Recent Scholarship
Music
Hamessley, Lydia, “Within Sight: Three-Dimensional Perspectives on Women and Banjos in the Late Nineteenth Century,” Nineteenth-Century Music, 31 (Fall 2007), 131–63.
Adler, Ayden Wren, “‘Classical music for people who hate classical music’: Arthur Fiedler and the Boston Pops, 1930–1950” (University of Rochester, 2007). Order No. DA3260196.
Devlin, Michelle Poland, “The Contributions of Tommy Pederson (1920–1998) to Trombone Performance and Literature in the Twentieth Century: A Lecture Recital and Document” (University of North Carolina, Greensboro, 2007). Order No. DA3259681.
Farrah, Scott David, “Signifyin(g): A Semiotic Analysis of Symphonic Works by William Grant Still, William Levi Dawson, and Florence B. Price” (Florida State University, 2007). Order No. DA3263789.
Garvey, Francis Joseph, “The Culmination of a Lifetime’s Search for Expression. Charles T. Griffes’s Piano Sonata: Performing an American Masterpiece” (University of California, Los Angeles, 2006). Order No. DA3257255.
Handel, Greg Alan, “The Augustana College Department of Music, 1921–1973: A History” (Arizona State University, 2007). Order No. DA3258098.
Hillman-McCord, Jessica, “From the Shtetl to 42nd Street: Nostalgia and Postmemory in Jewish American Musicals, 1961–Today” (University of Colorado at Boulder, 2007). Order No. DA3256432.
Holly, Janice E., “Irving Lowens and the ‘Washington Star’: The Vision, the Demise” (University of Maryland, College Park, 2007). Order No. DA3260409.
Judd, Andrew David, “Joseph Milford Nicholson (b. 1935): Pioneer Trombone Historian” (University of North Carolina, Greensboro, 2007). Order No. DA3259688.
Meyer, Jon C., “Bandleaders, Musicians, and Directors from Eastern Wisconsin, 1880–1980” (University of Wisconsin, Madison, 2007).
O’Meara, Caroline Polk, “New York Noise: Music in the PostIindustrial City, 1978–1985” (University of California, Los Angeles, 2006). Order No. DA3251443.
Paul, David Christopher, “Converging Paths to the Canon: Charles Ives, Gustav Mahler, and American Culture” (University of California, Berkeley, 2006). Order No. DA3254021.
Steele, Charlie William, “Selected Late Twentieth-Century Organ Settings of Five Shape Note Hymn Tunes Based on William Walker’s ‘Southern Harmony’ (1854)” (University of Kentucky, 2007). Order No. DA3259190.
Stimeling, Travis David, “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968–1978” (University of North Carolina, Chapel Hill, 2007). Order No. DA3262647.
Van Aken, Kellee Rene, “Race and Gender in the Broadway Chorus” (University of Pittsburgh, 2006). Order No. DA3255756.
Miller, Kiri, Traveling Home: Sacred Harp Singing and American Pluralism. (Urbana: University of Illinois Press, 2008. xx, 245 pp. $45.00, isbn 978-0-252-03214-1.)
Solis, Gabriel, Monk’s Music: Thelonious Monk and Jazz History in the Making. (Berkeley: University of California Press, 2008. xii, 239 pp. Cloth, $55.00, isbn 978-0-520-25200-4. Paper, $21.95, isbn 978-0-520-25201-1.)
For more citations in this and other categories, please consult Recent Scholarship Online.
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