ALTHOUGH NOT EXACTLY THE SAME ASSIGNMENT AS YOU HAVE BEEN
GIVEN THIS TERM, THIS PAPER, A DOCUMENT ANALYSIS FROM AN HST202 COURSE IS AN
EXAMPLE OF AN ÒAÓ PAPER.
A Historical Analysis of
ÒIncidents in the Life of a Slave GirlÓ
by Harriet Jacobs
At
the time it was published in 1861, ÒIncidents in the Life of a Slave GirlÓ was
only one of the many slave narratives that fanned the flames of the
abolitionist movement. JacobÕs story was unique as it addressed a fact of life
for many household slaves that had not previously been openly discussed: the
sexual abuse suffered at the hands of their white masters.
HarrietÕs
story goes into detail about the circumstances of her life in slavery,
particularly her Master, Dr.FlintÕs sexual advances and the great lengths to
which she went to avoid him. She relates the fear of having her every movement
watched, by both her Mistress and Master. The Mistress watched her with
jealousy and hatred, knowing the truth of her husbandÕs rape and abuse of the
slaves of the house. Harriet reports that her Master fathered 11 slave children
that she knew of. Generally, after the slave womanÕs pregnancy became obvious,
he would sell them of at auction to be rid of them. Harriet was absolutely
determined to escape the fate that so many others before her lived.
The
story of her escape is an amazing account of perseverance and hope. She lived
in a tiny, airless space, unable to stand up, in utter darkness, freezing in
winter and broiling in summer, for nearly seven years to finally win her
freedom. After she was smuggled to
New York, she worked as a servant in the home of the Willis. She was no longer
treated like a slave, but as a person with a life and thoughts of her own. In
1852, Mrs. Willis bought her freedom from the descendants of Dr. and Mrs.
Flint, who were still trying to recapture her and return her to slavery; an
attempt which was made legal by the Fugitive Slave Act of 1850. Of her freedom,
Jacobs writes: ÒI well know the value of a piece of paper: but much as I love
freedom, I do not like to look upon it. I am deeply grateful to the generous
friend who procured it, but I despise the miscreant who demanded payment for
what never rightfully belonged to him or his.Ó(Heath Anthology 859)
JacobsÕs narrative
joined several other slave narratives to give another perspective on life in
slavery. Until Harriet Beecher StoweÕs Uncle TomÕs Cabin, there were few
if any slave narratives by women. A black man, though it was rare, could win
his freedom and go on to write; but with the limited opportunities for all
women of that time, it was far less likely that a slave woman would find the
freedom to write. Harriet JacobsÕs
story was the first to deal directly with the sexual abuse suffered by slaves
at the hands of their Masters, and their Mistresses who either looked the other
way or blamed the slaves for tempting the men.
As with all
personal histories, there is a question of the historical value, as they are
almost inevitably biased to the views of the author. In the Heath Anthology introduction to JacobsÕs story, Jean
Fagan Yellin, a historian with Pace University writes: ÒBoth the preface that
Jacobs signed and the introduction her editor Lydia Maria Child supplied make
clear that Incidents was written for an audience of free white women and that
its purpose was to involve these women in political action against the institution
of chattel slavery.Ó (Heath
Anthology 842) According to the letters she wrote at the time, JacobsÕs
motivation for writing the story for publication was to influence and gain more
support for the abolitionist movement.(Heath Anthology 842)
It wouldnÕt be fair or just to say that
any life history that is put on paper with a purpose beyond mere sharing is too
biased to be relied upon for historical accuracy. At its core, the study of
history is the study of human perspective on various events. So the question
becomes: Did Harriet Jacobs change her Òtrue storyÓ to fit the needs of the
abolitionist community?
The sophistication
of some of the language in the story suggests that she had a great deal of help
in the writing of it. For example, she relates that as a teenager, she was
teaching herself to read and write. Yet, in her story she writes ÒFinding her
expostulation unavailing, she sent Ellen to entreat me.Ó (Heath Anthology 858)
This is the language of a well educated person, not a slave girl that taught
herself to read and write. Even if she had received education later in life
from a friend or employer, it seems unlikely that she would come up with such
language on her own. Yet it is
presented as hers, which raises the question of how much outside influence was
exerted on the story itself.
On the other hand,
she doesnÕt shy away from her happy childhood as a slave, nor does she claim to
have been beaten or treated ill. She writes ÒI had always been kindly treated,
and tenderly cared for, until I came into the hands of Dr. Flint. I had never
wished for freedom till then. But though my life in slavery was comparatively
devoid of hardships, God pity the woman who is compelled to live such a life.Ó
(Heath Anthology 853) Her story focuses on the sexual harassment, sexual abuse
and the tribulations of her escape. Ashamed as she was of some of the choices
she made to escape the clutches of Dr. Flint and eventually win her freedom,
she was reluctant to write her story for publication.
Although all
historical information is filtered through the values and motives of those
doing the telling, some of the sources will be less biased than others. Harriet JacobsÕs story was shocking at
the time because while it was well known that slaves were used sexually, and even
bred for more slaves, (whom their father/masters often had no qualms about
selling off) it had not been written about in such a personal way. As her
readers are drawn into her story, they feel her fear and rage and
helplessness-- and ultimately her determination to get out, whatever the
cost.
As eloquently as
it was written, itÕs likely that she had some help with the structure and
wording. Ultimately though, Harriet JacobsÕs story is probably as true as any
story can be that was written by the one who lived through it. For the story to
be acceptable for publication and effective at garnering sympathy, it would
have to be written so the audience could relate to the language. Therefore any
help that she had in the writing is understandable, and was necessary to assure
it would be accepted.
Cite Sources:
Jacobs, Harriet. excerpts from ÒIncidents
in the Life of a Slave GirlÓ in the Heath Anthology of
American
Literature, ed. Paul Lautner (Boston, New York: Houghton Mifflin Company,
2004)
841-60.