1
00:00:01,785 --> 00:00:03,186
THE ORIGINAL FRINGE TEAM
DIDN'T VANISH.

2
00:00:03,219 --> 00:00:04,554
THEY AREN'T MISSING.

3
00:00:04,587 --> 00:00:05,889
YOU'RE RIGHT.
THEY'RE IN AMBER.

4
00:00:05,922 --> 00:00:07,257
PREVIOUSLY, ON <i>FRINGE...</i>

5
00:00:08,692 --> 00:00:10,093
OLIVIA!

6
00:00:10,126 --> 00:00:12,228
[gasping]
OLIVIA, BREATHE.

7
00:00:12,262 --> 00:00:14,731
YOU'RE IN THE YEAR 2036.

8
00:00:14,764 --> 00:00:16,499
I WANT YOU TO MEET ETTA.

9
00:00:16,533 --> 00:00:18,501
HI, MAMA.

10
00:00:21,504 --> 00:00:24,340
WHERE'S WALTER?

11
00:00:24,374 --> 00:00:25,675
DON'T MOVE!

12
00:00:25,709 --> 00:00:28,611
WHO FREED YOU ANYO TEAM
FROM THE AMBER?

13
00:00:28,645 --> 00:00:29,746
[ah-choo]

14
00:00:29,779 --> 00:00:32,649
WHAT PLAN...

15
00:00:32,682 --> 00:00:34,317
TO DEFEAT US?

16
00:00:34,350 --> 00:00:37,987
(computer)
AIR CONTROL MALFUNCTION.

17
00:00:39,889 --> 00:00:41,057
WALTER!

18
00:00:41,091 --> 00:00:43,777
WALTER, DO YOU
RECOGNIZE THIS?

19
00:00:43,827 --> 00:00:45,061
IT'S MEANT TO COLLECT
AND MAKE SENSE

20
00:00:45,095 --> 00:00:46,996
OF THE SCRAMBLED PLAN
IN YR ND.

21
00:00:47,030 --> 00:00:49,632
WHATLAN?

22
00:00:54,504 --> 00:00:58,007
<i>(Peter)</i>
<i>YOU KNOW, I THINK THAT I WOULD BE HAPPY</i>

23
00:00:58,041 --> 00:00:59,676
<i>TO STAY HERE</i>

24
00:00:59,709 --> 00:01:01,478
FOR THE REST
OF MY LIFE.

25
00:01:01,511 --> 00:01:04,848
[chuckles]

26
00:01:07,016 --> 00:01:09,219
WE SHOULD PROBABLY
GET HER HOME SOON,

27
00:01:09,252 --> 00:01:11,721
GET HER INTO A BATH,

28
00:01:11,755 --> 00:01:14,524
WHICH IS NEVER EASY.

29
00:01:14,557 --> 00:01:15,725
I NOMINATE YOU
FOR THAT ONE.

30
00:01:15,759 --> 00:01:17,627
ETTA.

31
00:01:17,660 --> 00:01:21,798
<i>COME ON, KIDDO.</i>
<i>IT'S TIME TO GO HOME.</i>

32
00:01:23,066 --> 00:01:24,200
[rumbling]

33
00:01:24,234 --> 00:01:26,402
[people screaming]

34
00:01:26,436 --> 00:01:28,404
<i>(man)</i>
<i>COME ON!</i>

35
00:01:28,438 --> 00:01:31,040
<i>(woman)</i>
<i>STAY IN THE CAR, RIGHT NOW!</i>

36
00:01:31,074 --> 00:01:32,108
<i>WE GOTTA GO--GRAB HER!</i>

37
00:01:32,142 --> 00:01:34,444
<i>HURRY! COME ON!</i>
<i>HURRY!</i>

38
00:01:34,477 --> 00:01:35,478
<i>(woman)</i>
<i>GRAB HER FOR ME!</i>

39
00:01:35,512 --> 00:01:37,580
<i>(Peter)</i>
<i>ETTA!</i>

40
00:01:37,614 --> 00:01:40,183
<i>ETTA, COME HERE NOW!</i>
[overlapping shouting]

41
00:01:40,216 --> 00:01:42,118
<i>(woman)</i>
<i>I GOT HER! (man) OVER THERE!</i>

42
00:01:42,152 --> 00:01:44,187
<i>COME ON!</i>
<i>[shouting continues]</i>

43
00:01:46,189 --> 00:01:49,492
[background chatter]

44
00:01:53,763 --> 00:01:54,731
WHAT HAPPENED?

45
00:01:54,764 --> 00:01:55,832
YOU WERE CAUGHT IN A BLAST.

46
00:01:55,865 --> 00:01:58,434
<i>YOU'RE SAFE NOW.</i>

47
00:01:58,468 --> 00:02:00,170
<i>(Peter)</i>
<i>SHE WAS A... LITTLE GIRL.</i>

48
00:02:00,203 --> 00:02:02,639
PETER?
I'M SORRY. NO CLDN WERE BROUGHT IN.

49
00:02:02,672 --> 00:02:04,073
<i>THAT CAN'T BE RIGHT.</i>

50
00:02:04,107 --> 00:02:05,475
<i>SHE WAS STANDING</i>
<i>RIGHT IN FRONT OF ME.</i>

51
00:02:05,508 --> 00:02:08,077
PEOPLE ARE LOST
ALL OVER THE CITY.

52
00:02:08,111 --> 00:02:10,380
SHE'S AROUND HERE SOMEPLACE.
WHERE ARE THEYAKG THE KIDS?

53
00:02:10,413 --> 00:02:12,782
<i>ETTA! ETTA!</i>
PETER!

54
00:02:12,816 --> 00:02:15,385
[gasps]

55
00:02:18,188 --> 00:02:21,374
YOU'RE OKAY.

56
00:02:23,860 --> 00:02:26,763
YOU WERE DREAMING
ABOUT HER?

57
00:02:26,779 --> 00:02:30,600
YOU SAID HER NAME.

58
00:02:32,869 --> 00:02:35,205
I'M STILL TREMBLING.

59
00:02:35,238 --> 00:02:39,576
FOR US, IT'S LIKE IT ALL JUST
HAPPENED A COUPLE OF MONTHS AGO.

60
00:02:39,609 --> 00:02:41,277
BUT IT DIDN'T.

61
00:02:43,947 --> 00:02:47,951
SHE'S HERE,
AND WE'RE HERE.

62
00:02:47,984 --> 00:02:50,086
WE'RE OKAY NOW.

63
00:03:06,035 --> 00:03:08,304
[faucet shuts off]

64
00:03:26,723 --> 00:03:27,957
[door shuts]

65
00:03:29,125 --> 00:03:30,860
GOOD MORNING.

66
00:03:30,894 --> 00:03:31,995
NOT FOR WALTER.

67
00:03:32,028 --> 00:03:33,229
SOMETHING'S WRONG.

68
00:03:33,263 --> 00:03:34,464
WHY?
WHAT'S UP?

69
00:03:34,497 --> 00:03:35,632
NOT THE THING WORKING

70
00:03:35,665 --> 00:03:36,766
CAN'T IT'S NOT.

71
00:03:36,799 --> 00:03:37,967
THE THOUGHT UNIFIER'S

72
00:03:38,001 --> 00:03:39,068
HAVING ADVERSE EFFECTS.

73
00:03:39,102 --> 00:03:40,737
HE'S TALKING
OUT OF SEQUENCE.

74
00:03:40,770 --> 00:03:43,873
TWO HOURS AGO
THE CHRISTMAS TREE MACY'S SALE

75
00:03:43,907 --> 00:03:45,808
TO HAVE A NAP.
GET THAT THING OFF OF HIM.

76
00:03:45,842 --> 00:03:47,710
OKAY.

77
00:03:49,712 --> 00:03:51,514
I'M NOT AN AMATEUR, PETER.

78
00:03:51,547 --> 00:03:54,284
I NEED THIS CONTRAPTION
IF I AM TO RETRIEVE

79
00:03:54,317 --> 00:03:56,486
THE PLAN TO DEFEAT
THE OBSERVERS

80
00:03:56,519 --> 00:03:58,221
FROM THE DEPTHS
OF MY MEMORY.

81
00:03:58,254 --> 00:04:00,023
WE DON'T KNOW IF THERE'S
ANYTHING LEFT TO RETRIEVE,

82
00:04:00,056 --> 00:04:02,058
AND WE DON'T KNOW
WHAT THAT THING IS DOING TO YOU.

83
00:04:05,528 --> 00:04:09,465
[speaks in Swedish]

84
00:04:11,567 --> 00:04:12,835
SWEDISH?

85
00:04:12,869 --> 00:04:15,672
HE WAS SPEAKING PORTUGUESE
EARLIER.

86
00:04:15,705 --> 00:04:17,640
GOOD MORNING.

87
00:04:17,674 --> 00:04:20,209
I HOPE THE FLOOR
WASN'T TOO BAD.

88
00:04:20,243 --> 00:04:23,579
OH, NO, SLEPT WELL.
THANK YOU.

89
00:04:23,613 --> 00:04:26,316
THANKS.

90
00:04:28,418 --> 00:04:29,385
SO HOW'S IT COMING?

91
00:04:29,419 --> 00:04:31,020
SO FAR WE KNOW THAT,

92
00:04:31,054 --> 00:04:32,655
AT SOME POINT IN THE PAST,
WALTER KNEW

93
00:04:32,689 --> 00:04:34,123
BOTH PORTUGUESE
AND SWEDISH.

94
00:04:34,157 --> 00:04:37,193
<i>OTHER THAN THAT,</i>
<i>NOTHING.</i>

95
00:04:39,762 --> 00:04:43,700
WALTER,
YOU'VE ALWAYS DOCUMENTED THINGS.

96
00:04:43,733 --> 00:04:45,468
SO ARE YOU ABSOLUTELY SURE

97
00:04:45,501 --> 00:04:48,638
THAT YOU DIDN'T WRITE
ANYTHING DOWN?

98
00:04:48,671 --> 00:04:51,107
I CAN'T REMEMBER,
BUT ANYTHING'S POSSIBLE.

99
00:04:51,140 --> 00:04:53,209
EVEN IF THERE WERE FILES,

100
00:04:53,242 --> 00:04:54,377
YOU CAN'T GO BACK
TO HARVARD.

101
00:04:54,410 --> 00:04:55,611
WE CAN'T GET IN.

102
00:04:55,645 --> 00:04:57,780
WHY NOT?

103
00:04:57,814 --> 00:05:01,718
IT WAS TAKEN OVER
BY OBSERVERS FIVE YEARS AGO.

104
00:05:01,751 --> 00:05:05,521
SOME KIND OF BASE OR...
NO ONE KNOWS EXACTLY.

105
00:05:05,555 --> 00:05:07,924
THE ENTIRE FOUR-MILE RADIUS
IS A NO-GO ZONE.

106
00:05:07,957 --> 00:05:09,792
WHAT'S WRONG?
WHY CAN'T WE GET INTO HARVARD?

107
00:05:09,826 --> 00:05:11,794
IT'S BEEN TAKEN OVER
BY OBSERVERS, WALTER.

108
00:05:11,828 --> 00:05:14,964
WELL, AT'S NOT A PROBLEM
FOR SOMEONE

109
00:05:14,998 --> 00:05:17,900
WHO'S DONE ACID.

110
00:05:17,934 --> 00:05:19,469
SO ARE THESE BARRIERS

111
00:05:19,502 --> 00:05:21,337
<i>AROUND WALTER'S LAB</i>
<i>CHECKPOINTS?</i>

112
00:05:21,371 --> 00:05:23,473
YEAH. NO ONE GETS IN
WITHOUT PAPERWORK.

113
00:05:23,506 --> 00:05:24,907
TUNNELS.

114
00:05:24,941 --> 00:05:27,110
WE DON'T HE TIME
TO DIG TNELS, WALTER,

115
00:05:27,143 --> 00:05:28,461
OR THE MANPOWER.

116
00:05:28,511 --> 00:05:29,645
WE DON'T HAVE TO DIG THEM.

117
00:05:29,679 --> 00:05:31,848
THEY'RE ALREADY THERE.

118
00:05:31,881 --> 00:05:33,649
STEAM TUNNELS.

119
00:05:36,419 --> 00:05:39,088
RIGHT BENEATH US,
2 1/4 MILES

120
00:05:39,122 --> 00:05:41,324
OF TUNNELS THAT HOUSE
THE STEAM PIPES

121
00:05:41,357 --> 00:05:43,126
THAT HEAT HARVARD.

122
00:05:43,159 --> 00:05:45,461
THEY STRETCH FROM THE CAMBRIDGE
ELECTRIC COMPANY PLANT

123
00:05:45,495 --> 00:05:48,331
ON WESTERN AVENUE,
TO SOLDIERS FIELD,

124
00:05:48,364 --> 00:05:49,832
TO THE LAW SCHOOL,
TO THE SCIENCE LABS.

125
00:05:49,866 --> 00:05:52,101
<i>THEY MADE SURE THE ENTRANCES</i>
<i>WERE WELL-HIDDEN.</i>

126
00:05:52,135 --> 00:05:55,405
<i>FEW HAVE SEEN</i>
<i>THE MYSTERIOUS PASSAGEWAYS.</i>

127
00:05:58,408 --> 00:06:01,310
PETER.

128
00:06:07,450 --> 00:06:10,153
YAHTZEE.

129
00:06:32,825 --> 00:06:33,926
<i>(guard)</i>
<i>YOUR PAPERS ARE IN ORDER.</i>

130
00:06:33,960 --> 00:06:35,027
PLEASE PROCEED.

131
00:06:35,061 --> 00:06:37,330
[background chatter]

132
00:06:40,032 --> 00:06:42,168
THE TEMPERATURE
IN THE TUNNELS

133
00:06:42,201 --> 00:06:44,170
USUALLY HOVERS
AROUND 100 DEGREES,

134
00:06:44,203 --> 00:06:46,272
SOMETIMES AS HIGH AS 120.

135
00:06:46,305 --> 00:06:48,808
YOU MIGHT WANT
TOAKE THAT COAT OFF, DEAR.

136
00:06:48,841 --> 00:06:50,843
SOMETIMES LLAND I
WOULD WEAR SWIM TRUNKS

137
00:06:50,877 --> 00:06:52,712
AND SPEEDOS.
[clanking]

138
00:06:52,745 --> 00:06:55,081
WHAT WAS THAT?

139
00:06:55,114 --> 00:06:57,750
[clanking]

140
00:06:57,784 --> 00:07:00,686
QUICK, OUT OF THE WAY!

141
00:07:06,392 --> 00:07:09,028
HEY.
I'VE BEEN LOOKING FOR YOU.

142
00:07:09,061 --> 00:07:11,063
THIS WAY.

143
00:07:53,723 --> 00:07:55,475
OH, MY.

144
00:07:59,378 --> 00:08:01,681
I MUST HAVE AMBERED IT.

145
00:08:02,782 --> 00:08:04,517
WHY?

146
00:08:04,550 --> 00:08:07,436
TO PROTECT IT,
I IMAGINE.

147
00:08:19,232 --> 00:08:21,400
WHAT IS IT?

148
00:08:21,434 --> 00:08:23,269
<i>(Walter)</i>
<i>IT'S MY BETAMAX RECORDER</i>

149
00:08:23,302 --> 00:08:25,705
<i>ON A TRIPOD.</i>

150
00:08:25,738 --> 00:08:28,407
LOOK WHERE IT'S STANDING.

151
00:08:28,441 --> 00:08:33,779
<i>LOOK AT THE BLAST PATTERN.</i>

152
00:08:33,813 --> 00:08:35,948
THIS IS THE AMBER POINT
OF ORIGIN.

153
00:08:35,982 --> 00:08:38,451
I MUST HAVE BEEN STANDING
RIGHT HERE

154
00:08:38,484 --> 00:08:41,387
WHEN I AMBERED
THIS LAB.

155
00:08:43,222 --> 00:08:45,124
I DON'T THINK
I WROTE ANYTHING DOWN.

156
00:08:45,157 --> 00:08:47,560
I THINK I WAS MAKING
A VIDEO.

157
00:08:47,593 --> 00:08:49,829
<i>(Astrid)</i>
<i>THE QUESTION IS,</i>

158
00:08:49,862 --> 00:08:51,464
<i>IS THE TAPE STILL IN THERE?</i>

159
00:08:51,497 --> 00:08:55,001
THERE'S ONLY ONE WAY
TO FIND OUT.

160
00:08:56,536 --> 00:08:59,839
[chuckles]
WHEN DID I SWITCH TO GRAPE?

161
00:08:59,872 --> 00:09:03,309
[clatter]

162
00:09:14,387 --> 00:09:17,557
ON YOUR KNEES.

163
00:09:17,590 --> 00:09:19,258
<i>(guard)</i>
<i>WHO ARE YOPEOPLE?</i>

164
00:09:20,660 --> 00:09:22,762
<i>(Peter)</i>
<i>WHAT ARE YOU DOING HERE?</i>

165
00:09:22,795 --> 00:09:24,297
<i>(Etta)</i>
<i>HE'S A LOYALIST.</i>

166
00:09:24,330 --> 00:09:26,933
<i>HE'S NOT GONNA TELL US</i>
<i>ANYTHING.</i>

167
00:09:39,145 --> 00:09:41,280
GAEL MANFRETTI.

168
00:09:42,548 --> 00:09:44,717
NOTHING BUT BREAD CRUMBS.

169
00:09:44,750 --> 00:09:47,820
BAIES FEED YOU WELL,
GAEL?

170
00:09:47,853 --> 00:09:50,723
<i>(Peter)</i>
<i>MAYBE THIS WAS PART OF HIS PATROL.</i>

171
00:09:50,756 --> 00:09:52,024
WHY WOULD HE HAVE COME HERE?

172
00:09:52,058 --> 00:09:53,492
I MEAN,
THE PLACE IS ABANDONED.

173
00:09:53,526 --> 00:09:55,461
FOR ALL WE KNOW,
WE TRIPPED SOME SILENT ALARM.

174
00:09:55,494 --> 00:09:57,196
EITHER WAY, SOMEONE'S
GONNA NOTICE HIM MISSING

175
00:09:57,229 --> 00:09:58,598
SOONER OR LATER.

176
00:09:58,631 --> 00:09:59,799
WE NEED TO STAY.

177
00:09:59,832 --> 00:10:01,500
IF THAT CAMERA'S THE KEY

178
00:10:01,534 --> 00:10:04,270
<i>TO HELPING WALTER REMEMBER,</i>
<i>WE HAVE TO GET IT.</i>

179
00:10:08,608 --> 00:10:10,376
I NEED THE LASER.

180
00:10:10,409 --> 00:10:11,544
<i>(Etta)</i>
<i>WHAT ABOUT THE DEVICE I USED</i>

181
00:10:11,577 --> 00:10:12,945
<i>TO FREE YOU WITH?</i>

182
00:10:12,979 --> 00:10:13,980
NO, IT WON'T WORK.

183
00:10:14,013 --> 00:10:15,448
THE AMBER'S TOO THICK.

184
00:10:15,481 --> 00:10:16,649
IT'LL PROBABLY PUSH
THE CAMERA FURTHER IN.

185
00:10:16,682 --> 00:10:17,933
I NEED A PROPER LASER.

186
00:10:20,252 --> 00:10:23,055
WHERE THERE'S A WILL,
COULTHERE'S A WAY.?

187
00:10:24,624 --> 00:10:27,259
THERE'S NO POWER.
AT ALL.

188
00:10:27,293 --> 00:10:29,996
ALL THE AMBERING
MUST HAVE BLOWN EVERYTHING.

189
00:10:30,029 --> 00:10:31,497
YEAH, WALTER, I THINK IT'S BLOWN
ALL THE WAY

190
00:10:31,530 --> 00:10:33,165
BACK TO THE CAMPUS SUBSTATION.

191
00:10:33,199 --> 00:10:35,001
WELL, A LASER NEEDS POWER,
PETER.

192
00:10:35,034 --> 00:10:37,336
THE SUBSTION'S IN THE BASEMENT
OF THE SCIENCE BUILDING.

193
00:10:37,370 --> 00:10:38,838
THAT'S THE ONLY WAY
WE'RE GONNA GET POWER.

194
00:10:38,871 --> 00:10:40,906
WE CAN GET THERE
USING THE TUNNELS.

195
00:10:40,940 --> 00:10:42,174
WELL, WAIT A MINUTE.
WE DON'T EVEN KNOW

196
00:10:42,208 --> 00:10:43,509
IF IT'S THE SCIENCE BUILDING
ANYMORE.

197
00:10:43,542 --> 00:10:45,478
WE HAVE NO IDEA
WHAT'S IN THERE

198
00:10:45,511 --> 00:10:47,980
<i>OR WHAT COULD BE WAITING</i>
<i>FOR US.</i>

199
00:10:48,014 --> 00:10:50,750
WE DON'T.
BUT HE DOES.

200
00:10:55,371 --> 00:10:58,991
I'M SURE
HE KNOWS PLENTY.

201
00:11:03,062 --> 00:11:05,264
YOU DON'T SEEM
TO TALK MUCH.

202
00:11:05,297 --> 00:11:07,900
I'M GONNA GIVE YOU
ONE MORE CHANCE.

203
00:11:07,933 --> 00:11:10,269
WHAT DO YOU KNOW
ABOUT THE SCIENCE BUILDING?

204
00:11:12,405 --> 00:11:14,907
YOU'RE A REAL OPEN BOOK.

205
00:11:20,546 --> 00:11:24,450
IT'S OKAY.
I'M GOOD AT OPENING BOOKS.

206
00:11:27,286 --> 00:11:30,389
WHERE DID YOU GET THAT?

207
00:11:33,325 --> 00:11:36,629
IT'S NOT IMPORTANT.

208
00:11:36,662 --> 00:11:39,498
WHAT'S IMPORTANT

209
00:11:39,532 --> 00:11:42,468
ISHAT I HAVE IT.

210
00:11:54,080 --> 00:11:56,382
WHAT DO THEY USE
THE SCIENCE BUILDING FOR?

211
00:11:59,285 --> 00:12:01,787
[shrieks]

212
00:12:18,838 --> 00:12:21,674
I DON'T THINK YOU WANT
TO WASTE ANY MORE PRECIOUS TIME.

213
00:12:38,874 --> 00:12:40,826
CRITERION COLLECTION,   WALTER,
FIT'S JUST LASER DISC PLAYER.

214
00:12:40,876 --> 00:12:44,580
WE NEED THE LASER.

215
00:12:44,613 --> 00:12:47,450
PETER.
<i>NO, NO.</i>

216
00:12:47,483 --> 00:12:51,587
NO, IT SHOULD BE ME.

217
00:12:53,656 --> 00:12:56,559
[chuckles]

218
00:12:59,995 --> 00:13:02,765
WALTER, I DON'T THINK
THIS LASER DISC TUBE

219
00:13:02,798 --> 00:13:04,500
CAN GENERATE ENOUGH POWER.

220
00:13:04,533 --> 00:13:07,236
<i>WE NEED A BETTER GAIN RATIO.</i>

221
00:13:08,871 --> 00:13:10,706
FLYING VERMIN.

222
00:13:10,739 --> 00:13:12,241
YOU'D THINK
AFTER 21 YEARS

223
00:13:12,274 --> 00:13:13,375
THE OBSERVERS WOULD HAVE FOUND

224
00:13:13,409 --> 00:13:15,077
A WAY TO GET RID
OF THEM FIRST.

225
00:13:15,110 --> 00:13:18,347
<i>OR AT LEAST FOUND A USE</i>
<i>FOR THEM.</i>

226
00:13:18,380 --> 00:13:20,516
MAYBE FREEZE-DRY THEM
AND HAND THEM OUT

227
00:13:20,549 --> 00:13:23,519
TO THE POOR
AS SUSTENANCE.

228
00:13:23,552 --> 00:13:25,287
WE'RE GONNA NEED
A HELIUM-NEON MIX.

229
00:13:25,321 --> 00:13:26,589
THERE SHOULD BE ONE
OR TWO CANISTERS...

230
00:13:26,622 --> 00:13:28,424
IN THE STORAGE ROOM
OFF MY OFFICE.

231
00:13:28,457 --> 00:13:30,226
I'LL GET THEM.

232
00:13:30,259 --> 00:13:33,529
[whimpering, grunting]

233
00:13:39,168 --> 00:13:41,470
<i>(Etta)</i>
<i>I'M GONNA ASK YOU AGAIN.</i>

234
00:13:41,504 --> 00:13:44,540
WHAT DO WE NEED TO KNOW
ABOUT THE SCIENCE BUILDING?

235
00:13:46,642 --> 00:13:49,378
ETTA?

236
00:13:51,313 --> 00:13:53,082
WH ARE YOU DOING?

237
00:13:53,115 --> 00:13:54,783
IT'S CALLED AN ANGEL DEVICE.

238
00:13:54,817 --> 00:13:57,453
IT STIRS UP AND DESTABILIZES
EVERY ATOM IN HIS BODY.

239
00:13:57,486 --> 00:14:00,856
<i>FULL-CHARGE</i>
<i>STEALS AROUND 25, 30 YEARS.</i>

240
00:14:00,890 --> 00:14:03,893
BUT THIS IS A LONG WAY
FROM A FULL CHARGE.

241
00:14:05,961 --> 00:14:08,063
HE'S SO DISORIENTATED
BY THE PROCESS

242
00:14:08,097 --> 00:14:09,798
HE LOSES THEILL
TO LIE.

243
00:14:09,832 --> 00:14:11,433
<i>OR HE HOLDS OUT</i>
<i>UNTIL HIS HEART FAILS.</i>

244
00:14:11,467 --> 00:14:14,169
BUT MO OF THEM GIVE US
WHAT WE NEED TO KNOW.

245
00:14:18,641 --> 00:14:20,609
WHATRE YOU DOING?
AND IF TI'M GIVING HIM WATER.

246
00:14:20,643 --> 00:14:22,545
YOU WANT TO KILL HIM,
GO AHEAD.

247
00:14:22,578 --> 00:14:23,846
THAT'S HOW YOU'LL DO IT.

248
00:14:23,879 --> 00:14:25,114
HE CAN'T HAVE WATER YET.

249
00:14:25,147 --> 00:14:27,182
NOT FOR ANOTHER THREE HOURS.

250
00:14:31,453 --> 00:14:34,623
HE'S NOT WORTH
A SINGLE TEAR.

251
00:14:42,565 --> 00:14:45,467
LOYALISTS SELL OUT
THEIR OWN KIND LIKE RATS.

252
00:14:45,501 --> 00:14:48,837
I KNOW YOU JUST WOKE UP,

253
00:14:48,871 --> 00:14:50,673
BUT LOOK AROUND YOU, MOM.

254
00:14:50,706 --> 00:14:52,741
CAN'T YOU SEE
WHAT THE OBSERVERS HAVE BROUGHT?

255
00:14:52,775 --> 00:14:55,477
THIS IS WAR.

256
00:14:55,511 --> 00:14:58,581
AND WE'RE LOSING.

257
00:14:58,614 --> 00:15:01,050
<i>(Walte</i>
<i>ETTA!</i>

258
00:15:01,083 --> 00:15:03,052
I'LL BE GHT BACK.

259
00:15:03,085 --> 00:15:06,622
JUST DON'T GET TOO NEAR HIM.

260
00:15:18,300 --> 00:15:21,437
<i>WALTER, WHAT'S UP?</i>

261
00:15:23,339 --> 00:15:24,506
DON'T YOU WEAR
A NECKLACE?

262
00:15:24,540 --> 00:15:26,775
THE CLASP WAS LOOSE.

263
00:15:26,809 --> 00:15:29,578
I TOOK IT OFF
TO TRY TO FIX IT. WHY?

264
00:15:29,612 --> 00:15:31,680
THEN YOU WON'TIN
ME MELTING IT DOWN.

265
00:15:31,714 --> 00:15:35,484
DON'T WORRY. WE JUST NEED
THE SILVER FOR SOLDER.

266
00:15:41,657 --> 00:15:43,492
THANK YOU.

267
00:15:51,967 --> 00:15:53,602
HOW DO I LOOK?

268
00:15:53,636 --> 00:15:56,372
LIKE YOU'RE IN PAIN.

269
00:15:58,607 --> 00:16:01,343
<i>YOU KNOW, MY ABSENCE</i>
<i>WON'T GO UNNOTICED.</i>

270
00:16:01,377 --> 00:16:04,713
I DON'T BELIEVE THAT ANYBODY'S
COMING TO LOOK FOR YOU.

271
00:16:06,982 --> 00:16:09,018
SEE, I DON'T THINK
THAT YOU'RE HERE

272
00:16:09,051 --> 00:16:11,487
BECAUSE WE WERE SEEN
OR BECAUSE WE TRIGGERED

273
00:16:11,487 --> 00:16:12,921
SOME SORT OF ALERT.

274
00:16:12,955 --> 00:16:18,227
I THINK
THAT YOU CAME HERE

275
00:16:18,260 --> 00:16:20,195
TO FEED THE BIRDS.

276
00:16:29,204 --> 00:16:30,506
LOOK, I'M GUESSING YOU'RE
TO BE IN THIS BUILDING,S

277
00:16:30,539 --> 00:16:32,041
SO EVEN IF YOU ARE MISSED,

278
00:16:32,074 --> 00:16:37,046
THIS WOULD BE THE LAST PLACE
ANYBODY WOULD LOOK.

279
00:16:37,062 --> 00:16:40,983
YOU NEED TO TELL HER
WHAT SHE WANTS TO KNOW NOW.

280
00:16:41,083 --> 00:16:44,119
YOU NEED TO TELL HER
BEFORE YOU GET WORSE.

281
00:16:44,153 --> 00:16:47,423
YOU'VE ALREADY LOST YEARS
OF YOUR LIFE.

282
00:16:47,456 --> 00:16:50,993
NOW COME ON. YOU MUST HAVE
SOMETHING TO LIVE FOR.

283
00:16:53,128 --> 00:16:54,897
I'M TRYING
TO HELP YOU.

284
00:16:54,930 --> 00:16:56,532
YOU DON'T HAVE THE AUTHORITY
TO DO THAT.

285
00:16:56,565 --> 00:16:58,133
DO YOU?

286
00:16:58,167 --> 00:17:00,185
WELL, WHAT AUTHORITY
DO I NEED?

287
00:17:00,235 --> 00:17:01,837
YOU KNOW A LOYALIST
JUST DOESN'T WALK AWAY

288
00:17:01,870 --> 00:17:03,672
WHEN THEY'VE BEEN CAPTURED
BY THE RESISTANCE.

289
00:17:03,706 --> 00:17:05,741
HOW CAN YOU BE SO SURE?

290
00:17:09,078 --> 00:17:11,613
WHERE ARE YOU FROM?

291
00:17:11,647 --> 00:17:13,582
WHY?

292
00:17:18,020 --> 00:17:20,989
I'VE BEEN AROUND LOT LONGER NEW
THAN YOU MAY THINK. RESISTANCE.

293
00:17:30,566 --> 00:17:34,203
LOOK...

294
00:17:34,236 --> 00:17:36,271
I'M NOT GONNA SURVIVE THIS.

295
00:17:36,305 --> 00:17:38,440
AND I'M NOT AFRAID
TO DIE,

296
00:17:38,474 --> 00:17:41,777
SO I WILL TELL HER
WHAT SHE NEEDS TO KNOW

297
00:17:41,810 --> 00:17:47,416
IF YOU WILL GO
AND TELL MY SON

298
00:17:47,449 --> 00:17:50,919
I'M T COMING HOME...

299
00:17:50,953 --> 00:17:54,656
AND THAT I LOVED HIM
VERY MUCH.

300
00:17:54,690 --> 00:17:58,494
I DON'T WANT HIM
TO KEEP LOOKING FOME.

301
00:17:58,527 --> 00:18:03,298
I DON'T WANT HIM
HOPING HE'LL SEE ME AGAIN.

302
00:18:03,332 --> 00:18:06,401
I'VE SEEN THAT TOO MANY TIMES,
PEOPLE WAITING FOR PEOPLE

303
00:18:06,435 --> 00:18:10,839
WHO NEVER COME HOME.

304
00:18:10,873 --> 00:18:12,841
[door ens and shuts]

305
00:18:33,262 --> 00:18:36,298
EVERYONE HAS AN ACCESS CODE.

306
00:18:36,398 --> 00:18:38,367
<i>YOU CAN'T GET IN</i>
<i>WITHOUT ONE.</i>

307
00:18:38,383 --> 00:18:40,536
AND WHAT'S IN THE BUILDING?

308
00:18:40,569 --> 00:18:42,204
THE MAIN POWER GRID
IS STILL THERE.

309
00:18:42,237 --> 00:18:44,473
OTHER THAN THAT,
I DON'T KNOW.

310
00:18:44,506 --> 00:18:47,576
I DON'T GO
BELOW THE FIRST OOR.

311
00:18:47,609 --> 00:18:50,012
WE DON'T ASK.
RUMORS MAINLY.

312
00:18:50,045 --> 00:18:52,181
WHAT KIND OF RUMORS?
EXPERIMENTS.

313
00:18:52,214 --> 00:18:54,449
ON WHAT?

314
00:18:54,483 --> 00:18:56,518
ON EVERYTHING.

315
00:18:59,121 --> 00:19:01,890
MY ACCESS CODE

316
00:19:01,924 --> 00:19:03,692
IS A TWOART CODE.

317
00:19:03,725 --> 00:19:08,897
THE FIRST PART
IS 010567.

318
00:19:08,931 --> 00:19:10,532
AND THE SECOND PART?

319
00:19:10,566 --> 00:19:15,404
ME.

320
00:19:16,805 --> 00:19:20,042
CAN WE BEAT
AN OCULAR SCANNER?

321
00:19:20,075 --> 00:19:22,444
WE HAVE HIS CODE
TO ACCESS THE BUILDING,

322
00:19:22,477 --> 00:19:24,479
BUT THERE ARE SCANNERS
AT EVERY POINT.

323
00:19:24,479 --> 00:19:28,483
<i>(Peter)</i>
<i>WELL, THAT DIDN'T TAKE LONG.</i>

324
00:19:30,519 --> 00:19:33,589
WHAT'S WRONG?

325
00:19:33,622 --> 00:19:37,326
<i>(Peter)</i>
<i>WHERE DID THIS COME FROM?</i>

326
00:19:37,359 --> 00:19:38,427
BARBARIC.

327
00:19:38,443 --> 00:19:40,429
WHAT HAS THE WORLD COME TO?

328
00:19:40,462 --> 00:19:44,399
<i>HOW COULD THE RESISTANCE</i>
<i>CREA SUCH A DEVICE?</i>

329
00:19:44,433 --> 00:19:46,735
WE DIDN'T.
THLOYALISTS DID.

330
00:19:46,768 --> 00:19:48,737
IT'S OLD SECOND-GEN
OBSERVER TECH.

331
00:19:48,770 --> 00:19:51,373
IT WAS DESIGNED TO PREPARE
OBSERVERS FOR TIME TRAVEL.

332
00:19:51,406 --> 00:19:53,909
BUT, AS YOU CAN SEE,
THE LOYALISTS FIGURED OUT

333
00:19:53,942 --> 00:19:56,178
A NEW WAY TO USE IT
ON US.

334
00:19:56,211 --> 00:19:58,881
<i>NO REASON WE SHOULDN'T USE IT</i>
<i>ON THEM.</i>

335
00:19:58,914 --> 00:20:01,617
[whistles blow]

336
00:20:01,650 --> 00:20:07,656
[shouts,
vehicle approaching]

337
00:20:10,192 --> 00:20:11,293
IT'S JUST A TRANSPORT UCK.

338
00:20:11,293 --> 00:20:15,097
<i>WE'RE OKAY.</i>

339
00:20:15,130 --> 00:20:20,802
WELL, AS FAR
AS OCULAR SCANNERS GO, UCK.

340
00:20:20,836 --> 00:20:22,738
THE ONLY SUREFIRE WAY
IS TO BRING HIM WITH YOU.

341
00:20:22,771 --> 00:20:24,640
IT'S IMPOSSIBLE.
LOOK AT HIM.

342
00:20:26,708 --> 00:20:31,613
I'M GONNA LOOK
AT YOUR EYE.

343
00:20:36,985 --> 00:20:38,720
AND, IF YOU CAN'T BRING HIM
WITH YOU,

344
00:20:38,754 --> 00:20:40,856
THERE'S ONLY ONE WAY.
I AGREE.

345
00:20:40,889 --> 00:20:42,491
WALTER, YOU CAN'T.

346
00:20:42,524 --> 00:20:44,159
OF COURSE I CAN.

347
00:20:45,427 --> 00:20:47,129
RATHER EASILY
FT.

348
00:20:47,162 --> 00:20:51,300
ASTRIL, I'M GONNA NEED
A SHARP SCALPEL

349
00:20:51,333 --> 00:20:54,336
AND MY LONG-HANDLED
STAINLESS SPOON.

350
00:21:05,631 --> 00:21:08,767
[grunts]

351
00:21:08,800 --> 00:21:13,338
I'LL NEED ANOTHER.

352
00:21:13,372 --> 00:21:15,440
<i>PAY ATTENTION</i>
<i>TO THE TEXTURE.</i>

353
00:21:15,474 --> 00:21:18,477
<i>MAKE SURE IT'S SPONGY.</i>

354
00:21:18,510 --> 00:21:20,779
<i>YOU KNOW, THE VIETNAMESE</i>
<i>CONSIDER PIGS' EYES</i>

355
00:21:20,812 --> 00:21:22,714
TO BE A DELICACY.

356
00:21:22,748 --> 00:21:25,050
EVEN ONES THAT HAVE BEEN SITTING
IN FORMALDEHYDE

357
00:21:25,083 --> 00:21:27,252
FOR 20 YEARS?

358
00:21:32,424 --> 00:21:33,892
YES, THAT SHOULD DO NICELY.

359
00:21:33,925 --> 00:21:35,260
ARE YOU SURE
THIS WILL WORK, WALTER?

360
00:21:35,294 --> 00:21:37,696
"IN A PIG'S EYE."

361
00:21:37,729 --> 00:21:39,131
I WONDER WHAT THE ORIGIN
OF THAT TERM--

362
00:21:39,164 --> 00:21:41,199
WALTER.
[grunts]

363
00:21:41,233 --> 00:21:44,036
CERTAINLY. AN IRIS
IS LIKE A FINGERPRINT.

364
00:21:44,069 --> 00:21:45,837
EACH HAS
ITS OWN UNIQUE PATTERN.

365
00:21:45,871 --> 00:21:48,573
AND, IF WE CAN MIMIC
THAT PATTERN,

366
00:21:48,607 --> 00:21:49,941
WE CAN TRICK THE SCANNER

367
00:21:49,975 --> 00:21:52,411
INTO THINKING
THAT THIS PIG'S EYE

368
00:21:52,444 --> 00:21:56,715
IS OUR TATTOOED FRIEND THERE.

369
00:21:58,450 --> 00:22:02,487
THE WORLD HAS CHANGED
SO MUCH.

370
00:22:02,521 --> 00:22:06,091
IT CAN BE DIFFICULT
TO UNDERSTANIT.

371
00:22:10,696 --> 00:22:13,832
I'M NOT SURE I WANT
TO UNDERSTAND IT.

372
00:22:23,709 --> 00:22:24,743
NOT BAD.

373
00:22:24,776 --> 00:22:25,844
YEAH?

374
00:22:25,877 --> 00:22:27,179
YOU'RE NEXT.

375
00:22:27,212 --> 00:22:28,714
HOW'S HE DOING?

376
00:22:28,747 --> 00:22:30,749
HE'S GETTING THERE.

377
00:22:40,709 --> 00:22:43,895
THANK YOU.

378
00:22:43,929 --> 00:22:46,131
FOR WHAT?

379
00:22:46,164 --> 00:22:48,533
WHEN I SAID IT WAS LOGICAL
FOR ME

380
00:22:48,567 --> 00:22:50,736
TO GO TURN THE POWER ON
INSTEAD OF YOU.

381
00:22:50,769 --> 00:22:53,805
THAT I KNOW PROTOCOL
IF SOMETHING GOES OFF TRACK

382
00:22:53,839 --> 00:22:55,974
AND THAT PETER SHOULD GO
BECAUSE HE'S THE ENGINEER.

383
00:22:58,343 --> 00:23:01,913
I APPRECIATE
YOU RESPECTING MY EXPERIENCE.

384
00:23:01,947 --> 00:23:04,883
'CAUSE I KNOW
YOU'D RATHER IT BE YOU.

385
00:23:07,386 --> 00:23:10,655
I KNOW YOU LIKE
TO BE IN CONTROL.

386
00:23:10,689 --> 00:23:13,825
SO DO I.

387
00:23:26,671 --> 00:23:29,341
I DID MY BEST,
BUT IT HAS TO BE EXACT.

388
00:23:30,609 --> 00:23:32,377
WELL, IS THIS EXACT?

389
00:23:32,411 --> 00:23:36,081
WE'LL FIND OUT.

390
00:23:37,582 --> 00:23:40,919
[background chatter]

391
00:23:53,365 --> 00:23:57,669
[elevator beeps]

392
00:23:57,702 --> 00:23:59,771
GENTLEMEN.

393
00:24:12,350 --> 00:24:17,055
WHY DOES SOMEONE
JOIN THE LOYALISTS?

394
00:24:17,088 --> 00:24:21,359
PAIN.

395
00:24:26,832 --> 00:24:30,902
THERE WERE RESISTANCE FIGHTERS

396
00:24:30,936 --> 00:24:32,604
NEAR MY BUILDING.

397
00:24:32,637 --> 00:24:35,207
THEY WERE GONNA BLOW UP
A CITY BUS

398
00:24:35,240 --> 00:24:38,210
FULL OF THEM.
INVADERS.

399
00:24:38,243 --> 00:24:41,146
MY CHILDREN
WERE OUTSIDE.

400
00:24:41,179 --> 00:24:43,982
ONE OF THEM
WAS KILLED.

401
00:24:44,015 --> 00:24:46,952
MYLDT BOY.

402
00:24:46,985 --> 00:24:50,155
I'M SORRY.

403
00:24:50,188 --> 00:24:54,059
I KNOW SOMETHING
ABOUT LOSING A CHILD.

404
00:24:56,394 --> 00:25:00,232
SO,
AFTER THAT MOMENT,

405
00:25:00,265 --> 00:25:03,668
I JUST WANTED
TO BE SAFE.

406
00:25:03,702 --> 00:25:07,272
YOU KNOW, I WAS ANGRY
AT THE RESISTANCE

407
00:25:09,307 --> 00:25:13,612
IT'S HOPELESS.

408
00:25:13,645 --> 00:25:15,614
I DO TH JOB.

409
00:25:17,382 --> 00:25:19,951
THEY GIVE US
A SAFE PLACE TO LIVE,

410
00:25:19,985 --> 00:25:22,354
GET TAKEN CARE OF,
THEY LOOK AFR US.

411
00:25:22,387 --> 00:25:27,259
AND I DON'T HAVE
TO WORRY,

412
00:25:27,292 --> 00:25:29,261
AT LEA ABOUT MY BOY.

413
00:25:32,597 --> 00:25:35,934
I' NEVER UNDERSTAND
YOU PEOPLE.

414
00:25:35,967 --> 00:25:38,637
YOU CAN'T WIN.

415
00:25:38,670 --> 00:25:40,906
THE WORLD WOULD BE
A MUCH SAF PLACE

416
00:25:40,939 --> 00:25:44,676
IF YOU JUST STOPPED TRYING
TO FIGHT THEM.

417
00:26:09,434 --> 00:26:12,571
WHAT'S MANFRETTI DOING
IN BUILDING FOUR?

418
00:26:12,604 --> 00:26:14,472
<i>THAT'S NOT HIS SECTOR.</i>

419
00:26:14,506 --> 00:26:17,976
MANFRETTI,
COME IN, OVER.

420
00:26:22,347 --> 00:26:23,882
<i>MANFRETTI?</i>

421
00:26:23,915 --> 00:26:26,952
ANSWER IT.

422
00:26:26,985 --> 00:26:29,054
WE HAD AN AGREENT.

423
00:26:29,087 --> 00:26:31,623
NOW ANSWER IT.

424
00:26:31,656 --> 00:26:35,527
HEY, THERE.
WHAT'S UP?

425
00:26:35,560 --> 00:26:37,762
THE HELL YOU DOING ACCESSING
THE MEDICAL SCIENCE WING?

426
00:26:37,796 --> 00:26:40,098
<i>YOU'RE SUPPOSED TO BE</i>
<i>IN SECTOR SEVEN.</i>

427
00:26:40,131 --> 00:26:42,901
TELL THEM THAT YOU NEEDED
TO CHANGE A FUSE.

428
00:26:42,934 --> 00:26:45,270
A FUSE BLEW.

429
00:26:45,303 --> 00:26:46,671
I WENT TO FIX IT.

430
00:26:46,688 --> 00:26:49,674
SINCE WHEN DOES SECURITY
CHANGE FUSES?

431
00:26:49,708 --> 00:26:52,711
<i>WHO ASKED YOU TO DO THAT?</i>

432
00:27:02,721 --> 00:27:05,523
NUMBER 19.

433
00:27:07,592 --> 00:27:09,260
BIG GUY 19,
REALLY?

434
00:27:09,294 --> 00:27:12,397
YEAH.
REALLY.

435
00:27:16,835 --> 00:27:19,638
<i>AND GET BACK</i>
<i>CHANGE YTO YOUR POST.SE</i>

436
00:27:25,777 --> 00:27:27,779
[beeps, clicks]

437
00:27:37,589 --> 00:27:40,325
YOU KNEW
IF THEY WENT TO THAT AREA

438
00:27:40,358 --> 00:27:41,426
THEY WOULDN'T BE CLEARED.

439
00:27:41,443 --> 00:27:42,994
NO, I DIDN'T.

440
00:27:43,028 --> 00:27:48,166
I'VE NEVER BEEN ANYWHERE
I WASN'T SUPPOSED TO BE.

441
00:28:07,218 --> 00:28:10,989
<i>(Etta)</i>
<i>SIMON.</i>

442
00:28:25,537 --> 00:28:27,772
ETTA?

443
00:28:27,806 --> 00:28:30,175
ETTA, NO, NO,
STOP, STOP.

444
00:28:30,208 --> 00:28:32,544
WHAT ARE YOU DOING?
WE HAVE TO KEEP ON MOVING.

445
00:28:32,577 --> 00:28:34,612
THINK OF THE TAPE.
THINK ABOUT WHAT'S ON IT.

446
00:28:34,646 --> 00:28:36,247
THINK ABOUT YOUR FUTURE.

447
00:28:36,281 --> 00:28:38,149
THERE WILL BE A TIME
FOR VENGEANCE

448
00:28:38,183 --> 00:28:39,551
AND A TIME FOR GRIEVING,
BUT IT IS NOT NOW.

449
00:28:39,584 --> 00:28:42,153
STOP.
STOP.

450
00:28:48,460 --> 00:28:51,463
THEY'LL PAY
FOR WHAT THEY'VE DONE.

451
00:28:51,496 --> 00:28:54,632
I PROMISE.

452
00:29:04,025 --> 00:29:07,128
<i>(Manfretti)</i>
<i>DO YOU REALLY THINK YOU CAN WIN?</i>

453
00:29:13,501 --> 00:29:18,807
WELL, WE HAVE TO WIN.

454
00:29:18,840 --> 00:29:22,577
SO THAT ALL THE PEOPLE
THAT DIED, INCLUDING YOUR SON,

455
00:29:22,594 --> 00:29:24,879
DIDN'T DIE FOR NOTHING.

456
00:29:47,735 --> 00:29:50,438
NOW.

457
00:29:52,173 --> 00:29:53,174
[music playing]

458
00:29:53,208 --> 00:29:54,776
LET THERE BE LIGHT.

459
00:29:54,809 --> 00:29:57,145
<i>(Astrid)</i>
<i>WALTER, WE HAVE TO TURN THEM OFF</i>

460
00:29:57,178 --> 00:29:59,113
OR SOMEONE COULD SEE US.

461
00:29:59,147 --> 00:30:02,817
WAIT.
LET'S SEE IF THIS STILL WORKS.

462
00:30:02,851 --> 00:30:05,253
[music turns off]
YES.

463
00:30:07,956 --> 00:30:10,258
YOU READY?
YEAH.

464
00:30:21,803 --> 00:30:24,839
[grunts]

465
00:30:24,873 --> 00:30:26,207
INVIGORATING.

466
00:30:26,241 --> 00:30:28,476
YOU WANT A GO?

467
00:30:55,270 --> 00:30:57,906
PETER?

468
00:30:57,939 --> 00:31:01,342
WHAT HAPPENED?

469
00:31:08,082 --> 00:31:11,185
[door shuts]

470
00:31:11,219 --> 00:31:13,488
<i>ETTA.</i>

471
00:31:13,521 --> 00:31:17,926
I'M REALLY SORRY
ABOUT AGENT FOSTER.

472
00:31:17,959 --> 00:31:20,628
FREEDOM S ITS COSTS.

473
00:31:20,662 --> 00:31:22,096
SIMON KNEW THAT.
GET UP.

474
00:31:22,130 --> 00:31:24,699
YOU'RE TRAVELING.

475
00:31:32,073 --> 00:31:33,775
WHERE ARE YOU TAKING HIM?

476
00:31:33,808 --> 00:31:35,743
HE'S USELESS
TO US NOW.

477
00:31:35,743 --> 00:31:37,211
I'M TURNING HIM OVER
TO THE RESISTANCE.

478
00:31:37,245 --> 00:31:40,615
<i>(Olivia)</i>
<i>HE SAYS</i>HE'S USELESS <i>NO ONE EVER COMES BACK.</i>US NOW.

479
00:31:40,648 --> 00:31:42,216
AND RESISTANCE FIGHTERS
DON'T COME BACK

480
00:31:42,233 --> 00:31:44,352
WHEN THEY'RE TAKEN IN
BY LOYALISTS.

481
00:31:44,385 --> 00:31:46,154
HQ WILL GET WHATEVER ELSE
THEY CAN FROM HIM

482
00:31:46,187 --> 00:31:48,323
<i>AND DISPOSE OF HIM,</i>
<i>AND THE WORLD WILL BE</i>

483
00:31:48,356 --> 00:31:50,191
<i>A TINY BIT SAFER.</i>

484
00:31:50,224 --> 00:31:51,726
<i>(Olivia)</i>
<i>LOOK, I KNOW YOU'RE UPSET RIGHT NOW,</i>

485
00:31:51,759 --> 00:31:53,962
<i>BUT HE DID GIVE US</i>
<i>THE CODE.</i>

486
00:31:53,995 --> 00:31:54,963
YEAH, OF COURSE HE DID.

487
00:31:54,996 --> 00:31:56,397
IT'S NATURAL HUMAN INSTINCT.

488
00:31:56,431 --> 00:31:59,901
TO LIVE AS LONG
AS POSSIBLE.

489
00:31:59,934 --> 00:32:02,337
IT'S THE SAME QUALITY
THEY USE

490
00:32:02,370 --> 00:32:04,405
TO TURN US
INTO SLAVES.

491
00:32:04,439 --> 00:32:07,909
HE JOINED THEM
IN ORDER TO PROTECT

492
00:32:07,942 --> 00:32:10,311
WHAT WAS LEFT OF HIS FAMILY,
YOU KNOW, HIS SON.

493
00:32:10,345 --> 00:32:11,779
HE'S A LIAR.

494
00:32:11,813 --> 00:32:14,315
<i>THAT'S WHAT THEY'RE TRAINED</i>
<i>TO DO.</i>

495
00:32:14,349 --> 00:32:16,851
HE HAS NO SON.

496
00:32:16,884 --> 00:32:20,188
HE GAVE YOU THE CODE BECAUSE HE
SAW IN YOUR ES WEAKNESS.

497
00:32:20,221 --> 00:32:23,524
HE SAW IN YOUR EYES
THAT YOU CLD BE MANIPULATED,

498
00:32:23,558 --> 00:32:27,962
THAT MAYBE, MAYBE HE COULD
CONVINCEOUO LET HIM GO.

499
00:32:31,499 --> 00:32:34,102
BUT THAT'S NOT GONNA HAPPEN,
SWEETHEART.

500
00:32:38,806 --> 00:32:40,308
ETTA,

501
00:32:40,341 --> 00:32:41,843
<i>I UNDERSTAND</i>
<i>HOW HURT YOU MUST BE.</i>

502
00:32:41,876 --> 00:32:44,646
YOU DON'T KNOW MY WORLD.

503
00:32:52,854 --> 00:32:55,523
YOU'RE RIGHT.

504
00:32:55,623 --> 00:32:57,959
I DON'T KNOW
YOUR WORLD.

505
00:33:00,161 --> 00:33:02,864
BUT I HAD HOPED
FOR YOU THAT,

506
00:33:02,897 --> 00:33:04,799
WHEREVER YOU WERE,

507
00:33:04,832 --> 00:33:08,036
YOU WEREN'T HARDEDBY WHAT HAD H.

508
00:33:10,838 --> 00:33:12,940
AND IT'S NOT THAT I DON'T SEE

509
00:33:12,974 --> 00:33:16,244
WHAT THE OBSERVERS
VE BROUGHT, I DO.

510
00:33:16,277 --> 00:33:18,079
T WHAT CONCERNS ME MORE

511
00:33:18,112 --> 00:33:21,182
IS WHAT THEY'VE TAKEN AWAY.

512
00:33:25,153 --> 00:33:26,688
THIS IS THE WORLD.

513
00:33:26,721 --> 00:33:29,824
IT IS WHAT IT IS.

514
00:33:31,693 --> 00:33:33,561
DON'T MOVE.

515
00:33:33,594 --> 00:33:37,999
[door opens
and shuts]

516
00:33:44,272 --> 00:33:46,908
143 DUNSTABLE STREET.

517
00:33:46,941 --> 00:33:50,712
NUMBER SEVEN.

518
00:33:50,745 --> 00:33:56,084
HIS NAME IS OSCAR.

519
00:34:03,257 --> 00:34:05,326
I KEEP MY WORD.

520
00:34:05,359 --> 00:34:08,663
I KNOW YOU DO.

521
00:34:16,104 --> 00:34:18,840
WALTER.

522
00:34:18,873 --> 00:34:21,876
I NEED A SEDATIVE.
[murmurs]

523
00:34:21,909 --> 00:34:24,912
THAT CAN BE ARRANGED.

524
00:34:24,946 --> 00:34:28,082
[door opens]

525
00:34:31,085 --> 00:34:32,553
THAT'S A COMM DEVICE.

526
00:34:32,587 --> 00:34:34,689
IF WALTER NEEDS ANYTHING ELSE
FOR THE LASER,

527
00:34:34,722 --> 00:34:37,358
I'LL BE ABLE
TO GET IT FOR HIM.

528
00:34:58,780 --> 00:35:00,948
THERE YOU ARE.

529
00:35:47,061 --> 00:35:50,731
YOU DON'T HAVE A SON,
DO YOU?

530
00:35:53,034 --> 00:35:55,236
NO.

531
00:36:00,675 --> 00:36:04,879
I WAS HOPING,
RIGHT UP UNTIL THE LAST MINUTE,

532
00:36:04,912 --> 00:36:08,449
THAT SHE COULD SOMEHOW
CONVINCE YOU.

533
00:36:12,854 --> 00:36:17,024
YOU WERE RIGHT ABOUT ME.

534
00:36:18,826 --> 00:36:23,431
I BECAME A LOYALIST

535
00:36:23,464 --> 00:36:26,601
BECAUSE I'M A COWARD.

536
00:36:35,376 --> 00:36:37,778
GET OUT OF HERE.

537
00:37:07,108 --> 00:37:10,311
I'M GONNA FIGHT.

538
00:37:10,344 --> 00:37:12,480
FOR THE RESISTANCE.
I WANT YOU TO KNOW THAT.

539
00:37:12,513 --> 00:37:14,815
YOU DON'T HAVE
TO LIE ANYMORE.

540
00:37:14,849 --> 00:37:15,917
I ALREADY LET YOU GO.

541
00:37:15,950 --> 00:37:17,151
WELL, THAT'S
WHY THIS TIME

542
00:37:17,184 --> 00:37:21,155
I'M HOPING
YOU BELIEVE ME.

543
00:37:21,188 --> 00:37:23,024
I MEAN,
THIS CAN COME IN USEFUL.

544
00:37:23,057 --> 00:37:24,959
THERE AREN'T
MANY RESISTANCE FIGHTERS

545
00:37:24,992 --> 00:37:27,628
WITH AN ACTIVE TAT I.D.

546
00:37:27,662 --> 00:37:33,634
<i>YOU SAID I SAW SOMETHING</i>
<i>IN HER EYES.</i>

547
00:37:33,668 --> 00:37:37,371
YOU WERE RIGHT.

548
00:37:37,405 --> 00:37:42,843
THERE WAS A CERTAINTY

549
00:37:42,877 --> 00:37:44,145
THAT I'VE NEVER SEEN BEFORE,

550
00:37:44,178 --> 00:37:46,514
AND I DON'T KNOW
HOW TO EXPLAIN IT

551
00:37:46,547 --> 00:37:50,751
OTHER THAN TO SAY
I FELT...

552
00:37:50,785 --> 00:37:54,355
FOR THE FIRST TIME

553
00:37:54,388 --> 00:37:57,591
THAT WE WERE SUPPOSED
TO WIN.

554
00:38:05,833 --> 00:38:09,203
WHY ARE YOU LETTING ME LIVE?

555
00:38:13,040 --> 00:38:18,813
SOMETHING THAT I SAW
IN HER EYES AS WELL.

556
00:38:18,846 --> 00:38:22,083
PITY.

557
00:38:22,116 --> 00:38:25,586
PITY FOR WHO?

558
00:38:28,789 --> 00:38:31,392
FOR ALL OF US.

559
00:38:42,570 --> 00:38:45,673
GOT IT.

560
00:38:49,643 --> 00:38:51,545
IT LOOKSIKE THE HEAT
FROM THE LASER

561
00:38:51,579 --> 00:38:53,614
MIGHT HAVE DAMAGED
THE PVC.

562
00:38:53,647 --> 00:38:56,117
IT MIGHT HAVE DAMAGED
THE TAPE.

563
00:38:56,150 --> 00:38:58,519
I TOLD YOU
WE SHOULD HAVE GONE SLOWER.

564
00:39:10,498 --> 00:39:12,166
WHOEVER YOU ARE,

565
00:39:12,199 --> 00:39:13,734
<i>IF YOU FOUND THIS TAPE,</i>

566
00:39:13,768 --> 00:39:16,937
<i>YOU'VE RETRIEVED IT</i>
<i>FROM AMBER.</i>

567
00:39:16,971 --> 00:39:19,940
IF YOU ARE WATCHING THIS,
THEN YOU KNOW VERY WELL

568
00:39:19,974 --> 00:39:21,809
THAT THE OBSERVERS
HAVE INVADED.

569
00:39:21,842 --> 00:39:24,578
<i>I AM MOST PROBABLY DEAD,</i>

570
00:39:24,612 --> 00:39:27,648
AND UNFORTUNATELY MY PLAN
TO STOP THEM HAS FAILED.

571
00:39:27,681 --> 00:39:29,817
<i>I HAVE DOCUMENTED</i>
<i>ALL THE PARTS OF THELAN</i>

572
00:39:29,850 --> 00:39:31,018
<i>ON VIDEOTAPES.</i>

573
00:39:31,052 --> 00:39:32,787
<i>YOU MUST RECOVER EACH TAPE</i>

574
00:39:32,820 --> 00:39:35,523
<i>AND FOLLOW THE INSTRUCTIONS</i>
<i>ON EACH OF THOSE TAPES</i>

575
00:39:35,556 --> 00:39:38,526
<i>TO RETRIEVE ALL THE PARTS</i>
<i>OF THE PLAN.</i>

576
00:39:38,559 --> 00:39:40,061
ONCE YOU DO SO,

577
00:39:40,094 --> 00:39:42,363
WHAT YOU NEED TO DO
WILL BE CLEAR TO YOU.

578
00:39:42,396 --> 00:39:44,031
IF SUCCESSFUL,

579
00:39:44,065 --> 00:39:46,400
THIS PLAN WILL RESTORE US

580
00:39:46,434 --> 00:39:50,638
AND RID THE WORLD
OF THE OBSERVERS.

581
00:39:54,575 --> 00:39:56,310
YOU WERE CHOSEN
FOR THIS.

582
00:39:56,343 --> 00:40:00,314
<i>THIS IS YOUR DESTINY.</i>

583
00:40:00,347 --> 00:40:01,682
I UNDERSTAND
IF YOU'RE FRIGHTENED.

584
00:40:01,715 --> 00:40:04,452
IT WILL NOT BE EASY,
BUT I TRUST

585
00:40:04,485 --> 00:40:06,654
THAT THE SAME WILL
THAT BROUGHT YOU HERE

586
00:40:06,687 --> 00:40:08,689
WILL KEEP YOU GOING.

587
00:40:08,722 --> 00:40:10,324
IT--

588
00:40:17,331 --> 00:40:20,534
<i>GENTLE, PETER.</i>
[comm device beeps]

589
00:40:46,227 --> 00:40:49,029
I'M ON MY WAY BACK.

590
00:40:53,167 --> 00:40:56,504
OKAY.

591
00:40:56,537 --> 00:40:58,239
<i>(Peter)</i>
<i>HERE WE GO.</i>

592
00:41:00,608 --> 00:41:02,143
BUT I TRUST

593
00:41:02,176 --> 00:41:05,112
THAT THE SAME WILL
THAT BROUGHT YOU HERE

594
00:41:05,146 --> 00:41:07,214
WILL KEEP YOU GOING.

595
00:41:07,248 --> 00:41:11,085
IT IS IMPORTANT
THAT YOU FOLLOW THE TAPES.

596
00:41:11,118 --> 00:41:15,990
YOMUST BEGIN
THIS JOURNEY RIGHT AWAY.

597
00:41:16,023 --> 00:41:19,393
YOU ARE HUMANITY'S ONLY HOPE.

598
00:41:21,195 --> 00:41:19,393
<i>NOW YOU MUST RETRIEVE</i>
<i>THE FIRST TAPE.</i>

