1 00:00:01,451 --> 00:00:02,686 THIS PLAN WILL RESTORE US 2 00:00:02,719 --> 00:00:05,388 AND RID THE WORLD OF THE OBSERVERS. 3 00:00:05,422 --> 00:00:07,023 (male announcer) PREVIOUSLY ON FRINGE... 4 00:00:07,057 --> 00:00:09,325 (Edwin) A MAN CAME HERE AND WENT DOWN INTO THE MINE. 5 00:00:09,359 --> 00:00:10,293 HIS NAME WAS DONALD. 6 00:00:10,326 --> 00:00:11,561 I DON'T KNOW ANY DONALD. 7 00:00:11,594 --> 00:00:12,829 HE WAS TAKEN AWAY 8 00:00:12,862 --> 00:00:14,497 AGAINST HIS WILL BY TWO INVADERS. 9 00:00:14,531 --> 00:00:18,735 [grunting] 10 00:00:18,768 --> 00:00:21,538 YOU NEVER KNOW WHEN TO GIVE UP. 11 00:00:21,571 --> 00:00:22,572 [gunshot] 12 00:00:22,605 --> 00:00:23,540 ETTA. 13 00:00:23,573 --> 00:00:25,442 NO, NO, NO, NO, NO. 14 00:00:25,475 --> 00:00:28,812 (Olivia) WHY WOULD WE GET HER BACK JUST TO LOSE HER AGAIN? 15 00:00:28,845 --> 00:00:30,847 [cries] 16 00:00:30,880 --> 00:00:34,050 (Anil) THEIR ABILITIES ARE AIDED BY TECH. 17 00:00:34,084 --> 00:00:36,119 I WOULD BE TEN TIMES WHAT YOU ARE IF I HAD 18 00:00:36,152 --> 00:00:37,120 THAT TECH IN MY HEAD. 19 00:00:37,153 --> 00:00:38,688 [grunts] 20 00:00:38,722 --> 00:00:40,523 [groans] 21 00:00:42,826 --> 00:00:47,630 [gentle metallic whirring] 22 00:00:47,664 --> 00:00:51,401 [whirring stops] 23 00:00:55,472 --> 00:00:59,175 [crack] 24 00:01:10,954 --> 00:01:13,523 (Walter) HELLO, IT'S ME. 25 00:01:13,556 --> 00:01:15,391 BUT YOU KNOW THAT ALREADY. 26 00:01:15,425 --> 00:01:17,794 THIS IS TAPE SEVEN. 27 00:01:17,827 --> 00:01:19,329 I DON'T HAVE MUCH TIME, 28 00:01:19,362 --> 00:01:20,930 SO I'M GOING TO SHOW YOU 29 00:01:20,964 --> 00:01:22,365 HOW TO GET THE NEXT PIECE OF THE PLAN 30 00:01:22,398 --> 00:01:23,633 AND EXPLAIN ON THE WAY. 31 00:01:23,633 --> 00:01:28,738 I AM ON QUINCY STREET HEADING SOUTH. 32 00:01:32,342 --> 00:01:34,377 HEY, I JUST WANTED AND EXPLAIN TO LET YOU KNOW 33 00:01:34,410 --> 00:01:36,045 I'M GONNA BE A LITTLE LATE GETTING BACK. 34 00:01:36,079 --> 00:01:37,981 UH, DIDN'T WANT YOU GUYS TO WORRY. 35 00:01:38,014 --> 00:01:40,817 I'VE GOT ONE MORE REPORT TO FILE, 36 00:01:40,850 --> 00:01:41,918 AND THEN I'M OUT OF HERE. 37 00:01:41,951 --> 00:01:45,522 SO I'LL SEE YOU SOON. 38 00:01:47,457 --> 00:01:48,958 HEY, I JUST WANTED TO LET YOU KNOW 39 00:01:48,992 --> 00:01:50,393 I'M GONNA BE A LITTLE LATE GETTING BACK. 40 00:01:50,426 --> 00:01:52,962 UH, DIDN'T WANT YOU GUYS TO WORRY. 41 00:01:52,996 --> 00:01:55,131 I'VE GOT ONE MORE REPORT TO FILE, 42 00:01:55,165 --> 00:01:56,499 AND THEN I'M OUT OF HERE. 43 00:01:56,533 --> 00:01:59,536 SO I'LL SEE YOU SOON. 44 00:02:11,447 --> 00:02:13,216 [door opens] 45 00:02:24,961 --> 00:02:28,832 (Olivia) PETER? 46 00:02:31,534 --> 00:02:33,469 PETER. 47 00:02:33,503 --> 00:02:34,604 [gun slips into holster] 48 00:02:34,637 --> 00:02:36,639 HOW DID YOU GET HERE? 49 00:02:36,673 --> 00:02:40,610 THE MONORAIL. 50 00:02:42,212 --> 00:02:44,113 YOU DIDN'T COME HOME THIS AFTERNOON. 51 00:02:44,147 --> 00:02:47,784 YOU WEREN'T ANSWERING YOUR COMM. 52 00:02:50,887 --> 00:02:54,858 YEAHI-TURNED IT OFF. 53 00:03:01,264 --> 00:03:05,101 I WASN'T GOING TO STAY FOR THAT MUCH LONGER. 54 00:03:07,604 --> 00:03:10,473 [sighs] 55 00:03:10,506 --> 00:03:14,444 I JUST NDE TO SEE HER. 56 00:03:19,749 --> 00:03:22,952 I'VE THOUGHT ABOUT COMING HERE TOO. 57 00:03:22,986 --> 00:03:26,122 I FEEL CLOSER TO HER HERE. 58 00:03:30,593 --> 00:03:34,330 NO, IT'S OKAY. 59 00:03:37,000 --> 00:03:40,703 PLAY IT. 60 00:03:42,338 --> 00:03:46,042 PLAY IT. 61 00:03:51,281 --> 00:03:52,949 HEY, I JUST WANTED TO LEW 62 00:03:52,982 --> 00:03:54,517 I'M GONNA BE A LITTLE LATE GETTING BACK. 63 00:03:54,550 --> 00:03:55,752 UH, DIDN'T WANT YOU GUYS TO WORRY. 64 00:03:55,785 --> 00:03:58,521 I'VE GOT ONE MORE REPORT TO FILE, 65 00:03:58,554 --> 00:03:59,622 AND THEN I'M OUT OF HERE. 66 00:03:59,656 --> 00:04:02,859 SO I'LL SEE YOU SOON. 67 00:04:09,666 --> 00:04:11,367 PETER, WHEN YOU FEEL LIKE THIS, 68 00:04:11,401 --> 00:04:15,171 I JUST WANT YOU TO INCLUDE ME. 69 00:04:17,674 --> 00:04:20,843 IT'S FINE THAT YOU COME HERE. 70 00:04:20,877 --> 00:04:23,346 JUST TELL ME. 71 00:04:23,379 --> 00:04:25,915 I WANT TO UNDERSTAND WHAT YOU'RE GOING THROUGH, 72 00:04:25,949 --> 00:04:30,687 AND I WANT YOU TO UNDERSTAND WHAT I'M GOING THROUGH. 73 00:04:30,703 --> 00:04:33,456 YOU'RE RIGHT. 74 00:04:33,489 --> 00:04:36,426 I'M SORRY. 75 00:04:36,459 --> 00:04:40,897 AT IS THAT? 76 00:04:40,930 --> 00:04:42,632 WHEN WE COLLAPSED THE CORRIDOR, 77 00:04:42,665 --> 00:04:46,169 ONE OF THE OBSERVERS NICKED ME. 78 00:04:46,202 --> 00:04:48,438 IT'S OKAY. 79 00:04:48,471 --> 00:04:52,208 I'M FINE. 80 00:05:04,937 --> 00:05:06,255 HERE WE ARE. 81 00:05:06,289 --> 00:05:11,494 167 CEDAR STREET. 82 00:05:11,527 --> 00:05:14,464 NOW WE NEED TO MAKE OUR WAY TO T FOURTH FLOOR. 83 00:05:14,497 --> 00:05:17,900 APARTMENT 413. 84 00:05:17,934 --> 00:05:21,270 HOPEFULLY WITHOUT RUNNING INTO THIS TYRANNICAL-- 85 00:05:21,304 --> 00:05:22,839 (woman) YOU AGAIN. 86 00:05:22,872 --> 00:05:24,073 YOU'RE A FRIEND OF THAT RENTER 87 00:05:24,107 --> 00:05:25,708 UP ON FOUR, AREN'T YOU? 88 00:05:25,742 --> 00:05:27,010 (Walter) MORE OF A COLLEAGUE. 89 00:05:27,043 --> 00:05:28,611 (woman) WELL, I DON'T KNOW 90 00:05:28,611 --> 00:05:30,013 WHAT YOU'RE DOING UP THERE IN THAT APARTMENT, 91 00:05:30,046 --> 00:05:31,314 BUT IF I HEAR ANY MORE STRANGE NOISE, 92 00:05:31,347 --> 00:05:33,249 I'M CALLING THE SUPER. 93 00:05:37,086 --> 00:05:40,523 SO THEY SAID THERE'S NO MORE HOURS, SO I'M DONE. 94 00:05:40,556 --> 00:05:45,128 HOW YOU GOING TO MAKE THE MONEY? 95 00:05:45,161 --> 00:05:46,295 CHECK OVER THERE LATER. 96 00:05:51,467 --> 00:05:55,238 [indistinct chatter] 97 00:05:55,271 --> 00:05:57,106 ALL RIGHT, OKAY. 98 00:06:17,193 --> 00:06:18,361 DO I KNOW YOU? 99 00:06:18,394 --> 00:06:20,530 I NEED TO GET INTO APARTMENT 413. 100 00:06:20,563 --> 00:06:21,964 IS IT OCCUPIED? 101 00:06:21,998 --> 00:06:25,635 FOURTH FLOOR HAS BEEN RED-TAGGED FOR 20 YEARS. 102 00:06:25,735 --> 00:06:29,138 NODY GOES TRE. 103 00:06:29,172 --> 00:06:31,874 HEY, WHAT'S YOUR BUSINESS HERE? 104 00:06:31,908 --> 00:06:35,378 NONE OF YOURS. 105 00:06:35,411 --> 00:06:38,481 [floor creaks] 106 00:06:51,627 --> 00:06:54,931 [stairs creaking] 107 00:06:54,964 --> 00:06:56,933 [stair cracks] 108 00:06:56,966 --> 00:07:01,904 [panting] 109 00:07:01,938 --> 00:07:05,541 loor creaking] 110 00:07:16,586 --> 00:07:19,122 [grunts] 111 00:07:44,413 --> 00:07:47,884 [melancholy piano music] 112 00:07:47,917 --> 00:07:55,458 ♪ ♪ 113 00:08:21,551 --> 00:08:23,753 [sighs] 114 00:08:28,658 --> 00:08:31,527 [mysterious music] 115 00:08:31,561 --> 00:08:39,802 ♪ 116 00:08:55,952 --> 00:08:59,722 [floor creaking] 117 00:09:10,283 --> 00:09:15,504 WALTER? 118 00:09:15,538 --> 00:09:19,242 WALTER? 119 00:09:23,846 --> 00:09:25,948 HEY. I WAS WONDERING WHERE EVERYBODY WAS. 120 00:09:25,982 --> 00:09:28,751 HAVE YOU SEEN WALTER? NO, WHY? 121 00:09:28,784 --> 00:09:30,052 WELL, I WENT IN TO WAKE HIM UP. 122 00:09:30,086 --> 00:09:31,687 HIS BED HAS NOT BEEN SLEPT IN. 123 00:09:31,721 --> 00:09:33,456 HE'S NOT IN THE COLD STORAGE. 124 00:09:33,489 --> 00:09:36,692 HE ALSO LEFT THE AMBER LASER ON AND ON THE FLOOR. 125 00:09:36,726 --> 00:09:38,394 THE TAPE WE WERE WORKING ON LAST NIGHT 126 00:09:38,427 --> 00:09:39,562 IS ALREADY OUT OF THE AMBER. 127 00:09:39,595 --> 00:09:41,097 I THINK HE LEFT. 128 00:09:41,130 --> 00:09:43,199 KNOWS BETTER THAN TO GO OUT ALONE. 129 00:09:43,232 --> 00:09:46,102 WHAT THE HELL IS HE THINKING? 130 00:09:52,208 --> 00:09:54,543 THE RED LINEQUINCY STREET TO WORCESTER UNION STATION. 131 00:09:54,577 --> 00:09:57,947 WHATEVER MODE... MAYBE HE'S GONE OFF TO FOLLOTH TAPE. 132 00:09:57,980 --> 00:09:59,949 HE'S RETRACING HIS STEPS? 133 00:09:59,982 --> 00:10:02,885 I HAVE CREATED, OR RATHER, 134 00:10:02,918 --> 00:10:04,153 WE HAVE CREATED 135 00:10:04,186 --> 00:10:07,123 A UNIQUE AND EFFICIENT HIDINGLA 136 00:10:07,139 --> 00:10:08,624 FOR A CRITICAL PIECE OF THE PLAN 137 00:10:08,658 --> 00:10:11,560 TO DEFEAT THE OBSERVERS. 138 00:10:11,594 --> 00:10:15,197 IT IS UNDETECTABLE TO THE OBSERVERS' INSTRUMENTS. 139 00:10:15,231 --> 00:10:19,368 AS I HAVE MENTIONED-- 140 00:10:19,418 --> 00:10:21,270 MAY I HELP YOU? 141 00:10:21,304 --> 00:10:22,672 [softly] AS I MENONED, 142 00:10:22,705 --> 00:10:24,774 I HAVE HAD SOME EXPERIENCE 143 00:10:24,807 --> 00:10:27,276 WITH TRANSVERSING PARALLEL UNIVERSES. 144 00:10:27,310 --> 00:10:30,613 WHAT WE HAVE DONE IS WE HAVE OPENED A SPACE 145 00:10:30,646 --> 00:10:35,217 IN THE MEMBRANE THAT SEPARATES THE TWO UNIVERSES. 146 00:10:35,251 --> 00:10:38,170 A "POCKET UNIVER," IF YOU . 147 00:10:38,220 --> 00:10:40,990 [bus stop alert beeps] 148 00:10:41,090 --> 00:10:42,325 THIS IS VERY IMPORTANT. 149 00:10:42,358 --> 00:10:45,795 DO NOT, UNDER ANY CIRCUMSTANCES-- 150 00:10:48,764 --> 00:10:50,966 IS THAT RASPBERRY FILLING? 151 00:10:51,000 --> 00:10:55,304 RASPBERRY, IS IT? TWO. 152 00:10:57,990 --> 00:11:02,578 NOW, SINCE THE POCKET UNIVERSE EXISTS 153 00:11:02,595 --> 00:11:04,146 IN INTER-DIMENSIONAL SPACE, 154 00:11:04,180 --> 00:11:07,750 MANY OF THE USUAL LAWS OF PHYSICS WON'T APPLY. 155 00:11:07,783 --> 00:11:09,452 AND THERE ARE FEW PLACES ON EARTH 156 00:11:09,485 --> 00:11:11,754 WHERE TWO PLUS TWO DOES NOT EQUAL FOUR. 157 00:11:11,787 --> 00:11:12,905 AND THIS IS ONE OF THEM. 158 00:11:12,955 --> 00:11:14,256 IT CAN BE QUITE DISTURBING. 159 00:11:14,290 --> 00:11:15,825 TRY NOT TO WORRY ABOUT IT. 160 00:11:15,825 --> 00:11:18,828 THIS TAPE WILL GUIDE YOU EVERY STEP OF THE-- 161 00:11:18,861 --> 00:11:20,663 TRY NHERE WE ARE. ABOUT IT. 162 00:11:20,696 --> 00:11:24,033 167 CEDAR STREET. 163 00:11:24,066 --> 00:11:25,301 CEDAR STREET? 164 00:11:25,334 --> 00:11:27,103 THAT'S DOWNTOWN WORCESTER. 165 00:11:27,136 --> 00:11:30,039 APARTMENT 413... 166 00:11:30,072 --> 00:11:32,074 167 IS IN THE Q9 DISTRICT. 167 00:11:32,108 --> 00:11:35,111 THAT WHOLE NEIGHBORHOOD HAS BEEN BOMBED OUT. 168 00:11:35,144 --> 00:11:37,580 IT'S MOSTLY ABANDONED. 169 00:11:41,317 --> 00:11:42,518 (man) HI, WALTER. 170 00:11:42,551 --> 00:11:43,652 TAKE THIS. 171 00:11:43,686 --> 00:11:46,088 MY ARMS ARE GETTING TIRED. 172 00:11:46,122 --> 00:11:47,656 UH, DONALD... 173 00:11:47,690 --> 00:11:49,325 DONALD? 174 00:11:49,358 --> 00:11:51,961 THAT WAS THE NAME OF THE MAN THAT W WTING FOR WALTER, 175 00:11:52,061 --> 00:11:53,729 21 YEARS AGO? YEAH. 176 00:11:53,763 --> 00:11:55,264 YOUR EYES ARE NOT DECEIVING YOU. 177 00:11:55,364 --> 00:12:00,736 THE EFFECT IS CAUSED BY LIGHT REFRACTED OFF-- 178 00:12:00,770 --> 00:12:02,571 WE, NEVER MIND, THAT'S NOT IMPORTANT. 179 00:12:02,605 --> 00:12:03,806 BUT DOWN HERE, 180 00:12:03,839 --> 00:12:06,509 THESE LINES DENOTE 181 00:12:08,611 --> 00:12:09,879 THEY'LL PROVE USULNAL DEMARCATIO 182 00:12:09,912 --> 00:12:11,914 YOU WILL NEED TO REFER TO THEM. 183 00:12:11,947 --> 00:12:14,049 DONALD, LEAVE THE CAMERA WITH ME. 184 00:12:14,083 --> 00:12:15,418 [softly] I REALIZE, 185 00:12:15,451 --> 00:12:16,719 WHOEVER YOU ARE, 186 00:12:16,752 --> 00:12:18,954 THATHIMUST SEEM VERY COMPLICATED. 187 00:12:18,988 --> 00:12:21,090 IT IS. EXTREMELY. 188 00:12:21,123 --> 00:12:22,992 BUT DON'T FRET. 189 00:12:23,025 --> 00:12:25,961 IT WILL ALL BECOME CLEAR ON WRE SELY SIDE. 190 00:12:25,995 --> 00:12:29,031 THSEENCE GOES LIKE THIS. 191 00:12:29,064 --> 00:12:33,335 NOW, KICK OUT 90 DEGREES TO THE RIGHT. 192 00:12:33,335 --> 00:12:35,671 BACK 2 METERS. 193 00:12:35,704 --> 00:12:38,007 AND THEN TO THE LEFT. 194 00:12:38,040 --> 00:12:42,011 AND PIVOT 210 DEGREES TO THE LEFT. 195 00:12:42,111 --> 00:12:44,647 AND STEP OUT. 196 00:12:46,515 --> 00:12:49,485 WHAT HAPPENED? 197 00:12:50,453 --> 00:12:53,122 (Walter) AND STEP OUT. 198 00:12:56,559 --> 00:12:59,228 IS IT DAMAGED? 199 00:12:59,261 --> 00:13:01,297 I DON'T SEE ANY GRINDING OR FLECKS OF AMBER. 200 00:13:01,330 --> 00:13:04,567 (Astrid) MAYBE THEY JUST STOPPED RECORDING. 201 00:13:04,600 --> 00:13:05,935 WELL, IT DOESN'T MAKE ANY SENSE. 202 00:13:05,968 --> 00:13:07,536 I MEAN, IF WALTER'S GONE TO RETRIEVE 203 00:13:07,570 --> 00:13:10,039 WHATEVER IT IS THAT'S IN THIS POCKET UVERSE, 204 00:13:10,072 --> 00:13:11,974 THEN WHY WOULD HE GO ALONE? 205 00:13:12,007 --> 00:13:13,209 I DON'T KNOW. 206 00:13:13,242 --> 00:13:16,979 IT'S NOT LIKE HIM. 207 00:13:51,046 --> 00:13:54,750 [door rattles] 208 00:14:02,424 --> 00:14:05,661 NOT THAT WAY. 209 00:14:14,069 --> 00:14:17,840 [panting] 210 00:14:25,047 --> 00:14:28,417 [eieusic] 211 00:14:28,450 --> 00:14:36,692 ♪ ♪ 212 00:14:44,600 --> 00:14:46,969 OH! 213 00:14:50,456 --> 00:14:53,025 ARE YOU DONALD? 214 00:14:53,058 --> 00:14:54,693 NO, I'M CECIL. 215 00:14:54,710 --> 00:14:58,497 HOW DID YOU GET HERE? 216 00:14:58,530 --> 00:15:00,366 DO YOU KNOW HOW TO GET OUT OF HERE? 217 00:15:00,399 --> 00:15:02,468 YES, I DO. 218 00:15:02,501 --> 00:15:05,137 AND YOU'LL NEVER KNOW 219 00:15:05,170 --> 00:15:10,009 IF YOU KEEP THREATENING ME. 220 00:15:20,486 --> 00:15:25,824 HOW DID YOU END UP HERE, CECIL? 221 00:15:25,858 --> 00:15:30,729 I WAS IN ONE OF THE APARTMENTS. 222 00:15:30,763 --> 00:15:33,532 THE RESISTANCE MUST HAVE BEEN IN THE AREA 223 00:15:33,565 --> 00:15:34,934 BECAUSE THE IN-- 224 00:15:34,967 --> 00:15:36,168 THE INVADERSITE OLE BLOCK 225 00:15:36,201 --> 00:15:38,170 TH LIGHT BOMBS, AND... 226 00:15:38,203 --> 00:15:41,307 THE LAST THING I REMEMBER WAS A FSH 227 00:15:41,340 --> 00:15:42,775 AND THEN I WOKE UP HERE. 228 00:15:42,808 --> 00:15:44,944 YOU WERE BLOWN INTO HERE. 229 00:15:44,977 --> 00:15:47,713 THE FORCE OF THE EXPLOSION OF THE LIGHT BOMBS 230 00:15:47,746 --> 00:15:51,150 MUST HAVE BLOWN YOU HERE, 231 00:15:51,183 --> 00:15:53,686 WHICH IS MOST LIKELY WHY YOU'RE STILL ALIVE. 232 00:15:53,719 --> 00:15:57,589 WHEN DID THIS HAPPEN? 233 00:15:57,623 --> 00:16:01,076 [stammers] I'VE BEEN HERE FIVE DAYS. 234 00:16:01,126 --> 00:16:03,162 FIVE DAYS? 235 00:16:03,195 --> 00:16:05,431 BUT HOW HAVE YOU SURVIVED? 236 00:16:05,464 --> 00:16:07,633 THERE'S NO FOOD HERE, NO WATER. 237 00:16:07,666 --> 00:16:09,702 THERE'S WATER. 238 00:16:09,735 --> 00:16:12,371 SHOW ME. 239 00:16:14,306 --> 00:16:16,842 IT'S MINE. 240 00:16:20,079 --> 00:16:23,382 IF YOU HOPE TO EVER GET OUT OF HERE, 241 00:16:23,415 --> 00:16:25,084 YOU WILL SHOW ME. 242 00:16:45,437 --> 00:16:47,606 YOU SURE THIS IS THE RIGHT PLACE? I'M SURE. 243 00:17:09,061 --> 00:17:10,796 (Cecil) DON'T WORRY, YOU WON'T FALL. 244 00:17:33,218 --> 00:17:37,589 [dripping] 245 00:17:37,623 --> 00:17:41,860 (Cecil) I'VE MANAGED ALMOST HA A CUP EVERY NIGHT. 246 00:17:53,172 --> 00:17:56,642 SOMEINBEHIND THIS WALL. 247 00:17:56,675 --> 00:17:59,878 PERHAPS SOME KIND OF... REFRIGERATION UNIT. 248 00:17:59,912 --> 00:18:03,549 THAT'S WHAT'S CAUSING THE CONDENSATION. 249 00:18:03,582 --> 00:18:05,517 NO. I'VE BEEN ALL AROUND THIS PLACE 250 00:18:05,551 --> 00:18:07,019 EVERY WHICH WAY. 251 00:18:07,052 --> 00:18:11,023 THERE'S NOTHING ON THE OTHER SIDE OF THIS WALL. 252 00:18:15,394 --> 00:18:17,896 I'D LIKE TO HAVE A LOOK FOR MYSELF. 253 00:18:17,930 --> 00:18:22,234 FOLLOW ME. 254 00:18:22,267 --> 00:18:23,669 WHAT I'D LIKE TO KNOW 255 00:18:23,702 --> 00:18:25,237 IS HOW YOU KNOW YOUR WAY IN AND OUT OF HERE. 256 00:18:25,270 --> 00:18:27,072 'CAUSE I'VE BEEN HERE BEFORE. 257 00:18:27,106 --> 00:18:29,575 I JUST CAN'T REMEMBER IT. 258 00:18:34,146 --> 00:18:36,548 I'M SURPRISED HE MADE IT UP THERE. 259 00:18:36,582 --> 00:18:40,319 WALTER'S FULL OF SURPRISES TODAY. 260 00:18:44,089 --> 00:18:46,925 WALTER! 261 00:18:50,162 --> 00:18:52,831 (Peter) WALT! 262 00:18:52,865 --> 00:18:54,500 I THOUGHT WE WERE LEAVING. 263 00:18:54,533 --> 00:18:56,535 NOT UNTIL I FIND WHAT I CAME FOR. 264 00:18:56,568 --> 00:18:59,404 FOR A WHILE, I THOUGHT THIS WAS PURGATORY. 265 00:18:59,438 --> 00:19:00,506 [door rattles] 266 00:19:00,539 --> 00:19:04,209 WHAT HAVE YOU DONE TO DESERVE THAT? 267 00:19:04,243 --> 00:19:07,746 THE APARTMENT I WAS IN WASN'T MINE. 268 00:19:07,779 --> 00:19:09,181 I WAS STEALING THINGS. 269 00:19:09,214 --> 00:19:12,985 I WOULDN'T HAVE BEEN THERE OTHERWISE. 270 00:19:13,018 --> 00:19:14,586 WHAT COULD BE WORTH STEALING 271 00:19:14,620 --> 00:19:16,889 IN THOSE BOMBED OUT APARTMENT 272 00:19:16,922 --> 00:19:20,526 THEY WEREN'T BOMBED OUT WHEN I GOT THERE. 273 00:19:20,559 --> 00:19:22,461 YOU'VE BEEN HERE FIVE DAYS, RIGHT? 274 00:19:22,494 --> 00:19:24,663 YEAH. 275 00:19:24,696 --> 00:19:26,665 THOSE APARTMENTS ARE CONDEMNED. 276 00:19:26,698 --> 00:19:29,701 THE BUILDING WAS BLOWN UP 20 YEARS AGO. 277 00:19:29,735 --> 00:19:30,936 WHAT YEAR IS IT? 278 00:19:30,969 --> 00:19:32,771 IT'S 2016. 279 00:19:32,804 --> 00:19:34,640 IT'S 2036. 280 00:19:34,673 --> 00:19:38,443 WHAT ARE YOU TALKING ABOUT? 281 00:19:38,477 --> 00:19:41,113 PERHAPS, IN SOME WAY, YOU ARE IN PURGATORY. 282 00:19:41,146 --> 00:19:43,282 THIS IS A POCKET UNIVERSE. 283 00:19:43,315 --> 00:19:45,951 TIME AND SPACE LOOP IN ON THEMSELVES HERE. 284 00:19:45,984 --> 00:19:47,486 SO YOU CAN'T GET OUT. 285 00:19:47,519 --> 00:19:51,557 THAT'S WHY IT JUST SEEMED LIKE DAYS TO YOU. 286 00:19:51,590 --> 00:19:54,560 MY WIFE IS WAITING FOR ME. 287 00:19:54,593 --> 00:19:55,627 NOT ANYMORE. 288 00:19:55,661 --> 00:19:58,163 LET'S GO. 289 00:20:05,470 --> 00:20:08,307 LOOK AT THESE FOOTPRINTS. HE WAS HERE. 290 00:20:11,243 --> 00:20:13,078 (Olivia) HE MUST HAVE GONE INTO THE POCKET. 291 00:20:13,111 --> 00:20:16,615 (Walte KICK OUT 90 DEGREES TO THE RIGHT. 292 00:20:16,648 --> 00:20:18,317 (Peter) THERE'S ONLY ONE WAY TO FIND OUT. 293 00:20:18,350 --> 00:20:20,352 (Walter) 2 METERS, 294 00:20:20,385 --> 00:20:23,422 AND THEN TO THE LEFT. 295 00:20:23,455 --> 00:20:27,459 AND PIVOT 210 DEGREES TO THE LEFT. 296 00:20:27,492 --> 00:20:32,130 AND STEP OUT. 297 00:20:46,545 --> 00:20:48,380 (Wte DONALD, HOW ARE WE DOING? 298 00:20:48,413 --> 00:20:49,615 AM I IN FOCUS? 299 00:20:49,648 --> 00:20:51,617 NOT YET. 300 00:20:51,650 --> 00:20:54,052 I'LL WAIT. 301 00:20:54,086 --> 00:20:55,487 (Peter) LOOK AT THIS. 302 00:20:55,520 --> 00:20:57,189 BACK IN THE LAB, IT WENT TO BLACK. 303 00:20:57,222 --> 00:20:58,757 IT WAS THE END OF THE TAPE. WE'RE READY. 304 00:20:58,790 --> 00:20:59,858 (Peter) AND NOW THERE'S MORE FOOTAGE. 305 00:20:59,891 --> 00:21:02,494 WELL, HOW IS THAT POSSIBLE? 306 00:21:02,527 --> 00:21:05,664 YOU ARE NOW IN THE POCKET UNIVERSE. 307 00:21:05,697 --> 00:21:07,266 DON'T BE ALARMED. 308 00:21:07,299 --> 00:21:10,535 YOU WILL NOTICE THAT THINGS WORK DIFFERENTLY HERE. 309 00:21:10,569 --> 00:21:14,373 YOU'LL SEE A DOOR. 310 00:21:14,406 --> 00:21:16,541 GO THROUGH IT. 311 00:21:16,575 --> 00:21:18,277 YOU'LL SEE A LONG HALLWAY. 312 00:21:18,310 --> 00:21:19,745 TURN... LEFT, WALTER. 313 00:21:19,778 --> 00:21:23,015 (Walter) LEFT. THK YOU, DONALD. 314 00:21:42,301 --> 00:21:44,236 LOOKS LIKE SOMETHING WALTER WOULD'VE DESIGNED 315 00:21:44,269 --> 00:21:45,904 WHEN HE WAS TRIPPING. 316 00:21:45,937 --> 00:21:47,272 (Walter) [clears throat] 317 00:21:47,306 --> 00:21:49,241 FOLLOW ME. 318 00:21:49,341 --> 00:21:52,911 WHAT YOU'RE ABOUT TO FIND IS VERY IMPORTANT. 319 00:21:58,784 --> 00:22:01,353 CAPTAIN WINDMARK, 320 00:22:01,386 --> 00:22:04,022 I'VE JUST BEEN ALERTED. 321 00:22:04,056 --> 00:22:06,425 WALTER BISHOP HAS BEEN SIGHTED IN QUADRANT 9. 322 00:22:08,293 --> 00:22:09,428 YOU ARE CERTAIN. 323 00:22:09,461 --> 00:22:13,198 YES. 324 00:22:24,526 --> 00:22:27,095 (Walter) NOW, REACHING THE HALLWAY, TURN RIGHT. 325 00:22:27,129 --> 00:22:29,498 [laughs] NOT LEFT. 326 00:22:29,531 --> 00:22:33,835 IF YOU CONTINUE ON TO WHERE THE HALL YOU'RE IN DEAD-ENDS 327 00:22:33,869 --> 00:22:37,639 YOU WILL FIND THAT IT'S NOT A DEAD END AT ALL. 328 00:22:37,672 --> 00:22:38,707 ARE YOU GETTING THIS, DONALD? 329 00:22:38,740 --> 00:22:40,509 YES, WALTER. 330 00:22:40,542 --> 00:22:42,077 BECAUSE IT DOESN'T LOOK LIKE THE CAMERA'S RECORDING. 331 00:22:42,110 --> 00:22:43,345 IT'S FINE, WALTER. 332 00:22:43,378 --> 00:22:45,247 BUT THE LIGHT'S NOT ON. 333 00:22:45,280 --> 00:22:48,150 HE'S RIGHT. WAIT, NO, NOW IT IS ON. 334 00:22:53,989 --> 00:22:56,391 THIS WAY. 335 00:22:56,425 --> 00:22:58,193 WALTER, WAIT. 336 00:22:58,226 --> 00:22:59,995 WHAT'S WRONG? 337 00:23:00,028 --> 00:23:02,130 WHY AREN'T YOU COMING? 338 00:23:02,164 --> 00:23:06,835 OH, DEAR. 339 00:23:06,868 --> 00:23:08,403 ARE YOU AFRAID? 340 00:23:08,437 --> 00:23:09,638 (Peter) THEY'RE NOT ALONE. 341 00:23:09,671 --> 00:23:11,740 THERE'S NOTHING TO BE AFRAID OF. 342 00:23:11,773 --> 00:23:15,110 HE'S TALKING TO SOMEBODY ELSE. IT'S SOMEONE SIDES DONALD? 343 00:23:15,110 --> 00:23:16,878 YEAH, LOOK. HIS EYE LINE IS DIFFERENT. 344 00:23:16,912 --> 00:23:19,848 HE'S TALKING TO SOMEBODY ELSE. IT'THROUGH THE LOOKING-GLASS, SIAND WHAT ALICE FOUND THERE? 345 00:23:19,881 --> 00:23:24,352 [bang] THIS PLACE IS LIKE THAT. 346 00:23:24,386 --> 00:23:27,556 WALTER! 347 00:23:29,691 --> 00:23:31,359 THERE'S NOTHING IN THERE. 348 00:23:31,393 --> 00:23:34,763 (Olivia) WALTER. 349 00:23:34,763 --> 00:23:35,964 OLIVIA... 350 00:23:35,997 --> 00:23:37,466 PETER. 351 00:23:37,499 --> 00:23:39,067 WAIT THERE. 352 00:23:39,101 --> 00:23:41,670 (Peter) WALTER. 353 00:23:41,703 --> 00:23:45,707 YOU KNOW YOU'RE NOT SUPPOSED TO LEAVE THE LAB ALONE. 354 00:23:45,724 --> 00:23:47,175 I'M SO SORRY. 355 00:23:47,209 --> 00:23:48,877 I DON'T UNDETA. 356 00:23:48,910 --> 00:23:50,178 ALL I THOUGHT ABOUT 357 00:23:50,212 --> 00:23:51,746 WAS RETRIEVING WHAT WAS ON THAT TAPE. 358 00:23:51,780 --> 00:23:53,682 I COULDN'T THINK ABOUT ANYTHING ELSE. 359 00:23:53,715 --> 00:23:58,153 ALL I CARED ABOUT WAS FINDING THE NEXT PIECE OF THE PLAN. 360 00:24:01,623 --> 00:24:03,241 IS THAT DONALD, WALTER? 361 00:24:03,291 --> 00:24:05,927 NO, 'SCOLLATERAL DAMAGE. 362 00:24:05,944 --> 00:24:07,929 THAT'S CECIL. 363 00:24:07,963 --> 00:24:10,165 HE IS COMPLETELY IRRELEVANT TO THE PLAN! 364 00:24:10,198 --> 00:24:11,633 SO WHAS DOING HERE? 365 00:24:11,666 --> 00:24:12,868 HE ENDED UP HERE 366 00:24:12,901 --> 00:24:14,236 THROUGH A SERIES OF UNFORTUNATE EVENTS. 367 00:24:14,269 --> 00:24:16,371 HE WAS BLOWN HERE BY AN EXPLOSION. 368 00:24:16,404 --> 00:24:17,906 WHEN? 369 00:24:17,939 --> 00:24:19,074 20 YEARS AGO, 370 00:24:19,107 --> 00:24:20,542 BUT FOR HIM, IT'S ONLY BEEN DAYS. 371 00:24:20,559 --> 00:24:23,278 EVERYTHING WITHIN THIS POCKET WRAPS IN ON ITSELF, 372 00:24:23,311 --> 00:24:25,046 INCLUDING TIME. 373 00:24:25,080 --> 00:24:27,182 THAT'S WHY WE HAVE TO HURRY 374 00:24:27,215 --> 00:24:29,217 AND FIND WHATEVER IT IS I HID HERE. 375 00:24:29,251 --> 00:24:31,520 WALTER! 376 00:24:31,553 --> 00:24:33,688 THERE'S MO ON THE TAPE. 377 00:24:33,722 --> 00:24:37,225 YOU CAN'T SEE IT UNTIL YOU ENTER THE POCKET. 378 00:24:39,127 --> 00:24:40,629 OF COURSE. 379 00:24:40,662 --> 00:24:43,131 THE TIME ANOMALIES WOULDN'T ALLOW THE CAMERA 380 00:24:43,165 --> 00:24:44,166 TO OPERATE PROPERLY. 381 00:24:44,199 --> 00:24:45,567 LET ME SEE. 382 00:24:48,370 --> 00:24:51,706 THE KEY IS...TO KNOW WHAT YOU'RE LOOKING FOR. 383 00:24:51,740 --> 00:24:55,410 IN THIS CA, WE'RE LOOK. 384 00:24:55,443 --> 00:24:57,496 THE FORBIDDEN FRUIT. 385 00:24:57,546 --> 00:25:01,316 THE ROOT OF ALL KNOWLEDGE. 386 00:25:05,887 --> 00:25:08,957 IFOR WHAT, I PROMISE,E WHEWILL BE A SHT TIME.G. 387 00:25:08,990 --> 00:25:13,094 D IT WILL BE SAFE AND COMFORTABLE, 388 00:25:13,128 --> 00:25:16,932 I ASSURE YOU. 389 00:25:24,773 --> 00:25:28,843 WHO IS THAT? 390 00:25:28,877 --> 00:25:31,680 YOU HONESTLY DON'T RECOGNIZE HIM? 391 00:25:33,281 --> 00:25:35,884 IT MUST HAVE BEEN WIPED FROM MMIND, 392 00:25:35,917 --> 00:25:37,652 LIKE THE OTHER PARTS OF THE PLAN. 393 00:25:37,686 --> 00:25:40,188 NO, WALTER, IT WAS A CASE THAT WE WORKE 394 00:25:42,224 --> 00:25:45,026 THE BOY, HE WA DEMOLITION SITE.UN 395 00:25:45,060 --> 00:25:46,595 MAYBE WALTER DIDT EXPERIE 396 00:25:46,628 --> 00:25:47,796 IN THEAMWAY THAT WE DID. 397 00:25:47,829 --> 00:25:50,498 IS HE ONE OF THEM? AN OBSERVER? 398 00:25:50,532 --> 00:25:52,133 WELL, AT FIRST, WE THOUGHT THAT HE WAS JUST A BOY. 399 00:25:52,167 --> 00:25:56,438 BUT THEN HE STARTED TO EXHIBIT EMPATHIC ABILITIES. 400 00:25:56,471 --> 00:25:58,340 HE HELPED US FIND A MURDERER. 401 00:25:58,373 --> 00:26:01,643 AN EMPATH. REMARKABLE. 402 00:26:01,676 --> 00:26:03,078 WHY WOULD I NEED AN EMPATH? 403 00:26:03,178 --> 00:26:04,613 I DON'T KNOW. 404 00:26:04,646 --> 00:26:09,484 IT WAS 20 YEARS AGO. 405 00:26:09,517 --> 00:26:11,119 BUT NOT FOR HIM. 406 00:26:11,152 --> 00:26:13,288 LIKE CECIL, 407 00:26:13,321 --> 00:26:16,224 TO HIM, HE'S ONLY BEEN WAITING FOR DAYS. 408 00:26:18,593 --> 00:26:20,061 LIKE I SAID ON THE TAPE, 409 00:26:20,095 --> 00:26:22,330 WE USED THIS PLACE TO HIDE HIM, 410 00:26:22,364 --> 00:26:24,199 TO KEEP HIM SAFE 411 00:26:24,232 --> 00:26:25,700 UNTIL SOMEONE COULD RETURN FOR HIM. 412 00:26:25,734 --> 00:26:27,569 PRESS PLAY, PETER. 413 00:26:27,602 --> 00:26:28,670 SHOW ME MORE. 414 00:26:28,703 --> 00:26:29,738 WE'RE NEARLY THERE. 415 00:26:29,771 --> 00:26:32,574 NOW WE'RE LOOKING FOR AN APPLE. 416 00:26:32,607 --> 00:26:35,343 THIS ONE. WHAT'S THAT, DONALD? 417 00:26:35,377 --> 00:26:40,315 THESE MARKINGS ARE VERY STRANGE. 418 00:26:40,348 --> 00:26:41,616 OF ALL THE THINGS WEE SEEN IN HE, LTER, 419 00:26:41,650 --> 00:26:46,421 THAT'S WHAT YOU FIND STRANGE? 420 00:26:46,454 --> 00:26:50,392 THERE'S THE HAND. 421 00:26:50,425 --> 00:26:53,461 (Walter) [whispers] WELL, I WONDER WHERE IT COULD BE? 422 00:26:53,495 --> 00:26:55,230 WOULD IT BE-- OH. 423 00:26:55,263 --> 00:26:59,668 [laughs] OH-HO! HERE WE E! [laughs] 424 00:26:59,701 --> 00:27:01,519 THERE IT IS. 425 00:27:01,569 --> 00:27:03,338 (Walte OH, JUST WAIT HERE NOW. 426 00:27:03,371 --> 00:27:06,875 DONALD, PLEASE. 427 00:27:14,049 --> 00:27:16,284 HERE IIS. 428 00:27:16,284 --> 00:27:19,554 [lock rattles] 429 00:27:29,964 --> 00:27:32,767 HE'S NOT HERE. 430 00:27:32,801 --> 00:27:35,053 WHERE IS HE? 431 00:27:35,103 --> 00:27:36,738 WHERE IS HE? 432 00:27:36,771 --> 00:27:39,924 [dramatic music] 433 00:27:48,016 --> 00:27:51,986 WE DESIGNED THIS ROOM JUST FOR YOU. 434 00:27:52,020 --> 00:27:53,855 YOU MUST STAY HERE 435 00:27:53,888 --> 00:27:57,859 AND WAIT FOR US TO RETURN AND GET YOU. 436 00:27:57,892 --> 00:28:01,896 OH, FOR US, IT COULD BE QUITE A LONG TIME, BUT... 437 00:28:01,930 --> 00:28:06,835 R YOU, IT WILL SEEM LIKE NO TIME AT ALL. 438 00:28:11,373 --> 00:28:15,043 [laughs gently] 439 00:28:26,354 --> 00:28:29,357 NOW YOU SEE WHERE WE'VE KEPT HIM. 440 00:28:29,391 --> 00:28:31,993 TO UNDERSTAND HIS PURPOSE, 441 00:28:32,026 --> 00:28:33,795 REFER TO TAPEIGHT. 442 00:28:33,828 --> 00:28:36,664 (Olivia) YOU DEFINITELY LEFT HIM HERE. 443 00:28:37,732 --> 00:28:40,101 MAYBE NALD MOVED HIM. 444 00:28:40,185 --> 00:28:42,737 ITHA BE 20 YEARS. 445 00:28:42,771 --> 00:28:44,372 (Peter) WALTER... 446 00:28:44,406 --> 00:28:47,208 I THINK THIS IS A PORTABLE AIR-DEGRADATION UNIT. 447 00:28:47,242 --> 00:28:49,377 (Olivia) SO HE-- HE WAS AN OBSERVER. 448 00:28:49,411 --> 00:28:53,598 WHAT DIFFERENCE DOES IT MAKE? 449 00:28:53,648 --> 00:28:55,116 HE'S GONE. 450 00:28:55,150 --> 00:28:57,385 DO YOUNDSTAND? 451 00:28:57,419 --> 00:28:59,921 HE WAS A PART OF THE PLAN SOMEHOW. 452 00:28:59,954 --> 00:29:01,456 AND WITHOUT ALL THE PARTS, 453 00:29:03,391 --> 00:29:05,059 WALTER, CALM DOWN. NO, THE PLAN IS UIT'S TOO LATE! 454 00:29:05,093 --> 00:29:06,828 [panting] 455 00:29:06,861 --> 00:29:08,263 THEY MUST HAVE GOTN THIS OUT OF MY MIND. 456 00:29:08,296 --> 00:29:10,115 WINDMARK! 457 00:29:10,181 --> 00:29:14,836 HE MUST HAVE FOUND THE BOY! 458 00:29:14,869 --> 00:29:19,607 EVERYTHING WE'VE DONE IS FOR NOTHING! 459 00:29:19,641 --> 00:29:22,677 [weakly] IT'S FOR NOTHING. 460 00:29:22,710 --> 00:29:25,647 WALTER? 461 00:29:59,914 --> 00:30:03,818 SEARCH PARAMETERS REMAIN THE SAME. 462 00:30:03,852 --> 00:30:06,454 BUILDING TO BUILDING... 463 00:30:06,488 --> 00:30:08,623 DOOR TO DOOR. 464 00:30:08,656 --> 00:30:10,792 LET'S GO. COME WITH ME. 465 00:30:10,825 --> 00:30:14,863 (Peter) THERE YOU ARE. 466 00:30:22,003 --> 00:30:25,139 IF THEBSERVERS HAD KNOWN ABOUT THIS POCKET, 467 00:30:25,173 --> 00:30:28,610 THEY WOULD HAVE SHUT IT DOWNA . 468 00:30:30,979 --> 00:30:32,514 THE ONLY PERSON OTHER THAN YOU 469 00:30:32,547 --> 00:30:34,849 THATNETHIS PLACE EXISTED AND HOW TO NAVIGATE IT 470 00:30:34,883 --> 00:30:36,451 IS DONALD. 471 00:30:40,388 --> 00:30:44,058 THAT MAKES SENSE. 472 00:30:44,092 --> 00:30:46,427 BUT WHY WOULD HE MOVE THE BOY? 473 00:30:49,197 --> 00:30:50,765 I DON'T KNOW. 474 00:30:50,798 --> 00:30:53,518 MAYBE HE THINKS YOU'RE DEAD. 475 00:30:53,568 --> 00:30:55,737 WE WERE MISSING FOR A LONG TIME. 476 00:30:55,770 --> 00:30:59,340 AND YOU HAVE NO IDEA WHO DONALD IS, 477 00:30:59,374 --> 00:31:02,777 WHERE YOU MET HIM, NOTHING? 478 00:31:02,810 --> 00:31:05,914 NO. 479 00:31:05,947 --> 00:31:07,415 WE HAVE TO FIND HIM. 480 00:31:07,432 --> 00:31:09,350 DONALD. WHOEVER IS. 481 00:31:09,384 --> 00:31:11,519 IT'S THE ONLY WAY WE'LL EVER KNOW FOSURE. 482 00:31:13,955 --> 00:31:15,089 WALT, PETER? 483 00:31:15,123 --> 00:31:19,160 I THINKI'VE GOT SOMETHING. 484 00:31:23,731 --> 00:31:25,533 (Olivia) IT'S NOT THERE. 485 00:31:25,567 --> 00:31:27,735 DID YOU SEE THIS RADIO ANYWHERE IN THAT ROOM? 486 00:31:27,769 --> 00:31:29,304 NO. NO. 487 00:31:29,304 --> 00:31:31,806 I THINK WHOEVER TOOK THE BOY LEFT THIS BEHIND. 488 00:31:31,839 --> 00:31:34,676 PURPOSELY? MM-HMM. 489 00:31:36,811 --> 00:31:39,080 BATTERIES MUST BE DEAD. 490 00:31:39,113 --> 00:31:42,083 OR IT DOESN'T WORK IN THIS POCKET. 491 00:31:42,116 --> 00:31:45,153 LIKE THE VIDEO CAMERA, THINGS WORK DIFFERENTLY HERE. 492 00:31:45,186 --> 00:31:46,921 SO ONCE WE GET IT OUTSIDE... (Walter) OF COURSE. 493 00:31:46,955 --> 00:31:48,590 THAT'S BRILLIANT, IVIA. 494 00:31:48,623 --> 00:31:53,261 AND PERHAPS IT WILL SOMEHOW HELP US GET TO DONALD. 495 00:31:54,495 --> 00:31:55,830 ASSUMING HE'S STILL ALIVE. 496 00:31:55,830 --> 00:31:57,265 SO SHOULD WE GET OUT OF HERE? 497 00:31:57,298 --> 00:32:00,969 PLEASE. 498 00:32:14,983 --> 00:32:17,151 OH, COME ON, GUYS. 499 00:32:17,185 --> 00:32:19,320 OH 500 00:32:30,765 --> 00:32:33,968 [dramatic music] 501 00:32:34,002 --> 00:32:42,243 ♪ ♪ 502 00:32:47,015 --> 00:32:51,653 [grunts] 503 00:32:51,686 --> 00:32:53,421 WALTER, WE HAVE TO MOVE. 504 00:33:01,796 --> 00:33:02,830 BACK DOWN THE STAIRS. 505 00:33:02,847 --> 00:33:04,866 GO. GO! 506 00:33:07,635 --> 00:33:08,936 (Peter) STOP. 507 00:33:08,970 --> 00:33:12,674 THIS WAY. 508 00:33:33,761 --> 00:33:34,729 THAT'S IT. 509 00:33:34,762 --> 00:33:38,533 YOU FOUND IT, PETER. 510 00:33:46,374 --> 00:33:51,279 (Peter) OLIVIA, CROSS RIGHT HERE. 511 00:33:51,312 --> 00:33:55,550 [grunts] [screams] 512 00:33:55,583 --> 00:33:59,587 [grunting] 513 00:33:59,620 --> 00:34:02,990 [gun clicking] 514 00:34:03,024 --> 00:34:05,560 [gunshot] 515 00:34:05,593 --> 00:34:09,597 (Peter) YOU OKAY? 516 00:34:09,630 --> 00:34:12,366 YEAH. 517 00:34:20,608 --> 00:34:23,911 [gunshot] 518 00:34:26,948 --> 00:34:28,783 [gunshots] 519 00:34:38,159 --> 00:34:40,094 [gunshots] 520 00:34:40,128 --> 00:34:41,596 OLIVIA, MOVE. 521 00:34:41,629 --> 00:34:43,865 THERE'S NO TIME. GET WALTER OUT OF HERE. 522 00:34:43,898 --> 00:34:46,534 I'LL DRAW THEM OFF AND MEET YOU AT THE MONORAIL. 523 00:34:46,567 --> 00:34:49,203 GO! 524 00:34:49,237 --> 00:34:51,873 [gunshot] OH! 525 00:34:55,610 --> 00:34:56,778 (Peter) [grunts] 526 00:34:56,811 --> 00:34:59,247 [sighs] 527 00:34:59,280 --> 00:35:03,718 [grunting] 528 00:35:46,594 --> 00:35:49,931 I KNOW WHAT YOU HAVE DONE. 529 00:35:53,467 --> 00:35:56,470 YOU HAVE MADE A GRAVE MISTAKE. 530 00:35:56,504 --> 00:35:59,674 YOU DO NOT REALIZE WHAT IS HAPPENING TO YOU. 531 00:36:26,667 --> 00:36:27,702 THEY USUALLY HAVE A-- 532 00:36:27,735 --> 00:36:29,704 THE DOORS ARE CLOSING. 533 00:36:29,737 --> 00:36:31,205 [indistinct chatter] 534 00:36:31,239 --> 00:36:32,807 YEAH, I THINK THAT'LL WORK, THANK YOU. 535 00:36:32,840 --> 00:36:34,909 OH, THAT'S MINE. 536 00:36:34,942 --> 00:36:36,043 (woman over P.A.) CLEAR THE WALKWAY. 537 00:36:36,077 --> 00:36:37,011 WALTER, HE'S NOT COMING. 538 00:36:37,044 --> 00:36:39,847 WE GOT TO GO BACK FOR HIM. 539 00:36:41,382 --> 00:36:43,484 PETER. 540 00:36:46,704 --> 00:36:47,688 HOW'D YOU DO THAT? 541 00:36:47,722 --> 00:36:49,156 DO WHAT? 542 00:36:49,190 --> 00:36:51,225 GET US OUT OF THERE? 543 00:36:51,259 --> 00:36:55,096 HOW'D YOU FIND YOUR WAY BACK TO THE PORTAL? 544 00:36:55,129 --> 00:36:57,265 I DON'T KNOW, BUT I'LL TAKE IT. 545 00:36:57,298 --> 00:37:02,103 (woman over P.A.) PLEASE TAKE YOUR SEATS. 546 00:37:02,136 --> 00:37:05,840 [passengers murmuring] 547 00:37:22,423 --> 00:37:24,292 WHAT'S WRONG? 548 00:37:24,325 --> 00:37:27,695 (Olivia) THIS RADIO WAS LEFT FOR US IN THE POCKET UNIVERSE. 549 00:37:27,728 --> 00:37:30,665 LOOK, THE TUNING DIAL HAS BEEN JAMMED. 550 00:37:30,698 --> 00:37:33,034 IT'S, LIKE, STUCK ON ONE FREQUENCY. 551 00:37:33,067 --> 00:37:34,869 WHY? 552 00:37:34,902 --> 00:37:38,005 NOTHING'S BEING TRANSMITTED. 553 00:37:38,039 --> 00:37:42,276 NOT YET. 554 00:37:48,115 --> 00:37:51,786 YOU OKAY, WALTER? 555 00:37:54,288 --> 00:37:57,625 I CAN'T STOP THINKING ABOUT THAT MAN. 556 00:38:01,696 --> 00:38:07,401 ALL HE WANTED WAS TO GET OUT OF THERE. 557 00:38:07,435 --> 00:38:11,339 AND I DIDN'T HELP HIM. 558 00:38:11,372 --> 00:38:15,209 I DIDN'T CARE ABOUT HIM. 559 00:38:15,242 --> 00:38:17,445 ALL I CARED ABOUT-- 560 00:38:17,478 --> 00:38:21,048 SAVING THE WORLD. 561 00:38:21,082 --> 00:38:23,584 WALTER. 562 00:38:23,617 --> 00:38:28,389 YOU ARE NOT RESPONSIBLE FOR THAT MAN'S DEATH. 563 00:38:28,422 --> 00:38:31,993 HE DIED 20 YEARS AGO, 564 00:38:32,026 --> 00:38:33,728 THE NIGHT HE BROKE INTO THAT APARTMENT 565 00:38:33,761 --> 00:38:37,031 AND THE LIGHT BOMB WENT OFF. 566 00:38:37,064 --> 00:38:39,633 IF IT WASN'T FOR YOUR POCKET, 567 00:38:39,667 --> 00:38:42,036 HE WOULD HAVE DIED THEN AND THERE. 568 00:38:42,069 --> 00:38:46,007 PERHAPS. 569 00:38:46,040 --> 00:38:50,011 I SAW A MAN... 570 00:38:50,044 --> 00:38:54,115 HALF-STARVED. 571 00:38:54,148 --> 00:38:56,951 AND I USED HIM 572 00:38:56,984 --> 00:39:01,722 BECAUSE IT SUITED ME. 573 00:39:01,756 --> 00:39:05,192 BECAUSE HE WAS NOTHING MORE 574 00:39:05,226 --> 00:39:08,596 THAN AN ACCEPTABLE LOSS 575 00:39:08,629 --> 00:39:11,832 AS LONG AS I GOT WHAT I NEEDED. 576 00:39:17,104 --> 00:39:20,875 IS THAT WHO I AM, PETER? 577 00:39:22,710 --> 00:39:26,814 IS THAT SOMETHING YOU CAN SEE 578 00:39:26,847 --> 00:39:29,150 COMING FROM MY MIND? 579 00:39:29,183 --> 00:39:32,820 FROM MY HEART? 580 00:39:32,853 --> 00:39:35,956 AM I THE PERSON THAT WOULD... 581 00:39:35,990 --> 00:39:37,892 LEAVE IN THE MIDDLE OF THE NIGHT 582 00:39:37,925 --> 00:39:40,461 ON HIS OWN? WALTER. 583 00:39:40,494 --> 00:39:44,665 THOSE ARE THE ACTIONS OF A MAN OF HUBRIS, ARROGANCE. 584 00:39:44,698 --> 00:39:48,035 AND THAT'S NOT ME, PETER. 585 00:39:48,069 --> 00:39:49,703 IT'S HIM. 586 00:39:49,737 --> 00:39:54,608 HIM? 587 00:39:54,642 --> 00:39:57,211 DON'T YOU SEE? 588 00:39:59,780 --> 00:40:03,684 I'M NOT SAFE. 589 00:40:12,059 --> 00:40:16,931 IT'S MY MIND. 590 00:40:16,964 --> 00:40:19,200 EVER SINCE THE PIECES OF MY BRAIN 591 00:40:19,233 --> 00:40:23,804 WERE REIMPLANTED, 592 00:40:23,838 --> 00:40:28,809 IT'S BEEN CHANGING...ME... 593 00:40:30,878 --> 00:40:34,682 BACK INTO THE MAN I WAS BEFORE. 594 00:40:34,715 --> 00:40:38,085 BIT BY BIT. 595 00:40:38,119 --> 00:40:42,690 I'M LOSING MYSELF, PETE. 596 00:40:42,723 --> 00:40:48,129 I'M LOSING THE MAN THAT YOU HELPED ME BECOME. 597 00:40:48,162 --> 00:40:51,332 LISTEN TO ME. 598 00:40:51,365 --> 00:40:55,936 I'M NOT GONNA LET THAT HAPPEN. 599 00:40:55,970 --> 00:40:59,406 WE NEED YOU. 600 00:40:59,440 --> 00:41:03,144 YOU ARE OUR ONLY HOPE TO DEFEAT THE OBSERVERS. 601 00:41:05,880 --> 00:41:07,581 AND I'M GONNA BE HERE WITH YOU, 602 00:41:07,615 --> 00:41:12,319 EVERY STEP OF THE WAY. 603 00:41:12,353 --> 00:41:15,656 PLEASE, SON, 604 00:41:15,673 --> 00:41:20,794 WHATEVER HAPPENS, 605 00:41:20,828 --> 00:41:25,966 DON'T LET ME GO. 606 00:41:28,369 --> 00:41:31,972 I WON'T, DAD. 607 00:41:32,006 --> 00:41:35,509 I PROMISE. 608 00:41:56,197 --> 00:41:59,066 [foreboding music] 609 00:41:59,099 --> 00:41:59,066 ♪ ♪