE CODE 51 00:04:04,594 --> 00:04:05,929 THAT I'VE EVER HEARD. 52 00:04:05,962 --> 00:04:07,864 SO DO YOU THINK MAYBE IT'S DONALD? 53 00:04:07,897 --> 00:04:10,133 WHY NOW? 54 00:04:10,166 --> 00:04:12,435 HOW WOULD HE EVEN KNOW THAT WE'RE STILL ALIVE? 55 00:04:12,468 --> 00:04:14,737 WELL, HE LEFT THE RADIO FOR WALTER FOR A REASON, 56 00:04:14,771 --> 00:04:16,873 AND HE LEFT IT ON THAT FREQUENCY FOR A REASON. 57 00:04:16,906 --> 00:04:18,641 MAYBE HE'S TRYING TO CONTACT US. 58 00:04:18,675 --> 00:04:21,411 WELL, YEAH, HIM OR ANYBODY ELSE WITH A SHORTWAVE RADIO. 59 00:04:21,461 --> 00:04:22,946 THE ONLY WAY TO KNOW FOR SURE 60 00:04:22,979 --> 00:04:24,714 IS TO FIND OUT WHAT THAT MESSAGE IS. 61 00:04:24,747 --> 00:04:26,516 WALTER. 62 00:04:26,549 --> 00:04:27,784 WALTER? 63 00:04:27,817 --> 00:04:29,919 DO YOU RECOGNIZE THIS? 64 00:04:29,953 --> 00:04:31,387 IT'S GONNA BE DIFFICULT 65 00:04:31,421 --> 00:04:33,990 TO GET ANY INFORMATION FROM HIM RIGHT NOW 66 00:04:34,023 --> 00:04:36,326 BECAUSE HE DROPPED ACID. 67 00:04:40,863 --> 00:04:44,117 WALTER. 68 00:04:50,006 --> 00:04:52,008 [echoing] WALTER? 69 00:04:52,041 --> 00:04:54,911 [operatic music] 70 00:04:54,944 --> 00:05:03,186 ♪ ♪ 71 00:05:09,759 --> 00:05:11,761 WALTER? 72 00:05:11,794 --> 00:05:17,100 ARE YOU TRIPPING? 73 00:05:17,133 --> 00:05:19,869 MOST DEFINITELY. 74 00:05:22,038 --> 00:05:24,907 [mysterious music] 75 00:05:24,941 --> 00:05:33,182 ♪ ♪ 76 00:05:46,646 --> 00:05:48,081 (Peter) WALTER... 77 00:05:48,114 --> 00:05:50,016 I NEED TO TALK TO YOU. 78 00:05:50,049 --> 00:05:51,884 CAN YOU CONCENTRATE FOR A MOMENT? 79 00:05:54,921 --> 00:05:58,691 CARLA WARREN IS HERE. 80 00:05:59,892 --> 00:06:01,361 MY OLD DEAD LAB ASSISTANT 81 00:06:01,394 --> 00:06:05,098 IS HERE TO HAUNT ME. 82 00:06:05,131 --> 00:06:07,333 THE ONE THAT WAS BURNED IN THE FIRE. 83 00:06:07,367 --> 00:06:09,936 THE RADIO IS PICKING UP A TRANSMISSION. 84 00:06:09,969 --> 00:06:11,671 WE THINK IT'S FROM DONALD. 85 00:06:11,704 --> 00:06:13,740 DO YOU RECOGNIZE IT? 86 00:06:13,773 --> 00:06:16,976 OKAY, I RAN PRELIMS ON THE TRANSMISSION 87 00:06:17,009 --> 00:06:18,845 THROUGH MY ENCRYPTION PROGRAM, 88 00:06:18,878 --> 00:06:21,080 JUST TRYING TO FIGURE OUT IF THERE'S SOME SORT OF PATTERN 89 00:06:21,114 --> 00:06:22,532 HIDDEN IN THE BEEPS AND TONES, 90 00:06:22,582 --> 00:06:24,217 BUT I CAN'T MAKE HEADS OR TAILS OF IT. 91 00:06:24,250 --> 00:06:26,552 OKAY, WALTER, IF THEY'RE RIGHT 92 00:06:26,586 --> 00:06:28,688 D DONALD DID SEND YOU A MESSAGE, 93 00:06:28,721 --> 00:06:31,624 IT MAKES SENSE THAT HE'D EXPECT YOU TO KNOW IT. 94 00:06:31,657 --> 00:06:33,259 RIGHT. 95 00:06:33,292 --> 00:06:35,228 MAKES SENS 96 00:06:35,261 --> 00:06:40,233 WHY SEND ME A MESSAGE I CAN'T UNDERSTAND? 97 00:06:40,266 --> 00:06:41,834 SO CAN YOU? HMM? 98 00:06:41,868 --> 00:06:43,202 UNDERSTAND IT? 99 00:06:43,236 --> 00:06:45,471 [beeping] 100 00:06:48,641 --> 00:06:52,044 IT'S IN "A" MINOR. 101 00:06:52,078 --> 00:06:53,813 PETER, I'M SORRY. 102 00:06:53,846 --> 00:06:55,982 I DIDN'T KNOW WE WERE GOING TO GET A MESSAGE. 103 00:06:56,015 --> 00:06:57,717 HOW COULD I KNOW THAT? 104 00:06:57,750 --> 00:07:00,787 I WOULDN'T HAVE TAKEN THE ACID IF I HAD KNOWN THAT. 105 00:07:00,820 --> 00:07:03,189 WHAT KIND OF ACID DID YOU TAKE? 106 00:07:03,222 --> 00:07:06,225 BLACK BLOTTER. 107 00:07:06,259 --> 00:07:08,694 I FOUND SOME HIDDEN IN THE STOREROOM. 108 00:07:08,728 --> 00:07:10,997 WHY? 109 00:07:11,030 --> 00:07:14,333 BECAUSE IT WAS AN EXCELLENT BATCH. 110 00:07:14,367 --> 00:07:17,837 NO, WHY DID YOU DROP ACID? 111 00:07:17,870 --> 00:07:19,238 I'M DESPERATE TO REMEMBER THE PLAN 112 00:07:19,272 --> 00:07:21,607 BEFORE HE COMPLETELY TAKES OVER. 113 00:07:21,641 --> 00:07:24,210 WHO ARE YOU TALKING ABOUT, WALTER? 114 00:07:24,243 --> 00:07:27,980 NINA AND I MADE AN ARRANGEMENT. 115 00:07:28,014 --> 00:07:29,649 WHAT KIND OF ARRANGEMENT? 116 00:07:29,682 --> 00:07:32,218 SHE PROMISED 117 00:07:32,251 --> 00:07:35,788 THAT WHEN I FINISHED THE PLAN TO DEFEAT THE OBSERVERS, 118 00:07:35,822 --> 00:07:39,358 SHE WOULD HELP ME REMOVE THE PIECES OF BRAIN 119 00:07:39,392 --> 00:07:41,110 THAT THEY PUT BACK IN. 120 00:07:45,164 --> 00:07:48,134 I DON'T THINK THAT'S A GOOD IDEA, WALTER. 121 00:07:48,167 --> 00:07:51,504 I DON'T WANT TO LOSE YOU, PETER. 122 00:07:55,241 --> 00:07:57,710 I DON'T WANT TO LOSE ANY OF YOU. 123 00:07:57,743 --> 00:07:59,745 AND YOU WON'T, WALTER. 124 00:07:59,779 --> 00:08:03,883 I'M RIGHT HERE. 125 00:08:03,916 --> 00:08:06,385 WE'RE ALL RIGHT HERE TOGETHER. 126 00:08:08,788 --> 00:08:12,692 IT'S NOT ENOUGH. 127 00:08:12,725 --> 00:08:16,963 I'M AFRAID WE'RE RUNNING OUT OF TIME. 128 00:08:16,996 --> 00:08:18,164 WHAT DO YOU MEAN, WALTER? 129 00:08:18,197 --> 00:08:21,400 TWO NIGHTS AGO, YOU WERE ALL ASLEEP. 130 00:08:21,434 --> 00:08:24,904 I FOUND MYSELF AT THE TUNNEL ENTRANCE DOOR, 131 00:08:24,937 --> 00:08:27,406 DRESSED AND READY TO GO, 132 00:08:27,440 --> 00:08:29,008 TO GO OUTSIDE. 133 00:08:29,041 --> 00:08:31,310 OUT THERE. 134 00:08:31,344 --> 00:08:34,213 WHERE WAS I GOING AT 3:00 IN THE MORNING, PETER? 135 00:08:34,247 --> 00:08:35,181 WHERE? 136 00:08:35,214 --> 00:08:36,282 I DON'T KNOW, WALTER. 137 00:08:36,315 --> 00:08:37,617 AND NEITHER DO I! 138 00:08:37,650 --> 00:08:38,584 BUT HE DOES. 139 00:08:38,618 --> 00:08:41,387 BUT HE DOES. 140 00:08:41,420 --> 00:08:44,423 HE KNOWS WHERE I WAS GOING. 141 00:08:44,457 --> 00:08:45,424 WHO KNOWS, WALTER? 142 00:08:45,458 --> 00:08:47,960 THE WALTER THAT WAS. 143 00:08:51,797 --> 00:08:53,099 [timer dings] 144 00:08:53,132 --> 00:08:55,601 I DON'T EVEN REMEMBER WHAT I WAS DOING. 145 00:08:55,635 --> 00:08:57,803 IT'S LIKE THE FIRST TIME I WENT OUT, 146 00:08:57,837 --> 00:09:01,207 BUT I STOPPED MYSELF. 147 00:09:01,240 --> 00:09:03,910 BUT WHAT IF NEXT TIME I DIDN'T STOP MYSELF, 148 00:09:03,943 --> 00:09:05,912 COULDN'T STOP MYSELF, WHAT THEN? 149 00:09:05,945 --> 00:09:08,614 I PROMISED YOU, PETER, BUT HE MADE ME. 150 00:09:08,648 --> 00:09:10,416 HE ALMOST MADE ME. 151 00:09:10,449 --> 00:09:12,451 FOR REASONS I DO NOT KNOW. 152 00:09:12,485 --> 00:09:15,721 I NEED TO FIGURE OUT THIS BLASTED PLAN 153 00:09:15,755 --> 00:09:18,558 TO DEFEAT THE OBSERVERS, AND I HAVE TO DO IT QUICKLY 154 00:09:18,591 --> 00:09:20,626 TO RID MYSELF OF THIS DEVIL. 155 00:09:20,726 --> 00:09:23,696 THERE MUST BE SOMETHING THEY LEFT INTACT, 156 00:09:23,729 --> 00:09:26,465 SOMETHING I CAN USE. 157 00:09:32,638 --> 00:09:35,908 PETER. PETER. 158 00:09:38,778 --> 00:09:41,614 PETER, I DON'T THINK I SHOULD BE DISCUSSING THIS 159 00:09:41,647 --> 00:09:43,816 IN MY CONDITION. 160 00:09:43,849 --> 00:09:46,686 YOU NEED TO ALLOW ME TO DO MY WORK. 161 00:09:46,719 --> 00:09:48,321 I NEED TO THINK, 162 00:09:48,354 --> 00:09:49,922 TO FIGURE OUT THE TONES. 163 00:09:49,956 --> 00:09:52,191 OKAY, COME ON. 164 00:09:59,165 --> 00:10:01,634 WHAT IF WE DON'T HAVE TO CRACK THE CODE? 165 00:10:01,667 --> 00:10:02,835 WHAT DO YOU MEAN? 166 00:10:02,868 --> 00:10:04,520 THE SIGNAL'S COMING FROM SOMEWHERE. 167 00:10:05,705 --> 00:10:08,841 MAYBE WE CAN FIGURE OUT WHAT IT MEANS., 168 00:10:08,874 --> 00:10:10,876 PETER,ANE LOCATE WHERE THIS SIGNAL 169 00:10:10,910 --> 00:10:12,511 IS BEING BROADCAST FROM? 170 00:10:12,545 --> 00:10:14,146 WELL, I'LL GET IN CONTACT WI AL, 171 00:10:14,180 --> 00:10:16,349 SEE IF THE RESISTANCE HAS A RECEIVER 172 00:10:16,382 --> 00:10:18,951 THAT CAN HELP US TRIANGULATE THE SIGNAL. 173 00:10:20,720 --> 00:10:28,961 ♪ ♪ 174 00:10:40,906 --> 00:10:43,075 THANK YOU, MY DEAR. 175 00:11:44,670 --> 00:11:47,740 OF THEADIO SIGNAL YOU'RE LOOKINGOR.UENCY 176 00:11:47,773 --> 00:11:49,759 IT LOCATES THE SIGNAL 177 00:11:49,809 --> 00:11:51,243 BY USING THREE DIFFERENT VECTORS 178 00:11:51,277 --> 00:11:52,912 TO TRIANGULATE E SIGNAL. 179 00:11:55,247 --> 00:11:56,482 (Peter) AND WE HAVE TO BE A CERTAIN ELTO TRACK IT? 180 00:11:56,582 --> 00:11:57,650 NO, THE MACHINE DOES IT FOR YOU, 181 00:11:57,683 --> 00:11:59,685 UTILIZING A SATELLITE. 182 00:11:59,719 --> 00:12:02,088 (Peter) HEY, WALTER. 183 00:12:03,923 --> 00:12:05,725 WE'RE ABOUT TO FIND THE SIGNAL'S ORIGIN. 184 00:12:05,758 --> 00:12:08,060 I KNOW THAT. 185 00:12:08,094 --> 00:12:09,395 (Carla) DO YOU KNOW THAT 186 00:12:09,428 --> 00:12:11,764 THERE'S SOMETHING HIDDEN IN THIS LAB? 187 00:12:11,797 --> 00:12:13,933 (Peter) WALTER? 188 00:12:13,966 --> 00:12:16,836 WALTER? 189 00:12:16,869 --> 00:12:18,404 WHAT'S WRONG WITH HIM? 190 00:12:18,504 --> 00:12:19,672 WHEN DID HE GET HERE? 191 00:12:19,705 --> 00:12:21,440 HALF AN HOUR AGO. 192 00:12:21,474 --> 00:12:22,908 HEROHT THE TECH THAT'S GONNA HELP US 193 00:12:22,942 --> 00:12:24,410 TRACK THE SIGNAL'S LOCATION. 194 00:12:24,443 --> 00:12:26,612 LET ME SET THE PARAMETERS. 195 00:12:26,645 --> 00:12:29,448 SET THOSE RED GEOLOCATE BUTTONS TO "ACCEPT." 196 00:12:29,482 --> 00:12:31,584 eeping] 197 00:12:42,495 --> 00:12:44,430 [beeping] 198 00:12:44,463 --> 00:12:46,799 GO BACK. I THINK THAT WAS IT. 199 00:12:46,832 --> 00:12:51,504 [beeping] 200 00:12:54,173 --> 00:13:00,312 [beeping] 201 00:13:34,063 --> 00:13:35,598 HAVE TO GO ON FOOT FROM HERE, 202 00:13:35,631 --> 00:13:37,766 BUT THE TRANSMISSION'S DEFINITELY COMING 203 00:13:37,800 --> 00:13:38,901 FROM THAT DIRECTION. 204 00:13:38,934 --> 00:13:40,803 WELL, HOW FAR OUT? 205 00:13:40,836 --> 00:13:42,404 UH, IT'S HARD TO SAY, 206 00:13:42,438 --> 00:13:45,007 BUT THE SIGNAL'S STILL STRONG. 207 00:13:45,040 --> 00:13:47,710 I'M GUESSING NOT MORE THAN A COUPLE HUNDRED YARDS. 208 00:13:57,219 --> 00:13:59,555 WHAT? 209 00:14:03,859 --> 00:14:07,062 YOU AMAZE ME. 210 00:14:07,096 --> 00:14:10,049 AFTER EVERYTHING I'VE PUT YOU THRGH 211 00:14:10,099 --> 00:14:12,067 I DID THE VERY THING I PROMISED YOU I WOULDN'T DO, 212 00:14:12,101 --> 00:14:13,569 I LEFT YOU AGAIN. 213 00:14:13,602 --> 00:14:17,172 I'M MORE THAN A LITTLE EMBARRASSED, YOU KNOW? 214 00:14:17,206 --> 00:14:19,174 PETER, YOU DON'T HAVE TO SAY ANYTHING. 215 00:14:19,208 --> 00:14:22,144 NO, I DO. 216 00:14:26,215 --> 00:14:29,585 I DON'T DESERVE YOU. 217 00:14:31,053 --> 00:14:33,489 I'M JUST SO LUCKY, 218 00:14:33,522 --> 00:14:35,925 SO INCREDIBLY LUCKY TO HAVE YOU. 219 00:14:49,672 --> 00:14:51,974 PETER. 220 00:15:04,753 --> 00:15:10,893 [beeping] 221 00:15:19,902 --> 00:15:21,503 IT WAS AN OBSERVER. 222 00:15:21,537 --> 00:15:25,674 [beeping] 223 00:15:28,577 --> 00:15:30,446 PETER? 224 00:15:30,479 --> 00:15:32,881 THERE ARE TWO MORE OVER HERE. 225 00:15:32,915 --> 00:15:37,353 ANOTHER OBSERVER AND A LOYALIST. 226 00:15:42,591 --> 00:15:45,227 LOOKS LIKE THEY WERE KILLED DURING A FIREFIGHT. 227 00:15:45,260 --> 00:15:47,096 BASED ON THE DECOMP OF THEIR BODIES, 228 00:15:47,129 --> 00:15:50,366 I'D SAY 10, 15 YEARS AGO AT LEAST. 229 00:16:01,477 --> 00:16:06,382 I THINK WE JUST FOUND DONALD. 230 00:16:17,926 --> 00:16:20,462 LIV, TAKE A LOOK AT THIS. 231 00:16:23,766 --> 00:16:27,469 IT'S AN EARLY PROTOTYPE OBSERVER GUN. 232 00:16:29,872 --> 00:16:31,240 LOOKS LIKE HE KILLED 233 00:16:31,273 --> 00:16:32,708 THE TWO OBSERVERS AND THE LOYALIST 234 00:16:32,741 --> 00:16:33,976 BUT THEN DIED OF HIS WOUNDS 235 00:16:34,009 --> 00:16:36,378 BEFORE HE COULD DRIVE AWAY. 236 00:16:36,412 --> 00:16:38,047 WELL, IF DONALD'S BEEN DEAD ALL THESE YEARS, 237 00:16:38,080 --> 00:16:40,315 THEN WHERE'S THE SIGNAL COMING FROM? 238 00:16:46,689 --> 00:16:49,458 RIGHT OVER THERE. 239 00:17:09,712 --> 00:17:15,317 [beeping] 240 00:17:34,002 --> 00:17:35,404 OLIVIA! 241 00:17:35,437 --> 00:17:38,240 THIS ISN'T THE SOURCE OF THE TRANSMISSION. 242 00:17:38,273 --> 00:17:40,776 IT'S JUST A RELAY BEING USED TO BOOST THE SIGNAL 243 00:17:40,809 --> 00:17:44,847 THAT'S BEING BOUNCED IN FROM SOMEWHERE ELSE. 244 00:17:44,880 --> 00:17:47,483 WHAT IS IT? 245 00:17:47,516 --> 00:17:49,885 THE BODY BEHIND THE WHEEL, 246 00:17:49,918 --> 00:17:53,922 IT ISN'T DONALD. 247 00:17:53,956 --> 00:17:56,358 IT'S SAM WEISS. 248 00:17:57,292 --> 00:17:59,094 WALTER. 249 00:17:59,128 --> 00:18:00,996 WHAT IS IT? 250 00:18:01,029 --> 00:18:02,498 WAS THERE A MAN THAT WAS PART OF THE PLAN 251 00:18:02,531 --> 00:18:05,033 NAMED SAM WEISS? 252 00:18:05,067 --> 00:18:07,903 SAM WEISS. 253 00:18:07,936 --> 00:18:09,905 I'VE NEVER HEARD OF HIM. 254 00:18:09,938 --> 00:18:12,307 HE DOESN'T KNOW HIM. 255 00:18:12,341 --> 00:18:14,076 WHO IS HE? 256 00:18:14,109 --> 00:18:17,212 UH, HE WAS SOMEONE THAT PETER AND I KNEW 257 00:18:17,246 --> 00:18:19,214 IN A DIFFERENT TIME LINE. 258 00:18:19,248 --> 00:18:20,916 WAS? 259 00:18:20,949 --> 00:18:22,918 YEAH, WE JUST FOUND HIS BODY. 260 00:18:22,951 --> 00:18:26,355 LOOKS LIKE HE WAS TRYING TO PROTECT THE SIGNAL RELAY 261 00:18:26,388 --> 00:18:28,457 FROM THE RADIO TRANSMISSION. 262 00:18:28,490 --> 00:18:31,226 WHAT DID HE HAVE TO DO WITH DONALD AND THE SIGNAL? 263 00:18:31,260 --> 00:18:32,961 (Olivia) WE DON'T KNOW, BUT APPARENTLY, 264 00:18:32,995 --> 00:18:35,931 HE WAS HELPING TO KEEP THE TRANSMISSION GOING. 265 00:18:35,964 --> 00:18:39,034 WELL, IS THERE A POSSIBILITY THAT SAM WEISS WAS DONALD? 266 00:18:39,067 --> 00:18:40,869 I DON'T THINK SO. 267 00:18:40,903 --> 00:18:44,406 I MEAN, WE'VE SEEN GLIMPSES OF DONALD ON THE VIDEO TAPES, 268 00:18:44,439 --> 00:18:46,041 AND HIS HAIR COLOR AND BODY TYPE 269 00:18:46,074 --> 00:18:47,676 JUST DOESN'T MATCH UP. 270 00:18:47,709 --> 00:18:49,444 PETER'S RECALIBRATING THE TRACKING DEVICE 271 00:18:49,478 --> 00:18:51,480 THAT WE CAN FIND THE SIGNAL'S ORIGIN POINT. 272 00:18:51,513 --> 00:18:53,415 WE'LL CALL YOU BACK SN AS WE HAVE SOMETHING NEW. 273 00:18:53,448 --> 00:18:58,720 YEAH. 274 00:18:58,754 --> 00:19:03,425 (Carla) OKAY, SHE WON'T SEE YOU NOW. 275 00:19:03,458 --> 00:19:06,228 YOU'RE STILL COLD, WALTER. 276 00:19:14,269 --> 00:19:15,637 COLDER. 277 00:19:15,671 --> 00:19:17,673 THIS IS ABSURD. 278 00:19:17,706 --> 00:19:20,342 I HAVEN'T GOT TIME FOR INFANTILE GAMES. 279 00:19:20,375 --> 00:19:23,745 JUST TELL ME WHAT IT IS YOU HAVE ME LOOKING FOR. 280 00:19:27,449 --> 00:19:29,051 YOUR SECRETS. 281 00:19:29,084 --> 00:19:32,621 I HAVE NO IDEA WHAT YOU'RE TALKING ABOUT. 282 00:19:32,654 --> 00:19:34,723 AND I CAN'T BEGIN TO GUESS. 283 00:19:34,756 --> 00:19:36,091 (Carla) CAN'T? 284 00:19:36,124 --> 00:19:38,060 THAT WORD WAS NEVER IN THE VOCABULARY 285 00:19:38,093 --> 00:19:41,463 OF THE WALTER BISHOP I KNEW. 286 00:19:41,496 --> 00:19:45,167 HE ONCE TOLD ME, 287 00:19:45,200 --> 00:19:49,238 "THERE IS NO GOD IN THIS LAB BUT ME." 288 00:19:51,974 --> 00:19:53,609 HE IS NOT ME. 289 00:19:53,642 --> 00:19:55,644 TELL HER, NINA. 290 00:19:55,677 --> 00:19:57,145 HE'S RIGHT. 291 00:19:57,179 --> 00:19:58,513 THAT WALTER WOULD THINK NOTHING 292 00:19:58,547 --> 00:20:01,583 OF GOING OFF ON HIS OWN TO NEW YORK RIGHT NOW. 293 00:20:01,617 --> 00:20:05,520 HE'D SHARE ALL HIS SECRETS WITH THE OBSERVERS, 294 00:20:05,554 --> 00:20:08,590 DEMONSTRATE HIS UNEQUALED BRILLIANCE. 295 00:20:08,624 --> 00:20:13,028 A MAN OF YOUR STAGGERING INTELLECT AND VISION 296 00:20:13,061 --> 00:20:15,330 WOULD BE RECOGNIZED BY THE OBSERVERS, 297 00:20:15,364 --> 00:20:18,834 VALUED, REVERED EVEN. 298 00:20:22,504 --> 00:20:24,006 GRAB YOUR COAT AND HAT. 299 00:20:24,039 --> 00:20:25,807 STOP. 300 00:20:25,841 --> 00:20:28,777 I WON'T LET YOU TALK ME 301 00:20:28,810 --> 00:20:30,212 INTO LEAVING THE LAB BY MYSELF AGAIN. 302 00:20:30,245 --> 00:20:32,114 I PROMISED PETER! 303 00:20:32,147 --> 00:20:33,682 I WILL NOT JEOPARDIZE THE PLAN. 304 00:20:33,715 --> 00:20:36,318 I WON'T RISK THE SAFETY OF EVERYONE I CARE ABOUT. 305 00:20:36,351 --> 00:20:38,287 (Astrid) WALTER? 306 00:20:50,365 --> 00:20:52,301 WARMER. 307 00:21:01,877 --> 00:21:04,279 YOU'RE BURNING UP. 308 00:21:04,313 --> 00:21:06,715 AND I KNOW HOW THAT FEELS. 309 00:21:17,025 --> 00:21:19,928 I DON'T UNDERSTAND. 310 00:21:19,962 --> 00:21:23,165 WHAT IS THIS? 311 00:21:23,198 --> 00:21:24,733 NO, PUT IT BACK, WALTER. 312 00:21:24,766 --> 00:21:26,501 (Carla) IT'S YOUR LIFE'S WORK, 313 00:21:26,535 --> 00:21:29,888 THE WORK I CAME TO BURN THE NIGHT THAT I DIED. 314 00:21:43,552 --> 00:21:46,221 PERHAPS JUST A PEEK. 315 00:22:03,989 --> 00:22:07,926 [indistinct chatter] 316 00:22:07,959 --> 00:22:10,128 OH. 317 00:22:10,162 --> 00:22:11,663 THIS IS MY MATTER DISPLACEMENT INVENTION 318 00:22:11,697 --> 00:22:13,799 FOR REMOVING FOOD FROM CANS. 319 00:22:13,832 --> 00:22:18,737 I WAS GOING TO RENDER THE CAN OPENER OBSOLETE. 320 00:22:18,770 --> 00:22:21,907 MISTER. 321 00:22:21,940 --> 00:22:24,476 I DON'T KNOW IF I CAN MAKE CHANGE FOR THIS. 322 00:22:24,509 --> 00:22:27,112 TRY. 323 00:22:32,084 --> 00:22:33,418 OH. 324 00:22:33,452 --> 00:22:36,788 AND MY DESIGN FOR THE COMBUSTIBLE ENGINE 325 00:22:36,822 --> 00:22:39,558 POWERED BY POTATOES. 326 00:22:43,562 --> 00:22:47,899 WHAT'S BLACK UMBRELLA? IS THAT IN HERE? 327 00:22:49,668 --> 00:22:52,070 WHAT IS BLACK UMBRELLA? 328 00:22:52,104 --> 00:22:54,773 WHY IS IT IN MY HEAD? 329 00:22:54,806 --> 00:22:56,441 [knock on window] 330 00:22:56,475 --> 00:22:57,976 OH. 331 00:22:58,009 --> 00:22:59,945 WOULD YOU CARE FOR A TOP OFF, SIR? 332 00:22:59,978 --> 00:23:02,314 I HAVE PURPLE MICRODOT, 333 00:23:02,347 --> 00:23:06,451 OR WOULD YOU LIKE TO STICK WITH THE BLACK BLOTTER? 334 00:23:06,485 --> 00:23:09,254 I DON'T MIND IF I DO. 335 00:23:11,723 --> 00:23:14,159 EXCELLENT CHOICE, SIR. 336 00:23:14,192 --> 00:23:22,267 ♪ ♪ 337 00:23:22,300 --> 00:23:25,670 AH, WHEN I CROSSED UNIVERSES TO SAVE PETER, 338 00:23:25,704 --> 00:23:28,407 THIS IS WHEN I FIRST REALIZED HOW I COULD DO IT. 339 00:23:28,440 --> 00:23:30,475 AND DO YOU REMEMBER ANYTHING ELSE? 340 00:23:30,509 --> 00:23:33,145 WHEN YOU WERE GOING TO CREATE YOUR OWN UNIVERSE 341 00:23:33,178 --> 00:23:35,781 AND START FROM SCRATCH? 342 00:23:37,916 --> 00:23:39,651 I'M NOT WHO YOU SAY I AM. 343 00:23:39,684 --> 00:23:42,120 I AM NOT THAT MAN ANYMORE. 344 00:23:45,323 --> 00:23:46,825 WHERE AM I? 345 00:23:46,858 --> 00:23:48,293 YOU'RE IN MANHATTAN. 346 00:23:48,326 --> 00:23:49,394 MANHATTAN? 347 00:23:49,394 --> 00:23:50,729 AT THE OBSERVER PRECINCT. 348 00:23:50,762 --> 00:23:52,230 WHAT AM I DOING HERE? 349 00:23:52,264 --> 00:23:55,400 YOU SNUCK OUT OF THE LAB, YOU TRICKED ASTRID. 350 00:23:57,502 --> 00:23:58,737 WHY WOULD I DO THAT? 351 00:23:58,770 --> 00:24:00,472 I--I PROMISED PETER. 352 00:24:00,505 --> 00:24:04,009 I PROMISED THAT I WOULDN'T LEAVE THE LAB ALONE AGAIN. 353 00:24:04,042 --> 00:24:06,645 I WOULDN'T MAKE A UNILATERAL DECISION LIKE THAT. 354 00:24:06,678 --> 00:24:10,549 I WOULDN'T DO SOMETHING THAT COULD HURT THE PEOPLE I LOVE. 355 00:24:10,582 --> 00:24:12,317 YOU'RE IN DENIAL. 356 00:24:12,350 --> 00:24:15,620 YOU'VE BEEN HIM LONGER THAN YOU'VE BEEN YOU. 357 00:24:15,654 --> 00:24:18,390 WHY ELSE DO YOU THINK I'M HERE? 358 00:24:18,423 --> 00:24:20,258 I'M JUST LIKE THIS JOURNAL. 359 00:24:20,292 --> 00:24:22,227 REPRESENT ALL OF THE THINGS 360 00:24:22,260 --> 00:24:25,831 THAT YOU'RE TRYING TO KEEP BURIED. 361 00:24:25,864 --> 00:24:31,169 ♪ ♪ 362 00:24:31,203 --> 00:24:34,206 I WANTED TO CRY FOR YOU. 363 00:24:35,640 --> 00:24:37,108 I'M DIFFERENT NOW. 364 00:24:37,142 --> 00:24:38,643 IT WAS A SURGICAL PROCEDURE 365 00:24:38,677 --> 00:24:40,679 THAT MADE YOU THE WALTER YOU'RE CLINGING TO, 366 00:24:40,712 --> 00:24:45,951 BUT YOU CAN'T HIDE FROM WHO YOU ARE. 367 00:24:45,984 --> 00:24:47,486 I'VE MADE A TERRIBLE MISTAKE. 368 00:24:47,519 --> 00:24:48,720 I'VE RISKED EVERYTHING. 369 00:24:48,753 --> 00:24:50,722 I'VE PUT EVERYBODY IN JEOPARDY. 370 00:24:50,755 --> 00:24:52,691 I MUST FIND MY WAY HOME. 371 00:24:52,724 --> 00:24:57,696 ♪ ♪ 372 00:24:57,729 --> 00:25:01,066 COME ON, WALTER. WE'RE WAITING FOR YOU. 373 00:25:26,491 --> 00:25:28,159 WHAT ARE WE DOING HERE? 374 00:25:28,193 --> 00:25:29,594 WE'RE MEETING PETER AND OLIVIA. 375 00:25:29,628 --> 00:25:31,763 WE HAVE TO RENT A BOAT, REMEMBER? 376 00:25:31,796 --> 00:25:33,698 BOAT? 377 00:25:33,732 --> 00:25:35,567 OOH. 378 00:25:35,600 --> 00:25:37,502 [laughs] 379 00:25:37,536 --> 00:25:38,503 WHAT'S WRONG WITH HIM? 380 00:25:38,537 --> 00:25:39,871 HE'S FINE. 381 00:25:39,905 --> 00:25:40,906 [laughs] 382 00:25:40,939 --> 00:25:44,109 HERE YOU GO. 383 00:25:44,142 --> 00:25:47,145 IT'S AT THE END OF THE DOCK. 384 00:25:47,178 --> 00:25:48,513 BUT EASY ON THE CHOKE 385 00:25:48,547 --> 00:25:49,581 'CAUSE IT'LL FLOOD THE ENGINE 386 00:25:49,614 --> 00:25:51,349 IF YOU GIVE IT TOO MUCH GAS. 387 00:25:51,383 --> 00:25:53,618 ALL RIGHT, LET'S GO, WALTER. 388 00:25:58,924 --> 00:26:02,494 [chuckling] 389 00:26:02,527 --> 00:26:05,463 WHY DO WE NEED A BOAT, PETER? 390 00:26:05,497 --> 00:26:07,399 BECAUSE WE USED THE TECH THAT ANIL GAVE US 391 00:26:07,432 --> 00:26:09,668 TO LOCATE THE ORIGIN POINT OF DONALD'S SIGNAL. 392 00:26:09,701 --> 00:26:11,236 WHERE'S IT COMING FROM? 393 00:26:11,269 --> 00:26:12,504 THERE. 394 00:26:12,537 --> 00:26:13,972 THAT ISLAND. 395 00:26:14,005 --> 00:26:15,140 THAT'S WHERE WE'RE GOING, WALTER. 396 00:26:15,173 --> 00:26:16,441 IS THAT WHERE DONALD IS? 397 00:26:16,474 --> 00:26:18,043 WE'RE GONNA FIND OUT. 398 00:26:18,076 --> 00:26:21,212 OH, MY. 399 00:26:33,758 --> 00:26:35,827 WATCH YOUR STEP, WALTER. 400 00:26:35,860 --> 00:26:37,362 WHAT'S WRONG? 401 00:26:37,395 --> 00:26:39,130 WHAT'S HAPPENING? 402 00:26:39,164 --> 00:26:41,232 WALTER, IT'S OKAY. JUST RELAX. 403 00:26:41,266 --> 00:26:42,233 NO, WE HAVE TO-- 404 00:26:42,267 --> 00:26:44,269 NO. NO, WALTER. 405 00:26:44,302 --> 00:26:46,838 JUST SLOW DOWN. 406 00:26:46,871 --> 00:26:48,573 SLOW DOWN. 407 00:27:05,557 --> 00:27:07,425 HEY, YOU THERE. 408 00:27:08,693 --> 00:27:10,428 AFTERNOON. 409 00:27:10,462 --> 00:27:11,830 HOLD UP. 410 00:27:15,900 --> 00:27:17,502 THAT YOUR BOAT? 411 00:27:17,535 --> 00:27:19,170 YEAH, WE'RE JUST GOING DOWN TOISIT MY UNCLE. 412 00:27:19,204 --> 00:27:20,972 YOUR UNCLE? 413 00:27:21,006 --> 00:27:23,608 HE LIVES OUT ON THIMBLE ISLAND. 414 00:27:23,642 --> 00:27:25,877 I'M GONNA HAVE TO DO A SCAN. 415 00:27:25,910 --> 00:27:28,113 SURE THING, NO PBLEM. 416 00:27:28,146 --> 00:27:29,447 YOU HAVE PAPERS? 417 00:27:29,481 --> 00:27:31,182 YEAH, RIGHT HERE. 418 00:27:37,722 --> 00:27:39,958 GO. 419 00:27:42,927 --> 00:27:44,629 COME ON, WALTER. 420 00:27:48,600 --> 00:27:50,735 WHY ARE THESE MICE SHOOTING AT US? 421 00:27:58,843 --> 00:28:01,980 LET'S GO. 422 00:28:40,368 --> 00:28:43,338 [beep] 423 00:28:43,371 --> 00:28:44,806 BASED ON THE STRENGTH OF THE SIGNAL, 424 00:28:44,839 --> 00:28:46,040 WE GOTTA BE GETTING CLOSE. 425 00:28:46,074 --> 00:28:50,145 LOOK, THERE'S A PATH JUST OVER THERE. 426 00:28:50,178 --> 00:28:53,114 HOW YOU DOING, WALTER? 427 00:28:58,553 --> 00:29:01,322 HE'S FINE. 428 00:29:13,034 --> 00:29:19,140 [beeping] 429 00:29:25,880 --> 00:29:28,683 THIS IS WHERE THE SIGNAL ORIGINATES. 430 00:29:28,716 --> 00:29:32,020 [door creaks open] 431 00:29:32,053 --> 00:29:33,488 [gun cocks] 432 00:29:33,521 --> 00:29:38,426 WHO ARE YOU? WHAT DO YOU WANT? 433 00:29:38,460 --> 00:29:41,596 WE'RE HERE TO MEET DONALD. 434 00:29:41,629 --> 00:29:43,765 ARE YOU DONALD? 435 00:29:45,667 --> 00:29:47,368 THERE'S NO DONALD HERE. 436 00:29:47,402 --> 00:29:50,438 HAVE YOU EVER SEEN THIS MAN BEFORE? 437 00:29:50,472 --> 00:29:51,673 YOU RECOGNIZE HIM? 438 00:29:55,743 --> 00:29:58,279 I DON'T KNOW WHO YOU ARE, BUT I SUGGEST YOU TURN AROUND 439 00:29:58,313 --> 00:30:00,014 AND GO BACK WHERE YOU CAME FROM. 440 00:30:06,821 --> 00:30:08,756 ASTRID. 441 00:30:08,790 --> 00:30:10,525 DO YOU SEE HIM? 442 00:30:10,558 --> 00:30:12,527 THE CHILD OBSERVER. OH, MY GOD. 443 00:30:12,560 --> 00:30:16,931 IT'S HIM. 444 00:30:16,965 --> 00:30:19,067 (woman) RICHARD? 445 00:30:21,736 --> 00:30:22,904 WHO ARE THESE PEOPLE? 446 00:30:22,937 --> 00:30:24,305 I HAVE IT UNDER CONTROL, CAROLYN. 447 00:30:24,339 --> 00:30:25,740 GO BACK INSIDE. 448 00:30:25,773 --> 00:30:29,143 WE'RE HERE BECAUSE OF A MAN NAMED DONALD. 449 00:30:30,745 --> 00:30:34,516 YOU KNOW HIM? 450 00:30:34,549 --> 00:30:36,317 HE LEFT A RADIO FOR US, 451 00:30:36,351 --> 00:30:38,720 AND THIS MORNING IT STARTED TRANSMITTING A SIGNAL 452 00:30:38,753 --> 00:30:40,555 THAT LED US HERE. 453 00:30:44,926 --> 00:30:46,828 PUT THE GUN DOWN. 454 00:30:53,334 --> 00:30:57,939 RICHARD, WE KNEW THIS DAY COULD HAPPEN, 455 00:30:57,972 --> 00:31:01,075 THAT ONE DAY SOMEONE WOULD COME FOR HIM. 456 00:31:03,945 --> 00:31:06,681 YOU SAID YOU PICKED UP A RADIO TRANSMISSION. 457 00:31:06,714 --> 00:31:10,318 THEN YOU KNOW IT CONTAINED A MESSAGE WITH A PASSWORD. 458 00:31:10,351 --> 00:31:12,353 THE MESSAGE WAS IN CODE. 459 00:31:12,387 --> 00:31:13,821 WE COULDN'T CRACK IT. 460 00:31:13,855 --> 00:31:15,957 NA SAID THE RSON HE LEFT THE RADIO FOR 461 00:31:15,990 --> 00:31:18,893 WOULD KNOW THE CODE. 462 00:31:18,927 --> 00:31:20,261 IF YOU ARE WHO YOU SAY YOU ARE, 463 00:31:20,295 --> 00:31:23,498 TELL ME THE PASSWORD. 464 00:31:26,801 --> 00:31:30,338 TELL ME THE PASSWORD. 465 00:31:37,579 --> 00:31:45,820 ♪ ♪ 466 00:31:48,489 --> 00:31:50,024 AAH! 467 00:31:50,058 --> 00:31:54,395 [humming] 468 00:31:57,865 --> 00:31:59,100 HMM. AH! 469 00:31:59,133 --> 00:32:01,402 [laughs] HUH? AH. 470 00:32:01,436 --> 00:32:04,472 MM. 471 00:32:08,843 --> 00:32:10,311 MM-HMM. [chuckles] 472 00:32:10,345 --> 00:32:11,312 HMM. 473 00:32:11,346 --> 00:32:12,981 [dog barks] 474 00:32:13,014 --> 00:32:18,820 [humming] 475 00:32:26,260 --> 00:32:30,465 [grunts] 476 00:32:30,498 --> 00:32:32,266 [gulps] 477 00:32:32,300 --> 00:32:36,704 [grunting] 478 00:32:45,246 --> 00:32:49,417 HUH? 479 00:32:49,450 --> 00:32:52,587 AAH! 480 00:32:55,323 --> 00:32:58,426 BLACK UMBRELLA. 481 00:33:03,131 --> 00:33:06,534 IT'S BLACK UMBRELLA. 482 00:33:06,567 --> 00:33:09,103 THAT'S THE PASSWORD. 483 00:33:09,137 --> 00:33:11,606 BLACK UMBRELLA. 484 00:33:17,612 --> 00:33:21,315 I THINK YOU BETTER COME INSIDE. 485 00:33:46,374 --> 00:33:47,975 YOU KNOW DONALD. 486 00:33:48,009 --> 00:33:50,378 SO WHAT CAN YOU TELL US ABOUT HIM? 487 00:33:50,411 --> 00:33:51,979 WHEN THE INVADERS CAME 488 00:33:52,013 --> 00:33:54,482 AND PEOPLE STARTED TO FIGHT BACK, 489 00:33:54,515 --> 00:33:57,919 MY WIFE AND I HELPED THE CAUSE IN ANY WAY WE COULD. 490 00:33:57,952 --> 00:34:00,254 WE GAVE FOOD, SUPPLIES, 491 00:34:00,288 --> 00:34:02,924 MEDICAL ATTENTION, AND SHELTER 492 00:34:02,957 --> 00:34:05,393 TO THOSE COURAGEOUS ENOUGH TO STAND UP AGAINST THEM. 493 00:34:05,426 --> 00:34:07,295 YOU WERE PART OF THE RESISTANCE. 494 00:34:07,328 --> 00:34:10,998 WE DIDN'T CALL OURSELVES THAT BACK THEN, BUT YES. 495 00:34:11,032 --> 00:34:14,469 AFTER A WHILE, WE ACQUIRED A REPUTATION 496 00:34:14,502 --> 00:34:16,237 AS PEOPLE WHO COULD BE TRUSTED. 497 00:34:16,270 --> 00:34:18,439 THAT'S HOW WE MET DONALD. 498 00:34:18,473 --> 00:34:20,074 ABOUT EIGHT MONTHS AFTER THE INVASION, 499 00:34:20,108 --> 00:34:22,276 HE SHOWED UP AT OUR DOORSTEP. 500 00:34:22,310 --> 00:34:25,847 HE SAID THE INVADERS WERE LOOKING FOR HIM 501 00:34:25,880 --> 00:34:27,782 D HE HAD TO GO AWAY. 502 00:34:27,815 --> 00:34:31,185 BUT HE NEEDED US TO WATCH OVER THE BOY. 503 00:34:31,219 --> 00:34:35,356 HE SAID HE WAS PART OF AN IMPORTANT PLAN 504 00:34:35,389 --> 00:34:37,058 TO DEFEAT THE INVADERS. 505 00:34:37,091 --> 00:34:38,159 DONALD SAID HE'D WORKED 506 00:34:38,192 --> 00:34:40,461 WITH A SCIENTIST FROM BOSTON, 507 00:34:40,495 --> 00:34:42,463 BUT THE SCIENTIST HAD BEEN CAPTURED, 508 00:34:42,497 --> 00:34:44,165 HE WASN'T SURE HE'D EVER SEE HIM AGAIN 509 00:34:44,198 --> 00:34:45,767 BUT THAT HE HOPED THAT HE WOULD. 510 00:34:45,800 --> 00:34:47,301 (Walter) THAT'S ME. 511 00:34:47,335 --> 00:34:51,105 DID DONALD SAY WHERE HE WAS GOING. 512 00:34:51,139 --> 00:34:52,707 AND YOU NEVER SAW HIM AGAIN AFTER THAT? 513 00:34:52,740 --> 00:34:54,408 THAT WAS PART OF THE ARRANGEMENT. 514 00:34:54,442 --> 00:34:55,676 HE COULDN'T COME BACK. 515 00:34:55,710 --> 00:34:57,378 HE DIDN'T WANT TO PUT US IN DANGER. 516 00:34:57,411 --> 00:34:59,046 WE HEARD THAT HE WAS DEAD. 517 00:35:03,751 --> 00:35:04,952 BEFORE HE LEFT, 518 00:35:04,986 --> 00:35:06,220 HE GAVE US THIS. 519 00:35:06,254 --> 00:35:07,722 WE HAD TO TURN IT ON EVERY FIVE DAYS 520 00:35:07,755 --> 00:35:08,890 AT THE SAME TIME, 521 00:35:08,923 --> 00:35:10,358 SO IT COULD BROADCAST 522 00:35:10,391 --> 00:35:11,626 A CODED MESSAGE. 523 00:35:11,659 --> 00:35:13,194 IF YOU WERE STILL ALIVE, 524 00:35:13,227 --> 00:35:15,263 YOU WOULD GET THE MESSAGE AND COME FOR THE BOY. 525 00:35:15,296 --> 00:35:18,099 THAT WAS OVER 20 YEARS AGO. 526 00:35:18,132 --> 00:35:20,568 (Carolyn) HE DOESN'T SPEAK. 527 00:35:20,601 --> 00:35:22,637 HE HASN'T AGED A DAY 528 00:35:22,670 --> 00:35:25,473 SINCE HE CAME TO LIVE WITH US. 529 00:35:29,977 --> 00:35:32,046 WE CALL HIM MICHAEL. 530 00:35:32,079 --> 00:35:33,981 THERE WERE TIMES 531 00:35:34,015 --> 00:35:36,784 WHEN I THOUGHT ABOUT NOT TURNING THAT SIGNAL ON ANYMORE. 532 00:35:39,253 --> 00:35:42,356 SELFISHLY, I WANTED TO KEEP HIM HERE WITH US. 533 00:35:42,390 --> 00:35:44,992 THIS IS THE HARDEST DAY FOR ME. 534 00:35:45,026 --> 00:35:48,229 I NEVER DOUBTED THAT MICHAEL WAS IMPORTANT, 535 00:35:48,262 --> 00:35:51,766 THAT HE WAS MEANT FOR SOMETHING GREAT. 536 00:36:07,315 --> 00:36:10,151 [somber music] 537 00:36:10,184 --> 00:36:18,426 ♪ ♪ 538 00:37:10,244 --> 00:37:12,213 HERE. 539 00:37:12,246 --> 00:37:14,282 SOMETHING TO WARM YOU UP. 540 00:37:14,315 --> 00:37:16,350 IT'S JUST HOT COCOA. 541 00:37:25,192 --> 00:37:27,295 I HAD A DAUGHTER, AND WHEN SHE WAS LITTLE, 542 00:37:27,328 --> 00:37:29,563 SHE LOVED HOT COCOA. 543 00:37:29,597 --> 00:37:30,831 SHE USED TO SAY, 544 00:37:30,865 --> 00:37:33,134 THAT OF ALL THE HOT COCOA IN THE WORLD, 545 00:37:33,167 --> 00:37:36,771 MINE WAS HER FAVORITE. 546 00:37:53,454 --> 00:37:57,124 DO YOU KNOW ME? 547 00:37:57,158 --> 00:37:59,260 DO YOU REMEMBER ME? 548 00:38:10,771 --> 00:38:14,175 BUT HE MET US IN A DIFFERENT TIME LINE. 549 00:38:14,208 --> 00:38:18,079 HOW COULD HE POSSIBLY REMEMBER YOU? 550 00:38:18,112 --> 00:38:23,150 OBSERVERS EXPERIENCE TIME DIFFERENTLY. 551 00:38:23,184 --> 00:38:26,320 MAYBE HE DOES TOO. 552 00:38:34,195 --> 00:38:39,233 (Carla) [echoing] YOU CAN'T HIDE FROM WHO YOU ARE. 553 00:38:39,266 --> 00:38:43,137 SOME THINGS ARE NOT OURS TO TAMPER WITH. 554 00:38:43,170 --> 00:38:44,672 SOME THINGS ARE GOD'S. 555 00:38:44,705 --> 00:38:47,108 (Walter) THE'S ONLY ROOM FOR ONE GOD IN THIS LAB, 556 00:38:47,141 --> 00:38:51,178 AND IT'S NOT YOURS. 557 00:38:51,212 --> 00:38:54,849 (Elizabeth) GOD, I JUST CAN'T BEAR IT WHEN YOU'RE NOT HERE. 558 00:38:56,550 --> 00:39:00,755 YOU KNOW WHAT I'M DOING, YOU KNOW WHERE I AM, 559 00:39:00,788 --> 00:39:03,791 24 HOURS A DAY, 7 DAYS A WEEK. 560 00:39:09,864 --> 00:39:14,869 I WON'T GIVE UP, ELIZABETH. I CAN DO THIS. 561 00:39:20,174 --> 00:39:23,377 I NEED YOU NOT TO DOUBT ME. 562 00:39:27,214 --> 00:39:29,884 NOTHING'S GOING TO HAPPEN TO YOU. 563 00:39:29,917 --> 00:39:31,719 I PROMISE. 564 00:39:37,591 --> 00:39:39,293 WALTER, YOU'RE TRYING TO CREATE A WORMHOLE 565 00:39:39,326 --> 00:39:40,995 INTO ANOTHER UNIVERSE? 566 00:39:41,028 --> 00:39:43,998 YES. I THINK I JUST SAID THAT. 567 00:39:44,031 --> 00:39:45,499 I'M SORRY, BUT YOU CAN'T. 568 00:39:45,533 --> 00:39:47,601 YES, I THINK I CAN. 569 00:39:47,635 --> 00:39:49,470 NO, WALTER, I WON'T LET YOU DO IT. 570 00:39:49,503 --> 00:39:52,506 [grunting] 571 00:39:52,540 --> 00:39:55,042 WALTER! [grunting] 572 00:39:55,076 --> 00:39:58,345 NO 573 00:40:02,183 --> 00:40:06,554 WALTER, THERE HAS TO BE A LINE SOMEWHERE. 574 00:40:06,587 --> 00:40:10,891 THERE HAS TO BE A LINE WE CAN'T CROSS. 575 00:40:12,827 --> 00:40:16,697 MY SON IS DYING, DR. WARREN. 576 00:40:16,730 --> 00:40:19,700 I WILL NOT ALLOW THAT TO HAPPEN AGAIN. 577 00:40:21,068 --> 00:40:25,172 I AM BECOME DEATH, DESTROYER OF WORLDS. 578 00:40:25,206 --> 00:40:27,041 DON'T YOU QUOTE OPPENHEIMER. 579 00:40:27,074 --> 00:40:28,576 KNOWLEDGE CANNOT BE PURSUED WITHOUT MORALITY. 580 00:40:28,609 --> 00:40:29,977 YOU SOUND LIKE A SANCTIMONIOUS SOUTHERN PREACHER! 581 00:40:30,010 --> 00:40:31,679 I MAY GO TO CHURCH EVERY SUNDAY, WALTER, 582 00:40:31,712 --> 00:40:33,547 BUT I ALSO HAVE THREE DEGREES IN THEORETICAL PHYSICS, 583 00:40:33,581 --> 00:40:35,583 AND I AM TELLING YOU YOU CANNOT DO THIS. 584 00:40:35,583 --> 00:40:37,818 WE BOTH KNOW THE AMOUNT OF ENERGY 585 00:40:37,852 --> 00:40:39,453 ANREQUIRED TO CREATE YOUA PORTALDO THIS. 586 00:40:39,487 --> 00:40:41,388 WILL FOREVER RUIN BOTH UNIVERSES. 587 00:40:41,422 --> 00:40:45,526 FOR THE SAKE OF ONE LIFE, YOU WILL DESTROY THE WORLD. 588 00:40:48,529 --> 00:40:51,065 SOME THINGS ARE T RS TO TAMPER WITH. 589 00:40:51,098 --> 00:40:53,267 SOME THINGS ARE GOD'S. 590 00:40:53,300 --> 00:40:55,302 (Walter) THERE'S ONLY ROOM FOR ONE GOD IN THIS LAB, 591 00:40:55,336 --> 00:40:58,105 AND IT'S NOT YOURS. 592 00:41:38,646 --> 00:41:40,714 THE JOURNAL DOESN'T MATTER. 593 00:41:40,748 --> 00:41:43,184 EVEN IF YOU BURN IT, IT'S TOO LATE 594 00:41:43,217 --> 00:41:46,320 NOW THAT YOU REMEMBER ALL THE THINGS YOU'RE CAPABLE OF. 595 00:41:46,353 --> 00:41:48,122 (Nina) WALTER, YOU GOT THE BOY BACK. 596 00:41:48,155 --> 00:41:53,460 YOU'VE GOT TO CONTUE. YOU'VE GOT TO KEEP FIGHTING. 597 00:41:53,494 --> 00:41:54,895 (Carla) I THINK WE BOTH KNOW 598 00:41:54,929 --> 00:41:57,364 YOU'RE TOOIRED TO DO THAT. 599 00:41:57,398 --> 00:41:59,867 THERE'S NOTHING TO BURN. 600 00:42:04,872 --> 00:41:59,867 YOU'VE BEEN HIM LONGER THAN YOU'VE BEEN YOU.