1 00:00:01,668 --> 00:00:04,237 [grunting] 2 00:00:04,270 --> 00:00:05,338 (male announcer) PREVIOUSLY ON FRINGE... 3 00:00:05,372 --> 00:00:06,373 [gunshot] 4 00:00:06,406 --> 00:00:08,174 NO, NO, NO, NO, NO. 5 00:00:08,208 --> 00:00:10,210 (Peter) OUR DAUGHTER DEDICATED HER LIFE TO FREEING US. 6 00:00:10,243 --> 00:00:12,746 AND NOW WE'RE GOING TO DEDICATE OURS TO MAKING SURE 7 00:00:12,779 --> 00:00:13,980 THAT THAT MEANS SOMETHING. 8 00:00:14,014 --> 00:00:16,449 (Olivia) I WANT THAT TOO. 9 00:00:16,483 --> 00:00:18,618 I WASN'T GOINGO AY FOR THAT MUCH LONGER. 10 00:00:18,618 --> 00:00:20,820 I JUST NEEDED TO SEE HER. 11 00:00:20,854 --> 00:00:22,922 IT'S FINE THAT YOU COME HERE. JUST TELL ME. 12 00:00:22,956 --> 00:00:24,891 I WANT TO UNDERSTAND WHAT YOU'RE GOING THROUGH. 13 00:00:24,924 --> 00:00:26,860 U'RE RIGHT. 14 00:00:26,893 --> 00:00:28,762 THEIR ABILITIES ARE AIDED BY TECH. 15 00:00:28,795 --> 00:00:31,164 (Peter) WELL, HELLO, THERE. 16 00:00:31,197 --> 00:00:32,332 YOU ARE NOTHING. 17 00:00:32,365 --> 00:00:34,100 I WOULD BE TEN TIMES WHAT YOU ARE 18 00:00:34,100 --> 00:00:35,535 IF I HAD THAT TECH IN MY HEAD. 19 00:00:35,568 --> 00:00:36,469 I WOULD BE TEN TIMES WHA[gasps]RE 20 00:00:36,503 --> 00:00:38,338 I KNOW WHAT YOU HAVE DONE. 21 00:00:38,371 --> 00:00:41,141 YOU DO NOT REALIZE WHAT IS HAPPENING TO YOU. 22 00:00:41,174 --> 00:00:44,577 [suspenseful music] 23 00:00:46,780 --> 00:00:52,919 [indistinct chatr] 24 00:01:13,973 --> 00:01:15,508 (man) CARRIED OVER TO THE OTHER PIECE OF BUSINESS. 25 00:01:15,542 --> 00:01:17,177 (man) EVERYTHING SEEMED TO BE-- 26 00:01:17,210 --> 00:01:19,345 [indistinct chatter] 27 00:01:19,379 --> 00:01:22,048 (man) I WAS TRYING TO FIGURE OUT-- 28 00:01:22,082 --> 00:01:24,217 EXCUSE ME. 29 00:01:28,188 --> 00:01:29,289 (man) DO YOU WANT ME TO-- 30 00:01:29,322 --> 00:01:31,024 (woman) CAN YOU HEAR ME? 31 00:01:31,057 --> 00:01:32,192 (man) THERE'S MUELLER. 32 00:01:32,225 --> 00:01:36,729 CALL TO HIM. 33 00:01:36,763 --> 00:01:40,133 RIDE WITH US. 34 00:01:41,768 --> 00:01:44,237 THERE IS SOMETHING THAT I WANTED TO SHOW YOU. 35 00:01:44,270 --> 00:01:46,573 YOU HAVE A MEETING. YOU CAN'T BE LATE. 36 00:01:46,606 --> 00:01:48,374 THIS WILL NOT TAKE LONG. 37 00:01:51,845 --> 00:01:56,783 [indistinct chatter] 38 00:01:56,816 --> 00:02:00,954 (woman) WAS THAT PART OF IT, OR NO? 39 00:02:00,987 --> 00:02:03,223 (man) I'M NOT ABSOLUTELY SURE. 40 00:02:03,256 --> 00:02:04,657 (woman) YOU WANT TO UPDATE THESE SCHEDULES. 41 00:02:04,691 --> 00:02:06,926 [tires screech] 42 00:02:06,960 --> 00:02:07,861 [horns honk] 43 00:02:07,894 --> 00:02:09,796 (man) COME ON! 44 00:02:09,829 --> 00:02:13,733 HEY, GET OUT OF THE WAY! 45 00:02:13,766 --> 00:02:14,968 MOVE! 46 00:02:15,001 --> 00:02:16,336 (man) IT'S YOUR WORLD! 47 00:02:16,369 --> 00:02:18,171 (man) HEY, SIR, A LITTLE HELP? 48 00:02:18,204 --> 00:02:20,406 (woman) OH, COME ON! 49 00:02:20,440 --> 00:02:21,441 WHAT ARE YOU THINKING? 50 00:02:21,474 --> 00:02:24,978 [horns honking] 51 00:02:25,011 --> 00:02:31,117 [indistinct chatter] 52 00:02:32,418 --> 00:02:34,320 (woman) TO THE LEFT? 53 00:02:34,354 --> 00:02:38,158 (man) RIGHT AROUND THE CORNER. 54 00:02:38,191 --> 00:02:40,527 (woman) THE TALL ONE, TO THE RIGHT. 55 00:02:40,560 --> 00:02:42,428 (woman) OH, I SEE HIM. 56 00:02:42,462 --> 00:02:48,201 [indistinct chatter] 57 00:02:48,234 --> 00:02:49,536 EXCUSE ME. 58 00:02:49,569 --> 00:02:54,741 [indistinct chatter] 59 00:02:54,774 --> 00:02:56,476 (woman) YEAH, THAT'D BE GREAT. 60 00:02:56,509 --> 00:02:58,478 LET'S WALK. 61 00:02:58,511 --> 00:03:00,380 (woman) IT WASN'T AVAILABLE. 62 00:03:00,413 --> 00:03:02,782 (woman) UGH. 63 00:03:02,815 --> 00:03:04,951 (man) I'M NOT ABSOLUTELY SURE. 64 00:03:04,984 --> 00:03:07,053 (woman) YOU WANT TO UPDATE THESE SCHEDULES. 65 00:03:07,086 --> 00:03:08,888 [indistinct chatter] 66 00:03:08,922 --> 00:03:10,757 (woman) THANKS SO MUCH FOR THE TIP. 67 00:03:10,790 --> 00:03:14,194 (woman) OH, GOOD, THAT'S-- 68 00:03:14,227 --> 00:03:15,261 I HAVE AN EXTRA ONE. 69 00:03:15,311 --> 00:03:16,629 (man) OH, YOU DO? 70 00:03:16,663 --> 00:03:18,364 (woman) YEAH, WANNA TAKE A LOOK AT IT? 71 00:03:18,398 --> 00:03:20,200 (man) VERY WELL. I'LL BE RIGHT THERE. 72 00:03:20,233 --> 00:03:23,970 (woman) NICE TO SEE YOU. 73 00:03:24,003 --> 00:03:29,676 [indistinct chatter] 74 00:03:29,709 --> 00:03:32,879 [COMM rings] 75 00:03:32,912 --> 00:03:34,747 PETER, WHAT'S UP? 76 00:03:34,781 --> 00:03:39,219 ANIL, I'M GONNA NEED YOUR HELP WITH SOMETHING. 77 00:03:39,252 --> 00:03:42,121 [mysterious music] 78 00:03:42,155 --> 00:03:50,396 ♪ ♪ 79 00:04:05,862 --> 00:04:07,563 WHAT TOOK SO LONG? 80 00:04:07,597 --> 00:04:09,399 YOU WERE GONE FOR OVER TWO HOURS. 81 00:04:09,432 --> 00:04:11,834 HE WASN'T AS INTERESTED IN BARTERING AS I ANTICIPATED. 82 00:04:11,868 --> 00:04:13,536 IT TOOK SOME CONVINCING. 83 00:04:13,569 --> 00:04:17,106 GASOLINE FOR NEON HELIUM SEEMS LIKE A FAIR TRADE TO ME. 84 00:04:17,140 --> 00:04:19,275 YOU ONLY GOT FOUR? 85 00:04:19,309 --> 00:04:23,279 [sighs] WELL, IT WILL HAVE TO DO. 86 00:04:29,385 --> 00:04:31,421 HEY. 87 00:04:31,454 --> 00:04:32,455 YOU'RE BACK. 88 00:04:32,488 --> 00:04:33,990 OH, GREAT, PETER. 89 00:04:34,023 --> 00:04:35,258 MORE LASER FUEL. 90 00:04:35,291 --> 00:04:37,093 I'LL HOOK THIS UP AFTER BREAKFAST. 91 00:04:37,126 --> 00:04:38,628 GET STARTED. 92 00:04:38,661 --> 00:04:40,163 THE WORLD'S NOT GOING TO SAVE ITSELF. 93 00:04:40,196 --> 00:04:42,031 CHOP-CHOP. 94 00:04:42,065 --> 00:04:43,366 YOU LEFT WITHOUT ME. 95 00:04:43,399 --> 00:04:44,701 I WANTED TO GO WITH YOU. 96 00:04:44,717 --> 00:04:46,169 ITAS SO EARLY. YOU WERE SLEEPING. 97 00:04:46,202 --> 00:04:47,203 I DIDN'T WANT TO WAKE YOU. 98 00:04:50,406 --> 00:04:53,609 THE OTHER IS THAT YOU DIDN'T SLEEP AGAIN. 99 00:04:56,479 --> 00:04:59,882 THAT'S TRUE. I COULDN'T SLEEP. 100 00:04:59,916 --> 00:05:01,818 BUT I'M FINE. 101 00:05:03,486 --> 00:05:05,021 YOU NEED TO SLEEP, PETER. 102 00:05:05,054 --> 00:05:07,824 [truck approaching] 103 00:05:12,562 --> 00:05:15,565 [indistinct chatter] 104 00:05:20,003 --> 00:05:23,106 (man) LOCKED. 105 00:05:24,974 --> 00:05:27,777 (man) WHAT DO WE GOT? 106 00:05:27,877 --> 00:05:31,647 ON THE MOVE. ROLLING. 107 00:05:38,621 --> 00:05:41,090 WE'RE OKAY. 108 00:05:44,894 --> 00:05:47,597 [laser humming] 109 00:05:53,803 --> 00:05:58,374 THIS IS TAPE FIVE OF MY PLAN TO DEFEAT THE OBSERVERS. 110 00:05:58,408 --> 00:06:01,644 THIS IS WHAT YOU MU AIEVE NEXT. 111 00:06:01,677 --> 00:06:05,481 THESE CYLINDERS WERE DESIGNED BY THE INVADERS. 112 00:06:05,515 --> 00:06:07,116 THEY ARE BEACONS THAT ALLOW THEM 113 00:06:07,150 --> 00:06:09,685 TO LOCATE DIFFERENT POINTS IN SPACETIME. 114 00:06:09,719 --> 00:06:11,554 YOU WILL NEED TWO OF THEM. 115 00:06:14,624 --> 00:06:16,526 THIS IS WHERE YOU WILL FIND THEM. 116 00:06:16,559 --> 00:06:18,828 I KNOW THAT BUILDING. 117 00:06:18,861 --> 00:06:21,764 THAT WAS ONE OF OUR LABS AT KELVIN GENETICS. 118 00:06:21,798 --> 00:06:23,499 BELLY AND I DESIGNED IT. 119 00:06:23,533 --> 00:06:25,468 FROM THE EAST ENTRANCE, 120 00:06:25,501 --> 00:06:28,771 FOLLOW THE HALLWAY, TWO YELLOW DOORS. 121 00:06:28,805 --> 00:06:30,206 THEY LEAD TO A STAIRCASE. 122 00:06:30,239 --> 00:06:31,541 AT THE BOTTOM OF THAT STAIRCASE, 123 00:06:31,574 --> 00:06:33,443 YOU WILL FIND THE PRIVATE STAG 124 00:06:33,476 --> 00:06:37,213 OF WILLIAM BEL 125 00:06:37,246 --> 00:06:38,548 AT THE TIME OF RECORDING THIS, 126 00:06:38,581 --> 00:06:40,950 BELL WAS KEEPING TWO OBSERVER CYLINDERS 127 00:06:40,983 --> 00:06:43,853 IN THAT STORAGE FACILITY. 128 00:06:43,886 --> 00:06:45,321 YOU MUST RETRIEVE THEM. 129 00:06:45,354 --> 00:06:48,391 THE DOORS ARE MADE OF REINFORCED STEEL. 130 00:06:48,424 --> 00:06:51,494 THEY CAN BE UNLOCKED WITH BELL'S HANDPRINT. 131 00:06:51,527 --> 00:06:53,596 (Astrid) WALTER, THAT'S WHY YOU TOOK BELL'S HAND 132 00:06:53,629 --> 00:06:55,298 WHEN WE WERE FREED FROM THE AMBER. 133 00:06:55,331 --> 00:06:56,732 YOU SAID THAT IT WAS 134 00:06:56,766 --> 00:06:57,767 FOR A STORAGE FACILITY. IT WAS FOR THIS. 135 00:06:57,800 --> 00:06:59,001 IF YOU CANNOT FIND BELL 136 00:06:59,035 --> 00:07:00,636 OR IF YOU LEARN THAT HE DD, 137 00:07:00,670 --> 00:07:02,371 YOU WILL HAVE TO UNLOCK THE STORAGE... 138 00:07:02,405 --> 00:07:06,075 SO THAT'S WHY HE WAS WITH US IN THE AMBER. 139 00:07:06,109 --> 00:07:07,844 I NEEDED HIM TO GET THE CYLINDERS. 140 00:07:07,877 --> 00:07:10,113 YOUR FREEDOM DEPENDS ON IT. 141 00:07:10,146 --> 00:07:13,149 WALTER, THAT'S NOT THE ONLY REASON. 142 00:07:13,182 --> 00:07:15,251 HMM? 143 00:07:15,284 --> 00:07:17,053 WELL, BEFORE THE INVASION, 144 00:07:17,086 --> 00:07:19,055 YOU HAD BEEN TALKING WITH BELL. 145 00:07:19,088 --> 00:07:22,859 HE SAID THAT HE WANTED TO HELP YOU DEFEAT THE OBSERVERS, 146 00:07:22,892 --> 00:07:25,228 THAT HE REALIZED HOW IMPORTANT ISAS. 147 00:07:25,261 --> 00:07:30,266 AND THEN HE BETRAYED US TO GAIN FAVOR WITH THEM. 148 00:07:33,069 --> 00:07:35,037 I DO REMEMBER SOMETHING ABOUT THIS. 149 00:07:35,071 --> 00:07:38,541 HE CAME, AND I TRUSTED HIM. 150 00:07:38,574 --> 00:07:40,476 THERE WAS ANOTHER MAN. 151 00:07:40,493 --> 00:07:45,481 HE HAD AN ACCENT. I WAS BEING TORTURED. 152 00:07:45,515 --> 00:07:47,817 HE KEPT ASKING ME SOMETHING. 153 00:07:47,850 --> 00:07:52,755 HE KEPT ASKING... "IS IT SAFE?" 154 00:07:52,788 --> 00:07:55,191 THEN ISCAPED, AND BELL HELD ME. 155 00:07:55,224 --> 00:07:57,493 AND THEN HE DROVE ME RIGHT BACK 156 00:07:57,527 --> 00:07:58,861 WHERE I WAS BEING QUESTIONED. 157 00:07:58,895 --> 00:08:01,964 HE WORKED FOR THEM. HE WORKED FOR THEM! 158 00:08:01,998 --> 00:08:05,568 WALTER, THAT'S FROM THE MOVIEMARATHON MAN. 159 00:08:05,601 --> 00:08:07,420 (Per) HUH. 160 00:08:07,470 --> 00:08:09,172 YOU CALLED ME IN BOSTON. 161 00:08:09,205 --> 00:08:10,806 YOU TOLD ME THAT YOU WERE READY TO IMPLEMENT THE PLAN 162 00:08:10,840 --> 00:08:12,608 BUT THAT YOU NEEDED MY HELP TO DO SO. 163 00:08:12,642 --> 00:08:14,644 (Olivia) THEN YOU SENT ME TO GRAND CENTRAL STATION 164 00:08:14,677 --> 00:08:16,445 TO COLLECT THE THOUGHT UNIFIER. 165 00:08:16,479 --> 00:08:17,847 (Peter) AND BY THE TIME I GOT TO YOU AND ASTRID, 166 00:08:17,880 --> 00:08:19,081 YOU WERE WITH WILLIAM BELL, 167 00:08:19,115 --> 00:08:20,383 BUT THEN THE OBSERVERS FOUND US, 168 00:08:20,416 --> 00:08:21,684 AND WE REALIZED THAT THE ONLY WAY 169 00:08:21,717 --> 00:08:23,419 THEY COULD HAVE KNOWN WHERE WE WERE 170 00:08:23,452 --> 00:08:28,357 IS IF HE TOLD THEM. THAT'S WHEN YOU AMBERED US. 171 00:08:28,391 --> 00:08:31,460 SO IF BELL LED THE OBSERVERS TO YOU, 172 00:08:31,494 --> 00:08:33,062 HOW CAN WE BE SURE THAT THE CYLINDERS 173 00:08:33,095 --> 00:08:34,397 WERE EVEN THERE TO BEGIN WITH? 174 00:08:34,430 --> 00:08:37,500 (Astrid) OR IF HE EVEN HAD THEM? 175 00:08:37,533 --> 00:08:41,370 LET'S OPEN HIS STORAGE AND FIND OUT. 176 00:08:41,404 --> 00:08:43,873 FIRE UTHE LASER, AGNES. 177 00:08:43,906 --> 00:08:46,342 LET'S GET TH HAND OUT OFMBER. 178 00:08:48,978 --> 00:08:51,881 [dramatic music] 179 00:08:51,914 --> 00:09:00,122 ♪ ♪ 180 00:09:17,173 --> 00:09:18,574 (Walter) OH, MY. 181 00:09:21,410 --> 00:09:23,746 IS THIS IT, WALTER? 182 00:09:23,779 --> 00:09:25,348 YES. 183 00:09:25,381 --> 00:09:27,083 I USED TO DROP ACID 184 00:09:27,116 --> 00:09:28,884 RIGHT OVER THERE AND WATCH THE SHIPS 185 00:09:28,918 --> 00:09:30,219 COME IN FROM THE BAY. 186 00:09:30,253 --> 00:09:32,488 THIS WAS THE EAST ENTRANCE. 187 00:09:32,521 --> 00:09:34,790 THE YELLOW DOORS TO THE UNDERGROUND STORAGE 188 00:09:34,824 --> 00:09:37,326 ARE HERE SOMEWHERE. 189 00:09:40,196 --> 00:09:42,965 THE DOORS ARE THERE. 190 00:09:42,999 --> 00:09:46,235 PETER? 191 00:09:46,269 --> 00:09:47,770 FROM AN ENGINEERING STANDPOINT, THEY'D HAVE TO BE. 192 00:09:47,770 --> 00:09:49,639 NO, PETER, YOUR EAR. 193 00:10:02,084 --> 00:10:05,421 WHEN THEY CLOSED THE OBSERVER'S SHIPPING LANE, 194 00:10:05,421 --> 00:10:08,157 PETER FIRED ANTI-MATRINTO IT WI. 195 00:10:08,190 --> 00:10:10,559 DO YOU THINK MAYBE THE BLAST DAMAGED HIS EAR? 196 00:10:10,593 --> 00:10:12,895 HOW'S YOUR HEARING, SON? 197 00:10:12,928 --> 00:10:16,032 MY HEARING'S FINE. I'M FINE. REALLY. 198 00:10:16,065 --> 00:10:18,834 (Walter) I WANT TO EXAMINE YOU AS SOON AS WE GET BACK TO THE LAB. 199 00:10:21,304 --> 00:10:22,972 WHAT ARE YOU THINKING, ASTRID? 200 00:10:23,005 --> 00:10:25,708 (Astrid) WE HAVE SOME ANTI-MATTER BATONS LEFT. 201 00:10:25,741 --> 00:10:27,009 MAYBE WE COULD USE THEM 202 00:10:27,043 --> 00:10:28,444 TO CLEAR A PATH TO THE DOOR. 203 00:10:28,477 --> 00:10:30,079 (Walter) ANTI-MATTER WOULD CONSUME 204 00:10:30,112 --> 00:10:31,947 NOT ONLY THE DEBRIS, BUT THE STORAGE FACILITY 205 00:10:31,981 --> 00:10:34,550 UNDERNEATH AS WELL. 206 00:10:34,583 --> 00:10:35,518 WHAT AUT ANIL? 207 00:10:35,551 --> 00:10:37,787 I MEAN, HE HAS MANPOWER. 208 00:10:37,820 --> 00:10:39,555 MAYBE THE RESISTANCE WOULD HELP US. 209 00:10:39,588 --> 00:10:41,424 THE HEAVY MACHINERY WE'D HAVE TO USE 210 00:10:41,457 --> 00:10:43,259 TO CLEAR AWAY ALL THE RUBBLE WOULD DRAW TOO MUCH ATTENTION. 211 00:10:45,261 --> 00:10:46,796 WE GO THROUGH IT. 212 00:10:46,829 --> 00:10:49,065 [COMM rings] 213 00:10:49,098 --> 00:10:51,067 IT'S ANIL. 214 00:10:51,100 --> 00:10:52,902 WHAT DO YOU MEAN, WE GO THROUGH IT, WALTER? 215 00:10:52,935 --> 00:10:55,604 HOW DID IT GO? I COULDN'T GIVE HIM THE BRIEFCASE. 216 00:10:55,638 --> 00:10:58,107 WHAT HAPPENED? 217 00:10:58,140 --> 00:10:59,875 (Anil) I FOLLOWED THE BALDIE INTO THE PARK. 218 00:10:59,909 --> 00:11:01,744 I DID EVERYTHING JUST LIKE YOU SAID. 219 00:11:01,777 --> 00:11:03,212 (Peter) YOU SHOULD HAVE SEEN HIM SIT AT A BENCH. 220 00:11:03,245 --> 00:11:04,580 AND YOU SHOULD HAVE SEEN HIM STAND UP 221 00:11:04,613 --> 00:11:05,848 AND FORGET HIS BRIEFCASE. 222 00:11:05,881 --> 00:11:07,083 YOU WOULD HAVE THEN APPROACHED HIM 223 00:11:07,116 --> 00:11:09,752 AND GIVEN HIM THE ONE THAT I GAVE YOU. 224 00:11:09,785 --> 00:11:11,754 HE NEVER FORGOT HIS BRIEFCASE, PETER. 225 00:11:11,787 --> 00:11:15,491 HE WAS SITTING ON THE BENCH. I SAW HIM GET UP. 226 00:11:15,524 --> 00:11:17,860 BUT HE TOOK HIS BRIEFCASE WITH HIM. 227 00:11:19,628 --> 00:11:22,865 THAT'S IMPOSSIBLE. 228 00:11:22,898 --> 00:11:25,034 WAIT THERE. I'M COMING TO YOU. 229 00:11:25,067 --> 00:11:26,435 PETER, 230 00:11:26,469 --> 00:11:28,120 WE NEED TO SEE NINA SHARP. 231 00:11:29,905 --> 00:11:31,273 (Olivia) WATHE MOLECULAR STRUCTURE IOF THE CONCRETE, 232 00:11:31,307 --> 00:11:32,608 THEN MAYBE WE CAN CLEAR IT. 233 00:11:32,641 --> 00:11:34,176 NINA WORKS FOR THE MINISTRY OF SCIENCE. 234 00:11:34,210 --> 00:11:35,945 SHE'S GOT ACCESS TO ADVANCED TECHNOLOGY. 235 00:11:35,978 --> 00:11:38,848 OKAY, YOU GO TALK TO NINA. I HAVE TO MEET UP WITH ANIL. 236 00:11:38,881 --> 00:11:40,249 WHY? 237 00:11:40,282 --> 00:11:41,484 HE DIDN'T WANT TO SAY OVER THE COMM, 238 00:11:41,517 --> 00:11:44,854 JUST THAT IT WAS IMPORTANT. 239 00:11:44,887 --> 00:11:47,857 YOU'VE GOT THAT LOOK ON YOUR FACE. 240 00:11:47,890 --> 00:11:50,593 WHAT LOOK? 241 00:11:50,626 --> 00:11:52,294 THE LOOK THAT SAYS, "I'M WORRIED ABOUT YOU." 242 00:11:52,328 --> 00:11:56,432 SHOULD I BE? ABSOLUTELY NOT. 243 00:11:59,602 --> 00:12:00,836 YOU GO TALK TO NINA. 244 00:12:00,870 --> 00:12:03,472 I'LL LIBERATE MYSELF A RIDE. 245 00:12:11,380 --> 00:12:12,448 (woman) MS. SHARP? 246 00:12:12,481 --> 00:12:14,683 MS. SHARP? 247 00:12:28,531 --> 00:12:31,434 UH, PUSH MY AFTERNOON MEETINGS. 248 00:12:31,467 --> 00:12:33,536 I'LL BE OUT OF THE OFFICE FOR A BIT. 249 00:12:58,928 --> 00:13:02,565 I NEVER THOUGHT I WOULD SEE YOU AGAIN. 250 00:13:16,779 --> 00:13:20,416 SO HOW ARE YOU HOLDING UP? 251 00:13:20,449 --> 00:13:23,152 IT'S BEEN HARD. 252 00:13:23,185 --> 00:13:27,056 BUT WE'RE CONTINUING ON WITH WALTER'S PLAN... 253 00:13:27,089 --> 00:13:30,226 FOR ETTA. 254 00:13:30,259 --> 00:13:33,462 I'M SO SORRY FOR YOUR LOSS. 255 00:13:33,496 --> 00:13:36,599 ETTA WAS VERY SPECIAL TO ME. 256 00:13:38,267 --> 00:13:42,571 AND WHEN PHILLIP TOLD ME... 257 00:13:42,605 --> 00:13:45,140 I WANTED TO REACH OUT TO YOU SO MUCH, 258 00:13:45,174 --> 00:13:48,110 BUT I WAS AFRAID THAT I WOULD JEOPARDIZE YOUR SAFETY. 259 00:13:48,143 --> 00:13:51,614 I KNOW. 260 00:13:51,647 --> 00:13:54,783 BUT NOW WE HAVE NO CHOICE. 261 00:13:54,817 --> 00:13:58,053 WE NEED YOUR HELP, NINA. 262 00:13:58,087 --> 00:14:02,124 OF COURSE. ANYTHING. 263 00:14:02,157 --> 00:14:04,727 (Olivia) WELL, DESPITE THE DAMAGE TO THE BUILDING, WE STILL THINK 264 00:14:04,760 --> 00:14:06,395 THAT THE UNDERGROUND STORAGE IS INTACT. 265 00:14:06,428 --> 00:14:08,464 WE JUST CAN'T GET TO IT. 266 00:14:08,497 --> 00:14:10,699 I WAS HOPING YOU WOULD HAVE ACCESS TO TECHNOLOGY 267 00:14:10,733 --> 00:14:13,235 THAT COULD... 268 00:14:16,539 --> 00:14:18,874 CHANGE THE ATOMIC STRUCTURE OF THE RUBBLE, 269 00:14:18,908 --> 00:14:20,142 AND HELP US CLEAR IT. 270 00:14:20,175 --> 00:14:21,677 THE OBSERVERS CREATED A DEVICE 271 00:14:21,710 --> 00:14:24,179 THAT DRAMATICALLY ALTERS ATMOSPHERIC PRESSURE, 272 00:14:24,213 --> 00:14:25,781 SPEEDING UP MOLECULES 273 00:14:25,814 --> 00:14:27,383 IN ALL THE MATTER IN A CONTROLLED AREA. 274 00:14:27,416 --> 00:14:29,351 A PROCESS CALLED SUBLIMATION. 275 00:14:29,385 --> 00:14:31,720 YOU MEAN CONVERTING SOLID MATTER DIRECTLY INTO GAS? 276 00:14:31,737 --> 00:14:34,690 SO ALL THE RUBBLE WOULD JUST EVAPORATE? 277 00:14:34,723 --> 00:14:36,191 WELL, ESSENTIALLY, YES. 278 00:14:36,225 --> 00:14:38,627 THEY USED THE TECHNOLOGY TO CLEAR LARGE AREAS OF LAND 279 00:14:38,661 --> 00:14:40,896 FOR CONSTRUCTION, LIKE CENTRAL PARK, 280 00:14:40,930 --> 00:14:42,331 WHEN THEY WERE PREPPING IT TO BUILD 281 00:14:42,364 --> 00:14:44,033 THEIR AIR-DEGRADATION MACHINE. 282 00:14:44,066 --> 00:14:45,868 I'LL MEET YOU IN THE SOUTH SIDE OF THE BUILDING 283 00:14:45,901 --> 00:14:47,603 IN TEN MINUTES. 284 00:15:11,427 --> 00:15:13,562 ARE YOU ANGRY WITH ME, WALTER? 285 00:15:13,596 --> 00:15:15,731 WHY SHOULD I BE? 286 00:15:15,764 --> 00:15:19,234 BECAUSE I TOLD ETTA AND SIMON HOW TO REIMPLANT 287 00:15:19,268 --> 00:15:23,672 THE PORTION OF YOUR BRAIN YOU HAD REMOVED. 288 00:15:23,706 --> 00:15:26,976 YOU DID WHAT WAS NECESSARY. YES, I DID. 289 00:15:27,009 --> 00:15:29,178 WE NEEDED YOUR INTELLECT RESTORED. 290 00:15:29,194 --> 00:15:32,414 THERE WAS A LOT AT STA.THERE ST. 291 00:15:32,448 --> 00:15:35,317 HAVE YOU NOTICED ANY CHANGES IN YOUR PERSONALITY 292 00:15:35,351 --> 00:15:37,853 SINCE THE IMPLANT? 293 00:15:37,886 --> 00:15:39,455 SOME. 294 00:15:39,488 --> 00:15:43,225 THE TISSUES ARE INTEGRATING FASTER THAN I THOUGHT. 295 00:15:46,929 --> 00:15:49,398 THE MAN I WAS BEFORE... 296 00:15:49,431 --> 00:15:52,434 DO YOU SEE HIM IN ME NOW? 297 00:15:52,468 --> 00:15:55,137 NO. 298 00:15:55,170 --> 00:15:57,606 BUT YOU WOULD KNOW BETTER THAN I. 299 00:16:00,042 --> 00:16:03,078 ARE YOU WOIED? 300 00:16:07,282 --> 00:16:12,221 THE MAN I WAS BEFORE, HE WAS CONSUMED BY AMBITION, 301 00:16:12,254 --> 00:16:14,056 BY HRIS. 302 00:16:14,089 --> 00:16:16,058 HE NEVER CARED ABOUT ANYONE. 303 00:16:16,091 --> 00:16:18,427 ALL HE CARED ABOUT WAS WALKING WITH THE GODS. 304 00:16:21,597 --> 00:16:24,600 IT'S DIFFERENT THIS TIME. I'M DIFFERENT. 305 00:16:24,633 --> 00:16:26,435 I HAVE PETER. 306 00:16:29,471 --> 00:16:34,443 HE WON'T LET ME BECOME THAT MAN AGAIN. 307 00:16:40,549 --> 00:16:43,419 HASTINGS, GIVE DR. BISHOP ANYTHING HE WANTS. 308 00:16:45,854 --> 00:16:48,657 YES, THAT DR. BISHOP. 309 00:16:48,691 --> 00:16:51,126 WELL, IT WOULD BE AN HONOR. 310 00:17:04,306 --> 00:17:06,742 (Peter) THERE MUST BE SOME VARIABLE YOU'RE FORGETTING. 311 00:17:06,775 --> 00:17:09,278 TELL ME EXACTLY WHAT YOU SAW-- EVERY SINGLE DETAIL. 312 00:17:09,311 --> 00:17:11,046 THE BALDIE WAS SITTING ON THE BENCH, 313 00:17:11,080 --> 00:17:12,314 WRITING IN HIS NOTEBOOK. 314 00:17:12,347 --> 00:17:13,949 DID HE INTERACT WITH ANYONE IN THE PARK? 315 00:17:13,982 --> 00:17:16,618 NO, NOT THAT I SAW. DID YOU SEE A LITTLE GIRL? 316 00:17:16,652 --> 00:17:18,654 SHE WOULD HAVE BEEN PLAYING WITH A YELLOW BALL 317 00:17:18,687 --> 00:17:20,189 IN FRONT OF THE BENCH ROYCE WAS SITTING ON. 318 00:17:20,222 --> 00:17:22,291 HOW COULD YOU KNOW THAT? 319 00:17:22,324 --> 00:17:23,692 ROYCE WAS SUPPOSED TO BE DISTRACTED 320 00:17:23,726 --> 00:17:25,694 BY THE KID PLAYING AS HE STOOD TO GET UP. 321 00:17:25,728 --> 00:17:27,396 HE WAS GOING TO FORGET HIS BRIEFCASE. 322 00:17:27,429 --> 00:17:29,565 NO, ROYCE WASN'T PAYING ATTENTION TO ANY KID. 323 00:17:29,598 --> 00:17:31,166 HE WAS TALKING ON HIS COMM. 324 00:17:31,200 --> 00:17:33,235 HE WAS ON HIS COMM? YEAH. 325 00:17:33,268 --> 00:17:34,837 I WAS TOO FAR AWAY TO HEAR ANYTHING. 326 00:17:34,870 --> 00:17:37,206 HE STOOD UP, GRABBED HIS BRIEFCASE, AND WALKED AWAY. 327 00:17:37,239 --> 00:17:38,941 THAT'S IT. 328 00:17:38,974 --> 00:17:42,611 THAT'S WHAT? THE VARIABLE. 329 00:17:42,644 --> 00:17:45,114 THE ONE THING THAT I FAILED TO SEE--ROYCE ON HIS COMM. 330 00:17:45,147 --> 00:17:46,515 PETER, WHAT ARE YOU TALKING ABOUT? 331 00:17:46,548 --> 00:17:48,784 HE'S GOING TO THE RESTAURANT NEXT. 332 00:17:48,817 --> 00:17:54,056 [indistinct chatter] 333 00:17:54,089 --> 00:17:55,023 GIVE ME THE BRIEFCASE. 334 00:17:55,057 --> 00:17:57,292 I'LL SWITCH IT THERE. 335 00:17:57,326 --> 00:17:59,128 I KNOW THAT YOU HAVE QUESTIONS, ANIL, 336 00:17:59,161 --> 00:18:01,396 BUT I'M JUST GONNA HAVE TO ASK YOU TO TRUST ME. 337 00:18:01,430 --> 00:18:03,465 WHAT'S THIS? AN ADDRESS. 338 00:18:03,499 --> 00:18:06,135 GO THERE, AND WAIT OUTSIDE. 339 00:18:06,168 --> 00:18:08,504 THIS IS A BALDIE PRECINCT. 340 00:18:08,504 --> 00:18:11,073 AT EXACTLY 6:17, ROYCE AND ANOTHER OBSERVER NAMED MUELLER 341 00:18:11,106 --> 00:18:12,608 WILL WALK INTO THAT BUILDING 342 00:18:12,641 --> 00:18:14,710 CALL ME WHEN THEY DO. 343 00:18:18,680 --> 00:18:20,082 I'LL COMM YOU WHEN THEY SHOW. 344 00:18:20,115 --> 00:18:22,351 THANK YOU. 345 00:18:27,322 --> 00:18:29,324 (man) ARE YOU SURE ABOUT THAT? 346 00:18:29,358 --> 00:18:31,960 WHO TOLD YOU THAT? 347 00:18:31,994 --> 00:18:33,662 I'LL TALK TO HARRIS ABOUT IT, BUT-- 348 00:18:33,695 --> 00:18:37,366 (man) JUST FARTHER DOWN THE STREET. 349 00:18:37,399 --> 00:18:38,801 (woman) TO THE LEFT? 350 00:18:38,834 --> 00:18:40,869 GREAT. I'LL MEET YOU OVER THERE. 351 00:18:40,903 --> 00:18:42,004 (woman) WANT TO TAKE A LOOK AT IT? 352 00:18:42,037 --> 00:18:46,775 [indistinct chatter] 353 00:18:46,809 --> 00:18:48,877 [pained groan] 354 00:18:48,911 --> 00:18:51,647 (man) WHAT ELSE ARE YOU GOING TO DO? 355 00:18:51,680 --> 00:18:52,848 (man) YEAH, LET'S HOPE THAT IT'S NOT PROBLEMATIC. 356 00:18:52,881 --> 00:18:56,919 (man) RIGHT. 357 00:18:56,952 --> 00:19:01,490 [groans] 358 00:19:01,523 --> 00:19:02,825 (woman) YEAH, I'LL BE SEEING YOU. 359 00:19:02,858 --> 00:19:05,394 (woman) YOU DID A GREAT JOB. 360 00:19:12,651 --> 00:19:15,521 [indistinct chatter] 361 00:19:25,464 --> 00:19:26,532 I'D LIKE TO CHECK THIS. 362 00:19:26,565 --> 00:19:28,167 SURE. 363 00:19:28,200 --> 00:19:31,203 I HAVEN'SEEN YOU IN HERE BEFORE. 364 00:19:31,236 --> 00:19:32,905 IT'S NOT REALLY MY CROWD. 365 00:19:37,609 --> 00:19:38,710 YOU BETTER BE CAREFUL. 366 00:19:38,744 --> 00:19:40,913 YOU DON'T WANT TO GET READ. 367 00:19:40,946 --> 00:19:42,814 YOU SHOULD GET THAT. 368 00:19:44,349 --> 00:19:47,853 [phone rings] 369 00:19:47,853 --> 00:19:52,791 OLD TRICK. 370 00:19:52,824 --> 00:19:54,393 (woman) ANYTHING ELSE? 371 00:19:54,426 --> 00:19:58,430 (woman) WOULD YOU LIKE SOME MORE WATER? 372 00:19:58,463 --> 00:20:04,603 [indistinct chatter] 373 00:20:11,877 --> 00:20:14,346 HOW ARE YOU AND PETER ING? 374 00:20:19,151 --> 00:20:21,687 PETER DOESN'T SLEEP. 375 00:20:21,720 --> 00:20:24,356 HE LEAVES THE LAB AT ALL THESE ODD HOURS. 376 00:20:24,389 --> 00:20:25,991 AND WHEN HE GETS BACK, 377 00:20:26,024 --> 00:20:28,026 AND I ASK HIM WHERE HE'S BEEN, 378 00:20:28,060 --> 00:20:31,129 HE'S ALWAYS GOT AN EXPLANATION THAT-- 379 00:20:31,163 --> 00:20:33,165 THAT MAKES SENSE. 380 00:20:33,198 --> 00:20:36,702 BUT... 381 00:20:36,735 --> 00:20:40,205 I JUST THINK THERE'S SOMETHING HE'S NOT TELLING ME. 382 00:20:40,239 --> 00:20:42,307 I CAN FEEL IT. 383 00:20:42,407 --> 00:20:45,911 WELL, HE'S BEEN THROUGH A LOT. 384 00:20:45,944 --> 00:20:48,780 I MEAN, YOU BOTH HAVE. YEAH. 385 00:20:53,018 --> 00:20:55,921 I W HOW ISOLATED HE MADHIELFENDING PETER. 386 00:20:55,954 --> 00:20:59,057 AFTER ETTA WENT MISSING IN THE INVASION. 387 00:20:59,091 --> 00:21:02,461 I WOULD SAY THAT, COMPARED TO THAT, 388 00:21:02,494 --> 00:21:05,931 HE HAS COME A LONG WAY. 389 00:21:05,964 --> 00:21:09,134 I KEEP TELLING MYSELF THAT THIS TIME WE'RE STRONGER. 390 00:21:11,620 --> 00:21:14,206 BUT I'M-- 391 00:21:18,510 --> 00:21:20,846 I'M LOSING HIMGA.T... 392 00:21:29,354 --> 00:21:32,190 [indistinct chatter] 393 00:21:32,224 --> 00:21:37,129 (man) THAT IS MY UNDERSTANDING. 394 00:21:37,162 --> 00:21:39,464 THREE. 395 00:21:39,498 --> 00:21:43,969 THANK YOU. 396 00:21:44,002 --> 00:21:47,639 (man) I DON'T BELIEVE THERE'S NEED TO ASK FOR MORE. 397 00:21:47,673 --> 00:21:49,841 [indistinct chatter] 398 00:21:49,875 --> 00:21:52,210 I FIND IT DISPLEASING. 399 00:21:52,244 --> 00:21:55,080 [indistinct chatter] 400 00:21:55,113 --> 00:21:57,182 (woman) UM, JUST THE SPECIAL, SIR. 401 00:21:57,215 --> 00:21:58,650 WOULD YOU LIKE IT? 402 00:21:58,684 --> 00:22:01,553 [dramatic music] 403 00:22:01,586 --> 00:22:07,559 ♪ ♪ 404 00:22:07,592 --> 00:22:10,062 [phone rings] 405 00:22:10,095 --> 00:22:12,698 HELLO. CAVATINA. 406 00:22:12,731 --> 00:22:15,300 I'M AT WORK, RONNY. 407 00:22:15,334 --> 00:22:16,968 CAN WE TALK ABOUT THIS LATER? 408 00:22:17,002 --> 00:22:20,472 BECAUSE UNLIKE YOU, I HAVE A JOB. 409 00:22:25,377 --> 00:22:28,146 THIS BABY HAS AN EVENT RADIUS OF UP TO 1,000 METERS. 410 00:22:28,180 --> 00:22:29,581 THESE RODS, THEY MARK THE BOUNDARIES 411 00:22:29,614 --> 00:22:31,283 OF WHATEVER AREA YOU WANT TO SUBLIMATE. 412 00:22:31,316 --> 00:22:33,819 WHAT'S THIS? DON'T TOUCH THAT! 413 00:22:33,852 --> 00:22:37,022 HAVEN'T EVEN SHOWED YOU THE POWER-UP SEQUENCE YET. 414 00:22:37,055 --> 00:22:38,824 YOU SEE THIS LIGHT HERE? 415 00:22:38,857 --> 00:22:40,325 IT TURNS YELLOW, YOU' GOOD. 416 00:22:40,359 --> 00:22:42,794 T UE, THAT MEANS THE FISSION CORE IS OVERHEATING. 417 00:22:42,828 --> 00:22:45,230 THAT'S A COMMON DESIGN FLAW IN THESE GEN ONE MODELS. 418 00:22:45,263 --> 00:22:49,201 BLUE...MEANS RUN. 419 00:22:50,202 --> 00:22:51,636 OKAY. 420 00:22:51,670 --> 00:22:53,739 (Nina) I'M WORRIED ABOUT YOU, WALTER. 421 00:22:53,772 --> 00:22:57,876 WHAT YOU SAID EARLIER-- THAT PETER WOULD KEEP YOU 422 00:22:57,909 --> 00:23:00,712 FROM BECOMING THE MAN YOU USED TO BE. 423 00:23:00,746 --> 00:23:04,783 I'M NOT SURE THAT'S ENOUGH. 424 00:23:04,816 --> 00:23:07,853 I KNEW THE MAN YOU WERE-- YOU AND WILLIAM. 425 00:23:07,886 --> 00:23:10,055 YOU BOTH TESTED THE LIMITS OF SCIENCE, 426 00:23:10,088 --> 00:23:12,190 OF THE UNIVERSE. 427 00:23:12,224 --> 00:23:14,826 YOU FELT THAT BOUNDLESS POWER 428 00:23:14,860 --> 00:23:19,064 THAT COMES WITH OMNIPOTENCE. 429 00:23:19,097 --> 00:23:22,267 YOU FELT WHAT IT WASIKE TO BE GOD. 430 00:23:25,904 --> 00:23:27,739 YOU DON'T NE REMIND ME, NINA. 431 00:23:27,773 --> 00:23:30,075 I WAS THERE. 432 00:23:30,108 --> 00:23:35,647 THEN YOU SHOULD KNOW HOW HARD I TRIED TO HOLD ON TO WILLIAM. 433 00:23:35,680 --> 00:23:38,683 HOW MUCH I LEDIM. 434 00:23:38,717 --> 00:23:40,452 BUT THAT WASN'T ENOUGH. 435 00:23:40,485 --> 00:23:43,622 I WASN EUGH. 436 00:23:43,655 --> 00:23:46,057 BECAUSE NOTHING CAN COMPARE TO THAT FEELING-- 437 00:23:46,091 --> 00:23:48,326 TO THAT KIND OF POWER. 438 00:23:49,995 --> 00:23:53,598 SO HE LET ME GO. 439 00:23:53,632 --> 00:23:55,801 THE REASON YOU COULDN'T HOLD ONTO HIM 440 00:23:55,834 --> 00:23:58,770 IS BECAUSE HE NEVER LOVED YOU. 441 00:24:02,040 --> 00:24:05,944 HE NEVER LOVED ANYONE EXCEPT HIMSELF. 442 00:24:05,977 --> 00:24:09,181 I'VE BEEN FOOLED BY HIM TOO MANY TIMES 443 00:24:09,214 --> 00:24:11,082 THINK ANYTHING ELSE. 444 00:24:11,116 --> 00:24:15,654 I KNOW BETTER, AND SO SHOULD YOU. 445 00:24:18,290 --> 00:24:22,360 YOU KED ME BEFORE IF I SAW HIM IN YOU. 446 00:24:22,394 --> 00:24:26,264 I JUST DID. 447 00:24:26,298 --> 00:24:30,735 THE WALTER I KNOW WOULD NEVER SAY ANYTHING SO CRUEL. 448 00:24:30,769 --> 00:24:32,737 BUT THE WALTER WHO LAY ON AN OPERATING TABLE 449 00:24:32,771 --> 00:24:34,239 IN WILLIAM'S LABORATORY, 450 00:24:34,272 --> 00:24:36,775 BEGGING TO HAVE PIECES OF HIS BRAIN REMOVED, 451 00:24:36,808 --> 00:24:38,877 FOR FEAR OF WHAT HE WOULD BECOME, 452 00:24:38,910 --> 00:24:41,213 HE WOULD. 453 00:24:42,981 --> 00:24:44,816 I'VE COME A LONG WAY. 454 00:24:44,850 --> 00:24:47,118 I LOVE MY SON, HE LOVES ME. 455 00:24:47,152 --> 00:24:50,121 THAT WILL SAVE ME. 456 00:24:53,992 --> 00:24:57,462 FOR YOUR SAK HOPE THAT'TRUE. 457 00:24:58,930 --> 00:25:02,000 WALTER...WE'RE READY. 458 00:25:02,033 --> 00:25:04,402 OH, THERE'S ONE OTHER THING THAT YOU SHOULD KNOW. 459 00:25:04,436 --> 00:25:06,705 THE OBSERVERS ANALYZE ANY CHANGE IN THE ATMOSPHERE, 460 00:25:06,738 --> 00:25:08,373 SO ONCE YOU UTILIZE THE TECHNOLOGY, 461 00:25:08,406 --> 00:25:10,008 THEYILL RESPOND WITHIN MINUTES. 462 00:25:10,041 --> 00:25:13,078 OKAY. THEN WE'LL HAVE TO BE QUICK. 463 00:25:13,111 --> 00:25:15,013 THANK YOU, NINA. 464 00:25:18,750 --> 00:25:21,019 GOOD LUCK. 465 00:25:29,594 --> 00:25:32,097 [indistincchter] 466 00:25:32,130 --> 00:25:33,231 (woman) YEAH. 467 00:25:33,265 --> 00:25:36,001 (man) LET ME KNOW. 468 00:25:36,034 --> 00:25:37,002 (man) THE SAME TIME FRAME. 469 00:25:37,035 --> 00:25:38,103 (woman) YEAH. 470 00:25:38,136 --> 00:25:39,638 (man) OH, GOOD. 471 00:25:39,671 --> 00:25:42,240 (woman) YEAH, WE'LL GET IT ORGANIZED. 472 00:25:42,274 --> 00:25:43,642 (woman) OKAY, YOU'RE ALL SET THEN. 473 00:25:43,675 --> 00:25:46,678 (woman) THANKS SO MUCH. 474 00:25:46,711 --> 00:25:50,849 [indistinct chatter] 475 00:25:50,882 --> 00:25:52,617 (man) GO OVER IT AS NEEDED. 476 00:25:52,651 --> 00:25:56,321 (man) THAT'S MY UNDERSTANDING. 477 00:25:56,354 --> 00:25:57,355 (woman) ARE YOU HEADING DOWNTOWN? 478 00:25:57,389 --> 00:25:59,190 (woman) YEAH. 479 00:25:59,224 --> 00:26:00,792 (woman) ALL RIGHT, WHY DON'T WE RIDE TOGETHER? 480 00:26:00,825 --> 00:26:02,494 (woman) SIR, THESE CAME DOWN FOR YOU. 481 00:26:02,527 --> 00:26:04,062 (man) WE MIGHT HAVE TO GO INTO THE SERVER 482 00:26:04,095 --> 00:26:06,131 AND SEE WHAT KIND OF CODE THEY USED. 483 00:26:06,164 --> 00:26:09,301 I'LL SEND A MESSENGER OVER WITH IT. 484 00:26:12,704 --> 00:26:15,240 (man) AL(woman), AS LONG AS THERNANDEZ RESCHEDULED.ENT. 485 00:26:29,154 --> 00:26:32,090 [eloon] 486 00:26:34,492 --> 00:26:36,728 [shouts] 487 00:26:56,381 --> 00:26:58,116 IS THAT READY, DEAR? 488 00:26:58,149 --> 00:27:00,585 WELL, COME ON DOWN AND SET THIS ONE FOR ME. 489 00:27:13,298 --> 00:27:17,235 [COMM rings] 490 00:27:17,268 --> 00:27:19,004 HELLO? 491 00:27:19,037 --> 00:27:22,407 YOU MANAGED TO SWITCH THE BRIEFCASE. 492 00:27:22,440 --> 00:27:23,375 WHAT HAPPENED? 493 00:27:23,408 --> 00:27:25,343 IT WAS A SUCCESS. 494 00:27:25,377 --> 00:27:27,512 THIS PLACE IS CRAWLING WITH BALDIES. 495 00:27:27,545 --> 00:27:29,914 GO HOME, ANIL. I'LL CONTACT YOU. 496 00:27:35,487 --> 00:27:37,622 SO WHAT DID ANIL WANT? 497 00:27:37,656 --> 00:27:40,492 I WAITED FOR HIM FOR OVER AN HOUR--HE DIDN'T SHOW. 498 00:27:40,525 --> 00:27:41,993 THAT WAS HIM CALLING TO LET ME KNOW 499 00:27:42,027 --> 00:27:44,062 THAT HE GOT STOPPED AT A CHECKPOINT. 500 00:27:44,095 --> 00:27:47,432 DID HE TELL YOU WHY HE WANTED TO MEET? 501 00:27:47,465 --> 00:27:49,868 NO. 502 00:27:49,901 --> 00:27:54,906 OLIVIA, PETER, WE'RE READY. 503 00:27:54,939 --> 00:27:57,242 SO WHAT DO WE HAVE? 504 00:27:57,275 --> 00:27:59,711 MATTER SUBLIMATION DEVICE. 505 00:27:59,744 --> 00:28:01,880 IT CONVERTS SOLID MASS INTO GAS. 506 00:28:01,913 --> 00:28:03,615 PERFECT. 507 00:28:03,648 --> 00:28:06,251 STAND BY. 508 00:28:08,353 --> 00:28:11,623 [power surge] 509 00:28:58,570 --> 00:29:00,839 [electric zap] 510 00:29:03,057 --> 00:29:06,144 (Peter) 'S CHARGED, WALTER. AAD. 511 00:29:18,890 --> 00:29:22,660 [beeps] 512 00:29:30,602 --> 00:29:33,104 [door unlocks] 513 00:29:34,072 --> 00:29:36,941 [dramatic music] 514 00:29:36,975 --> 00:29:45,216 ♪ ♪ 515 00:29:52,590 --> 00:29:55,593 BELLY, YOU MONSTER! 516 00:29:55,627 --> 00:29:57,829 WHAT IS IT, WALTER? 517 00:29:57,862 --> 00:30:01,232 MY BOWIE... HE STOLE IT. 518 00:30:01,266 --> 00:30:02,834 IT'S NOT ENOUGH THAT HE INSTUTNALIZED ME, 519 00:30:02,867 --> 00:30:04,335 BETRAYED OUR FRIENDSHIP, 520 00:30:04,369 --> 00:30:06,371 BUT HE PILFERED MY RECORD COLLECTION AS WELL! 521 00:30:06,404 --> 00:30:08,540 WE DON'T HAVE TIME, WALTER. KEEP LOOKING. 522 00:30:18,583 --> 00:30:22,153 GUYS... 523 00:30:22,187 --> 00:30:23,621 I KNOW THIS SAFE. 524 00:30:23,655 --> 00:30:26,858 I REMEMBER WHEN BELLY HAD IT BUILT. 525 00:30:26,891 --> 00:30:29,060 AN EXTRA MEASURE OF SECURITY 526 00:30:29,093 --> 00:30:31,663 TO GUARD THE THINGS HE VALUED MOST. 527 00:30:31,696 --> 00:30:33,298 THE CYLINDERS MUST BE IN HERE. 528 00:30:33,331 --> 00:30:35,066 WALTER, DO YOU KNOW THE COMBINATION? OF COURSE. 529 00:30:35,099 --> 00:30:37,402 BELLY USED THE SAME COMBINATION FOR EVERYTHING. 530 00:30:37,435 --> 00:30:39,137 HE HAD A TERRIBLE MEMORY. 531 00:30:39,170 --> 00:30:43,074 TOO MUCH LSD, I SUPPOSE. 532 00:30:49,314 --> 00:30:51,749 LTER? 533 00:30:51,783 --> 00:30:54,219 YEAH, JUST-- JUST GIVE ME A MINUTE. 534 00:30:54,252 --> 00:30:56,254 IT'S VERY SIMPLE, I JUST-- 535 00:30:56,287 --> 00:31:00,725 I THINK I HAVE IT. 536 00:31:03,862 --> 00:31:05,697 (Astrid) COME ON, WALTER. 537 00:31:05,730 --> 00:31:07,365 NINA SAID THE OBSERVERS WOULD DETECT 538 00:31:07,398 --> 00:31:09,100 THE ATMOSPHERIC CHANGE. 539 00:31:09,133 --> 00:31:10,935 WE'VE BEEN DOWN HERE TOO LONG ALREADY. 540 00:31:14,572 --> 00:31:16,875 I-I'M SORRY. IT WAS SO LONG AGO. 541 00:31:16,908 --> 00:31:18,176 WALTER, IF YOU DON'T THINK THAT YOU CAN DO IT, 542 00:31:18,209 --> 00:31:20,345 WE SHOULD LEAVE, NOW. 543 00:31:20,378 --> 00:31:21,913 CLEAR YOUR HEAD, WALTER. 544 00:31:21,946 --> 00:31:24,649 TRY TO RELAX. THINK ABOUT THE CYLINDERS. 545 00:31:24,682 --> 00:31:26,317 YOU HAVE ALL THE TIME IN THE WORLD. 546 00:31:26,351 --> 00:31:30,922 PETER, THE OBSERVERS COULD BE UP THERE RIGHT NOW. 547 00:31:31,022 --> 00:31:33,191 TAKE A DEEP BREATH, WALTER. 548 00:31:33,224 --> 00:31:36,127 FOCUS. 549 00:31:43,735 --> 00:31:48,306 (Walter) 5...20... 550 00:31:48,339 --> 00:31:51,276 10. 551 00:31:54,846 --> 00:31:56,114 [safe unlocks] 552 00:32:04,989 --> 00:32:08,426 I SHOULD HAVE KNOWN BETTER THAN TO TRUST THAT SCOUNDREL. 553 00:32:08,459 --> 00:32:11,896 IT WAS ALL A LIE TO LURE ME TO THE OBSERVERS. 554 00:32:11,930 --> 00:32:14,232 HE NEVER CARED ABOUT SAVING THE WORLD. 555 00:32:14,265 --> 00:32:16,534 WHAT IS THAT? 556 00:32:16,567 --> 00:32:20,405 I DON'T KNOW, BUT WHATEVER IT IS, 557 00:32:20,438 --> 00:32:22,173 IT MUST HAVE BEEN VALUABLE ENOUGH TO BELL 558 00:32:22,206 --> 00:32:24,142 FOR HIM TO WANT TO KEEP IT IN THE SAFE. 559 00:33:03,715 --> 00:33:06,651 [rumbling] 560 00:33:06,684 --> 00:33:07,885 WHAT DID YOU JUST DO? 561 00:33:07,919 --> 00:33:13,124 I HAVE NO IDEA. 562 00:33:13,124 --> 00:33:16,861 [rumblg] 563 00:33:27,171 --> 00:33:28,573 PETER, CAREFUL. I HAVE NO IDEA. 564 00:33:28,606 --> 00:33:30,608 WE DON'T KNOW WHAT'S WAITING FOR US. 565 00:33:36,681 --> 00:33:39,484 PETER, WHERE ARE YOU GOING? I'LL TAKE MY CAR. 566 00:33:39,517 --> 00:33:41,419 IT'S LOGICAL THAT WE SPLIT UP. 567 00:33:44,055 --> 00:33:46,824 OLIVIA, BEFORE WE GO BACK TO BOSTON, 568 00:33:46,858 --> 00:33:48,326 I'D LIKE TO MAKE A STOP FIRST. 569 00:33:48,359 --> 00:33:50,495 [car door shuts] 570 00:34:02,040 --> 00:34:03,441 NINA. 571 00:34:07,979 --> 00:34:10,448 WALTER. DID EVERYTHING GO OKAY? 572 00:34:10,481 --> 00:34:12,750 YES. 573 00:34:12,784 --> 00:34:14,819 THE DEVICE YOU GAVE US WORKED. 574 00:34:14,852 --> 00:34:16,387 WE HAVE THE CYLINDERS. 575 00:34:16,421 --> 00:34:18,890 GOOD. 576 00:34:18,923 --> 00:34:22,527 WHY DID YOU WANT TO SEE ME? 577 00:34:25,329 --> 00:34:27,532 I ASKED OLIVIA TO BRING ME BACK 578 00:34:27,565 --> 00:34:29,333 BECAUSE I WANTED TO GIVE YOU THIS. 579 00:34:34,105 --> 00:34:35,473 [sighs] 580 00:34:37,208 --> 00:34:39,377 IT WAS IN WILLIAM'S SAFE. 581 00:34:41,946 --> 00:34:44,015 WAS WRONG. 582 00:34:44,048 --> 00:34:46,951 HE DID LOVE YOU. 583 00:34:50,121 --> 00:34:53,057 AND IT WASN'T ENOUGH. 584 00:34:55,393 --> 00:34:56,861 NO... 585 00:34:56,894 --> 00:35:02,733 I'M SCARED, NINA. 586 00:35:02,767 --> 00:35:05,670 EVERY DAY THAT GOES BY, I FEEL HIM 587 00:35:05,703 --> 00:35:08,906 MORE AND MORE. 588 00:35:08,940 --> 00:35:12,276 I'M LOSING MYSELF. 589 00:35:12,376 --> 00:35:14,245 I'M BECOMING THE MAN I WAS. 590 00:35:14,278 --> 00:35:17,048 AND STIKE BEFORE, EVERYONE THAT I CARE ABOUT 591 00:35:17,064 --> 00:35:18,583 WILL BE DRENWAY 592 00:35:18,583 --> 00:35:22,987 AND WILL SUFFE BECAUSE OFE. 593 00:35:23,020 --> 00:35:25,656 I NEED YOU TO TAKE THEM OUT. 594 00:35:27,592 --> 00:35:29,694 WHAT? IT'S PERFECTLY SAFE. 595 00:35:29,727 --> 00:35:32,530 MY INTELLECT MAY BE DIMINISHED SLIGHTLY, 596 00:35:32,530 --> 00:35:35,066 BUT IT'S THE ONLY WAY TO HOLD ON 597 00:35:35,099 --> 00:35:37,768 TO THE MAN I'VE BECOME. 598 00:35:37,802 --> 00:35:40,771 EA, NINA... 599 00:35:40,805 --> 00:35:46,677 YOU MUSTEMOVE THESE PIECES OF MY BRAIN. 600 00:35:54,685 --> 00:35:56,821 PETER? 601 00:36:20,711 --> 00:36:23,214 (Peter) THEY'RE TIMELINES. 602 00:36:23,247 --> 00:36:26,150 (Olivia) TILINES FOR WHAT? 603 00:36:26,184 --> 00:36:27,618 FOR THEM. 604 00:36:27,652 --> 00:36:30,755 WINDMARK'S TOP LIEUTENANTS. 605 00:36:30,788 --> 00:36:32,023 FOR SECURITY RSO, THEY'RE RARELY 606 00:36:32,056 --> 00:36:35,826 IN THE SAME PLACE AT THE SAME TIME. 607 00:36:35,860 --> 00:36:37,261 EVERY MOVEMENT, EVERY INTERACTION, 608 00:36:37,295 --> 00:36:40,831 EVERY SECOND OF THEIR DAY IS ACCOUNTED FOR. 609 00:36:49,106 --> 00:36:52,276 THE TECH THAT GAVEHEMN, THEIR ADVANTAGE OVER US... 610 00:36:52,310 --> 00:36:56,180 I HAVE IT NOW. 611 00:36:58,149 --> 00:36:59,951 THAT THING IN THEIR HEADS-- 612 00:36:59,984 --> 00:37:02,486 YOU IMPLANTED ONE IN YOURSELF? 613 00:37:07,558 --> 00:37:08,993 I'VE BEEN FOLLOWING THEM. 614 00:37:10,828 --> 00:37:13,564 (Peter) THEY DON'T KNOW WHERE I AM, 615 00:37:13,598 --> 00:37:15,333 BUT I KNOW WHERE THEY ARE. 616 00:37:15,366 --> 00:37:21,205 TODAY, YESTERDAY, AND THE DAY BEFORE THAT. 617 00:37:21,239 --> 00:37:23,140 IT GIVES ME ENOUGH INFORMATION 618 00:37:23,174 --> 00:37:25,509 TO DETERMINE THEIR PROBABLE FUTURES. 619 00:37:25,543 --> 00:37:27,411 MUELLER WAS GOING TO GET IN A TOWN CAR 620 00:37:27,445 --> 00:37:29,447 AND BE LATE TO THE MEETING. 621 00:37:29,480 --> 00:37:31,582 ROYCE WOULD HAVE LEFT. 622 00:37:31,616 --> 00:37:34,018 I NEEDED THEM THERE AT THE SAME TIME. 623 00:37:34,051 --> 00:37:35,486 I MADE THAT HAPPEN. 624 00:37:40,358 --> 00:37:44,528 WHAT HAVE YOU DONE? 625 00:37:44,562 --> 00:37:47,498 I USED A TOXIN FROM WALTER'S COLD STORAGE, 626 00:37:47,531 --> 00:37:50,067 THE FLESH-EATING TOXIN THAT KILLED EVERYONE 627 00:37:50,101 --> 00:37:53,404 ABOARD FLIGHT 627. 628 00:37:57,174 --> 00:37:59,844 OUR FIRST FRINGE EXPERIENCE... 629 00:37:59,877 --> 00:38:05,583 WAS THEIR LAST. 630 00:38:05,616 --> 00:38:08,252 THAT'S WHY YOU KNEW TH TY WOULDN'T BE COMING FOR US 631 00:38:08,286 --> 00:38:11,689 AT THE STORAGE SITE. 632 00:38:11,722 --> 00:38:15,226 YOU KNEW THAT THEY WOULD STILL BE RESPONDING TO YOUR ATTACK. 633 00:38:18,829 --> 00:38:22,400 (both) YOU CAN'T DO THIS. 634 00:38:22,433 --> 00:38:26,437 THIS IS...DANGEROUS. 635 00:38:28,456 --> 00:38:30,574 WE'RE GOING TO AVENGE ETTA. 636 00:38:33,077 --> 00:38:35,546 WINDMARK IS NEXT. 637 00:40:09,206 --> 00:40:17,448 ♪ ♪ 638 00:40:23,754 --> 00:40:25,689 WALTER, IS THERE ANYTHING I CAN GET YOU 639 00:40:25,723 --> 00:40:27,074 BEFORE I GO TO SLEEP? 640 00:40:27,124 --> 00:40:29,960 ♪ ♪ 641 00:40:29,994 --> 00:40:32,396 NO, THANK YOU,EAR. 642 00:40:32,430 --> 00:40:34,632 WE DID GOOD TODAY. 643 00:40:34,665 --> 00:40:42,907 ♪ ♪ 644 00:40:54,251 --> 00:40:56,420 [volume increases] 645 00:40:56,454 --> 00:40:56,420 ♪ ♪