Recent Scholarship
Music
Briley, Ronald, “‘Woody Sez’: Woody Guthrie, The People’s Daily World, and Indigenous Radicalism,” California History, 84 (Fall 2006), 30–43; 69–70. Heavily illustrated.
Burke, Patrick, “Oasis of Swing: The Onyx Club, Jazz, and White Masculinity in the Early 1930s,” American Music, 24 (Fall 2006), 320–46.
Graham, Sandra, “On the Road to Freedom: The Contracts of the Fisk Jubilee Singers,” American Music, 24 (Spring 2006), 1–29.
Koegel, John, “Adolf Philipp and Ethnic Musical Comedy in New York’s Little Germany,” American Music, 24 (Fall 2006), 269–319.
Koegel, John, “Mexican Musicians in California and the United States, 1910–50,” California History, 84 (Fall 2006), 6–29; 64–69. Heavily illustrated.
Mitchell, Gillian A. M., “Visions of Diversity: Cultural Pluralism and the Nation in the Folk Music Revival Movement of the United States and Canada, 1958–65,” Journal of American Studies (Cambridge), 40 (Dec. 2006), 593–614.
Nystrom, Eric C., “Miner, Minstrel, Memory: Or, Why the Smithsonian Has Bill Keating’s Pants,” Pennsylvania Magazine of History and Biography, 131 (Jan. 2007), 81–101. Heavily illustrated.
Pacun, David, “‘Thus we cultivate our own world, and thus we share it with others’: Kósçak Yamada’s Visit to the United States in 1918–1919,” American Music, 24 (Spring 2006), 67–94.
Smith, Chris, “Going to the Nation: The Idea of Oklahoma in Early Blues Recordings,” Popular Music (Cambridge), 26 (Jan. 2007), 83–96.
Warfield, Patrick, “Making the Band: The Formation of John Philip Sousa’s Ensemble,” American Music, 24 (Spring 2006), 30–66.
Braggs, Rashida Kamilah, “‘American’ Jazz: Traversing Race and Nation in Postwar France” (Northwestern University, 2006). Order No. DA3213043.
Brown, Deloris Wallace Bennett, “The Founding and Evolution of a School for the Boys Choir of Harlem: Choir Academy of Harlem” (Fordham University, 2006). Order No. DA3210260.
Bushard, Anthony J., “Fear and Loathing in Hollywood: Representations of Fear, Paranoia, and Individuality vs. Conformity in Selected Film Music of the 1950s” (University of Kansas, 2006). Order No. DA3212001.
Flory, Jonathan Andrew, “I Hear a Symphony: Making Music at Motown, 1959–1979” (University of North Carolina, Chapel Hill, 2006). Order No. DA3212464.
Garber, Michael G., “Reflexive Songs in the American Musical, 1898 to 1947” (City University of New York, 2006). Order No. DA3213167.
Preston, Keith Y., “William Francis McBeth (b. 1933): Composer, Conducter, Music Educator” (Arizona State University, 2006). Order No. DA3210200.
Rinnert, Nathan, “A History of the Bands at the Teachers’ School in Mansfield, Pennsylvania, 1871–1971” (University of Miami, 2006). Order No. DA3215277.
Smith, Chris, 100 Albums That Changed Popular Music: A Reference Guide. (Westport: Greenwood, 2007. xxii, 277 pp. $65.00, isbn 0-313-33825-6.)
Townsend, Peter, Pearl Harbor Jazz: Change in Popular Music in the Early 1940s. (Jackson: University Press of Mississippi, 2007. x, 256 pp. $50.00, isbn 978-1-57806-924-8.)
For more citations in this and other categories, please consult Recent Scholarship Online.
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