1 00:00:01,868 --> 00:00:04,004 WHY WOULD WE GET HER BACK? 2 00:00:04,037 --> 00:00:07,140 (male announcer) PREVIOUSLY ON FRINGE... 3 00:00:07,173 --> 00:00:10,110 YOU MUST FACE THIS PAIN TOGETHER. 4 00:00:10,143 --> 00:00:12,112 THE PAIN IS HER LEGACY TO YOU BOTH. 5 00:00:12,145 --> 00:00:13,847 IT'SRO THAT SHE WAS HERE. 6 00:00:13,880 --> 00:00:16,082 (Pet)OUR DAUGHTER DE FREEING US. 7 00:00:16,116 --> 00:00:17,684 AND NOW WE'RE GONNA DEDICATE OURS 8 00:00:17,717 --> 00:00:20,020 TO MAKING SURE THAT THAT MEANS SOMETHING. 9 00:00:20,053 --> 00:00:21,888 YOU GOT THAT LOOK ON YOUR FACE. 10 00:00:21,921 --> 00:00:24,424 WHAT LOOK? THE LOOK THAT SAYS, "I'M WORRIED ABOUT YOU." 11 00:00:24,457 --> 00:00:25,825 SHOULD I BE? 12 00:00:25,859 --> 00:00:27,844 WHAT HAVE YOU DONE? 13 00:00:27,894 --> 00:00:29,229 (Peter) THE TECH THAT GAVEHE 14 00:00:29,262 --> 00:00:30,964 THEIR ADVANTAGE OVER US-- I HAVE IT NOW. 15 00:00:30,997 --> 00:00:33,600 YOU IMPLANTED ONE IN YOURSELF? 16 00:00:33,633 --> 00:00:35,735 IT GIVES ME ENOUGH INFORMATION TO DETERMINE 17 00:00:35,769 --> 00:00:37,670 THEIR PROBABLE FUTURES. 18 00:00:37,704 --> 00:00:41,641 WE'RE GOING TO AVENGE ETTA. WINDMARK'S NEXT. 19 00:00:41,674 --> 00:00:43,410 [car engine ruing] 20 00:00:43,443 --> 00:00:46,913 [engine turns off] 21 00:01:23,950 --> 00:01:26,786 SORRY I'M LATE. THAT'S OKAY. 22 00:01:29,756 --> 00:01:31,257 WHERE'D YOU GET IT? 23 00:01:31,291 --> 00:01:35,361 LET'S JUST SAY IT WAS A SOUVENIR FOR ONE OF MY MEN. 24 00:01:35,395 --> 00:01:38,498 AND THIS IDENTICAL TO THE ONE THAT PETER USED ON HIMSELF? 25 00:01:38,531 --> 00:01:40,533 YEAH, FROM THE BASE OF THE CRANIUM. 26 00:01:40,567 --> 00:01:43,436 SO HOW IIT ACTIVATED? I'M NOT SURE. 27 00:01:43,470 --> 00:01:44,971 IF DR. BISHOP FINDS OUT, 28 00:01:45,004 --> 00:01:48,408 WE'D LOVE TO LEARN ANYTHING WE CAN ABOUT IT. 29 00:01:48,441 --> 00:01:52,846 OLIVIA, IF I HAD ANY INCLINATION OF WHAT PETER WAS DOING... 30 00:01:52,879 --> 00:01:56,382 I KNOW. 31 00:02:00,120 --> 00:02:02,489 ASTRID SAID YOU WERE GETTING LOW ON AMMUNITION. 32 00:02:02,522 --> 00:02:06,626 THE RESISTANCE JUST RAIDED A WEAPONS DEPOT IN MIDTOWN. 33 00:02:06,659 --> 00:02:08,895 TAKE THESE FOR NOW. 34 00:02:08,928 --> 00:02:11,965 WE'LL ARRANGE A MEET FOR MORE LATER. 35 00:02:11,998 --> 00:02:14,167 I'VE GOT TO GO. 36 00:02:14,200 --> 00:02:17,237 IF THERE'S ANYTHING ELSE I CAN DO TO HELP... 37 00:02:17,270 --> 00:02:19,239 THANK YOU, ANIL. 38 00:02:58,845 --> 00:03:02,182 [marker squeaking] 39 00:03:42,956 --> 00:03:46,025 THERE. 40 00:04:20,793 --> 00:04:23,563 HE IS FORETELLING YOUR MOVEMENTS. 41 00:04:25,098 --> 00:04:28,901 HE HAS GAINED THE ABILITY TO RUN FUTURES. 42 00:05:15,281 --> 00:05:17,617 (Walter on video) THIS IS TAPE EIGHT. 43 00:05:17,650 --> 00:05:21,454 THERE IS A SCRAPYARD LOCATED IN THE TOWN OF FITCHBURG, 44 00:05:21,487 --> 00:05:24,490 46 MILES NORTHST OF BOSTON. 45 00:05:24,524 --> 00:05:26,125 YOU WILL GOT TO FITCHBURG 46 00:05:26,159 --> 00:05:29,629 AND ACQUIRE AN INDUSTRIAL-SIZE ELECTROMAGNET. 47 00:05:29,662 --> 00:05:32,498 YOU MAY HAVE SEEN THIS KIND OF MAGNET USED 48 00:05:32,532 --> 00:05:35,735 IN AUTOMOBILE JUNKING, CONSTRUCTION, DEMOLITION. 49 00:05:35,768 --> 00:05:37,804 BUT AS I SAY, IT IS AN INDUS-- 50 00:05:48,081 --> 00:05:50,149 EXTREMELY LARGE AND EXTREMELY POWERFUL. 51 00:05:50,249 --> 00:05:52,085 OLIVIA. GOOD. YOU'RE HERE. 52 00:05:52,118 --> 00:05:54,220 WE FREED ANOTHER TAPE, 53 00:05:54,253 --> 00:05:55,822 AND WE HAVE TO RETRIEVE A MAGNET 54 00:05:55,855 --> 00:05:57,523 WALTER LEFT IN FITCHBURG. 55 00:06:02,028 --> 00:06:04,030 WHAT'S WRONG? 56 00:06:09,535 --> 00:06:12,839 I DON'T UNDERSTAND. WHEN DID PETER DO THIS? 57 00:06:12,872 --> 00:06:16,175 I DON'T KNOW. 58 00:06:16,209 --> 00:06:18,678 WHAT'S HAPPENING TO HIM? WHAT ARE THE MANIFESTATIONS? 59 00:06:18,711 --> 00:06:22,682 HE'S READING TIME LIKE THEY DO, 60 00:06:22,715 --> 00:06:24,484 THINKING AHEAD LIKE THEY CAN. 61 00:06:24,517 --> 00:06:26,953 HE KNOWS WHAT I'M GONNA SAY BEFORE I SAY IT. 62 00:06:26,986 --> 00:06:29,789 IT'S LIKE IT'S HIM, BUT... IT ISN'T. 63 00:06:29,822 --> 00:06:31,257 WALTER, HE'S CONVINCED 64 00:06:31,290 --> 00:06:33,226 THAT THIS IS THE ONLY WAY TO BEAT THEM. 65 00:06:33,259 --> 00:06:36,462 IF YOU COULD FIND OUT WHAT IT'S DOING TO HIM 66 00:06:36,496 --> 00:06:38,297 OR IF THERE'S A WAY TO NEUTRALIZE IT-- 67 00:06:38,331 --> 00:06:42,034 I'LL START RUNNING DIAGNOSTICS RIGHT AWAY. 68 00:06:42,068 --> 00:06:44,404 OF COURSE, IT'S MEANT TO BE INTEGRATED 69 00:06:44,437 --> 00:06:47,940 WITH ORGANIC MATERIAL. 70 00:06:47,974 --> 00:06:50,576 I NEED TO SEE HOW IT INTERACTS WITH AN ACTUAL BRAIN. 71 00:06:50,610 --> 00:06:54,380 AND WHOSE DID YOU HAVE IN MIND? 72 00:06:54,414 --> 00:06:56,416 PERHAPS MY PORCUPINE MAN'S. 73 00:06:56,449 --> 00:07:00,219 I PRESERVED HIS BRAIN IN FORMALDEHYDE. 74 00:07:00,253 --> 00:07:02,488 COULD YOU GO DOWN AND BRING ITP,LEASE? 75 00:07:02,522 --> 00:07:05,091 IT NEEDS TO BE SUBMERGED IN WATER IMMEDIATELY. 76 00:07:05,124 --> 00:07:07,960 [cell phone ringing] 77 00:07:07,960 --> 00:07:07,994 IT'S PETER. 78 00:07:09,495 --> 00:07:11,564 [LET ME TALK TO HIM. 79 00:07:11,597 --> 00:07:13,199 PETER, WHERE ARE YOU? 80 00:07:13,232 --> 00:07:14,867 (Peter) I'M IN NEW YORK, WALTER. 81 00:07:14,901 --> 00:07:16,169 PETER, LISTEN TO ME. 82 00:07:16,202 --> 00:07:18,638 YOU MUST COME BACK TO THE LAB. 83 00:07:18,671 --> 00:07:21,274 WHAT YOU'VE DONE, SON, IS EXTREMELY DANGEROUS. 84 00:07:21,307 --> 00:07:22,909 I CAN'T DO THAT. 85 00:07:22,942 --> 00:07:24,877 I CALLED TO WARN YOU NOT TO GO BACK TO ETTA'S APARTMENT. 86 00:07:24,911 --> 00:07:26,512 IT'S BEEN COMPROMISED. 87 00:07:26,546 --> 00:07:28,347 (Walter) PLEASE COME BACK TO THE LAB, PETER. 88 00:07:28,381 --> 00:07:30,850 WE DON'T KNOW WHAT WE'RE DEALING WITH HERE. 89 00:07:30,883 --> 00:07:33,252 I-I'M VERY FRIGHTENED. 90 00:07:33,286 --> 00:07:36,055 W-WE DON'T KNOW WHAT THAT DEVICE IS ACTUALLY DOING TO YOU. 91 00:07:36,088 --> 00:07:38,291 (Peter) I UNDERSTAND WHY YOU WOULD BE CONCERNED. 92 00:07:38,324 --> 00:07:40,660 BUT I ALSO KNOW THERE IS NOTHING THAT I COULD SAY 93 00:07:40,693 --> 00:07:42,028 THAT WOULD CHANGE YOUR MIND. 94 00:07:42,061 --> 00:07:44,964 YOU CANNOT POSSIBLY SEE WHAT I SEE. 95 00:07:44,997 --> 00:07:47,967 TRUST ME WHEN I TELL YOU... 96 00:07:48,000 --> 00:07:49,669 I AM IN COMPLETE CONTROL. 97 00:07:49,702 --> 00:07:52,271 (Walter) I DON'T BELIEVE YOU ARE IN CONTROL. 98 00:07:52,305 --> 00:07:57,043 SON, YOU PROMISED ME. 99 00:07:57,076 --> 00:07:59,412 YOU SAID YOU WOULD BE THERE FOR ME. 100 00:07:59,445 --> 00:08:02,315 DO YOU REMEMBER-- TO KEEP ME FROMLIPPING? 101 00:08:02,348 --> 00:08:04,884 I NEED YOU. 102 00:08:04,917 --> 00:08:07,687 I'M BEGGING YOU. 103 00:08:07,720 --> 00:08:11,824 PLEASE COME BACK IN AND LET ME RUN SOME TESTS. 104 00:08:11,858 --> 00:08:13,793 I HAVE TO GO, WALTER. 105 00:08:13,826 --> 00:08:18,698 DO NOT GO BACK TO ETTA'S APARTMENT. 106 00:08:29,575 --> 00:08:31,878 (Astrid) WHAT ARE WE GOING TOO? 107 00:08:31,911 --> 00:08:33,012 DID HE SAY WHERE HE WAS? 108 00:08:33,045 --> 00:08:36,549 NEW YORK. THAT'S ALL. 109 00:08:36,582 --> 00:08:39,118 ETTA'S APARTMENT ISN'T SAFE, 110 00:08:39,151 --> 00:08:41,087 AND I DON'T KNOW WHERE HE'S GOING. 111 00:08:43,890 --> 00:08:48,261 I-I CAN'T STAY HERE. I'M CRAWLING OUT OF MY SKIN. 112 00:08:49,896 --> 00:08:52,298 WELL, YOU AND ASTRID NEED TO WORK ON THE TECH,DOING 113 00:08:52,331 --> 00:08:55,134 SO I'M GONNA TRY AND FIND THIS MAGNET. 114 00:08:55,167 --> 00:08:56,802 (Walter) ALONE? 115 00:08:56,836 --> 00:08:58,304 WE HAVE NO OTHER OPTION. 116 00:08:58,337 --> 00:08:59,572 WHAT ABOUT PETER? 117 00:08:59,605 --> 00:09:02,742 ALL I CAN DO IS JUST KEEP OUR PROMISE TO ETTA 118 00:09:02,775 --> 00:09:05,912 AND--AND STICK TH THE PLAN. 119 00:09:13,653 --> 00:09:15,922 [door closes] 120 00:10:28,761 --> 00:10:30,496 SORRY. 121 00:10:30,529 --> 00:10:33,232 PLEASE, LET ME. 122 00:10:35,234 --> 00:10:36,869 THAT'S ENOUGH. 123 00:11:38,698 --> 00:11:41,033 MORNING. 124 00:11:41,067 --> 00:11:42,902 GOOD MORNING. 125 00:11:42,935 --> 00:11:45,871 I'M CARLOS. HOW CAN I HELP YOU? 126 00:11:45,905 --> 00:11:49,241 I WOULD LIKE TO BARTER FOR A MAGNET. 127 00:11:51,277 --> 00:11:52,578 WHAT'D YOU SAY? 128 00:11:52,611 --> 00:11:53,879 UH, AN ELECTROMAGNET, 129 00:11:53,913 --> 00:11:56,549 LIKE THE ONE YOU HAVE ON THAT CRANE. 130 00:12:01,687 --> 00:12:04,056 WAIT HERE. 131 00:12:13,599 --> 00:12:15,568 I'D LIKE TO SELL YOU THE PIPING, 132 00:12:15,601 --> 00:12:17,670 BUT I GOT PEOPLE DEPENDING ON ME, 133 00:12:17,703 --> 00:12:19,371 AND THEY NEED TO EAT. 134 00:12:19,405 --> 00:12:22,475 I'M WILLING TO BARTER. 135 00:12:22,508 --> 00:12:25,177 LET ME KNOW. 136 00:12:27,580 --> 00:12:29,081 WHAT IS IT, CARLOS? 137 00:12:29,115 --> 00:12:32,818 GOT A WOMAN OUTSIDE. 138 00:12:32,852 --> 00:12:34,954 SHE'S ASKING FOR A MAGNET. 139 00:12:45,364 --> 00:12:50,169 IT'S HER. 140 00:12:50,202 --> 00:12:52,338 SEND THEM. 141 00:12:52,371 --> 00:12:54,473 SEND THEM NOW. 142 00:13:39,451 --> 00:13:41,387 MY NAME IS SIMONE. 143 00:13:44,890 --> 00:13:47,226 CARLOS SAID YOU WERE INTERESTED IN A MAGNET. 144 00:13:47,259 --> 00:13:49,428 THAT'S RIGHT. 145 00:13:49,461 --> 00:13:51,597 I KNOW THIS IS A LITTLE OUT OF THE ORDINARY, BUT-- 146 00:13:51,630 --> 00:13:53,232 YES. 147 00:13:53,265 --> 00:13:55,835 WE HAVE IT FOR YOU. 148 00:13:55,868 --> 00:13:58,637 WE'VE BEEN EXPECTING YOU. 149 00:13:58,671 --> 00:14:02,107 EXPECTING ME? 150 00:14:03,776 --> 00:14:06,045 I'VE BEEN WAITING MANY YEARS FOR SOMEONE TO COME 151 00:14:06,078 --> 00:14:10,416 FOR THAT MAGNET. 152 00:14:10,449 --> 00:14:12,952 COME. 153 00:14:12,985 --> 00:14:14,920 I'LL SHOW YOU. 154 00:14:31,737 --> 00:14:33,906 THIS IS YOUR TRUCK. 155 00:14:33,939 --> 00:14:37,476 IT'S BEEN YOUR TRUCK FOR 21 YEARS... 156 00:14:37,509 --> 00:14:38,978 TO TRANSPORT IT. 157 00:14:39,011 --> 00:14:41,914 A MAN CAME HERE 158 00:14:41,947 --> 00:14:44,416 SOON AFTER THE INVADERS ARRIVED. 159 00:14:44,450 --> 00:14:46,385 THE MAN SPOKE WITH MY MOTHER. 160 00:14:46,418 --> 00:14:48,754 THEY TALKED FOR A LONG TIME. 161 00:14:48,787 --> 00:14:51,557 HE SAID HE HAD A WAY TO SAVE THE WORLD... 162 00:14:51,590 --> 00:14:55,761 BUT HE NEEDED A GIANT MAGNET TO DO IT. 163 00:14:55,794 --> 00:15:00,866 WAS HIS NAME WALTER? WALTER BISHOP? 164 00:15:00,900 --> 00:15:03,269 I DON'T REMEMBER HIS NAME. 165 00:15:03,302 --> 00:15:06,338 HE WAS OLDER... 166 00:15:06,372 --> 00:15:09,108 GRAYISH HAIR. 167 00:15:09,141 --> 00:15:12,011 MY MOTHER ASSURED HIM THAT SHE WOULD KEEP 168 00:15:12,044 --> 00:15:16,615 A MAGNET PACKED UP AND READY FOR WHEN HE CAME BACK FOR IT. 169 00:15:16,649 --> 00:15:18,384 BEFORE SHE DIED, 170 00:15:18,417 --> 00:15:21,820 SHE MADE ME PROMISE TO KEEP THE CANDLE BURNING. 171 00:15:27,927 --> 00:15:29,461 AND I DID. 172 00:15:33,499 --> 00:15:36,302 IT WASN'T ALWAYS EASY. 173 00:15:36,335 --> 00:15:38,170 AT TIMES, WE WERE DESTITUTE. 174 00:15:39,838 --> 00:15:44,310 THERE WERE PPLWHO WANTED TO SELL THE MAGNET AND THE TRUCK. 175 00:15:45,844 --> 00:15:47,346 THEY LOST HOPE. 176 00:15:47,379 --> 00:15:49,815 BUT MY MOTHER VER DID. 177 00:15:49,848 --> 00:15:52,685 AND NEITHER DID I. 178 00:15:52,718 --> 00:15:56,155 AND HERE... 179 00:15:56,188 --> 00:15:58,490 HERE YOU ARE. 180 00:16:00,693 --> 00:16:04,330 I SENT FOR DIESEL FUEL. IT'S ON ITS WAY. 181 00:16:04,363 --> 00:16:06,465 I KNOW YOU DON'T MIND WAITING, 182 00:16:06,498 --> 00:16:09,201 AND YOU'D RATHER DRIVE AFTER NIGHTFALL. 183 00:16:09,234 --> 00:16:12,504 HOW DO YOU KNOW THAT? 184 00:16:12,538 --> 00:16:17,343 I KNOW A LOT OF THINGS. 185 00:16:17,376 --> 00:16:20,646 I SEE FLASHES SOMETIMES WHEN I'M AROUND PEOPLE. 186 00:16:20,679 --> 00:16:23,615 LIKE BEFORE, WHEN I MET YOU, 187 00:16:23,649 --> 00:16:27,152 I SAW THAT YOU HAVE A BULLET IN YOUR POCKET-- 188 00:16:27,186 --> 00:16:31,023 A SLUG. 189 00:16:33,759 --> 00:16:37,396 I'VE ALWAYS HAD A GIFT. 190 00:16:47,272 --> 00:16:50,009 EVEN WITH ELECTRICITY COURSING THROUGH THE NEURAL TISSUE, 191 00:16:50,042 --> 00:16:52,344 THE BRAIN IS DEAD... 192 00:16:52,378 --> 00:16:53,879 NOT QUITE HUMAN... 193 00:16:53,912 --> 00:16:58,217 MOST LIKELY DAMAGED BY THE PRESERVATION PROCESS. 194 00:17:00,919 --> 00:17:02,955 BUT IN ORDER TO UNDERSTAND WE HAVE TO GIVE THIS A SHOT. 195 00:17:04,356 --> 00:17:07,059 [straining] THE CHANCES OF THIS WORKING... 196 00:17:07,092 --> 00:17:08,427 [grunts] 197 00:17:08,460 --> 00:17:10,362 ARE REMOTE AT BEST. 198 00:17:10,396 --> 00:17:13,032 OKAY, I'VE GOT A CLEAR IMAGE. 199 00:17:17,102 --> 00:17:19,238 THE QUESTION IS... 200 00:17:19,271 --> 00:17:22,541 HOW DO I ATTACH... 201 00:17:24,676 --> 00:17:26,912 OH. 202 00:17:26,945 --> 00:17:29,148 OH, MY. 203 00:17:29,181 --> 00:17:31,950 IT WORKED. 204 00:17:33,352 --> 00:17:34,753 WHOA. 205 00:17:34,787 --> 00:17:36,789 THIS IS A LOT OF NEURAL ACTIVITY. 206 00:17:36,822 --> 00:17:39,458 I'VE NEVEREEN ANYTHING LIKE THIS. 207 00:17:41,226 --> 00:17:43,562 (Walter) IT'S ALL MOVING ALONG THE CEREBRAL CORTEX, 208 00:17:43,595 --> 00:17:46,799 WHICH CONTROLS HIGHER-LEVEL THINKING. 209 00:17:52,337 --> 00:17:54,206 IT STOPPED. 210 00:17:54,239 --> 00:17:55,974 (Walter) THE DEVICE MUST'VE DETECTED 211 00:17:56,008 --> 00:17:57,776 THAT THE BRAIN ISN'T SUITABLE. 212 00:17:57,810 --> 00:18:00,112 DID WE GATHER ENOUGH DATA TO EXTRAPOLATE? 213 00:18:00,145 --> 00:18:01,747 LET'S SEE. 214 00:18:01,780 --> 00:18:06,051 OKAY, IF WE TAKE THE PROCESS THAT WE JUST SAW 215 00:18:06,085 --> 00:18:07,553 AND THEN WE RUN IT CONTINUOUSLY, 216 00:18:07,586 --> 00:18:09,988 WHAT HAPPENS TO THE BRAIN OVER TIME IS... 217 00:18:12,958 --> 00:18:16,361 WALTER, ARE THOSE NEW RIDGES FORMING? 218 00:18:16,395 --> 00:18:19,331 HMM. 219 00:18:19,364 --> 00:18:21,366 THE MORE CONVOLUTIONS, 220 00:18:21,400 --> 00:18:24,169 THE HIGHER THE BRAIN FUNCTION IN MAMMALS. 221 00:18:24,203 --> 00:18:25,838 DO YOU SEE THAT? 222 00:18:25,871 --> 00:18:27,539 HMM. 223 00:18:27,573 --> 00:18:30,776 (Walter) THE CEREBRAL CORTEX IS BECOMING SO THICK 224 00:18:30,809 --> 00:18:33,812 THAT IT'S OVERRIDING THE AREA USED TO CONTROL EMOTIONS. 225 00:18:35,214 --> 00:18:38,383 REMARKABLE. 226 00:18:38,417 --> 00:18:40,853 CONTROLLED EVOLUTION. 227 00:18:43,589 --> 00:18:47,659 IT'S WORSE THAN I FEARED. 228 00:18:49,461 --> 00:18:51,763 WHERE ARE THEY? 229 00:18:51,797 --> 00:18:53,332 THEY SHOULD BE HERE BY NOW. 230 00:18:53,365 --> 00:18:56,802 I WOULDN'T WORRY. THEY'LL BE HERE SOON. 231 00:19:12,117 --> 00:19:13,385 HI. 232 00:19:13,418 --> 00:19:14,887 WHAT'S YOUR NAME? 233 00:19:14,920 --> 00:19:17,689 DARBY. 234 00:19:17,723 --> 00:19:19,691 I'M OLIVIA. 235 00:19:19,725 --> 00:19:20,893 I KNOW. 236 00:19:20,926 --> 00:19:23,262 EVERYBODY'S TALKING ABOUT YOU. 237 00:19:23,295 --> 00:19:25,197 YEAH? 238 00:19:25,230 --> 00:19:27,266 WHAT ARE THEY SAYING? 239 00:19:28,800 --> 00:19:30,936 THEY SAID YOU'RE ON REWA WE. 240 00:19:30,969 --> 00:19:33,572 THERE'S A BOUNTY ON YO 241 00:19:33,605 --> 00:19:36,408 REALLY? 242 00:19:36,441 --> 00:19:37,676 WHAT ELSE DID THEY SAY? 243 00:19:37,709 --> 00:19:40,078 (Carlos) DARBY? 244 00:19:40,112 --> 00:19:42,247 I HAVE TO GO. 245 00:19:46,852 --> 00:19:48,954 I THOUGHT YOU MIGHT BE THIRSTY. 246 00:19:48,987 --> 00:19:51,256 WHAT'S IN IT? 247 00:19:51,290 --> 00:19:52,758 WATER. 248 00:19:52,791 --> 00:19:55,661 WHAT'S IN THE WATER... 249 00:19:55,694 --> 00:19:57,829 A SEDATIVE? 250 00:19:57,863 --> 00:20:00,899 YOU GONNA KNOCMEUT? 251 00:20:00,933 --> 00:20:02,935 WHAT ARE YOU TALKING ABOUT? 252 00:20:05,954 --> 00:20:09,308 NOBODY'S GONE TO GET DIESEL FUEL, HAVE THEY? 253 00:20:09,341 --> 00:20:11,810 YOU'RE WRONG. 254 00:20:23,989 --> 00:20:27,092 AHH. 255 00:20:31,863 --> 00:20:35,500 YOU HAVE NO FAITH. 256 00:20:38,070 --> 00:20:39,471 I COULD FEEL THAT WHEN YOU CAME-- 257 00:20:39,504 --> 00:20:40,939 I'M DONE WITH THE PARLOR TRICKS. 258 00:20:40,939 --> 00:20:44,176 I WANT MY TRUCK AND MY MAGNET NOW. 259 00:20:45,911 --> 00:20:49,615 WHEN THE FUEL GETS HERE, YOU CAN HAVE IT... 260 00:20:49,648 --> 00:20:53,151 UNLESS, OF COURS YOU'D LIKE TO LEAVE NOW. 261 00:20:53,185 --> 00:20:55,354 YOUR CAR'S OVER THERE. 262 00:20:55,387 --> 00:20:59,691 YOU CAN COME BACK WITH MORE PEOPLE IF YOU WANT. 263 00:20:59,725 --> 00:21:03,595 BUT WE'RE STILL GONNA BE HERE. 264 00:21:10,969 --> 00:21:13,205 YOU LOST SOMEONE. 265 00:21:19,077 --> 00:21:22,547 THAT'S AN ASSUMPBUT YOU LOST YOU COULD MAYOUR DAUGHTER.... 266 00:21:26,518 --> 00:21:28,520 TWICE. 267 00:21:28,553 --> 00:21:30,822 (Carlos) FUEL'S HERE. 268 00:22:08,126 --> 00:22:10,095 DID YOU THINK YOU ARE THE ONLY ONE 269 00:22:10,128 --> 00:22:12,364 WHO CAN MANIPULATE FUTURES? 270 00:22:15,033 --> 00:22:17,602 I KNOW THAT YOU HAVE BEEN MAKING ADJUSTMENTS TO MINE. 271 00:22:17,636 --> 00:22:21,039 I HAVE BEEN MAKING ADJUSTMENTS OF MY OWN. 272 00:22:21,073 --> 00:22:24,009 WE KNOW YOU SWITCHED THE BRIEFCASE. 273 00:22:25,510 --> 00:22:27,279 WE TRACED IT BACK TO THE RESTAURANT. 274 00:22:30,716 --> 00:22:33,285 AND I KNEW YOU WERE AN ORIGIAT THE INTERSECTION 275 00:22:33,318 --> 00:22:36,588 WHEN YOU CAUSED ME TO MISS THE LIGHT. 276 00:22:36,621 --> 00:22:39,891 THE TWO EVENTS WERE IN CLOSE ENOUGH SUCCESSION 277 00:22:39,925 --> 00:22:42,861 THAT I COULD DETERMINE A PROBABLE FUTURE. 278 00:22:42,894 --> 00:22:46,331 I HAVE LED YOU HERE TO THIS PLACE. 279 00:22:46,365 --> 00:22:50,936 EVERYTHING HAS TAKEN PLACE AS I INTENDED. 280 00:23:05,751 --> 00:23:08,720 THIS WAS WHAT SHE SAW. 281 00:23:08,754 --> 00:23:12,557 THIS WAS HER LAST THOUGHT BEFORE SHE EXPIRED. 282 00:23:16,661 --> 00:23:19,998 YOUR EMOTIONS MAKE YOU WEAK. 283 00:24:05,577 --> 00:24:08,980 I CAN UNDERSTAND WHY YOUR FAITH HAS BEEN SHAKEN. 284 00:24:09,014 --> 00:24:11,817 BUT THERE ARE MYSTERIES TO THE UNIVERSE. 285 00:24:11,850 --> 00:24:13,618 MY GIFT IS EVIDENCE OF THAT. 286 00:24:13,652 --> 00:24:16,354 THE FACT THAT YOU ARE HERE IS EVIDENCE OF THAT. 287 00:24:16,388 --> 00:24:18,723 YOUR RATIONAL MIND CAN'T MAKE SENSE 288 00:24:18,757 --> 00:24:20,058 OF YOUR LOSS. 289 00:24:20,091 --> 00:24:22,794 BUT YOUR HEART, IF YOU ALLOW IT TO, 290 00:24:22,828 --> 00:24:26,431 WILL FIND ITS OWN INTUITIVE WAY. 291 00:24:26,465 --> 00:24:27,999 I'M GETTING A STRONG FEELING. 292 00:24:28,033 --> 00:24:30,469 YOUR DAUGHTER'S STILL WITH YOU... 293 00:24:31,903 --> 00:24:33,839 EVEN NOW. 294 00:24:40,979 --> 00:24:43,815 SIMONE, YOU HAVE A GIFT. 295 00:24:43,849 --> 00:24:45,750 YOU CAN SEE THINGS THAT OTHER PEOPLE CAN'T. 296 00:24:45,784 --> 00:24:47,586 I DON'T DOUBT THAT. 297 00:24:47,619 --> 00:24:49,554 BUT... 298 00:24:49,588 --> 00:24:51,890 WHEREVER YOU THINK THIS GIFT CAME FROM 299 00:24:51,923 --> 00:24:55,060 OR WHOEVER YOU THINK BESTOWED IT UPON YOU, 300 00:24:55,093 --> 00:24:58,563 IT'S SIMPLY AN ANOMALY. 301 00:24:58,597 --> 00:25:03,168 I KNOW THAT BECAUSE I'M AN ANOMALY. 302 00:25:04,936 --> 00:25:08,773 I HAVE MOVED THINGS WITH MY MIND. 303 00:25:08,807 --> 00:25:13,011 I'VE LIT THINGS ON FIRE. I'VE CAUGHT BULLETS MIDAIR. 304 00:25:13,044 --> 00:25:16,715 I'VE SEEN THINGS THAT PEOPLE ONLY DREAM AUT. 305 00:25:17,916 --> 00:25:19,751 I'VE SEEN. 306 00:25:19,784 --> 00:25:22,254 THE SEAMS BETWEEN UNIVERSES RIPPED APART, 307 00:25:22,287 --> 00:25:25,457 THINGS THAT HUMANS SHOULDN'T SEE. 308 00:25:27,659 --> 00:25:31,863 PEOPLE MAKE UP EXPLANATIONS... 309 00:25:31,897 --> 00:25:35,834 ASSIGN MEANING TO THINGS WITHOUT KNOWING, 310 00:25:35,867 --> 00:25:38,336 BECAUSE IT'S REASSURING. 311 00:25:38,353 --> 00:25:41,139 IT'S COMFORTING. 312 00:25:41,156 --> 00:25:44,559 BUT I CAN'T DO THAT... 313 00:25:44,609 --> 00:25:47,312 BECAUSE I KNOW TOO MUCH. 314 00:25:50,949 --> 00:25:53,451 IT'S ALL JUST NUMBS. 315 00:25:53,485 --> 00:25:55,887 AND THE INVADERS, AS YOU CALL THEM, 316 00:25:55,921 --> 00:25:58,156 THEY'RE JUST BETTER AT MATH THAN WE ARE. 317 00:26:03,595 --> 00:26:07,349 THANK YOU FOR THE MAGNET. 318 00:26:15,173 --> 00:26:18,176 [engine turning] 319 00:26:18,209 --> 00:26:20,912 WHY ARE YOU SMILING? 320 00:26:23,148 --> 00:26:25,150 BECAUSE I BELIEVE. 321 00:26:25,183 --> 00:26:29,120 YOU CAN'T KNOW EVERYTHING. 322 00:26:52,377 --> 00:26:55,113 [hair dryer whirring] 323 00:26:55,146 --> 00:26:57,215 MORE HEAT, ASNER. 324 00:26:57,248 --> 00:26:59,417 [hair dryer turns off] 325 00:26:59,451 --> 00:27:02,554 I SAID "MORE HEAT," NOT SHUT IT. 326 00:27:06,591 --> 00:27:08,159 PETER. 327 00:27:09,828 --> 00:27:14,566 I NEED YOU TO SUTURE MY SHOULDER, WALTER. 328 00:27:16,868 --> 00:27:19,004 I NEED MY MEDICAL KIT, DISINFECTANT, 329 00:27:19,037 --> 00:27:20,905 AND PAIN MEDICATION. 330 00:27:21,473 --> 00:27:23,341 GOT IT. 331 00:27:23,375 --> 00:27:25,477 HOW BADLY DOES IT HURT? 332 00:27:25,510 --> 00:27:28,647 THERE IS NO PAIN. 333 00:27:31,516 --> 00:27:34,919 I'VE DISCOVERED THINGS, PETER... 334 00:27:34,953 --> 00:27:38,857 THINGS YOU NEED TO KNOW. 335 00:27:38,890 --> 00:27:42,961 I'VE RUN A DIAGNOSTIC SIMULATION. 336 00:27:42,994 --> 00:27:45,530 THE TECHNOLOGY YOU'VE PUT INSIDE YOURSELF 337 00:27:45,563 --> 00:27:48,366 IS IN THE PROCESS OF... 338 00:27:48,400 --> 00:27:51,803 COMPLETELY RESHAPING YOUR BRAIN. 339 00:27:51,836 --> 00:27:56,174 THE AREAS THAT RELATE TO EMOTION... 340 00:27:56,207 --> 00:27:58,443 ARE BEING COMMANDEERED TO MAKE ROOM 341 00:27:58,476 --> 00:28:00,178 FOR MORE LOGICAL THOUGHT. 342 00:28:00,211 --> 00:28:04,683 SHRINKING THE NUCLEUS ACCUMBENS IN MY LIMBIC SYSTEM, 343 00:28:04,716 --> 00:28:06,284 SUPPRESSING EMOTIONAL MEMORY 344 00:28:06,317 --> 00:28:08,186 IN FAVOR OF HIGHER RATIONAL THOUGHT, 345 00:28:08,219 --> 00:28:11,623 ALSO EXPANDING MY CEREBRAL CORTEX. 346 00:28:11,656 --> 00:28:14,893 I KNOW. 347 00:28:14,926 --> 00:28:19,764 IF YOU COULD SEE WHAT I SEE, WALTER... 348 00:28:19,798 --> 00:28:23,034 IF YOU COULD EXPERIENCE WHAT IT FEELS LIKE 349 00:28:23,068 --> 00:28:26,204 TO FULLY HARNESS THE UNTAPPED POTENTIAL OF THE HUMAN BRAIN, 350 00:28:26,237 --> 00:28:30,442 YOU, OF ALL PEOPLE, SHOULD KNOW 351 00:28:30,475 --> 00:28:34,145 THAT THERE IS NO REASON TO BE AFRAID. 352 00:28:41,686 --> 00:28:43,054 ARE YOU ALSO AWARE 353 00:28:43,088 --> 00:28:45,290 THAT THE CHAESWILL ? 354 00:28:45,323 --> 00:28:47,559 AND IF THAT HAPPENS, 355 00:28:47,592 --> 00:28:50,862 ERE'S NOTHING I CAN DO TO GET YOU BACK. 356 00:28:50,895 --> 00:28:53,565 I'M GOING TO DO THIS. 357 00:28:55,433 --> 00:28:57,736 I'M GOING TO SHIFT WINDMARK'S FUTURE 358 00:28:57,769 --> 00:28:59,370 SO THAT HE PASSES THROUGH THE SQUARE 359 00:28:59,404 --> 00:29:01,740 AT EXACTLY 7:19 P.M. 360 00:29:01,773 --> 00:29:04,275 WHEN HE DOES, I WILL KNOW THAT HE HAS BEEN RESET 361 00:29:04,309 --> 00:29:06,277 ONTO THE CORRECT PATH. 362 00:29:07,712 --> 00:29:10,515 I CAN'T ALLOW YOU TO MAKE THAT MISTAKE. 363 00:29:10,548 --> 00:29:12,517 DON'T YOU SEE, WALTER? 364 00:29:12,550 --> 00:29:14,786 WHEN HE PASSES THROUGH THE SQUARE, 365 00:29:14,819 --> 00:29:18,123 SHE WILL BE AVENGED. 366 00:29:22,627 --> 00:29:25,830 WE ALL WANT WINDMARK DEAD... 367 00:29:28,633 --> 00:29:33,371 BUT THE PLAN OUTLINED ON THE TAPES IS THE WAY TO DO IT. 368 00:29:35,874 --> 00:29:39,677 WE NEED YOU, SON. 369 00:29:39,711 --> 00:29:43,381 I NEED YOU. 370 00:29:45,183 --> 00:29:48,953 I HAVE TO GO. 371 00:29:58,797 --> 00:30:01,232 [line trilling] 372 00:30:01,266 --> 00:30:02,734 (Anil) OLIVIA. 373 00:30:02,767 --> 00:30:05,470 (Olivia) I GOT A TRUCK AND A MAGNET. 374 00:30:05,503 --> 00:30:07,739 I NEED SOMEPCEIG ENOUGH TO STORE THEM. 375 00:30:07,772 --> 00:30:09,974 (Anil) WE'VE GOT A WAREHOUSE OUTSIDE THE CITY. 376 00:30:10,008 --> 00:30:11,509 WHEN YOU'RE CLOSE, 377 00:30:11,543 --> 00:30:14,646 I'LL HAVE SOMEONE MEET YOU AN. 378 00:30:14,679 --> 00:30:17,582 HEY, LISTEN, I'M GONNA CALL YOU BACK. 379 00:30:17,615 --> 00:30:19,918 [engine revs down] 380 00:30:26,090 --> 00:30:29,194 [engine stops] 381 00:30:41,639 --> 00:30:43,675 HEY! DON'T MOVE! HANDS UP! 382 00:30:43,708 --> 00:30:45,910 [gun cocks] 383 00:30:49,781 --> 00:30:51,149 WHAT DO YOU GOT IN THE TRUCK? 384 00:30:51,182 --> 00:30:53,284 NOTHING THAT YOU'D BE INTERESTED IN. 385 00:30:53,318 --> 00:30:54,552 GOT ANY MONEY? 386 00:30:54,586 --> 00:30:56,354 NOPE. 387 00:31:09,934 --> 00:31:13,872 YOU DON'T NEED MONEY. YOU ARE MONEY. 388 00:31:31,639 --> 00:31:33,274 (man) I'M JUST SAYING... 389 00:31:33,308 --> 00:31:34,676 WITH THE MONEY WE'LL MAKE FROM THE TRUCK 390 00:31:34,709 --> 00:31:36,544 AND THE SCRAPS FROM THE MAGNET, 391 00:31:36,578 --> 00:31:38,046 IT'S A PRETTY GOOD SCORE. 392 00:31:38,079 --> 00:31:39,781 ARE YOU SURE YOU WANT TO GET INVOLVED IN THIS? 393 00:31:39,814 --> 00:31:42,917 WE COULD PULL 100 MORE JOBS AND NOT SEE THIS KIND OF MONEY. 394 00:31:42,951 --> 00:31:45,186 NOW GIVE ME YOUR COMM. 395 00:31:47,021 --> 00:31:50,291 TRUST ME, ALL RIGHT? I'VE GOT IT COVERED. 396 00:32:07,108 --> 00:32:08,810 (man on phone) REWARD WIRE. 397 00:32:08,843 --> 00:32:10,311 DO YOU HAVE SOMETHING TO REPORT? 398 00:32:10,345 --> 00:32:11,913 I HAVE A FUGITIVE IN CUSTODY. 399 00:32:11,946 --> 00:32:13,815 (man on phone) WHAT IS YOUR LOCATION? 400 00:32:13,848 --> 00:32:15,516 I DON'T WANT TO TELL YOU WHERE I AM. 401 00:32:15,550 --> 00:32:17,085 I WANT TO MEET AT A TRUTH CHURCH. 402 00:32:17,118 --> 00:32:19,320 (man on phone) THIS IS UNORTHODOX. 403 00:32:19,354 --> 00:32:21,389 YEAH, WELL, I'VE DONE THINGS I DON'T WANT TO BE READ FOR. 404 00:32:21,422 --> 00:32:23,424 SO THE ONLY WAY THIS GOES DOWN IS AT A TRUTH CHURCH, 405 00:32:23,458 --> 00:32:25,193 WHERE YOU CAN'T SCAN ME. 406 00:32:25,226 --> 00:32:27,328 ONCE I GET THE MONEY, I'LL TELL YOU WHERE SHE IS. 407 00:32:27,362 --> 00:32:29,530 (man on phone) WHAT IS THE FUGITIVE'S NAME? 408 00:32:29,564 --> 00:32:31,532 OLIVIA DUNHAM. 409 00:32:31,566 --> 00:32:33,835 (man on phone) HOLD, PLEASE. 410 00:32:54,255 --> 00:32:55,890 (man) REWARD WIRE CALL-- 411 00:32:55,923 --> 00:32:58,726 MAN CLAIMS TO HAVE OLIVIA DUNHAM IN CUSTODY. 412 00:32:58,760 --> 00:33:01,129 HE WANTS THE REWARD FOR HER CAPTURE UP FRONT. 413 00:33:03,331 --> 00:33:05,299 ACCEPTABLE. 414 00:33:05,333 --> 00:33:08,770 (man on phone) WHAT IS THE CLOSEST TRUTH CHURCH TO YOUR LOCATION? 415 00:33:08,803 --> 00:33:11,539 THERE'S ONE IN SECTOR SEVEN. I CAN BE THERE IN AN HOUR. 416 00:33:11,572 --> 00:33:14,542 (man on phone) SEE THAT YOU ARE. 417 00:33:17,745 --> 00:33:19,313 AND THAT'S HOW WE ROLL. 418 00:33:19,347 --> 00:33:21,516 HUH? [chuckles] 419 00:33:23,384 --> 00:33:26,621 COME ON. YOU USED TO BE FUN. 420 00:35:40,822 --> 00:35:42,356 WHAT THE HELL IS THIS? 421 00:35:55,870 --> 00:35:58,039 DON'T. 422 00:35:58,072 --> 00:35:59,974 PUT YOUR HANDS ON YOUR HEAD. 423 00:36:00,007 --> 00:36:01,776 WHERE'S BRIGGS? 424 00:36:31,606 --> 00:36:33,507 (Walter) OLIVIA, WHERE ARE YOU? 425 00:36:33,541 --> 00:36:35,009 I'M ON MY WAY BACK TO BOSTON. 426 00:36:35,042 --> 00:36:36,577 I'VE GOT THE MAGNET. 427 00:36:36,611 --> 00:36:38,346 ANIL'S GOT A PLACE WHERE WE CAN STORE IT. 428 00:36:38,379 --> 00:36:40,147 WHAT HAPPENED TO YOUR FACE? 429 00:36:40,181 --> 00:36:42,116 I'M A LITTLE BANGED UP, BUT I'M OKAY, WALTER. 430 00:36:42,149 --> 00:36:44,886 UM, OLIVIA, PETER WAS HERE. 431 00:36:46,821 --> 00:36:49,123 WHEN? A COUPLE OF HOURS AGO. 432 00:36:49,156 --> 00:36:51,225 I TRIED TO CONVINCE HIM. 433 00:36:51,259 --> 00:36:53,427 I SAID THAT HIS BRAIN IS BEING ALTERED, 434 00:36:53,461 --> 00:36:55,563 AND THAT SOON IT WILL BE IRREVERSIBLE. 435 00:36:55,596 --> 00:36:57,031 BUT HE WON'T HEAR ME. 436 00:36:57,064 --> 00:36:59,367 I N'KNOW WHAT ELSE TO DO. 437 00:37:02,336 --> 00:37:06,774 WALTER, DO YOU KNOW WHERE HE IS? 438 00:37:24,158 --> 00:37:26,160 PETER. 439 00:37:27,128 --> 00:37:30,398 OLIVIA. 440 00:37:32,166 --> 00:37:34,735 WALTER, TOLD ME ABOUT WINDMARK... 441 00:37:34,769 --> 00:37:38,306 THAT HE ALMOST KILLED YOU. 442 00:37:40,241 --> 00:37:45,179 I HAVE ALREADY TURNED THAT TO MY ADVANTAGE. 443 00:37:45,212 --> 00:37:47,748 SEE THOSE STEPS DOWN THERE? 444 00:37:47,782 --> 00:37:51,585 IN A F MINUTES, IF EVERYTHING GOES ACCORDING TO PLAN, 445 00:37:51,619 --> 00:37:53,220 WINDMARK WILL WALK UP THOSE STEPS 446 00:37:53,254 --> 00:37:54,422 AND PASS THAT FOUNTAIN. 447 00:37:54,455 --> 00:37:56,190 THEN I WILL KNOW THAT HE HAS BEEN RESET 448 00:37:56,223 --> 00:37:58,559 ONTO THE CORRECT PATH. 449 00:37:58,659 --> 00:38:01,595 HE DOES NOT REALIZE IT NOW, 450 00:38:01,629 --> 00:38:04,332 BUT HE WILL BE BACK ON THE TRAJECTORY THAT I WANT HIM ON. 451 00:38:04,365 --> 00:38:07,635 WHAT TRAJECTORY IS THAT? 452 00:38:07,668 --> 00:38:10,137 THE TRAJECTORY THAT LEADS TO HIS DEATH. 453 00:38:13,674 --> 00:38:16,510 HE KILLED OUR DAUGHTER. 454 00:38:19,080 --> 00:38:22,516 AT EXACTLY 5:12 TOMORROW AFTERNOON, 455 00:38:22,550 --> 00:38:24,852 I WILL MEET HIM FACE-TO-FACE. 456 00:38:24,885 --> 00:38:27,221 HE WILL NOT EXPECT IT. 457 00:38:27,254 --> 00:38:30,157 HE WILL NOT HAVE A CHANCE TO FIGHTAC 458 00:38:30,157 --> 00:38:33,561 AT 5:13, I WILL SNAP HIS NECK. 459 00:38:33,594 --> 00:38:36,831 AT 5:14, HE WILL DRAW HIS LAST BREATH. 460 00:38:40,034 --> 00:38:42,186 PETER, I'VE LOST YOU BEFORE OVER THIS, 461 00:38:44,672 --> 00:38:47,808 NOW, YOUR THINKING IS WAY AHEAD OF MINE--I UNDERSTAND THAT. 462 00:38:47,842 --> 00:38:51,429 BUT THE FACT THAT I AM HERE HAS GOT NOTHING TO DO WITH ANYTHING 463 00:38:51,479 --> 00:38:54,181 EXCEPT FEELING. 464 00:38:54,215 --> 00:38:56,350 AND SOON, YOU'RE NOT GONNA BE ABLE TO FEEL ANYTHING, 465 00:38:56,384 --> 00:38:58,652 NOT FOR ME, NOT FOR ETTA. 466 00:39:05,326 --> 00:39:09,163 WHEN I WAS FIGHTING WINDMARK, 467 00:39:09,196 --> 00:39:11,665 HE SHOWED ME ETTA'S LAST THOUGHTS 468 00:39:11,766 --> 00:39:15,202 BEFORE HE SHOT HER. 469 00:39:19,473 --> 00:39:22,877 SHE THOUGHT OF US... 470 00:39:22,910 --> 00:39:26,914 THAT DAY IN THE PARK BEFORE THEY INVADED, 471 00:39:26,947 --> 00:39:29,116 BEFORE EVERYTHING WENT WRONG. 472 00:39:29,150 --> 00:39:32,353 HER LAST THOUGHTS... 473 00:39:32,386 --> 00:39:35,523 THEY WE US. 474 00:39:43,297 --> 00:39:46,500 I WILL KILL HIM TOMORROW. 475 00:39:46,534 --> 00:39:49,437 IF I REMOVE THE TECH, I WILL NOT BAB TO DO THAT. 476 00:39:49,470 --> 00:39:50,888 DON'T YOU SEE? 477 00:39:53,808 --> 00:39:55,976 AND WHAT IF TOMORR TOO LATE? 478 00:39:56,010 --> 00:39:59,447 WHAT IF THAT TECH BECOMES PERMANENT? 479 00:40:01,849 --> 00:40:05,219 ET'S NOT GONE, PETER. WINDMARK DIDN'T TAKE HER. 480 00:40:05,252 --> 00:40:08,522 YE HE DID. NO, HE DIDN'T. 481 00:40:08,556 --> 00:40:09,957 SHE'S STILL HERE WITH US. 482 00:40:09,990 --> 00:40:12,259 SHE IS DEAD. 483 00:40:12,293 --> 00:40:15,329 SHE SAVED MY LIFE TODAY 484 00:40:15,362 --> 00:40:17,765 WITH THE BULLETSHE BROUGHT TO U. 485 00:40:17,765 --> 00:40:19,433 SHE'S ALIVE INSIDE US. 486 00:40:19,467 --> 00:40:21,419 AND THERE'NOING THATINDMARK CAN DO ABOUT IT, 487 00:40:21,469 --> 00:40:24,338 BECAUSE THE LOVE THAT WE CAN SHARE WITH HER NOW 488 00:40:24,371 --> 00:40:26,440 IS IULNERABLE TO SPACE AND TIME, 489 00:40:26,474 --> 00:40:29,310 EVEN TO THEM. 490 00:40:29,343 --> 00:40:31,745 AND I KNOW THAT OUR HEARTS ARE BROKEN AND THAT IT HURTS, 491 00:40:31,779 --> 00:40:35,449 BUT THAT'S WHAT MAKES US HUMAN. 492 00:40:37,151 --> 00:40:38,919 EMOTION IS OUR WEAKNESS. 493 00:40:38,953 --> 00:40:41,489 NO, PETER, IT'S OUR STRENGTH, 494 00:40:41,522 --> 00:40:44,492 BECAUSE IT'S THE ONE THING THAT THEY DON'T HAVE. 495 00:40:44,492 --> 00:40:47,845 NOW, WE NEED TO HOLD ON TO OUR CONNECTN TH ETTA, 496 00:40:47,895 --> 00:40:50,131 FEELING WHAT WE FELT FOR HER, 497 00:40:50,164 --> 00:40:53,000 OR SHE DIES ALL OVER AGAIN. 498 00:40:53,033 --> 00:40:56,036 AND WE CANNOT LET HER BE ERASED. 499 00:41:00,040 --> 00:41:01,142 PETER-- 500 00:41:01,175 --> 00:41:03,344 PETER, I'M NOT ASKING YOU TO ABANDON HER. 501 00:41:03,377 --> 00:41:05,679 I'M ASKING YOU TO HOLD ON TO HER. 502 00:41:07,982 --> 00:41:11,051 YOU'RE NOT ONE OF THEM. YOU'RE ONE OF US. 503 00:41:15,072 --> 00:41:17,992 WANT YOU TO LISTEN TO ME. 504 00:41:19,059 --> 00:41:21,662 I'M NOT GONNA LOSE YOU AGAIN. 505 00:41:30,905 --> 00:41:34,141 PETER... LOOK AT ME. 506 00:41:37,444 --> 00:41:40,381 I LOVE YOU. 507 00:42:28,462 --> 00:42:31,966 [groans in pn] 508 00:43:06,066 --> 00:42:31,966 I LOVE YOU.